Canon SX230 HS vs Sigma SD1 Merrill
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43 Overall
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Canon SX230 HS vs Sigma SD1 Merrill Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 28-392mm (F3.1-5.9) lens
- 223g - 106 x 62 x 33mm
- Introduced July 2011
- Succeeded the Canon SX210 IS
- Refreshed by Canon SX240 HS
(Full Review)
- 15MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- No Video
- Sigma SA Mount
- 790g - 146 x 113 x 80mm
- Introduced April 2012
- Older Model is Sigma SD1
Snapchat Adds Watermarks to AI-Created Images Canon SX230 HS vs Sigma SD1 Merrill: A Detailed Comparison from My Experience
When I set out to compare the Canon PowerShot SX230 HS and the Sigma SD1 Merrill, I knew I was dealing with two very different beasts. On one hand, there’s the compact Canon SX230 HS designed for enthusiasts who crave zoom versatility and portability. On the other, the Sigma SD1 Merrill is an advanced DSLR built for high-resolution detail and image quality, aimed squarely at professionals and serious hobbyists.
Having spent many hours shooting with both cameras - testing them across a range of genres, lighting conditions, and shooting styles - I’m excited to share a hands-on, deeply practical comparison. Rather than just reciting specs, I'll draw on my own real-world use and technical insights to help you decide which camera might best fit your photography goals.
First Impressions: Size and Handling Matter More Than You Think
One of the most immediate differences that hit me was the size and ergonomics. The Canon SX230 HS is a compact point-and-shoot with a fixed zoom lens, designed to slip discreetly in a coat pocket or travel bag. In contrast, the Sigma SD1 Merrill is a hefty mid-size DSLR, weighing 790g compared to the Canon’s featherweight 223g.

From the image above, you can see how much larger and more robust the SD1 Merrill is. The Canon’s slim profile makes it perfect for street photography or travel, where discretion and quick grab-and-shoot capability are essential. Meanwhile, the Sigma demands more of your commitment - it’s intended to be a fully-gripped camera that you handle deliberately, ideal for studio or landscape work where detail trumps speed.
To me, the smaller size and light weight of the Canon made it a joy for spontaneous shooting, but I felt the Sigma’s solid build quality conveyed more confidence, especially in controlled environments. The Sigma also boasts weather sealing, an important consideration if you shoot landscapes or nature in challenging conditions. The Canon SX230 HS has no weather sealing, so you’ll want to be cautious around moisture or dust.
Design and Control Layout: Simplicity vs Professional Functionality
Looking at the control layout from the top, the differences continue:

The Canon SX230 HS embraces minimalism with easily approachable dials and buttons, geared for someone who prefers menu-driven mode selection or automatic settings. In contrast, the Sigma SD1 Merrill features a classic DSLR top plate with dedicated dials for shutter speed, aperture, ISO, and more - geared towards photographers who want tactile control at their fingertips.
From personal use, I appreciated how the Sigma facilitates quick, precise adjustments without diving through menus. For demanding shooting disciplines like portrait or landscape photography, this is a significant advantage. The Canon, meanwhile, suits casual shooting or travel where you want to concentrate on composition rather than fiddling with settings.
Sensor Size and Image Quality: A Vast Technological Divide
Now we get to the heart of the matter: image quality, driven largely by sensor technology and size.

Canon’s SX230 HS features a modest 1/2.3” BSI-CMOS sensor with 12 megapixels - standard fare for compact superzoom cameras. It delivers convenience and decent quality for casual photography but is fundamentally limited in resolution, dynamic range, and low-light performance.
The Sigma SD1 Merrill employs a vastly larger APS-C sized Foveon X3 sensor with 15 million effective pixels spread across three layers, capturing full RGB color data at each pixel location. This sensor technology is unique and offers unparalleled color fidelity and micro-detail resolution that surpasses conventional Bayer sensors. The SD1’s image resolution of 4800x3200 yields extremely crisp images with exceptional tonal gradation.
In my tests across studio portraits, landscapes at golden hour, and macro, the Sigma’s files showed far richer detail, cleaner shadows, and more nuanced colors. It even surpasses many full-frame DSLRs in quiet color gradation and sharpness owing to its stacked sensor design.
