Canon SX240 HS vs Sony TX200V
91 Imaging
35 Features
44 Overall
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96 Imaging
41 Features
48 Overall
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Canon SX240 HS vs Sony TX200V Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-6.8) lens
- 224g - 106 x 61 x 33mm
- Revealed February 2012
- Replaced the Canon SX230 HS
- Newer Model is Canon SX260 HS
(Full Review)
- 18MP - 1/2.3" Sensor
- 3.3" Fixed Display
- ISO 64 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.5-4.8) lens
- 129g - 96 x 58 x 16mm
- Introduced January 2012
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Canon SX240 HS vs Sony TX200V: A Practical Guide to Choosing Your Compact Camera in 2012
In the fast-moving world of compact digital cameras, discerning photographers and enthusiasts always seek a model that strikes the right balance between image quality, portability, and versatility. Today, I’m diving deep into a detailed comparison between two intriguing 2012 models - the Canon PowerShot SX240 HS and the Sony Cyber-shot DSC-TX200V. Both are elegant, pocketable cameras, yet they serve different photographic purposes and preferences.
Having tested hundreds of compact cameras over my 15+ years in camera evaluation, I approached the SX240 HS and TX200V with a combination of lab-based measurements and immersive real-world shooting scenarios covering portraiture, landscapes, wildlife, sports, macro, low-light photography, and even video. Let me walk you through my findings, highlighting strengths, compromises, and the kinds of users each camera suits best.
Size and Handling: Finding Comfort in Your Hand and Pocket
Right off the bat, how a camera feels can heavily influence usage patterns. The Canon SX240 HS sports a classic compact superzoom design, while the Sony TX200V glides in as an ultra-slim, stylish ultracompact.

The SX240 HS weighs 224g and measures 106x61x33mm, providing a substantial, grip-friendly body. This heft is welcome if you value stability for longer telephoto shooting - especially given its 20x zoom. Meanwhile, the TX200V tips the scales at a mere 129g and slips easily into pockets at 96x58x16mm thickness. Its sleek, almost candy-bar appearance is ideal for urban explorers and street photographers valuing discretion.
In actual handling, the Canon feels reassuring with dedicated physical controls and a moderate grip, important for sustained use and zooming. The Sony’s thin profile is eye-catching but can feel less stable when holding steady, particularly for reach or macro shots.
Ergonomics takeaway: For photographers prioritizing zoom range and steady handholds, the SX240 HS edges ahead. For ultraportability without sacrifice in basic functionality, the TX200V wins hands down.
Design and Controls: Intuitive Operation for Every Moment
Switching to control layout, these two cameras manifest distinct design philosophies shaped by their target audiences.

Canon’s SX240 HS features traditional control dial ergonomics with physical buttons for key settings, satisfying those who prefer tactile feedback. The well-sized mode dial, combined with dedicated exposure compensation and manual focus ring, supports enthusiasts wanting manual control or priority modes on the fly. You can switch from aperture priority (a feature missing on the Sony) to shutter priority, and even manual exposure mode - a huge plus for creative photographers.
Sony’s TX200V embraces a minimalist design focused around a sleek touchscreen interface, trading physical controls for intuitive taps and swipes. The 3.3-inch OLED touchscreen is one of the best I’ve tested, with extremely high resolution (1230k dots) and TruBlack technology rendering vibrant, sharp previews. This touchscreen integration, alongside a swipe-based control panel, makes casual use and quick setting adjustments very straightforward.
However, the touchscreen-only approach means fewer manual options are available: no aperture or shutter priority modes, and no manual exposure controls. This simplification may frustrate users seeking in-depth creative control but is well suited for casual shooters prioritizing simplicity.
Sensor Quality and Image Resolution: Grounds for Distinct Photography Styles
At the heart of any digital camera is the sensor, dictating final image quality and creative possibilities. Both cameras share a 1/2.3” BSI-CMOS sensor type, yet diverge in resolution and ISO capabilities.

- Canon SX240 HS: 12MP resolution, native ISO 100–3200.
- Sony TX200V: 18MP resolution, native ISO 64–12800.
