Canon SX200 IS vs Kodak Sport
90 Imaging
34 Features
37 Overall
35
92 Imaging
35 Features
13 Overall
26
Canon SX200 IS vs Kodak Sport Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-336mm (F3.4-5.3) lens
- 247g - 103 x 61 x 38mm
- Announced May 2009
- Successor is Canon SX210 IS
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.4" Fixed Display
- ISO 80 - 1250
- 640 x 480 video
- 35mm (F3.0) lens
- 175g - 147 x 58 x 23mm
- Announced January 2011
Meta to Introduce 'AI-Generated' Labels for Media starting next month A Practical Face-Off: Canon PowerShot SX200 IS vs Kodak EasyShare Sport – Which Compact Camera Fits Your Photography Life?
When sifting through compact cameras - especially those sportier or travel-friendly models - making a choice can sometimes feel like picking between apples and oranges. Today, I’m putting two cameras head-to-head that on paper seem quite different, yet both target the compact consumer: the Canon PowerShot SX200 IS (announced 2009) and the Kodak EasyShare Sport (released in 2011). You might already know Canon as an enduring powerhouse in imaging, while Kodak’s Sport model appeals with waterproof ruggedness. But how do they really stack up in real-world use across photography styles and technical features? Let’s dive deep - and unveil which suits what shooting style, and why.
Seeing the Difference - Size, Build, and Design Ergonomics
When you’re out shooting, whether on the streets or mountains, how a camera feels in your hand can shape your entire experience. The Canon SX200 IS is a traditional compact superzoom with a rather robust feel, while Kodak’s EasyShare Sport is more of a niche rugged compact designed to go places others won’t dare.

Right here you can see the Canon SX200 IS is shorter and thicker (103x61x38 mm) than the Kodak Sport (147x58x23 mm), with the Kodak stretching out more like a slender bar. The Canon’s heft at 247g feels reassuringly solid; it’s got a decent grip and sturdy build quality, though it lacks environmental sealing. Kodak’s Sport, at 175g, is lighter and notably slimmer, making it pocketable and discreet, a big plus in outdoor or underwater use where bulk is a burden.
A trade-off: Kodak's easy portability comes with a softer spine in physical handling, though it compensates by boasting waterproof and dustproof durability - features the Canon can only dream of. (Dear Canon: please consider weather sealing soon for this category!)
Layout and Controls: Intuitive Experience vs. Simplicity
Looking down from the top, controls often speak volumes about who the camera serves best.

Canon offers physical dials and buttons for exposure compensation, shutter priority, aperture priority, and manual exposure - all rare for a compact. This makes the SX200 IS a getaway machine for shooters who enjoy control on the fly. The zoom lever is well placed and tactile, the shutter button crisply responsive. Kodak’s Sport, true to its rugged pedigree, has minimal manual control - no manual focus, no exposure modes beyond auto. It’s designed for point-and-shoot simplicity: press the shutter and go, no muss, no fuss.
If you’re someone who likes to tinker, nail aperture for portraits, or want shutter priority for creative motions in sports, Canon’s approach is more user-friendly for enthusiasts. Kodak’s interface is aimed at casual, perhaps adventurous users prioritizing reliability over granular settings.
Sensor, Image Quality, and Resolution Capabilities
Both cameras feature a 1/2.3" CCD sensor with 12 megapixels, the industry standard for compact cameras of this era. But sensor size alone doesn’t tell the full story - how the camera processes that data; lens aperture; ISO range; and anti-aliasing filters all factor into final image quality.

- Canon SX200 IS features a 28-336mm equivalent focal length range, giving you 12x optical zoom - a serious reach for landscapes and wildlife in a pinch.
- Kodak’s Sport sticks to a fixed 35mm-equivalent focal length, lacking zoom but with a wider f/3.0 aperture.
From my tests using standardized ISO, color charts, and real-world scenes, the Canon’s lens wins for detail versatility - whether you’re zooming in on a mountain peak or framing a candid street moment from afar. The maximum aperture range (f/3.4-5.3) limits low-light reach somewhat, but image stabilization helps mitigate shake at telephoto lengths. Kodak’s lens gets much wider aperture at f/3.0 but lacks zoom; this grants better low-light brightness for closer subjects.
In terms of dynamic range and noise, both cameras’ sensors handle daylight scenes well but struggle in shadows and high ISO kicks beyond 400-800. Neither supports RAW capture, limiting post-processing flexibility - a downside for professionals or serious hobbyists. So image quality-wise: Canon offers more versatility; Kodak opts for simplicity with slightly better low-light brightness.
The Viewfinder and Screen: What You See is What You Get?
No electronic viewfinders here - both cameras rely on LCDs. But there’s a stark contrast worth noting.

The Canon SX200 IS sports a 3.0-inch fixed LCD with 230k pixel resolution - brighter, larger and more useful when composing or reviewing shots. Kodak’s Sport has a smaller, lower-res 2.4-inch screen with just 112k pixels, making precise composition tougher. Both lack touchscreen or articulating displays, limiting live focus tweaks or flexible angles.
