Canon SX200 IS vs Panasonic FZ150
90 Imaging
34 Features
37 Overall
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67 Imaging
35 Features
57 Overall
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Canon SX200 IS vs Panasonic FZ150 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-336mm (F3.4-5.3) lens
- 247g - 103 x 61 x 38mm
- Released May 2009
- Updated by Canon SX210 IS
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8-5.2) lens
- 528g - 124 x 82 x 92mm
- Revealed April 2012
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Canon SX200 IS vs Panasonic FZ150: A Hands-On Comparison for Serious Superzoom Shoppers
Choosing the right superzoom camera means balancing your photography priorities across image quality, zoom versatility, ease of use, and shooting modes. Today, we pit two well-regarded fixed-lens zoom cameras - the Canon PowerShot SX200 IS (launched in 2009) and the Panasonic Lumix DMC-FZ150 (released in 2012) - against each other, drawing from extensive real-world testing to help you find the best fit.
Both cameras target enthusiasts seeking an all-in-one bridge solution with substantial zoom reach, but their specifications and performance show significant differences. This deep-dive comparison covers everything from sensor tech and autofocus to portrait, wildlife, landscape, video, and more. Let’s get started.
Eyeing the Physical Presence: Design and Ergonomics
Before you even fire up the cameras, how they feel in your hands can impact your shooting experience - especially in handheld superzoom photography, which often involves changing focal lengths and shooting on the move.
| Feature | Canon SX200 IS | Panasonic FZ150 |
|---|---|---|
| Body Type | Compact | SLR-like (bridge) |
| Dimensions (WxHxD mm) | 103 x 61 x 38 | 124 x 82 x 92 |
| Weight | 247 g | 528 g |
| Grip | Small, pocketable | Deep textured grip, DSLR-style |
| Lens Zoom Range (optical) | 12x (28-336 mm equiv.) | 24x (25-600 mm equiv.) |
Resolving these physical distinctions visually gives a clearer idea:

The Canon SX200 IS is decidedly compact and lightweight, easily slipping into a jacket pocket or small bag, appealing to casual shooters or travelers who prize portability. Conversely, the Panasonic FZ150 adopts a heftier, DSLR-style body with a pronounced grip, better suited for extended handheld use, especially at long telephoto focal lengths where stability is crucial.
The distributed weight and solid chassis of the FZ150 inspire greater handling confidence, crucial for wildlife and sports photography where steady shooting at 600mm is something you’ll want. The Canon, while nimble, may feel less balanced at full zoom due to its smaller grip.
In short: If you want an ultra-portable superzoom, Canon wins. If you prioritize stability and control for longer telephoto applications, Panasonic holds the edge.
Mastering Controls: Top-View Design and Interface
Responsive controls and interface layout significantly affect workflow and shooting speed - two things enthusiasts and pros care deeply about.

The Canon SX200 IS features a streamlined top dial and a minimal button layout. Simplicity works well here for casual use, but the lack of extensive physical controls means you might navigate through menus for many settings, slowing quick adjustments.
The Panasonic FZ150, by contrast, packs a more professional layout:
- Mode dial with easy access to manual priorities
- Dedicated exposure compensation dial - rare in this segment
- Separate ISO button and control dials
The FZ150 gives seasoned users fast tactile control, facilitating spontaneous changes during dynamic scenes like wildlife or sports.
Both cameras include a 3.0" rear screen, but Panasonic’s is fully articulated with double the resolution (460k vs 230k) and touchless live view options for precise composition.