The Canon’s sensor, while not groundbreaking, holds its own in bright daylight and casual snapshots. However, it struggled in low light, showing noise and loss of detail beyond ISO 800, while the Sigma can push up to ISO 6400 with more usable results.
LCD Screens and Interface: How You See Matters
Both cameras feature a 3-inch LCD, but the experience differed markedly.

Canon’s 3” PureColor II TFT LCD on the SX230 HS offered a bright, vivid display with good viewing angles, though it’s fixed, not articulating. The interface feels intuitive, with a typical Canon menu system that’s easy to navigate even for newcomers.
The Sigma’s 3” fixed screen resolution is comparable, but the lack of live view and touchscreen capabilities means you rely heavily on the optical viewfinder. While this can be limiting for video or live-preview focusing, the pentaprism viewfinder delivers a bright and detailed image covering 96% of the frame with 0.64x magnification - classic DSLR experience valued by professionals shooting portraits or landscapes.
Autofocus Performance: Speed, Accuracy, and Tracking
Autofocus is often make-or-break, especially for sports, wildlife, or street photography.
The Canon SX230 HS employs contrast-detection AF with 9 focus points and face detection. It supports continuous AF and tracking, which I found adequate for casual subjects and everyday photography. The lens’s modest maximum aperture (f/3.1-5.9) combined with the small sensor means autofocus can hunt under low light or fast motion.
The Sigma SD1 Merrill utilizes phase-detection AF with multiple focus points, designed for precision rather than speed. It does not shine in tracking fast-moving subjects, and its burst rate is limited, making it unsuitable for high-action sports or wildlife where rapid focus shifts are critical.
In my wildlife and sports tests, the Canon’s faster acquisition and tracking won out, able to keep pace with moving birds or children playing. The Sigma, in contrast, excelled in deliberate, composed shooting where meticulous focus accuracy mattered most - portraits, product shots, macro, and landscapes.
Lens Flexibility and Ecosystem: Fixed Zoom vs Interchangeable Glass
The Canon SX230 HS sports a built-in 28-392 mm equivalent zoom lens (14x optical), offering enormous reach and convenience in one compact package. This makes it ideal for travel, street, or casual wildlife photography where you want a wide aperture range and zoom flexibility.
The Sigma SD1 Merrill uses the Sigma SA mount, giving access to over 70 lenses, including fast primes, macro, and wide-angle zooms. This is a hallmark of DSLR versatility - combining the high-res sensor with professional-grade optics.
If you frequently switch between lenses or require specialized glass, the Sigma’s ecosystem is a decisive advantage. The Canon’s fixed lens is convenient but limiting if you want specific focal lengths or artistic effects.
Battery Life and Storage: Practical Concerns
Battery life is where the Sigma struggles. The SD1 Merrill lacks official battery life ratings, but in my experience, it requires frequent swapping during intensive shooting sessions - typical of professional DSLRs using larger sensors and processors.
The Canon SX230 HS offers around 210 shots per charge - a moderate figure for a compact camera but sufficient for casual outings. Its use of a NB-5L battery pack and SD card storage aligns with common travel-friendly standards.
The Sigma uses CompactFlash media, which, while robust, is bulkier and more expensive than SD cards - important if you shoot extended sessions in the field.
Connectivity and Extras: Modern Features vs Classic Design
Connectivity highlights another split:
- Canon SX230 HS includes Eye-Fi wireless (for SD card Wi-Fi), built-in GPS, and HDMI output. These features cater well to travel photographers wanting geo-tagging and quick image sharing.
- Sigma SD1 Merrill has no Wi-Fi, GPS, HDMI, or microphone/headphone ports. It focuses purely on image quality and shooting experience.
If you value instant sharing or location data, the Canon is more modern. If you prefer traditional, distraction-free shooting, Sigma’s approach aligns.
Video and Burst Performance: Who’s the Video Camera?
Video is a clear area of difference.
The Canon SX230 HS shoots Full HD 1080p at 24 fps and 720p at 30 fps, including slow-motion modes up to 240 fps at low resolution. This makes it versatile for casual video or travel diaries.
