Canon SX260 HS vs Nikon S9300
91 Imaging
35 Features
44 Overall
38
91 Imaging
38 Features
43 Overall
40
Canon SX260 HS vs Nikon S9300 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-6.8) lens
- 231g - 106 x 61 x 33mm
- Revealed June 2012
- Previous Model is Canon SX240 HS
- Replacement is Canon SX270 HS
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 125 - 3200
- Optical Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- 25-450mm (F3.5-5.9) lens
- 215g - 109 x 62 x 31mm
- Revealed July 2012
- Succeeded the Nikon S9100
- Renewed by Nikon S9500
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Canon PowerShot SX260 HS vs Nikon Coolpix S9300: The Compact Superzoom Showdown from a Veteran Reviewer
In the realm of compact superzoom cameras, where portability meets reach, two models from 2012 continue to interest enthusiasts curious about their practical merits even years on: the Canon PowerShot SX260 HS and the Nikon Coolpix S9300. Both pack impressive zoom ranges and compact bodies, but how do they really stack up against each other beyond the spec sheets?
Having spent well over a decade testing cameras across genres - from wildlife safaris to urban street shoots - I bring hands-on insights and detailed technical analysis into this face-off. This isn’t just about specs; it’s about your real-world photography needs.
First Impressions: Size, Ergonomics, and Build Quality
Compact superzooms often walk a fine line - you want long reach without lugging a full DSLR rig. Let’s start with how these two feel in hand and their design approach.
The Canon SX260 HS measures 106 x 61 x 33mm and weighs 231 grams, while the Nikon S9300 comes in at 109 x 62 x 31mm and 215 grams. At first glance, they share similar footprints, though the Nikon is slightly slimmer and lighter - either fit snugly into a jacket pocket or small bag.

Handling the SX260, I noticed the grip felt a touch more substantial, which instills confidence during steady shooting, especially at the telephoto end of the zoom. The button placement is thoughtful, with easily accessible dials and a comfortable shutter release. Conversely, the Nikon’s slim profile is appealing for discretion and travel, but the lightly plasticized body does compromise on perceived robustness a bit compared to the Canon’s more substantial feel.
Build-wise, neither camera features weather sealing or ruggedized construction, so neither is suited to harsh outdoor conditions. Still, for everyday travel or family outings, both stand up well to typical handling.
Design and Control Layout: Balancing Simplicity and Function
Ergonomics extend into the user interface and control spread, critical factors when capturing fleeting moments.

Examining the top panel of both cameras reveals notable differences. The Canon offers a straightforward dial with PASM (Program, Aperture Priority, Shutter Priority, Manual) exposure modes - something rare and prized in compact superzooms. This means photographers can assert a surprising degree of creative control over settings like aperture and shutter speed, ideal for those who want to wring more expressive potential out of a compact.
By contrast, the Nikon S9300 omits manual exposure modes altogether, leaving users reliant on automatic or scene modes. For absolute beginners, this streamlining might be welcome; however, hobbyists who want to grow their skills might find this limiting.
Button layout on the Canon is tactile and logically grouped, allowing one-handed operation with minimal fumbling. Nikon’s controls are simpler, but the shutter button and zoom lever placement are responsive and natural.
Sensor and Image Quality: The Heart of Photography
At the core of every camera is its sensor - the component that converts captured light into pixels. Both cameras use a 1/2.3” BSI-CMOS sensor measuring 6.17 x 4.55mm (28.07 mm² area), a standard size for superzooms of their time, but with some intriguing differences in effective resolution.

The Canon shoots 12 megapixels, while Nikon ups this to 16 megapixels on the similar-sized sensor. While more resolution often suggests better image detail, it’s not a straightforward advantage here. Packing more pixels into the same sensor area can increase noise, negatives for image quality especially at high ISO or in low light.
In my extensive tests shooting landscapes and portraits side-by-side under varying lighting conditions, the Canon’s 12MP sensor exhibited slightly cleaner images with less noise at ISO 800 and above. The Canon’s DIGIC 5 processor further aids this by applying efficient noise reduction without overly smearing detail.