Sensor and Image Quality: A Technical Face-Off
The heart of any camera is its sensor, dictating resolution, low-light prowess, dynamic range, and overall image fidelity.
| Spec | Canon SX200 IS | Panasonic FZ150 |
|---|---|---|
| Sensor Type | CCD | CMOS |
| Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1/2.3" (6.17 x 4.55 mm) |
| Effective Resolution | 12 MP | 12 MP |
| Native ISO Range | 80 – 1600 | 100 – 6400 |
| RAW Support | No | Yes |
| DxOMark Overall Score | Not Tested | 40 |
| DxOMark Color Depth | Not Tested | 19.4 bits |
| DxOMark Dynamic Range | Not Tested | 10.9 EV |
| DxOMark Low-Light ISO | Not Tested | ISO 132 |

Both cameras share the same sensor size and megapixel count, but Panasonic’s FZ150 uses a more modern CMOS sensor with higher ISO sensitivity and RAW file support. In practice, this means you’ll get:
- Better low-light shooting capabilities from the FZ150 - useful for indoor, night, and astro photography.
- Greater post-processing flexibility with RAW files on Panasonic.
- Superior dynamic range and color depth preserving details in shadows and highlights.
- The Canon SX200 IS’s CCD sensor still delivers decent images in good light but struggles at higher ISOs, resulting in noticeable noise.
Our Take: Panasonic’s sensor delivers more professional-grade image quality potential, especially vital if you want to extensively edit photos or shoot in challenging lighting. Canon’s is good for daylight and casual use.
Autofocus and Shooting Speed: Tracking Your Subjects
Autofocus (AF) speed and accuracy are critical for various disciplines, from portraits to wildlife and sports.
| Feature | Canon SX200 IS | Panasonic FZ150 |
|---|---|---|
| AF System | Contrast-detection, 9 points | Contrast-detection, 23 points |
| AF Modes | Single AF | Single AF |
| Continuous AF | No | No |
| Continuous Shooting | 1 fps | 12 fps |
Despite their fixed lenses, the commercials of these cameras differ significantly in focus agility. The Canon’s AF is limited compared to modern standards - focusing occasionally feels sluggish, especially in low light or tracking moving subjects.
In contrast, the Panasonic FZ150’s 23 AF points cover a larger area, providing more focus options. While there’s no continuous AF tracking, the facilitated area and faster contrast-detection autofocus result in snappier lock-on times. The star here is Panasonic’s 12 fps continuous shooting rate, a major advantage for catching fast action or decisive moments.
Practical Implication at a Glance:
- Wildlife and sports shooters will appreciate Panasonic’s quick burst speeds and broader focus coverage for faster subject acquisition.
- For portraits or street, where subjects are often static or slow-moving, Canon’s AF may suffice but lacks finesse.
Exploring Specialties: Photography Genres
Portrait Photography
Portraits demand smooth skin tones, natural bokeh, and eye detection.
- Canon SX200 IS: The fixed 12x zoom lens with f/3.4-5.3 aperture delivers acceptable background separation at the telephoto end but struggles to produce creamy bokeh due to small sensor and slower lens. No face or eye detection autofocus is available, limiting precision focusing on eyes.
- Panasonic FZ150: Slightly faster aperture at f/2.8-5.2 and superior autofocus points provide better subject isolation. No face detection, but better AF responsiveness helps nail focus on eyes with practice.
Landscape Photography
Key factors: dynamic range, resolution, weather sealing.
- Both share 12MP sensors with similar resolution, but Panasonic’s CMOS sensor offers better dynamic range, preserving details in skies and shadows.
- Neither camera offers weather sealing - both need protection against elements.
- Panasonic’s articulating screen helps compose creative angles in nature.
Wildlife Photography
Predictably a domain where Panasonic shines:
- 24x zoom range (25-600mm eq.) doubles Canon’s reach.
- Faster continuous shooting at 12 fps vs Canon’s 1 fps.
- More AF points improve focus tracking.
- Articulated screen and larger body assist with stability.
Sports Photography
Speed and tracking define this genre:
- Panasonic’s higher frame rate and better AF coverage are clear winners.
- Canon’s slow burst hurts chances of nailing fast action.
Street Photography
You need discreetness, portability, and quick autofocus.
- Canon’s smaller form factor is ideal for unobtrusive shooting.
- Panasonic’s larger size might be more intimidating, but the articulated screen and faster lens are pluses.
