Canon SX240 HS vs Panasonic S1
91 Imaging
35 Features
44 Overall
38
96 Imaging
35 Features
21 Overall
29
Canon SX240 HS vs Panasonic S1 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-6.8) lens
- 224g - 106 x 61 x 33mm
- Introduced February 2012
- Old Model is Canon SX230 HS
- Successor is Canon SX260 HS
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-5.6) lens
- 117g - 99 x 59 x 21mm
- Announced January 2011
President Biden pushes bill mandating TikTok sale or ban Canon SX240 HS vs Panasonic Lumix DMC-S1: An In-depth Compact Camera Comparison for Enthusiasts
Choosing the right compact camera to complement your photography journey takes more than a glance at spec sheets - it demands hands-on experience and understanding of how each feature translates into real-world shooting scenarios. Today, we bring you a detailed comparison between two intriguing compact cameras aimed at photography enthusiasts: the Canon PowerShot SX240 HS and the Panasonic Lumix DMC-S1. Both arrived around the early 2010s and target similar user segments but offer distinct features and performance characteristics.
We’ve put both cameras under the microscope, diving deep into sensor technologies, autofocus systems, ergonomics, and overall usability. Whether you’re into landscapes, portraits, or casual travel photography, this guide will help you make an informed choice that aligns with your creative goals.
First Impressions: Design, Size, and Handling
A camera’s physical presence and user interface hugely impact your shooting experience. Let’s start by analyzing the tangible aspects - size, weight, and ergonomics.
Size and Weight: Portability vs Comfort

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Canon SX240 HS: Measuring 106x61x33 mm and weighing 224 grams, the SX240 HS is compact yet slightly chunky compared to typical pocket cameras. Its more tapered grip gives decent handhold security, vital for telephoto shots at 500mm equivalent focal length.
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Panasonic S1: The Lumix DMC-S1 is smaller and lighter at 99x59x21 mm and 117 grams, making it extremely pocket-friendly. Its slim profile favors ultra-light traveling and street photography but sacrifices grip, especially during extended handheld use.
The Canon’s extra bulk provides more comfort for long shooting sessions and better stability when zoomed in. The Panasonic, meanwhile, wins for sheer portability and discreetness.
Control Layout and Top Panel Design

The Canon’s layout features dedicated manual control dials and buttons allowing precise shutter and aperture adjustments – important for enthusiasts who want direct tactile control. You get access to shutter priority (Tv), aperture priority (Av), and manual exposure modes, along with configurable exposure compensation.
Conversely, the Panasonic S1 keeps things simple with fewer physical controls and no manual exposure modes. This limits creative flexibility out-of-the-box, catering more to point-and-shoot users rather than serious amateurs who want to grow their skills.
Bottom line: If control ergonomics and manual settings matter to you, Canon’s design wins. But if lightweight minimalism is your priority, the Panasonic’s compactness and ease-of-use might appeal more.
Sensor Overview: Imaging Technology and Output Quality
A camera’s sensor is its heart, determining image quality in various scenarios. Both cameras use a small 1/2.3-inch sensor format but differ significantly in sensor type and processing power.

| Feature | Canon SX240 HS | Panasonic Lumix DMC-S1 |
|---|---|---|
| Sensor Type | BSI-CMOS | CCD |
| Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1/2.3" (6.08 x 4.56 mm) |
| Resolution | 12 MP | 12 MP |
| Max ISO | 3200 | 6400 |
| Anti-aliasing Filter | Yes | Yes |
| Processor | DIGIC 5 | Venus Engine IV |
Canon’s BSI-CMOS Advantage
Canon utilizes a backside-illuminated CMOS sensor paired with the DIGIC 5 processor, which is notable for improved low-light performance and faster processing. Backside illumination helps capture more light efficiently, reducing noise and boosting dynamic range compared to conventional CCD sensors.
Panasonic’s CCD Sensor and ISO Flexibility
Panasonic’s CCD sensor delivers respectable image quality but typically lags behind CMOS sensors in noise handling and speed. However, its ISO sensitivity extends to 6400, possibly delivering more flexibility in low light, though with increased noise.