The Nikon’s 16MP sensor provides sharper images when shooting bright, crisp scenes with plenty of light - particularly useful for large prints or heavy cropping. However, the grain at higher ISO settings becomes noticeable sooner than with the Canon, constraining its low-light usability somewhat.
Both cameras apply an optical low-pass (anti-aliasing) filter, which while reducing moiré, softens microdetail - a trade-off evident mostly when pixel-peeping.
LCD Screen and Interface: Your Window to Creativity
Given the lack of viewfinders on both, the rear LCD screens serve as the primary means to compose images and navigate menus.

The Canon’s 3-inch screen offers a modest 461k dot resolution with PureColor II TFT technology. Colors are reasonably accurate, and the screen remains usable in most daylight conditions, though reflections can pose challenges. Its fixed angle is limiting if you want to shoot from high or low perspectives comfortably.
The Nikon’s 3-inch screen doubles the resolution to approximately 921k dots and features an anti-reflection coating, leading to visibly crisper previews and easier outdoor viewing. The screen’s brightness and color fidelity are noticeably better than the Canon’s, a key advantage for critical framing or reviewing images in bright light.
Neither camera sports touchscreen capability or articulating displays, which is typical of their era but worth noting given user expectations today.
Zoom Lenses Compared: Reach and Optical Performance
Superzoom cameras live and die by their lenses. Both cameras wield formidable zooms, albeit with slight differences in range.
Canon SX260 HS: 25-500mm equivalent (20x zoom), aperture f/3.5-6.8
Nikon S9300: 25-450mm equivalent (18x zoom), aperture f/3.5-5.9
The Canon extends a modest 50mm longer tele reach, handy for wildlife or distant subjects.
While the Nikon has a marginally faster maximum aperture on the telephoto end (f/5.9 versus f/6.8), in practice both lenses require steady hands or stabilization at full zoom to keep images sharp.
In real-world shooting, Canon’s lens delivered sharper details in the center across the zoom range, while Nikon’s tended to soften slightly beyond 300mm equivalent. Edge sharpness was similar but both showed noticeable distortion wide open - no surprise given the long focal range and compact format.
Close focusing distances favor the Nikon, with a 4cm macro range against Canon’s 5cm. This slightly better macro capability enables more detailed close-ups of flowers or insects, albeit within the natural limits of fixed zoom lenses.
Autofocus and Shooting Speeds: Capturing the Moment
Autofocus (AF) speed and accuracy are crucial - especially for dynamic subjects like wildlife or sports.
Canon SX260 HS utilizes a 9-point contrast detection AF system with face detection and AF tracking, and offers continuous AF.
Nikon S9300 has an unspecified-point contrast detection AF system, with face detection and AF tracking but no continuous AF.
Through dedicated testing, I found Canon’s AF was generally more reliable and faster to lock focus, especially in dimmer conditions or moving subjects. Its 9 AF points provide a decent spread for selecting focus points without being overwhelming.
The Nikon, while having continuous AF tracking, tended to exhibit hunting (focus search back and forth) under low contrast or fast-moving situations, leading to missed shots.
Continuous shooting rates also differ notably: Canon shoots at a modest 2fps, suitable for casual bursts, whereas Nikon offers a much faster 6.9fps burst, better for capturing fleeting action sequences. That said, both buffer depths are shallow, so sustained bursts are limited.
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
Portrait photography demands accurate skin tone rendition, pleasant background separation (bokeh), and reliable focus on eyes.
Both cameras utilize face detection AF, a boon in ensuring eyes stay tack sharp.
Canon’s manual aperture control allows for some background blur creation, though small sensors and modest apertures limit bokeh quality. Still, the ability to select wider apertures manually (f/3.5 at 25mm) lets you soften distracting backgrounds somewhat, an advantage for portraits.
Skin tones render naturally on both cameras, though Nikon’s higher resolution sensor picks out more facial detail. The trade-off: Canon’s images generally have less noise and smoother gradations in shadows - important for flattering skin tones.
Neither camera possesses advanced eye-detection autofocus like recently launched models, but I found face detection steady enough for casual portraits.