- Both cameras lack silent shutter modes.
Macro Photography
- Panasonic’s macro focus to 1 cm vs Canon’s “0 cm” claimed macro - practically Panasonic offers more flexibility and tighter close-ups.
- Optical stabilization in both aids handheld shooting.
Night and Astrophotography
- Panasonic’s higher max ISO (6400) and better noise performance facilitate low-light and astro photography.
- Canon’s max ISO 1600 and noisier CCD sensor limit potential.
- Neither camera offers bulb modes for long exposures.
Video Capabilities
| Feature | Canon SX200 IS | Panasonic FZ150 |
|---|---|---|
| Max Video Resolution | 1280 x 720 @ 30 fps | 1920 x 1080 (HD) @ 60 fps |
| Video Formats | Motion JPEG | MPEG-4, AVCHD, Motion JPEG |
| Microphone Input | No | Yes |
| Stabilization | Optical | Optical |
Panasonic’s FZ150 delivers more versatile video options with Full HD 1080p at 60 fps, catering well to vlogging and videography. The external mic input enables better sound capture, a vital feature missing on Canon.
Travel Photography
- Canon’s compact size and light weight make it an excellent travel companion.
- Panasonic’s bigger zoom, articulated screen, and superior battery life cater to travelers seeking multi-style shooting versatility.
Viewing Your Shots: Rear Screen and Viewfinder
Screen quality and viewfinder presence influence composition comfort.

- Canon’s 3" fixed screen with 230k pixels is adequate but less sharp and less versatile.
- Panasonic’s 3" fully articulated 460k screen facilitates shooting from awkward angles.
- The FZ150 includes a 100% coverage electronic viewfinder; Canon lacks one altogether. This is a key advantage for bright outdoor shooting where rear screen visibility suffers.
Sample Image Quality Comparison
To illustrate real-world image output differences, here are side-by-side samples from both cameras under varied lighting conditions including landscape, portrait, and wildlife (zoomed).
Highlights:
- Panasonic exhibits richer color depth and cleaner shadows.
- Canon samples show slight softness and increased noise in low light.
- Detail retention at full zoom is visibly higher on Panasonic.
Overall Performance Scores and Final Synopsis
We synthesized test results and user experience into summarized overall performance indices.
Panasonic FZ150 scores notably higher in all categories, especially in dynamic range, autofocus, continuous shooting, and video capabilities. Canon SX200 IS remains a competent choice for casual users or budget buyers prioritizing portability.
Matching Cameras to Photography Types and Preferences
Here’s a quick glance at how each camera scores across key photography types:
| Photography Type | Canon SX200 IS | Panasonic FZ150 |
|---|---|---|
| Portrait | Adequate | Better |
| Landscape | Good | Better |
| Wildlife | Limited | Excellent |
| Sports | Poor | Very Good |
| Street | Excellent | Good |
| Macro | Basic | Good |
| Night/Astro | Limited | Good |
| Video | Basic HD | Full HD + External Mic |
| Travel | Excellent | Very Good |
| Professional Work | Limited | Good |
In-Depth Technical and Practical Considerations
- Build Quality: Both cameras lack rugged weather sealing; treat with care in harsh climates.
- Battery Life: Panasonic’s rated 410 shots per charge outperforms Canon’s unknown but generally lower endurance.
- Lens Ecosystem: Both fixed lens - no interchangeable options.
- Connectivity: Neither offers wireless options; both have HDMI and USB 2.0 ports.
- Storage: Panasonic supports SDXC cards; Canon limited to SDHC.
Which Should You Choose?
-
Go for the Canon SX200 IS if:
- You want a lightweight, pocketable superzoom.
- Budget is a major constraint.
- You prioritize simplicity for casual shooting.
- Video is not your main concern.
-
Choose Panasonic FZ150 if:
- You want an all-in-one camera with DSLR handling.
- You shoot wildlife, sports, or fast action.
- Video quality and external audio input matter.
- You want better image quality with RAW shooting.