Autofocus and Manual Controls: Precision in Focus
For sharp images, autofocus system performance is crucial, especially when shooting fast action or tight macro subjects.
| Feature | Canon SX240 HS | Panasonic Lumix DMC-S1 |
|---|---|---|
| AF Type | Contrast Detection | Contrast Detection |
| AF Points | 9 | 11 |
| Face Detection | Yes | No |
| Continuous AF | Yes | No |
| Manual Focus | Yes | No |
| AF Modes | Single, Continuous, Tracking | Single only |
The Canon’s autofocus system shines here by offering face detection, continuous AF, and tracking, giving you confidence when photographing moving subjects like children or pets. Manual focus is also available for precision control. Panasonic’s contrast detection AF misses out on continuous and face detection, focusing more on simple point-and-shoot operation.
If you value autofocus versatility to tackle various subjects, Canon holds a definitive edge.
Display and Live View Experience
The rear display offers both composition aid and menu navigation utility.

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Canon SX240 HS: Features a 3-inch PureColor II TFT LCD with 461k-dot resolution. The larger screen size and higher resolution assist framing and reviewing images with clarity. The screen is fixed type, meaning no articulation.
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Panasonic S1: Packs a 2.7-inch TFT LCD with only 230k-dot resolution. The smaller, lower-res screen is less satisfying for composing or inspecting detail. No touchscreen or articulation is present.
The Canon’s display enhances usability significantly for beginners who rely on clear live view framing or prefer checking focus sharpness immediately.
Lens and Zoom Capabilities: Reach and Versatility
Both cameras use built-in zoom lenses, but their focal range and aperture profiles differ.
| Feature | Canon SX240 HS | Panasonic Lumix DMC-S1 |
|---|---|---|
| Focal Length | 25-500 mm equivalent (20x zoom) | 28-112 mm equivalent (4x zoom) |
| Maximum Aperture | f/3.5-6.8 | f/3.1-5.6 |
| Macro Focus Range | From 5 cm | From 5 cm |
Canon offers a dramatically longer telephoto reach with 20x zoom up to 500 mm equivalent. This opens doors for wildlife, sports, and distant subjects. The trade-off is a slower lens aperture, especially at telephoto, impacting low-light usability and depth of field.
Panasonic’s Lumix S1 lens provides a shorter 4x zoom with slightly wider apertures, more suitable for walk-around photography and moderate telephoto needs. It’s easier to handle wide scenes and street subjects without dealing with an overly long zoom range.
Performance in Photography Genres: Real-World Use Cases
Now let’s explore how both cameras handle key photography disciplines, drawing on our experience with similar compact zoom cameras.
Portrait Photography
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Canon SX240 HS: Its face detection coupled with reliable autofocus and a longer zoom allows flattering headshots with softly blurred backgrounds at medium telephoto focal lengths. You can control aperture manually to adjust depth-of-field, important for skin tone rendering and bokeh smoothness. Optical image stabilization supports handheld portrait shots indoors.
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Panasonic S1: Without face detection or manual exposure, portraits tend to lack professional control. The limited zoom range restricts background compression and bokeh effects. Still, good at casual snapshots when lighting is adequate.
Landscape Photography
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Canon SX240 HS: While the sensor is small and limits ultimate detail, the SX240 HS handles daylight landscapes well with decent dynamic range thanks to DIGIC 5 processing. Its long zoom isn’t always needed here, but wide-angle capture at 25mm equivalent covers typical fields of view. Lacks weather sealing, so watch for weather conditions.
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Panasonic S1: Offers similar sensor resolution but a narrower wide end at 28 mm, slightly less flexible for expansive vistas. The CCD sensor may slightly reduce highlight recovery. Again, no weather sealing.
Wildlife Photography
The Canon’s 20x zoom and continuous autofocus tracking let you capture distant birds and animals effectively. Its slower burst rate (2 fps) is modest but workable for casual wildlife. Optical stabilization is helpful for handheld telephoto shots.
