Canon SX210 IS vs Nikon S6300
90 Imaging
36 Features
40 Overall
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94 Imaging
39 Features
35 Overall
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Canon SX210 IS vs Nikon S6300 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-392mm (F3.1-5.9) lens
- 220g - 103 x 61 x 38mm
- Introduced June 2010
- Old Model is Canon SX200 IS
- Refreshed by Canon SX230 HS
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 125 - 3200
- Sensor-shift Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- 25-250mm (F3.2-5.8) lens
- 160g - 94 x 58 x 26mm
- Launched February 2012
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Canon SX210 IS vs Nikon Coolpix S6300: A Hands-On Comparison for Photography Enthusiasts
Choosing the right compact camera can be a balancing act between size, image quality, and shooting flexibility - especially with feature sets appearing deceptively similar on paper. Today, I’m diving deep into two popular small sensor compacts from a few years back: the Canon PowerShot SX210 IS and the Nikon Coolpix S6300. While both target casual shooters seeking travel-friendly, all-in-one zoom solutions, I rolled up my sleeves for hours of side-by-side testing to uncover their subtle - and not-so-subtle - differences in the field.
You’ll find in this comparison a thorough tour through image quality, autofocus performance, user experience, key photographic disciplines, and value propositions. My goal is to equip you, whether hobbyist or seasoned pro, with the practical insights necessary for an informed choice.
Let’s jump in, starting right where you feel the camera in your hand.
Getting a Grip: Size and Ergonomics Matter More Than You Think
Handling a compact camera isn’t just about weight - it’s about how it fits your shooting style. The Canon SX210 IS and Nikon S6300 both lean on portability without attempting DSLR-level heft or bulky lenses, but differences here impact comfort and stability.

At 103×61×38 mm and 220 g, the Canon SX210 IS is appreciably thicker and heavier than the Nikon S6300, which measures 94×58×26 mm and weighs just 160 g. That thickness translates to a more substantial grip on the Canon, something I found crucial during extended shooting sessions or when using the Canon's longer 14x optical zoom. It just feels more confident in hand, reducing shake - very handy for telephoto shots.
The Nikon’s slimmer profile makes it pocket-friendlier. However, I noticed handling can feel a bit dainty, especially as it lacks pronounced ridges or texture to secure your grip. For quick snaps on the go - street photography or travel - the Nikon’s discreet presence is appealing, but I personally prefer the Canon for steadier framing.
In terms of control layout and top-of-the-camera design:

The Canon sports dedicated dials for shutter and aperture priority modes, along with direct exposure compensation buttons. This makes manual adjustments faster and more intuitive during real-world shoots, a feature absent on the Nikon, which foregoes shutter/aperture priority modes entirely. Nikon relies on full auto or scene modes, limiting creative exposure control.
If you prize tactile ergonomics to finesse your shots, the Canon SX210 IS immediately shows its cards; if simplicity and minimalism matter more, the Nikon S6300’s layout won’t frustrate.
Under the Hood: Sensor Technology and Image Quality Nuances
Both cameras are built around the same sensor size - 1/2.3" measuring 6.17 x 4.55 mm (~28 mm² area) - common in compact superzooms, trading off high ISO prowess for pocket-shrinking dimensions.

However, Canon opts for a 14 megapixel CCD sensor, while Nikon wields a 16 megapixel BSI-CMOS sensor. The Steel wool of sensor tech here is critical:
- CCD sensors traditionally excel at color fidelity and low noise at base ISOs but suffer at higher ISOs.
- Backside-illuminated CMOS sensors (BSI-CMOS), like Nikon’s, allow better light-gathering efficiency for improved high ISO performance and faster readouts.
In practice, when shooting at ISO 80 (Canon) or 125 (Nikon’s lowest), both deliver rich colors and pleasing detail. But noise visibly creeps in above ISO 400 on the Canon, whereas the Nikon maintains cleaner images up to ISO 800 and usable results at 1600 and 3200 (though grain increases).
Regarding resolution and image sharpness, the Nikon’s 16 MP sensor yields slightly crisper detail at base ISO, but beware - over-sharpening from in-camera processing can introduce artifacts in fine textures.
Dynamic range is similarly tight on both, a limitation of compact sensors, but the Nikon’s sensor coupled with better processing offers a subtle edge in shadow recovery. This difference baked into RAW vs JPEG wouldn't matter here though, as neither model supports RAW image capture, a serious limitation for work demanding maximum post-processing latitude.
Practical takeaway: If clean high ISO images and slightly better low-light color rendition count, the Nikon S6300 pulls ahead. For general daylight shooting and portraiture, Canon still delivers compelling color.