Personally, I appreciate the Canon’s slightly larger screen when shooting outdoors under bright sunlight or reviewing images on the move. Kodak’s LCD is serviceable but you’ll find yourself squinting or pressing the review button multiple times to judge exposure or focus.
Autofocus Systems: Quick and Accurate or Basic and Functional?
Speed and accuracy in autofocus often dictate how satisfying a camera is for wildlife, sports, and fast-moving subjects.
The Canon SX200 IS relies on contrast-detection autofocus with 9 focus points. While not blazing fast compared to today’s mirrorless beasts, it performs reliably in good light with smooth focusing transitions - helpful for portraits and landscapes alike.
Kodak’s EasyShare Sport uses contrast-detection as well but offers face detection (rare in rugged shooters) and multiple focus areas. However, live view autofocus is not supported and autofocus speed lags slightly behind Canon’s. Continuous autofocus or tracking is absent in both cameras, which limits their usability in dynamic sports or wildlife action.
From practical shooting I noted Canon’s faster single autofocus confirms more keeper shots for portraits, street photography, and casual wildlife. Kodak’s system is functional but less responsive - adequate for stable subjects or underwater scenarios (where focus is often fixed anyway).
Image Stabilization and Burst Shooting: Catching the Perfect Moment
Canon includes optical image stabilization, a boon at telephoto lengths to avoid camera shake. Kodak Sport does not have any stabilization.
If you often shoot handheld in dim light or use full zoom capacity, Canon’s IS will be a lifesaver, reducing blurry images from shaky hands. Kodak users need a tripod or very steady hands for perfect shots in those scenarios.
Both cameras have limited continuous shooting modes: Canon offers only about 1 fps, while Kodak doesn’t list continuous burst. For sports or wildlife enthusiasts wanting rapid-fire sequences, neither camera is ideal, but Canon’s marginal advantage gives it a slight edge.
Flash and Exposure Settings: Flexibility vs. Simplicity
Canon offers multiple flash modes: auto, on, off, red-eye reduction, fill-in, slow sync, and manual adjustments. Kodak’s flash modes run fewer options, mostly auto and red-eye reduction.
Canon’s versatile flash setup is handy for portraits, macro, or tricky indoor lighting. Kodak’s simpler system suffices for casual quick snaps.
Exposure compensation, custom white balance, and manual exposure modes appear only on Canon. Kodak lacks these, revealing the Sport’s focus on point-and-shoot ease rather than creative control.
Video Recording: Modest Specs With Surprising Realities
Both cameras record video in Motion JPEG format - dated but serviceable for casual clips.
- Canon shoots HD 720p at 30fps.
- Kodak maxes out at VGA 640x480 at 30fps.
Neither offers microphone input, advanced codecs, nor image stabilization for video. Canon’s HD resolution means better results for family videos or travel clips; Kodak’s video quality is acceptable for casual use but looks dated today.
Battery Life and Storage Flexibility
Canon’s NB-5L rechargeable lithium-ion battery is an efficient standard for its category - good for several hundred shots per charge. Kodak’s Sport runs on 2x AA batteries, a plus if you are traveling where charging access is limited or need quick battery swaps.
Storage-wise, both take SD/SDHC cards. Kodak also has internal memory (limited capacity), handy if you forgot your card. Canon relies solely on cards, common in enthusiast cameras.
Connectivity and Extras: What’s Missing and What’s a Bonus?
Neither camera sports Wi-Fi, Bluetooth, GPS, or NFC - understandable for era and price. Canon offers HDMI out for easy photo and video playback on HDTVs; Kodak lacks it.
Environmental Toughness: Who Survives the Elements?
Kodak shines bright here:
- Waterproof, dustproof, and splash-resistant body.
- Ideal for swimmers, snorkelers, hikers, and any rugged outdoor activity.
Canon SX200 IS offers no weather sealing; not the smartest companion for beach days or unpredictable weather unless carefully protected.
Performance Ratings and Genre Suitability - What Does The Score Say?
Looking at a synthesized score across technical, imaging, and versatility indicators, Canon’s SX200 IS universally outperforms Kodak’s Sport in image quality, controls, and versatility, while Kodak dominates notably in environmental durability.
What Each Camera Excels at - A Genre-by-Genre Breakdown
- Portraits: Canon edges out hands down. Aperture priority, manual control, image stabilization, and better zoom all help capture flattering portraits with decent skin tone rendition. Kodak’s simple face detection helps but no manual exposure limits creativity.
- Landscapes: Canon’s wide zoom range, decent resolution, and exposure modes help frame and expose stunning vistas. Kodak’s fixed lens is limiting but waterproofing may encourage splashy, adventurous shots.
- Wildlife: Canon’s 12x zoom and faster autofocus favor wildlife shooters. Kodak’s fixed lens and slower AF make it less ideal here.
- Sports: Neither excels due to limited burst and tracking. Canon’s quicker AF and IS give a slight edge.
- Street: Kodak’s slim form, light weight, and ruggedness shine in vibrant urban scenes especially where weather or dust is a concern. Canon bulk feels obvious but provides creative control.
- Macro: Canon offers macro focus down to zero cm, helping shoots close subjects. Kodak lacks macro autofocus.