The Panasonic’s zoom and lack of continuous AF diminish its wildlife suitability. It’s better reserved for closer subjects or opportunistic wildlife snaps.
Sports Photography
You’ll find the Canon head and shoulders above here. With manual exposure controls, continuous AF, and tracking, it gives the user the tools to nail fast-moving subjects, although its 2 fps burst rate and small sensor limit action capture compared to DSLRs.
The Panasonic camera doesn’t have continuous AF or manual exposure modes, making it impractical for sports.
Street Photography
Panasonic shines with its compact, light design and quieter lens operation. It’s subtle enough for candid shooting. Lower zoom range allows quick framing and fast reactions.
Canon is bigger and heavier but still portable. Its long zoom helps capture distant street details discreetly but the camera’s bulk could attract more attention.
Macro Photography
Both cameras achieve 5 cm minimum focusing distance. Canon’s manual focus option and better exposure control offer more precision. Panasonic’s autofocus-only approach might frustrate macro shooters seeking exact focus.
Video Capabilities: Flexibility and Quality
Video is important for hybrid shooters and vloggers.
| Video Feature | Canon SX240 HS | Panasonic Lumix DMC-S1 |
|---|---|---|
| Max Resolution & Frame Rate | 1920x1080 @ 24fps | 1280x720 @ 30fps |
| Video Formats | H.264 | Motion JPEG |
| High Frame Rate Modes | 640x480@120fps, 320x240@240fps | None |
| Microphone Input | No | No |
| Stabilization | Optical Image Stabilization | Optical Image Stabilization |
Canon delivers full HD 1080p video at 24 fps, plus slow-motion capture, offering greater versatility for creative videography. H.264 encoding ensures manageable file sizes.
Panasonic tops out at 720p HD, recorded in Motion JPEG, which results in larger files and lower compression efficiency. No slow-motion available.
Neither camera supports external microphone inputs, limiting audio quality enhancements.
Battery Life, Storage, and Connectivity
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Canon SX240 HS: Uses NB-6L battery with around 230 shots per charge. Single SD card slot compatible with SD/SDHC/SDXC cards. USB 2.0 and HDMI output but no wireless features.
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Panasonic S1: Slightly longer battery life claiming 240 shots, optional internal storage along with SD support, USB 2.0 but no HDMI or wireless connectivity.
Neither camera offers wireless or GPS functionality, reflecting early 2010s technology standards.
Durability and Weather Resistance
Both models lack weather sealing, dustproofing, or rugged features. They require cautious handling in challenging environments.
Image Samples and Output Quality Comparison
Reviewing images side-by-side reveals the Canon’s better handling of dynamic range and sharper details, owing to its DIGIC 5 processor and BSI-CMOS sensor. Panasonic images can appear softer with lower contrast but sometimes exhibit slightly more neutral color rendition under daylight.
Overall Performance Ratings at a Glance
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Canon SX240 HS scores higher in image quality, zoom flexibility, autofocus, and video.
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Panasonic offers excellent portability and battery life but scores lower in creative control and image rendering.
Genre-Specific Strengths and Weaknesses Matrix
| Photography Type | Canon SX240 HS | Panasonic DMC-S1 |
|---|---|---|
| Portrait | Excellent (face detection, bokeh) | Fair |
| Landscape | Good | Good |
| Wildlife | Very Good (long zoom) | Poor |
| Sports | Good (AF, manual modes) | Poor |
| Street | Moderate | Excellent (compact, light) |
| Macro | Good | Fair |
| Night/Astro | Moderate (ISO 3200) | Fair (ISO 6400 but noisy) |
| Video | Very Good (1080p, slow-mo) | Basic (720p only) |
| Travel | Good (zoom, battery) | Very Good (compact, battery) |
| Professional Work | Moderate (no RAW support, compact) | Basic |
What You Should Take Away
Canon SX240 HS - The Balanced Creative Companion
- Pros:
- 20x zoom excellent for wildlife and sports
- BSI-CMOS sensor with DIGIC 5 offers good image quality and low light performance
- Manual exposure modes and continuous AF make it versatile for enthusiasts
- 1080p video with slow-motion
- Cons:
- Slightly bulky for pocket carry
- No RAW shooting limits advanced editing
- No touchscreen or electronic viewfinder
Perfect for: Budding enthusiasts who need a flexible, all-rounder compact with decent zoom reach and creative control.