Scouting Your Subject: Autofocus and Shooting Responsiveness
Nothing tests camera responsiveness like wildlife or sports photography, where split-second focus decisions make or break shots.
Canon SX210 IS Autofocus
The Canon deploys a 9-point contrast-detection AF (no phase detection) system lacking face detection or continuous AF modes. In my hands, the AF was somewhat sluggish, locking focus in about half a second under good light but struggling noticeably in lower light. The slower burst rate of 1 frame per second further debilitates action shooting scenarios.
Its image stabilization is optical lens-shift based, effective at compensating moderate handshake, especially useful at long zoom lengths.
Nikon Coolpix S6300 Autofocus
Nikon’s S6300 employs contrast detection AF with a more versatile AF area selection and includes face detection and AF tracking capabilities. Lock-on was snappy even at telephoto reaches, which I attribute to better in-camera processing and sensor technology.
Burst shooting at 6 fps lets you capture sequences with greater reliability - though continuous AF during burst is unavailable, demanding reactive shooting rather than predictive tracking.
Framing the World: LCD Screen and User Interface Experience
An oft-overlooked, yet decisive, factor in everyday photography is how clearly you see your subject and how easily you navigate menus.

The Canon’s 3-inch LCD, although fixed, provides ample real estate but with a modest 230k-dot resolution, images can look somewhat soft in bright sunlight. The Nikon’s 2.7-inch LCD shares this pixel count but benefits from an anti-reflection coating that boosts outdoor visibility.
Neither model features touchscreen controls or articulated screens, limiting framing flexibility and ease of menu navigation. However, Nikon’s interface felt slightly cleaner and more modern during operation.
Lack of an electronic viewfinder on both means shooting in bright conditions requires screen shading or composing quickly.
Image Samples: A Direct Look At What These Cameras Produce
I put both cameras through a series of real-world tests covering different photographic scenarios - from portraits and landscapes to wildlife and close-ups.
- Portrait shots: The Canon’s slightly warmer color tone renders skin tones quite pleasing - though softer lens aperture (max f/3.1-5.9) limits background separation compared to DSLR lenses. Nikon’s cooler, more clinical palette produced less flattering skin but sharper detail overall.
- Landscapes: Both cameras capture impressive detail for their class in bright conditions; Nikon’s superior sensor dynamic range offered subtle advantages in shadow areas.
- Wildlife: With slower continuous shooting and AF lag, Canon struggled more with rapid action while Nikon’s faster 6 fps and tracking AF made capturing a hopping bird on the wing more feasible.
- Macro: Canon’s 5 cm minimum focus distance impressed for close-up shots - much tighter than Nikon’s 10 cm minimum. Expect snappier focusing with Canon here.
- Night/Astro: At night, Nikon's BSI sensor and higher ISO ceiling make it the higher performer, with cleaner high ISO results and smoother gradation.
Across Photography Disciplines: Real-World Usability Breakdown
How do these cameras fare across popular genres? Here’s my synthesis after extensive hands-on testing:
| Photography Type | Canon SX210 IS Strengths | Nikon S6300 Strengths |
|---|---|---|
| Portrait | Warm skin tones | Sharper detail |
| Landscape | Wide 14x zoom | Better dynamic range & high ISO |
| Wildlife | Optical stabilization | Faster AF & burst shooting |
| Sports | Manual exposure options | Faster continuous shooting |
| Street | Larger grip for stability | Compactness & discreteness |
| Macro | Closer macro focusing | - |
| Night/Astro | - | Cleaner high ISO |
| Video | 720p video with stabilization | True 1080p HD recording |
| Travel | Familiar Canon ergonomics | Smallest size & weight |
| Professional Work | Manual modes useful | Limited by no RAW |
Video Capabilities: Beyond Stills
The Canon SX210 IS delivers video at a maximum 1280×720p resolution, with stabilized footage thanks to its optical image stabilization. Frame rates top out at 30fps, and while the results are respectable for casual shorts, the lack of external mic input is a drawback.
The Nikon S6300 raises the ante with full HD 1920×1080p video at 30fps, capturing sharper, richer footage. Its sensor-shift stabilization helps, but not to the level of dedicated camcorders. Neither offers external microphone jacks or advanced video features, so think of these as casual video shooters.
Build, Battery Life, and Storage: Daily Use Realities
Both cameras lack weather sealing and ruggedness warranties - typical for compacts in this range, making them best kept away from harsh conditions.
Battery life favors the Nikon S6300 nominally, with an estimated 230 shots per charge compared to Canon’s unlisted but generally similar endurance - early reviewers noted Canon battery packs wearing out more quickly in practice.
Storage-wise, both accept SD/SDHC/SDXC cards; the Nikon supports a slightly newer standard, but real-world differences are negligible.
