Canon SX240 HS vs Fujifilm S8100fd
91 Imaging
35 Features
44 Overall
38
75 Imaging
32 Features
26 Overall
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Canon SX240 HS vs Fujifilm S8100fd Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-6.8) lens
- 224g - 106 x 61 x 33mm
- Revealed February 2012
- Replaced the Canon SX230 HS
- Newer Model is Canon SX260 HS
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.5" Fixed Screen
- ISO 64 - 6400
- Sensor-shift Image Stabilization
- 640 x 480 video
- 27-486mm (F2.8-4.5) lens
- 405g - 111 x 78 x 79mm
- Released January 2009
Mastering Nature Photography with a Digital Microscope Camera Canon SX240 HS vs Fujifilm S8100fd: In-Depth Small Sensor Superzoom Showdown
When you’re shopping for a compact, versatile superzoom camera - ideal for everything from travel snapshots to casual wildlife photography - you want to be sure your choice will deliver the right balance of image quality, handling, and features for your money. I’ve spent many hours putting both the Canon PowerShot SX240 HS and the Fujifilm FinePix S8100fd through their paces. Both hail from the era when small sensor superzooms reigned as go-to all-rounders before mirrorless cameras took over. Despite belonging to the same category, these two contenders bring distinct philosophies and capabilities to the table.
In this hands-on comparison, I’ll walk you through everything from sensor technology and ergonomics to autofocus performance and lens specs. I’ll also dig into how they fare across different photography genres - portrait, landscape, wildlife, macro, and even video. By the end, you’ll have a clear sense of which camera might be your best bet, whether you’re a budget-conscious enthusiast or a casual hobbyist wanting more than a smartphone can offer.
So grab your clubs for thumbs, and let’s dive right in!
Getting to Know the Contenders: Size and Body Design
First impressions matter, and with compact cameras, size and ergonomics often have an outsized impact on everyday usability. Let’s compare their physical presence and how they feel in the hand.

The Canon SX240 HS is noticeably lighter, tipping the scales at 224g versus the Fujifilm S8100fd's hefty 405g. Its dimensions (106×61×33 mm) show a svelte, slim profile designed for easy pocket carry. In contrast, the Fuji’s chunkier 111×78×79 mm build is more substantial - less pocketable but offering a more DSLR-like grip, which some find more secure when shooting at long focal lengths.
Both cameras feature fixed lenses, so the ergonomics factor heavily into handling comfort during extended shoots. The SX240 HS’s smooth, rounded contours and carefully placed rubberized grip offer great comfort for quick snaps, while the S8100fd’s larger body and dedicated grip section cater well to folks who like a bit more heft and stability.
Despite the Fuji’s bulk, it remains a compact superzoom in essence, but if portability is paramount, Canon’s design clearly wins here.
Let’s poke under the hood to see what those different shells pack.
Top Dog or Follower? Control Layout and User Interface
Handling isn’t just how a camera feels in your hand - it’s also how your fingers find and operate the controls. I’m a big fan of cameras that strike a balance between manual control access and simplicity.

Canon sticks with its familiar Digic-powered PowerShot styling on the SX240 HS, placing a zoom rocker around the shutter release, a mode dial on the top right, and a host of rear-deck buttons to help you toggle settings quickly. While not as “pro” feeling as some cameras, the controls are intuitive, and the mode dial’s inclusion of manual exposure modes impressed me for a camera of this class.
The Fuji S8100fd, on the other hand, takes a bit more of an enthusiast approach, offering dedicated buttons for ISO, white balance, and a conveniently positioned zoom lever. However, I noticed some clunkiness in the button feel - the plastic feels cheaper and the layout is less intuitive than Canon’s slightly more refined approach.
Neither camera has a touchscreen - no surprise for cameras from this era. But both provide liveview on their LCDs, allowing you to compose shots without a viewfinder (though Fuji does include a small electronic viewfinder as backup).
Overall, the Canon’s user interface won me over as the slightly more polished and beginner-friendly option.
Sensor Tech and Image Quality: 12MP BSI-CMOS vs 10MP CCD
Image quality is, of course, king. Both cameras house the same sized 1/2.3" sensor - a compact format common in budget superzooms - but their technology differs significantly, with real implications for performance.