Panasonic Lumix DMC-S1 - The Lightweight Everyday Shooter
- Pros:
- Very compact and lightweight for discreet shooting
- Decent image quality in well-lit conditions
- Long battery life and simple interface
- Cons:
- Limited zoom and no manual exposure controls
- No face detection or continuous AF
- Video limited to 720p, larger file sizes
- No HDMI output and lower resolution LCD
Ideal for: Casual shooters prioritizing portability and simplicity, such as travelers, street photographers, or beginners who want hassle-free snapshots.
Final Recommendations: Which Camera Fits Your Needs?
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If manual control, zoom versatility, and video quality matter to you, choose the Canon SX240 HS. It provides a more professional-feeling experience in a compact form. This camera will better support your growth in photography skills.
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If portability, discreetness, and straightforward operation are top priorities, and you shoot mainly in good lighting, the Panasonic Lumix DMC-S1 is a solid pick. It’s easy to carry and operate, perfect for spontaneous moments.
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Neither camera supports RAW shooting, so expect to work primarily with JPEGs. This means less flexibility in post-processing but quicker outputs ideal for casual sharing.
Learning More and Moving Forward
We encourage you to get hands-on trials with both if possible, as physical feel and UI can strongly influence preference. Watching sample videos and testing zoom responsiveness in person also help.
Consider which genres you shoot most, what level of manual control you want, and how much zoom reach you require. Pair either camera with accessory essentials like a good SD card and spare batteries to unlock their full potential.
Hopefully, this detailed comparison has demystified the strengths and quirks of the Canon SX240 HS and Panasonic Lumix DMC-S1. With the right match, you’ll be empowered to capture great moments and grow your photographic creativity.
Happy shooting!
Canon SX240 HS vs Panasonic S1 Specifications
| Canon PowerShot SX240 HS | Panasonic Lumix DMC-S1 | |
|---|---|---|
| General Information | ||
| Company | Canon | Panasonic |
| Model | Canon PowerShot SX240 HS | Panasonic Lumix DMC-S1 |
| Type | Small Sensor Superzoom | Small Sensor Compact |
| Introduced | 2012-02-07 | 2011-01-05 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor Chip | Digic 5 | Venus Engine IV |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor area | 28.1mm² | 27.7mm² |
| Sensor resolution | 12 megapixels | 12 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Peak resolution | 4000 x 3000 | 4000 x 3000 |
| Highest native ISO | 3200 | 6400 |
| Minimum native ISO | 100 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | 9 | 11 |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 25-500mm (20.0x) | 28-112mm (4.0x) |
| Largest aperture | f/3.5-6.8 | f/3.1-5.6 |
| Macro focus distance | 5cm | 5cm |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Range of display | Fixed Type | Fixed Type |
| Display size | 3 inch | 2.7 inch |
| Display resolution | 461 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Display tech | PureColor II TFT LCD | TFT LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 15 seconds | 8 seconds |
| Max shutter speed | 1/3200 seconds | 1/1600 seconds |
| Continuous shutter speed | 2.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 3.50 m | 3.30 m |
| Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye reduction |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (240 fps) | 1280 x 720 (30fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video format | H.264 | Motion JPEG |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 224 grams (0.49 pounds) | 117 grams (0.26 pounds) |
| Dimensions | 106 x 61 x 33mm (4.2" x 2.4" x 1.3") | 99 x 59 x 21mm (3.9" x 2.3" x 0.8") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 230 photos | 240 photos |
| Battery format | Battery Pack | Battery Pack |
| Battery model | NB-6L | - |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Storage slots | One | One |
| Retail price | $0 | $269 |