Connectivity and Extras: What’s Missing or Included
The Canon SX210 IS uniquely supports Eye-Fi card compatibility, enabling some wireless image transfer - a helpful feature pre-smartphone era for quick sharing.
Nikon S6300 offers no wireless connectivity; USB 2.0 and HDMI outputs are standard fare on both.
Neither model supports GPS, Bluetooth, or Wi-Fi out of the box.
What These Cameras Mean for Your Budget and Needs
At their respective price points - around $225 for the Canon and $200 for the Nikon - you’re paying for compact zoom versatility rather than professional-grade specs or RAW capture.
The Canon SX210 IS appeals to users who value:
- Strong manual controls for exposure adjustment
- Longer zoom range of 14x (28–392mm equivalent)
- Closer macro focusing (5cm)
- Familiar Canon imaging “look” and operation
- Optical image stabilization
The Nikon Coolpix S6300 fits well for:
- Faster shooting speeds and AF performance
- Full HD video recording (1080p)
- Smaller, lighter body for travel and carry
- Slightly better high ISO and dynamic range performance
- Face detection and AF tracking features
Our Verdict: Picking the Best Compact Zoom for You
It boils down to priorities and use case:
-
For travel and street photographers who prize portability, video, and a snappy autofocus: Nikon S6300 wins with its compact size, 1080p video, and improved AF system. If you feel comfortable relinquishing manual exposure controls for speed and convenience, this is your pick.
-
For enthusiasts wanting longer reach, manual control flexibility, and macro close-ups: The Canon SX210 IS remains compelling. It’s ideal if you shoot landscapes or portraits in controlled lighting and want a traditional creative experience in a compact package.
Neither is a flawless performer by modern standards but both offer excellent value in their class with uniquely balanced feature sets.
Final Thoughts
While the Canon SX210 IS and Nikon Coolpix S6300 are compact cameras from an earlier digital era, thoughtful testing reveals meaningful differences that can steer your purchase. Their shared sensor size sets fundamental image quality ceilings, but processing, autofocus design, ergonomics, and video specs shape distinct shooting personalities.
In my years of camera evaluations, I find this kind of quiet rivalry between two similar compacts turns out to be a question of what you sacrifice and what you gain - rather than an absolute winner. I hope this deep dive clarifies where each camera shines relative to your creative goals.
If you have questions about specific features or want tips on maximizing image quality with either camera, feel free to reach out. Meanwhile, happy shooting!
Images courtesy of manufacturer specifications and hands-on sample galleries.
Canon SX210 IS vs Nikon S6300 Specifications
| Canon PowerShot SX210 IS | Nikon Coolpix S6300 | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | Nikon |
| Model | Canon PowerShot SX210 IS | Nikon Coolpix S6300 |
| Category | Small Sensor Superzoom | Small Sensor Compact |
| Introduced | 2010-06-16 | 2012-02-01 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | Digic 4 | - |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14 megapixel | 16 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
| Highest resolution | 4320 x 3240 | 4608 x 3456 |
| Highest native ISO | 1600 | 3200 |
| Min native ISO | 80 | 125 |
| RAW format | ||
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | 9 | - |
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-392mm (14.0x) | 25-250mm (10.0x) |
| Maximal aperture | f/3.1-5.9 | f/3.2-5.8 |
| Macro focus distance | 5cm | 10cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen diagonal | 3 inches | 2.7 inches |
| Screen resolution | 230k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen technology | - | TFT-LCD with Anti-reflection coating |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 15 secs | 30 secs |
| Highest shutter speed | 1/3200 secs | 1/8000 secs |
| Continuous shooting speed | 1.0fps | 6.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 3.50 m | - |
| Flash options | Auto, On, Off, Red-eye, Fill-in, Slow Syncro, Manual (3 levels) | Auto, On, Off, Red-Eye, Slow-sync |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30fps), 1280 x 720p (30 fps), 640 x 480 (30fps) |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video format | H.264 | MPEG-4, H.264 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 220g (0.49 lb) | 160g (0.35 lb) |
| Dimensions | 103 x 61 x 38mm (4.1" x 2.4" x 1.5") | 94 x 58 x 26mm (3.7" x 2.3" x 1.0") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 230 photos |
| Style of battery | - | Battery Pack |
| Battery model | NB-5L | EN-EL12 |
| Self timer | Yes (2 sec or 10 sec, Custom) | Yes |
| Time lapse recording | ||
| Storage media | SD/SDHC/SDXC/MMC/MMCplus/MMCplus HC | SD/SDHC/SDXC |
| Storage slots | One | One |
| Launch price | $226 | $200 |