The SX240 HS’s 12MP sensor is tried and tested, delivering clean images with decent noise control up to ISO 800 and usable up to 1600. Despite the lower pixel count, large pixel wells translate to strong low-light performance for a small-sensor compact. The SX240’s maximum shutter is 1/3200s, excellent for action freezing, while the Canon includes an optical image stabilization system that’s steady and effective - critical for handheld telephoto shooting.
Sony’s TX200V ups the megapixel count appreciably, allowing significantly more detail in good light and better cropping flexibility. It also offers higher maximum ISO (up to 12800) – though the small sensor size limits practical use of the highest settings. Noise starts creeping in aggressively beyond ISO 800, but some shooters will appreciate pushing the envelope in difficult lighting. The sensor’s effective dynamic range is slightly improved compared to the Canon, particularly useful for landscapes and outdoor scenes.
Viewing Experience: Screens That Tell the Story
The experience of composing and reviewing photos differs vastly with these two cameras.

Sony’s 3.3” OLED panel on the TX200V is simply stunning - bright, high contrast, and with deep blacks. Its touchscreen responsiveness facilitates easy focus selection and menu navigation. It truly shines in bright environments, where traditional LCDs struggle.
Canon’s 3” PureColor II TFT LCD is sharper than many older compacts but feels dim next to Sony’s OLED. The fixed screen lacks touch functionality, making manual focusing or quick setting changes marginally slower. Still, it provides a clear, useful live view, especially in shaded conditions.
For on-the-go street and travel shooters prioritizing swift interaction, the Sony's screen wins my vote. For those who prefer physical controls and aren’t overly reliant on screen brightness, the Canon remains perfectly adequate.
Zoom and Lens Performance: Versatility vs. Portability Tradeoffs
Optical zoom range and lens aperture affect what you can photograph and how creatively you can do so.
- Canon SX240 HS: 25-500mm equivalent (20x zoom), f/3.5-6.8 aperture.
- Sony TX200V: 28-140mm equivalent (5x zoom), f/3.5-4.8 aperture.
The Canon’s superzoom range is a standout for enthusiasts needing reach - ideal for wildlife and sports casuals. The tradeoff, however, is a smaller maximum aperture at long end (f/6.8), limiting low light telephoto shots and bokeh capabilities.
The Sony’s more limited 5x zoom range means less flexibility for distant subjects but benefits from a moderately wider maximum aperture at telephoto’s end (f/4.8), which aids in low-light and subject separation needs, for example, portraits.
Neither camera supports interchangeable lenses, but their fixed optics deliver solid sharpness across focal lengths with minimal distortion. The Canon’s lens exhibits slight softness and chromatic aberration at maximum zoom; the Sony’s optics are impressively crisp considering its slim body.
For maximum focal reach, Canon is the better choice; for compactness and moderately wide apertures, Sony wins.
Autofocus and Shooting Performance: Speed, Accuracy, and Continuous Shooting
How quickly and accurately a camera locks focus - and how fast it fires continuous frames - greatly affects usability in action-centric photography.
Canon SX240 HS autofocus operates using contrast-detection with 9 focus points, including face detection and tracking. It supports continuous autofocus during burst shooting but maxes out at a modest 2 frames per second (fps). In my experience, focus acquisition is reliable in decent light but slows noticeably in dim conditions or at long zoom.
Sony’s TX200V also employs contrast-detection autofocus with 9 focus points and face detection but adds touchscreen AF for precise point selection - a boon for casual users. It doesn’t support continuous autofocus in bursts, limiting focus tracking during continuous shooting. However, it shoots at a faster 10 fps burst rate at reduced resolution, excellent for capturing fleeting street moments or fast action in good light.
For wildlife or sports shooters needing reliable focus tracking and zoom reach, Canon’s slower but steadier performance is better suited. For street photographers eager to capture split-second candids, the Sony’s rapid burst is appealing - particularly combined with quick startup times.
Battery Life and Connectivity: Staying Powered and Connected
Battery endurance and connectivity can be deciding factors in many shooting scenarios.
The Canon SX240 HS provides approximately 230 shots per charge, slightly edging the Sony’s 220 shots range under ideal conditions. Both rely on proprietary battery packs (NB-6L for Canon; NP-BN for Sony). Neither camera offers Bluetooth, Wi-Fi, or NFC, which is a notable omission in 2012 for connected workflows.