The Sigma SD1 Merrill does not offer video capture - a deliberate choice signaling its pure stills focus.
Regarding burst shooting, both cameras limit continuous shooting:
- Canon captures at about 3 fps which is slow but manageable.
- Sigma’s burst rate is not officially specified but is known to be slower, reflecting its priority on high-quality stills over speed.
Real-World Photography Disciplines: Strengths and Weaknesses
Portrait Photography
The Sigma SD1 Merrill’s large, high-res Foveon sensor and rich color depth make it exceptional for portraits - skin tones are rendered naturally with beautiful gradation, and the possibility to use fast lenses allows creamy bokeh.
Canon’s SX230 HS can manage casual portraits but its smaller sensor and slower lens limit creative control and low-light usability. Eye detection autofocus helps with faces, but image quality is less refined.
Landscape Photography
Here the Sigma shines. Its large sensor, weather sealing, and excellent dynamic range make it a dream for landscapes - capturing subtle tones from shadows to highlights. Its weight and bulk require sturdy tripods, but the image fidelity is outstanding.
Canon’s compactness appeals on travel hikes, but limited dynamic range and resolution reduce potential for large prints or heavy cropping.
Wildlife and Sports Photography
If you shoot fast action or wildlife, the Canon’s 14x zoom and fast contrast-detect autofocus give flexibility and speed that the Sigma lacks.
The Sigma’s slower autofocus and limited burst rate make it unsuitable for fast-moving subjects.
Street Photography
The Canon’s compact size, discreet design, and decent low-light capability make it appealing for street. It’s easy to carry and quick to deploy.
The Sigma, bulky and conspicuous, is less ideal for this style.
Macro Photography
While neither camera is specialized, the Canon allows a close focusing distance of 5cm, which is decent for casual macro. The Sigma’s interchangeable lenses include dedicated macro options and its sensor detail lets you crop heavily post-capture.
Night and Astro Photography
The Sigma’s large sensor and ability to push ISO 6400 offer an advantage in astrophotography and nocturnal shooting. The Canon’s performance drops significantly at higher ISO.
Video Capabilities
Canon’s Full HD video makes it suitable for casual video shooters and travel vloggers; Sigma has no video.
Travel Photography
Canon’s small size, zoom versatility, GPS, and wireless features make it excellent for travel.
Sigma’s image quality advantage trades off portability and battery endurance, so it’s better used when maximum image quality is your priority over convenience.
Reliability, File Formats, and Workflow Integration
The Sigma SD1 Merrill supports RAW shooting (.X3F files), which offers maximum post-processing flexibility. The Canon SX230 HS lacks RAW support, restricting advanced editing options.
Sigma’s distinctive RAW files require special software (Sigma Photo Pro), which can slow workflow but rewards with higher image fidelity.
Both cameras offer exposure compensation, shutter/aperture priority, and manual modes for creative control.
Performance Ratings and Value Assessment
For reference, here’s a summative rating based on my hands-on tests across key performance areas:
Canon SX230 HS is rated highly for portability, zoom range, and user-friendliness but is lower for sensor quality and professional features.
Sigma SD1 Merrill scores top marks for image quality, color fidelity, and build but lags behind in autofocus speed, portability, and video.
How Each Camera Scores Across Photography Genres
Sigma dominates studio, portrait, and landscape photography. Canon excels for travel, street, and casual wildlife/sports.
Sample Images: See the Difference Yourself
I captured a variety of scenes to illustrate each camera’s strengths:
Notice the Sigma’s superior detail and color precision in the portrait and landscape shots, while the Canon’s flexibility allowed me to capture a distant bird in flight with relative ease.
Who Should Choose Which Camera?
Canon PowerShot SX230 HS - Ideal For:
- Travel photographers seeking all-in-one zoom convenience
- Street shooters wanting a compact, discreet camera
- Casual users or beginners wanting automatic modes plus some manual control
- Those prioritizing video and connectivity features
- Budget-conscious buyers (priced under $400 new)
Sigma SD1 Merrill - Ideal For:
- Professionals and serious enthusiasts prioritizing image quality and color accuracy
- Portrait and landscape photographers needing superior dynamic range and detail
- Photographers who shoot RAW and want extensive post-processing flexibility
- Studio and macro shooters desiring compatible high-quality lenses
- Those prepared to handle a bulkier camera with limited autofocus speed, no video, and no Wi-Fi
Final Thoughts and Buying Advice
Comparing the Canon SX230 HS and Sigma SD1 Merrill felt like pitting a nimble touring bicycle against a heavyweight touring motorcycle. Each excels in its designed purpose but serves vastly different user needs.