- You value a long zoom reach and stable handling.
Both models remain relevant for entry-level enthusiasts, but the Panasonic FZ150’s modern features make it closer to a bridge camera that can serve advanced hobbyists seeking versatility before stepping into interchangeable lens systems.
Final Thoughts: Balancing Your Creative Journey
Understanding your shooting style is key. The SX200 IS encourages casual fun and travel convenience with reasonable zoom and image quality. The FZ150 rewards commitment with its advanced controls, superior sensor, and fast performance.
If you’re starting or upgrading today, I recommend hands-on handling of both cameras to feel the ergonomics and try image capture firsthand. Pay attention to image sharpness, zoom reach, video quality, and how intuitive the controls feel as you shoot your favorite subjects.
For accessories, the Panasonic benefits from external microphones and better battery longevity, so investing in spare batteries and a quality mic can extend its capability.
Explore Further
- Check out comprehensive sample galleries and user reviews on photography forums
- Pair your camera with trusted superzoom tripods or monopods for steady shots
- Experiment with manual modes to unlock full creative control
- Consider how firmware updates or third-party RAW processing might enhance your workflow
Through measured comparisons and real-world insights, we hope this guide clarifies which camera aligns with your aspirations. Both Canon SX200 IS and Panasonic FZ150 have their place in photography’s diverse landscape, ready to help you capture moments in your unique style.
Happy shooting!
Canon SX200 IS vs Panasonic FZ150 Specifications
| Canon PowerShot SX200 IS | Panasonic Lumix DMC-FZ150 | |
|---|---|---|
| General Information | ||
| Brand Name | Canon | Panasonic |
| Model | Canon PowerShot SX200 IS | Panasonic Lumix DMC-FZ150 |
| Type | Small Sensor Superzoom | Small Sensor Superzoom |
| Released | 2009-05-14 | 2012-04-11 |
| Physical type | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12 megapixels | 12 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Maximum resolution | 4000 x 3000 | 4000 x 3000 |
| Maximum native ISO | 1600 | 6400 |
| Min native ISO | 80 | 100 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 9 | 23 |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-336mm (12.0x) | 25-600mm (24.0x) |
| Maximum aperture | f/3.4-5.3 | f/2.8-5.2 |
| Macro focus range | 0cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fully Articulated |
| Screen size | 3 inches | 3 inches |
| Screen resolution | 230k dots | 460k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder coverage | - | 100 percent |
| Features | ||
| Slowest shutter speed | 15 seconds | 30 seconds |
| Maximum shutter speed | 1/3200 seconds | 1/2000 seconds |
| Continuous shooting rate | 1.0fps | 12.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 3.20 m | 9.50 m |
| Flash options | Auto, On, Off, Red-eye, Fill-in, Slow Syncro, Manual | Auto, On, Off, Red-eye, Slow Sync |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) |
| Maximum video resolution | 1280x720 | 1920x1080 |
| Video data format | Motion JPEG | MPEG-4, AVCHD, Motion JPEG |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 247 gr (0.54 lbs) | 528 gr (1.16 lbs) |
| Dimensions | 103 x 61 x 38mm (4.1" x 2.4" x 1.5") | 124 x 82 x 92mm (4.9" x 3.2" x 3.6") |
| DXO scores | ||
| DXO All around score | not tested | 40 |
| DXO Color Depth score | not tested | 19.4 |
| DXO Dynamic range score | not tested | 10.9 |
| DXO Low light score | not tested | 132 |
| Other | ||
| Battery life | - | 410 images |
| Battery style | - | Battery Pack |
| Battery model | NB-5L | - |
| Self timer | Yes (2 sec or 10 sec, Custom) | Yes (2 or 10 sec, 10 sec (3 pictures)) |
| Time lapse feature | ||
| Storage type | SD/SDHC/MMC/MMCplus/MMCplus HC | SD/SDHC/SDXC, Internal |
| Card slots | One | One |
| Price at launch | $329 | $499 |