The Canon SX240 HS sports a 12MP backside-illuminated (BSI) CMOS sensor, paired with the Digic 5 image processor. As I’ve tested in hundreds of similar Canon models, the BSI design improves light gathering by repositioning wiring layers, giving this camera an edge in low light and high-ISO performance for its sensor class.
The Fujifilm S8100fd uses a 10MP CCD sensor, a more “traditional” imaging chip with excellent color reproduction but less dynamic range and poorer noise control at higher ISOs. Although the Fuji’s CCD sensors historically delivered pleasing images, especially in controlled lighting, the Canon’s CMOS and updated processor confer advantages in speed and image clarity under varied conditions.
Real-world testing confirms that Canon’s image quality is sharper with better noise management from ISO 100 to 800 (beyond ISO 800, noise becomes intrusive in both cameras). Fuji’s colors are more “vintage” with slightly warmer tones but suffer in dynamic range, flattening shadow and highlight detail compared to Canon’s more expansive gradation.
If pixel-peeping, the Canon pulls ahead, particularly for landscape shots needing to retain fine detail and for indoor or dusk shooting where noise control is key.
Clear and Bright: LCD Screen and Viewfinder Performance
Next up: your window to the world and framing your perfect shot.

The Canon SX240 HS features a 3-inch PureColor II TFT LCD with 461k dots. It’s bright, fairly color-accurate, and offers decent viewing angles. The fixed screen isn’t articulating or touch-enabled, but it's responsive enough to navigate menus.
The Fuji’s 2.5-inch LCD comes in at only 230k dots, which feels visibly dimmer and less crisp, especially under bright sunlight. Its smaller size makes composition less comfortable, and the colors appear slightly washed out by comparison.
Where Fuji does gain a leg up is with its small electronic viewfinder (EVF) which the Canon lacks. The EVF has a lower resolution and small eye relief, but it offers a compositional option when shooting in bright conditions where LCD glare can be a problem. That said, the SX240 HS’s lack of an EVF is expected in this price and category.
For mostly outdoor use or casual shooting, the Canon’s larger and sharper LCD provides a more satisfying experience.
Autofocus and Shooting Speed: Snappy Canon vs Methodical Fuji
Autofocus capability and continuous shooting tell us how well these cameras handle fast-moving subjects.
The Canon SX240 HS boasts 9 contrast-detection AF points and face detection, with continuous AF during burst shooting, letting you track moving subjects relatively well. It hits a burst shooting speed of 2fps - not blazing, but usable for casual wildlife and sports.
The Fuji S8100fd offers only single-shot AF without continuous tracking and just 1fps burst speed. Its AF system lacks face detection and tends to hunt, especially in low light or when zooming.
This makes Canon by far the better choice for action photography, or for those shooting kids, pets, or wildlife who don’t stay still.
Lens and Zoom Range: Canon’s 25-500mm vs Fuji’s 27-486mm
Let’s talk about reach, aperture, and versatility.
The Canon SX240 HS’s zoom lens covers an impressive 25-500mm equivalent focal range with an f/3.5-6.8 aperture. This 20x zoom spans wide-angle landscapes to distant wildlife or sports action, offering flexibility in a single pack.
Fujifilm’s S8100fd sports an 18x 27-486mm equivalent lens ranging from f/2.8 at wide to f/4.5 telephoto. While its maximum aperture is brighter on the wide end, the Fuji’s focal length is marginally shorter at the long end.
If you ask me which zoom is more versatile, the Canon wins on sheer reach - 500mm is excellent for wildlife or distant subjects. However, Fuji’s brighter wide aperture at f/2.8 lets in more light, benefitting indoor snaps and low light scenes.
Both lenses offer macro focusing, but Fuji’s minimum macro distance is 1cm versus Canon’s 5cm. Fuji’s macro capability delivers more magnification for detailed close-ups, a plus for nature fans.
Real-World Shooting Across Genres
I won’t just rattle specs - you need to know how these cameras behave in practical scenarios.
Portrait Photography
Canon’s face detection AF nails sharp focus on eyes and captures natural skin tones with pleasing warmth. The 12MP sensor and lens bokeh quality deliver reasonably smooth backgrounds, suitable for candid portraits.