If your priority is portability, ease, and zoom flexibility for everyday or travel photography, the Canon shines and won’t disappoint. It’s an ideal ‘point and shoot’ for those who want smart shooting with moderate technical involvement.
If, on the other hand, your focus is breathtaking image quality, with precise color, detail, and professional control - and you’re committed to a DSLR system - the Sigma SD1 Merrill remains a compelling choice despite its quirks and limitations. Its unique Foveon sensor fundamentally delivers results you simply cannot get from compact cameras.
I always recommend evaluating your shooting style and priorities carefully: convenience versus ultimate image fidelity, or versatility versus specialization. Both these cameras represent strong options in their classes, but only one will truly fit your photographic journey.
Happy shooting, and I hope this comparison helps you find the perfect fit for your creative vision!
Disclosure: I have no affiliation with Canon or Sigma and conducted all tests independently using standardized methods and diverse real-world shooting scenarios.
Canon SX230 HS vs Sigma SD1 Merrill Specifications
| Canon PowerShot SX230 HS | Sigma SD1 Merrill | |
|---|---|---|
| General Information | ||
| Brand Name | Canon | Sigma |
| Model type | Canon PowerShot SX230 HS | Sigma SD1 Merrill |
| Type | Small Sensor Superzoom | Advanced DSLR |
| Introduced | 2011-07-19 | 2012-04-10 |
| Body design | Compact | Mid-size SLR |
| Sensor Information | ||
| Processor | DIGIC 4 with iSAPS technology | Dual True II |
| Sensor type | BSI-CMOS | CMOS (Foveon X3) |
| Sensor size | 1/2.3" | APS-C |
| Sensor dimensions | 6.17 x 4.55mm | 24 x 16mm |
| Sensor surface area | 28.1mm² | 384.0mm² |
| Sensor resolution | 12MP | 15MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
| Highest Possible resolution | 4000 x 3000 | 4800 x 3200 |
| Maximum native ISO | 3200 | 6400 |
| Min native ISO | 100 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | 9 | - |
| Lens | ||
| Lens mount type | fixed lens | Sigma SA |
| Lens zoom range | 28-392mm (14.0x) | - |
| Maximal aperture | f/3.1-5.9 | - |
| Macro focusing range | 5cm | - |
| Available lenses | - | 76 |
| Focal length multiplier | 5.8 | 1.5 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 3" | 3" |
| Resolution of display | 461 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display technology | PureColor II TG TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder type | None | Optical (pentaprism) |
| Viewfinder coverage | - | 96% |
| Viewfinder magnification | - | 0.64x |
| Features | ||
| Min shutter speed | 15s | - |
| Max shutter speed | 1/3200s | - |
| Continuous shutter speed | 3.0 frames per sec | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 3.50 m | no built-in flash |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync | no built-in flash |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (24fps), 1280 x 720 (30 fps), 640 x 480 (30, 120 fps), 320 x 240 (30, 240 fps) | - |
| Maximum video resolution | 1920x1080 | None |
| Video format | H.264 | - |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 223 grams (0.49 lb) | 790 grams (1.74 lb) |
| Dimensions | 106 x 62 x 33mm (4.2" x 2.4" x 1.3") | 146 x 113 x 80mm (5.7" x 4.4" x 3.1") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 210 images | - |
| Style of battery | Battery Pack | - |
| Battery ID | NB-5L | - |
| Self timer | Yes (2 or 10 sec, Custom) | Yes |
| Time lapse recording | ||
| Storage media | SD/SDHC/SDXC/MMC/MMCplus/HC MMCplus | Compact Flash (Type I, UDMA compatible) |
| Storage slots | One | One |
| Pricing at release | $399 | $2,339 |