Landscape Photography: Resolution, Dynamic Range, and Weather Considerations
Landscape photographers thrive on resolution, dynamic range, and robust build quality for outdoor excursions.
Canon’s 12MP sensor and Nikon’s 16MP sensor resolution do produce respectable file sizes useful for moderate prints and online sharing; however, neither matches dedicated APS-C or full-frame cameras in sheer resolution or dynamic range.
Our experience shooting the same landscapes showed Nikon’s images to have slightly higher detail in bright areas, but Canon’s subtle gradation preserved more shadow information under tricky lighting (e.g., sunrise scenes).
Neither camera features weather sealing - a limitation if you plan to shoot landscapes in challenging conditions like rain or dust.
Wildlife and Sports Photography: Autofocus, Latency, and Reach
Wildlife and sports shooters benefit primarily from rapid AF, high frame rates, and extensive zoom reach.
Here, the Canon’s 20x zoom to 500mm equivalent and snappier AF provide distinct advantages. Its continuous AF is practical for tracking animals or athletes moving across the frame.
The Nikon’s faster burst at nearly 7 frames per second is appealing, but inconsistent AF performance and shorter zoom range limit its overall capability for these demanding fields.
Street Photography: Discreteness, Quickness, and Low-Light Handling
Street photography values portability, stealthy operation, and sensor sensitivity.
Both cameras are pocket-friendly enough for street use, but Canon’s marginally deeper grip and better manual control can add agility for responsive shooting.
Low-light shooting favors Canon slightly due to cleaner high ISO images. Neither camera excels in very low light due to sensor size and aperture limits, but using stabilization can help with slower shutter speeds.
Macro Photography: Close Focusing and Detail Capture
With Nikon’s closer 4cm focusing distance and higher megapixel count, it nudges ahead for casual macro shooters.
Canon offers acceptable macro performance, but working closer to min focus distance is more cumbersome.
Both cameras lack focus bracketing or stacking capabilities to extend depth of field critical for true macro work.
Night and Astro Photography: ISO Limits and Exposure Modes
Shooting stars or night scenes pushes these cameras toward their limits.
Canon’s manual exposure modes enable long shutter speeds up to 15 seconds, essential for starscape shots, whereas Nikon tops out at 30-second minimum but lacks manual mode - though it offers some scene modes for night.
Both have maximum ISO 3200 with notable noise beyond ISO 800. Canon retains cleaner images and better shadow separation at higher ISOs.
Video Capabilities: Recording Quality and Usability
Both cameras support Full HD 1080p video at 24fps (Canon) and 30fps (Nikon), with additional lower-resolution slow-motion modes.
Canon’s video coding uses H.264, and Nikon supports both MPEG-4 and H.264, with video quality comparable for casual capture.
Neither has external mic or headphone ports, limiting audio control for vloggers or pros. Optical stabilization assists smooth handheld footage on both.
Battery Life and Connectivity: Longevity and Sharing
Canon’s NB-6L battery offers approximately 230 shots per charge, slight advantage over Nikon’s EN-EL12 with 200 shots.
Neither camera provides Wi-Fi, Bluetooth, or NFC, reflecting early 2010s norms and limiting instant photo sharing.
Both feature built-in GPS, auto-geotagging images - a useful feature for travel photographers tracking locations.
Lens Ecosystem and Expansion Opportunities
Being fixed-lens compacts, neither camera supports interchangeable lenses, which usually restricts versatility for advanced shooters.
However, Canon’s extensive accessories lineup and lens converter attachments (rarely used now) provided some options at launch.
Price, Value, and Final Assessments
At launch, Canon was priced around $349, Nikon at $249 - offering a budget-friendly alternative.
From my testing, Canon SX260 HS proves more versatile, offering manual controls, a longer zoom, better AF, and cleaner image quality - features justifying the price premium to enthusiasts wanting more than point-and-shoot simplicity.
Nikon S9300, while slightly lighter and with higher resolution, is better suited for beginners or budget buyers prioritizing zoom and quick shooting over fine control.
Overall Performance Summary
Breaking down the cameras’ overall scoring, Canon leads comfortably on ergonomics, zoom versatility, and manual control, while Nikon edges ahead on burst speed and macro focus distance.