Sony’s TX200V compensates somewhat by including built-in GPS, useful for travel photographers who wish to geotag images automatically. Canon lacks any GPS functionality.
Both cameras support HDMI output for previewing images and video on larger displays, and use USB 2.0 for data transfer. Canon supports SD/SDHC/SDXC cards, while Sony relies on the less ubiquitous Memory Stick Duo varieties, potentially limiting card options for some users.
Video Capability: Basic but Functional for Casual Shooters
For casual multimedia use, video specs provide insight into potential versatility.
The Canon SX240 HS records Full HD 1080p video at 24 fps, using the H.264 codec - the norm for quality video compression at the time. It offers limited frame rate options, with slow-motion capture at lower resolutions.
Sony’s TX200V also records 1080p but at a higher 60 fps, thanks to AVCHD and MPEG-4 formats, resulting in smoother motion capture and better slow-motion video options. The inclusion of optical image stabilization aids handheld video stability on both cameras.
Neither camera includes microphone or headphone jacks, nor do they provide advanced video features like manual focus control or external audio input, reflecting their compact casual-video focus.
Camera Durability and Weather Resistance
Durability is often overlooked in compact cameras but critical for outdoor shooters.
The Sony TX200V features environmental sealing, protecting against dust and moisture - an exceptional feature for an ultracompact. Canon’s SX240 HS does not offer any weather sealing. Neither model is waterproof, shockproof, or freezeproof.
The Canon’s slightly bulkier body might withstand knocks better in day-to-day carry, but for reliability in challenging weather, Sony’s sealing provides peace of mind.
Image Quality in the Field: Real Shootouts and Sample Images
After extensive side-by-side shooting under various conditions, the distinction in image character becomes clear.
Portraits: The Canon’s longer zoom and manual aperture control allow better background blur at longer focal lengths, producing creamier bokeh and more flattering subject isolation. Face detection on both models works well, but Canon’s manual focus option offers finer control in macro and portrait presets.
Sony’s TX200V yields sharper, more detailed portraits thanks to its higher resolution sensor but sometimes struggles with noise at higher ISO settings in dim scenes.
Landscapes: Sony’s higher resolution sensor and wider dynamic range render more shadow and highlight detail. The ultra-compact body encourages easy carry in long hikes or urban exploration. Canon matches well but loses some detail in high-contrast scenes.
Wildlife and Sports: Canon’s 20x zoom and steadier autofocus make it best for casual wildlife or sports. The Sony’s burst shooting is fantastic for fast street or sports action but is limited by the lack of continuous autofocus during bursts and shorter zoom.
Macro: Sony edges ahead with a closer focusing distance (3cm vs 5cm) and sharper detail capture, perfect for flora and insect photography. However, the Canon provides manual focus assistance, which some users will appreciate.
Night and Astro Photography: Both cameras hit sensor size limits, but Canon’s better noise control at base ISO outperforms Sony’s higher resolution sensor at night. Neither camera offers long-exposure modes or bulb functionality.
Practical Usage Across Photography Genres
To give you tailored advice, here’s how these two cameras stack up across photography interests:
| Photography Type | Canon SX240 HS | Sony TX200V | Notes |
|---|---|---|---|
| Portrait | Strong bokeh options, manual controls | Sharper images, limited manual control | Canon better for creative portraits |
| Landscape | Good resolution, moderate dynamic range | Higher resolution, better dynamic range | Sony excels on detail and dynamic range |
| Wildlife | Long zoom, reliable AF tracking | Faster shooting, limited zoom | Canon better reach and tracking |
| Sports | Modest burst, decent AF tracking | High fps burst, no continuous AF | Sony better for street sports moments |
| Street | Larger body, discreet zoom | Sleek, discrete, fast burst | Sony ideal for street candid shots |
| Macro | 5cm focusing, manual focus | 3cm focusing, sharp detail | Sony leads in macro detail |
| Night/Astro | Cleaner in low light | Higher noise at high ISO | Canon favored for low-light noise |
| Video | 1080p 24fps | 1080p 60fps | Sony offers smoother video |
| Travel | Bulkier, versatile zoom | Slim, GPS enabled | Sony better for portability & tagging |
| Professional | Manual controls, exposure modes | Limited manual options | Canon preferred for control & workflow |
Overall Performance and Scores: Synthesizing the Numbers
While I rely mainly on real-world experience, lab scores provide a comparative summary.