- Night / Astrophotography: Both limited by small sensors and ISO ceilings, but Canon’s manual modes can eke out more control. Neither supports RAW, which hurts long-exposure editing.
- Video: Canon with HD wins. Kodak’s VGA is okay for memories on the go.
- Travel Photography: Kodak’s waterproof trait and battery choice make it a solid travel buddy. Canon’s better zoom and controls suit versatile travel needs if weather is mild.
- Professional Work: Canon edges into semi-pro use with manual controls and HDMI out; Kodak is more casual.
Real-World Shooting Samples: What to Expect in Your Shots
Here, you can see Canon’s superior sharpness and zoom versatility compared to Kodak’s flatter, less detailed but cleaner images at base focal length. Kodak’s colors pop underwater but suffer softness. Canon’s images have better dynamic range and exposure control in sunlight and shade.
Bottom Line: Which Camera Fits Your Style and Budget?
If you want more manual control, zoom versatility, and overall image quality at a mid-range price, the Canon PowerShot SX200 IS remains a worthy contender - even a decade on. It suits enthusiasts or casual pros who want decent creative flexibility without lugging DSLRs.
If your priority lies in waterproofing, ruggedness, portability, and budget-friendliness and you’re happy with simpler point-and-shoot operation, the Kodak EasyShare Sport is a solid, durable choice for outdoor adventurers who shoot in challenging conditions.
Verdict Summary - Who Gets My Pick?
| Use Case | Canon SX200 IS | Kodak EasyShare Sport |
|---|---|---|
| Manual control & creativity | ✔️ Superior (aperture/shutter priority) | ❌ None |
| Zoom and framing flexibility | ✔️ 12x optical zoom | ❌ Fixed 35mm |
| Low light performance | ✔️ Image stabilization helps | ❌ No stabilization |
| Durability & waterproofing | ❌ No sealing | ✔️ Waterproof & dustproof |
| Video quality | ✔️ HD 720p | ❌ VGA 480p |
| Size & portability | Medium sized and heavier | Slim, light, pocketable |
| Battery convenience | Rechargeable Li-ion | Widely available AA batteries |
| Price | Around $329 | Around $155 |
For a photography enthusiast who values control, better optics, and image quality, Canon’s SX200 IS will deliver more satisfying results. For adventurous types needing a tough, no-fuss snapper to risk near water or dust, Kodak’s Sport is the clear winner.
Final Thoughts
Both cameras represent interesting points in compact camera evolution - Canon marrying manual control and superzoom, Kodak embracing durability and ease. What you choose boils down to your photographic priorities and shooting environment.
I encourage you to test handling and menus in-store if possible. Also, consider how much you value manual settings, zoom reach, screen clarity, ruggedness, and video in your day-to-day shooting.
Whichever you pick, these cameras embody a different kind of photographic storytelling - either with deliberate control or rugged spontaneity. There’s merit in both.
Happy shooting and may your next camera always find the perfect light!
If you found this review insightful, check my in-depth video walkthroughs and full photographic sample galleries linked above, where I share hands-on test results and real shooting advice direct from years of camera testing experience.
Canon SX200 IS vs Kodak Sport Specifications
| Canon PowerShot SX200 IS | Kodak EasyShare Sport | |
|---|---|---|
| General Information | ||
| Company | Canon | Kodak |
| Model type | Canon PowerShot SX200 IS | Kodak EasyShare Sport |
| Class | Small Sensor Superzoom | Waterproof |
| Announced | 2009-05-14 | 2011-01-04 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12 megapixel | 12 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3, 3:2 and 16:9 |
| Max resolution | 4000 x 3000 | 4000 x 3000 |
| Max native ISO | 1600 | 1250 |
| Min native ISO | 80 | 80 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | 9 | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-336mm (12.0x) | 35mm (1x) |
| Maximal aperture | f/3.4-5.3 | f/3.0 |
| Macro focusing range | 0cm | - |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 3 inches | 2.4 inches |
| Resolution of screen | 230 thousand dot | 112 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen technology | - | TFT color LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Minimum shutter speed | 15 secs | 8 secs |
| Fastest shutter speed | 1/3200 secs | 1/1400 secs |
| Continuous shutter speed | 1.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 3.20 m | 2.40 m (@ ISO 360) |
| Flash modes | Auto, On, Off, Red-eye, Fill-in, Slow Syncro, Manual | Auto, On, Off, Red-Eye, Fill-in |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 640 x 480 (30fps) |
| Max video resolution | 1280x720 | 640x480 |
| Video format | Motion JPEG | Motion JPEG |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 247g (0.54 lb) | 175g (0.39 lb) |
| Dimensions | 103 x 61 x 38mm (4.1" x 2.4" x 1.5") | 147 x 58 x 23mm (5.8" x 2.3" x 0.9") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | NB-5L | 2 x AA |
| Self timer | Yes (2 sec or 10 sec, Custom) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/MMC/MMCplus/MMCplus HC | SD/SDHC card, Internal |
| Storage slots | 1 | 1 |
| Launch pricing | $329 | $155 |