Genre-Specific Recommendations
- Portraits: Canon’s manual aperture control and cleaner high ISO images make it the preferred compact here.
- Landscapes: Nikon’s higher resolution suits bright scenes; Canon better for dynamic range in shadow.
- Wildlife/Sports: Canon’s longer zoom and better AF ensure more keeper shots.
- Street Photography: Nikon is lighter and faster; Canon offers better control and low-light handling.
- Macro: Nikon’s closer focus distance is advantageous.
- Night/Astro: Canon’s manual modes win.
- Video: Similar quality; neither ideal for professional video.
- Travel: Both compact; Canon has better battery life and usability.
- Professional work: Neither suitable as primary workhorse but Canon offers more control for casual professional use.
Real-World Sample Images
In side-by-side shooting under varied conditions, Canon images show smoother noise reduction, consistent colors, and good detail preservation. Nikon images impress with crisp detail in daylight but degrade sooner in high ISO scenarios.
Concluding Thoughts: Which Should You Choose?
Both the Canon PowerShot SX260 HS and Nikon Coolpix S9300 reflect thoughtful engineering for their class and era. However, my extensive hands-on experience leads me to recommend the Canon SX260 HS for enthusiasts seeking more creative control, better image quality in challenging light, and reliable autofocus. Its longer zoom further extends photographic possibilities without adding bulk.
If budget constraints or a preference for a slightly lighter, sharper sensor camera at base ISO dominates your needs, Nikon's S9300 is a worthy contender - especially for casual photographers prioritizing zoom reach and faster burst shooting.
Despite their age, these cameras still serve as capable superzoom compacts. Your choice hinges on balancing manual control with ease of use, image quality with resolution, and zoom reach with portability.
This comparison leverages deep technical analysis, real-world shooting tests, and practical usability insights amassed over many thousands of hours of camera evaluations. That ensures the recommendations here help you choose a camera that fits your photographic style - not just a spec sheet number.
Happy shooting!
Canon SX260 HS vs Nikon S9300 Specifications
| Canon PowerShot SX260 HS | Nikon Coolpix S9300 | |
|---|---|---|
| General Information | ||
| Brand Name | Canon | Nikon |
| Model | Canon PowerShot SX260 HS | Nikon Coolpix S9300 |
| Class | Small Sensor Superzoom | Small Sensor Superzoom |
| Revealed | 2012-06-04 | 2012-07-16 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Powered by | Digic 5 | - |
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12MP | 16MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Highest Possible resolution | 4000 x 3000 | 4608 x 3456 |
| Maximum native ISO | 3200 | 3200 |
| Lowest native ISO | 100 | 125 |
| RAW files | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Number of focus points | 9 | - |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 25-500mm (20.0x) | 25-450mm (18.0x) |
| Max aperture | f/3.5-6.8 | f/3.5-5.9 |
| Macro focus range | 5cm | 4cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 3 inches | 3 inches |
| Display resolution | 461 thousand dot | 921 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Display technology | PureColor II TFT LCD | TFT-LCD with Anti-reflection coating |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Minimum shutter speed | 15 secs | 30 secs |
| Fastest shutter speed | 1/3200 secs | 1/8000 secs |
| Continuous shutter speed | 2.0 frames per second | 6.9 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 3.50 m | - |
| Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Slow-sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (240 fps) | 1920 x 1080 (30fps), 1280 x 720p (30 fps), 640 x 480 (30fps) |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video file format | H.264 | MPEG-4, H.264 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | BuiltIn |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 231 gr (0.51 lb) | 215 gr (0.47 lb) |
| Dimensions | 106 x 61 x 33mm (4.2" x 2.4" x 1.3") | 109 x 62 x 31mm (4.3" x 2.4" x 1.2") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 230 images | 200 images |
| Style of battery | Battery Pack | Battery Pack |
| Battery model | NB-6L | EN-EL12 |
| Self timer | Yes (2 or 10 sec, Custom) | Yes |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Storage slots | One | One |
| Retail cost | $349 | $249 |