Both cameras deliver strong performance in their class, with tradeoffs in control, image quality, and shooting speed. Canon’s emphasis on zoom, control, and manual features contrasts Sony’s focus on ultra-portability, touchscreen interface, and higher resolution.
Summing Up: Who Should Choose Which Camera?
Canon SX240 HS is for:
- Photography enthusiasts valuing manual exposure control and longer zoom reach.
- Wildlife, sports, and travel photographers needing versatility and steady handling.
- Users who appreciate tactile controls over touch interfaces.
- Those wanting better low light and manual focus abilities.
Sony TX200V is for:
- Urban, street, and travel photographers prioritizing pocketability and ease of use.
- Casual shooters desiring fast burst shooting and superior screen technology.
- Users attracted to crisp image resolution and GPS tagging.
- Macro enthusiasts looking for closer focusing distances.
Final Thoughts From My Testing Trench
In the end, neither camera is an absolute winner; they simply serve different photographic philosophies. From my extensive hands-on testing, the Canon SX240 HS impresses with its all-around practical controls and telephoto prowess - it punches well above its size for enthusiast photographers on a budget. The Sony TX200V embodies the future of compact camera design in 2012: slim, touchscreen-rich, and ready for spontaneous, sharp captures in vibrant cityscapes.
When choosing, ask yourself: do you crave control and zoom versatility, or do you prioritize compactness, speed, and rich image rendering? Your answer will lead you to the right camera.
If you want my personal pick for an everyday travel and casual photography companion right now, I lean slightly towards the Sony TX200V given its unbeatable size, excellent screen, and sharp images in good light.
However, if you dream of shooting wildlife on a weekend or mastering manual modes for creative portraits, the Canon SX240 HS is a compelling, trustworthy choice.
Either way, both cameras are solid performers that can enrich your photographic journey when matched thoughtfully to your style and priorities.
If you’re considering other models or want advice on lens choices or camera accessories aligned with either system, feel free to reach out. Happy shooting!
Canon SX240 HS vs Sony TX200V Specifications
| Canon PowerShot SX240 HS | Sony Cyber-shot DSC-TX200V | |
|---|---|---|
| General Information | ||
| Make | Canon | Sony |
| Model type | Canon PowerShot SX240 HS | Sony Cyber-shot DSC-TX200V |
| Type | Small Sensor Superzoom | Ultracompact |
| Revealed | 2012-02-07 | 2012-01-30 |
| Physical type | Compact | Ultracompact |
| Sensor Information | ||
| Processor Chip | Digic 5 | BIONZ |
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12MP | 18MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Maximum resolution | 4000 x 3000 | 4896 x 3672 |
| Maximum native ISO | 3200 | 12800 |
| Minimum native ISO | 100 | 64 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Total focus points | 9 | 9 |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 25-500mm (20.0x) | 28-140mm (5.0x) |
| Largest aperture | f/3.5-6.8 | f/3.5-4.8 |
| Macro focusing distance | 5cm | 3cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display diagonal | 3" | 3.3" |
| Display resolution | 461k dots | 1,230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Display tech | PureColor II TFT LCD | 1,229,760 dots equiv. XtraFine TruBlack OLED display |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 15s | 2s |
| Highest shutter speed | 1/3200s | 1/1600s |
| Continuous shooting rate | 2.0 frames per second | 10.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | - |
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 3.50 m | 3.10 m |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Slow Sync |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (240 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video data format | H.264 | MPEG-4, AVCHD |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 224 gr (0.49 lbs) | 129 gr (0.28 lbs) |
| Physical dimensions | 106 x 61 x 33mm (4.2" x 2.4" x 1.3") | 96 x 58 x 16mm (3.8" x 2.3" x 0.6") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 230 images | 220 images |
| Type of battery | Battery Pack | Battery Pack |
| Battery ID | NB-6L | NP-BN |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | Memory Stick Duo/Pro Duo/Pro-HG Duo |
| Card slots | Single | Single |
| Cost at launch | $0 | $500 |