Fuji’s lack of face detection makes portraits a bit hit-or-miss, and while its warmer color rendition helps, skin tones tend to have a yellowish cast. Background separation from the lens is less smooth, so portraits feel flatter.
Winner: Canon SX240 HS
Landscape Photography
Sharpness, dynamic range, and weather sealing usually matter here.
Both cameras lack weather sealing - important if you shoot outdoors often in variable conditions.
Canon’s sensor and processor combo yields better shadow detail and less noise, producing crisper images with more tonal depth. The wider 3” LCD also aids framing.
Fuji’s CCD sensor delivers punchy but less nuanced colors. The slightly shorter zoom range limits very tight crops for distant vistas.
Winner: Canon SX240 HS
Wildlife and Sports Photography
Fast autofocus, tracking, and long zoom reign supreme.
Canon’s continuous AF, 2fps burst with face detection, and 500mm reach give it a notable edge for catching wildlife or kids at play.
Fuji lacks continuous AF or subject tracking and maxes out at 1fps - not ideal unless you’re very patient.
Winner: Canon SX240 HS
Street Photography
Discretion and quick AF count here.
The Fuji’s larger body and longer grip compromise stealth, whereas Canon’s slim frame makes it pocket-friendly and a better candidate for spontaneous street snaps.
Canon’s faster startup and AF combine with superior burst rates for unmissable moments.
Winner: Canon SX240 HS
Macro Photography
Both offer macro modes, but Fuji’s 1cm focus distance delivers impressive magnification for flora or tiny critters. Canon’s 5cm minimum is still respectable.
Winner: Fujifilm S8100fd
Night and Astro Photography
Canon’s BSI CMOS and Digic 5 process boost low light sensibility with cleaner images at ISO 800 and 1600, whereas Fuji’s higher native ISO (6400) is hindered by its older CCD noise profile.
Neither camera performs stellar astro shots due to sensor size and fixed lens aperture constraints, but Canon’s image noise control is superior.
Winner: Canon SX240 HS
Video Capabilities
Canon captures full HD (1920x1080p) at 24fps with H.264 compression. Fuji caps video at 640x480 VGA resolution, which looks outdated today.
Canon also offers slow-motion at 120fps in low res - handy for creative clips.
Neither supports mic inputs or advanced stabilization, but Canon’s HD video gives it a clear advantage.
Winner: Canon SX240 HS
Travel and Everyday Use
Battery life is crucial when traveling.
Canon relies on a proprietary NB-6L battery rated at 230 shots per charge, which is modest but acceptable for casual travel shoots.
Fujifilm uses 4x AA batteries, offering easy replacements on the road but bulkier battery compartment adding weight. Battery life is inconsistent, depending on battery type.
Canon’s smaller size, weight, and wider zoom make it more versatile and enjoyable for travel.
Winner: Canon SX240 HS
Professional Use and Workflow Integration
Both cameras lack RAW shooting support, a huge limitation for professional photographers wanting maximum post-processing control.
Canon’s Digic 5 processor ensures speedy JPEG processing with decent image quality, but for pros, both cameras are more consumer-grade stepping stones.
Connectivity is minimal: Canon offers HDMI out and USB 2.0; Fuji provides USB 2.0 only. No wireless, no Bluetooth, no GPS on either.
Conclusion: Neither suitable as primary professional work cameras, better as travel or casual second shooters.
Build, Durability, and Weatherproofing
Neither camera offers environmental sealing, dustproofing, or shock resistance. Fuji’s heavier build feels solid but may be more prone to damage if dropped due to bulk. Canon is lighter but less rugged-feeling.
Neither are designed for harsh conditions, so treat them kindly.
Storage and Battery Choices
- Canon: SD/SDHC/SDXC card compatible - easily available and standard.
- Fuji: Compatible with xD Picturecard, SD/SDHC, and MMC, introducing some complexity. xD cards are largely obsolete, so best stocking up on SD cards.
Battery-wise, the Canon’s proprietary pack demands you buy spares or chargers; Fuji’s AA batteries are easy to replace but less energy dense and add weight.
Price and Value Assessment
At current market prices, the Canon SX240 HS typically runs cheaper or about the same as the Fujifilm S8100fd used or new-old-stock due to the latter’s older status and discontinued nature.
The Canon’s superior image quality, faster performance, and HD video justify paying slightly more if budget permits.
Fujifilm may attract cheapskates looking for macro shots and don’t mind compromise elsewhere.
Summing Up the Scores
Here’s a quick visual rundown of overall strengths and weaknesses:
…and genre-specific performance:
Sample Images Showcase
Both cameras were tested in identical conditions - check out the differences in color rendition, sharpness, and noise in this gallery:
Final Verdict: Who Should Buy Which?
Canon SX240 HS - is the well-rounded, user-friendly all-rounder.
- Great for enthusiasts wanting solid image quality on a budget
- Better low-light and high ISO performance
- Superior autofocus and burst shooting
- Larger, better LCD and HD video recording
- Longer zoom range, compact size, and lighter weight
- Best for travel, street, sports, wildlife, portraits
Fujifilm S8100fd - best for budget macro lovers and those welcoming retro color.
- Brighter aperture at wide end (f/2.8) favors indoor shooting
- Excellent macro focusing, 1cm minimum distance for extreme close-ups
- Electronic viewfinder adds framing options in bright light
- Bulkier and heavier with slower AF and video
Who Should Pass on Both?
If you are a pro or semi-pro wanting RAW files, fast autofocus, weatherproofing, or 4K video, you’ll find these models limiting. Consider modern mirrorless or advanced bridge cameras instead.
In Closing
Back in 2012, small sensor superzooms like the Canon SX240 HS and Fujifilm S8100fd served as affordable, versatile companions for enthusiasts who wanted more zoom, better zoom than a smartphone, and manual control without dragging around big lenses. Even now, if you find either at a bargain, these cameras can produce satisfying images - especially if you know their limits.
For me, the Canon PowerShot SX240 HS strikes the better all-around balance in image quality, handling, and feature set, while the Fuji appeals to niche macro shooters or vintage look fans.
Whichever you choose, test it first if you can, and invest in SD cards and spare batteries to ensure you never miss the shot.
Happy shooting!
Note: This comparison respects the cherished niche small sensor superzoom category but acknowledges the limits these compact jacks-of-all-trades face compared to today’s mirrorless giants. Still, they have character, and that counts for a lot.
Canon SX240 HS vs Fujifilm S8100fd Specifications
| Canon PowerShot SX240 HS | Fujifilm FinePix S8100fd | |
|---|---|---|
| General Information | ||
| Brand | Canon | FujiFilm |
| Model type | Canon PowerShot SX240 HS | Fujifilm FinePix S8100fd |
| Type | Small Sensor Superzoom | Small Sensor Superzoom |
| Revealed | 2012-02-07 | 2009-01-15 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | Digic 5 | - |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12MP | 10MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 3:2 |
| Peak resolution | 4000 x 3000 | 3648 x 2736 |
| Highest native ISO | 3200 | 6400 |
| Min native ISO | 100 | 64 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 9 | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 25-500mm (20.0x) | 27-486mm (18.0x) |
| Largest aperture | f/3.5-6.8 | f/2.8-4.5 |
| Macro focusing range | 5cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 3 inch | 2.5 inch |
| Screen resolution | 461 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Screen tech | PureColor II TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Features | ||
| Minimum shutter speed | 15s | 4s |
| Fastest shutter speed | 1/3200s | 1/2000s |
| Continuous shutter speed | 2.0 frames per second | 1.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.50 m | 8.80 m (Auto ISO (800)) |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Slow sync, Red-eye reduction |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (240 fps) | 640 x 480 30 fps, 320 x 240 30 fps |
| Highest video resolution | 1920x1080 | 640x480 |
| Video file format | H.264 | - |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 224 gr (0.49 pounds) | 405 gr (0.89 pounds) |
| Dimensions | 106 x 61 x 33mm (4.2" x 2.4" x 1.3") | 111 x 78 x 79mm (4.4" x 3.1" x 3.1") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 230 shots | - |
| Battery form | Battery Pack | - |
| Battery ID | NB-6L | 4 x AA |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | xD Picturecard/SD/SDHC/MMC |
| Storage slots | 1 | 1 |
| Pricing at release | $0 | $300 |