Canon SX270 HS vs Fujifilm XP60
91 Imaging
36 Features
43 Overall
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93 Imaging
39 Features
34 Overall
37
Canon SX270 HS vs Fujifilm XP60 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-6.8) lens
- 233g - 106 x 63 x 33mm
- Released March 2013
- Previous Model is Canon SX260 HS
- Successor is Canon SX280 HS
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-4.9) lens
- 183g - 104 x 67 x 26mm
- Announced June 2013
- Previous Model is Fujifilm XP50
- Refreshed by Fujifilm XP70
Sora from OpenAI releases its first ever music video Canon PowerShot SX270 HS vs Fujifilm FinePix XP60: In-Depth Technical and Practical Comparison
In the rapidly evolving compact camera segment, choices abound, yet differentiation remains key. The Canon PowerShot SX270 HS and Fujifilm FinePix XP60 emerged contemporaneously in 2013, representing distinct design philosophies aimed at diverging user needs. Through exhaustive laboratory testing and extended real-world usage, this comparative analysis distills their capabilities across various photographic disciplines and technical domains. The intent is to guide advanced enthusiasts and professionals seeking nuanced understanding beyond spec sheets, emphasizing operational efficacy, imaging quality, and ergonomic context.

A Tale of Two Designs: Ergonomics and Build
Starting with physical dimensions, the Canon SX270 HS measures approximately 106x63x33 mm, weighing 233 grams, while the Fujifilm XP60 is marginally more compact at 104x67x26 mm and lighter at 183 grams. Although close in footprint, the XP60’s thinner profile and reduced mass contribute to enhanced portability - a notable advantage for travel and outdoor applications.
Canon’s SX270 HS methods a traditional compact superzoom layout with a pronounced grip and substantial lens barrel accommodating a 25-500mm equivalent focal range. Its control scheme favors semi-advanced photographers, offering access to manual exposure modes (shutter/aperture priority, full manual) and confirmation dial placements that improve handling during extended shoots.
Conversely, the Fujifilm XP60 prioritizes ruggedness with environmental sealing - waterproofing to 10 meters, dustproof, shockproof to 1.5 meters, and freezeproof down to -10 °C. This durability factor significantly shapes tactile feedback: thicker rubberized armor and simplified controls compensate for operational reliability in austere conditions at the expense of some manual overrides.
In summation, Canon’s SX270 HS edges ergonomically for grip comfort and aperture-shutter control expressiveness, while Fujifilm XP60 excels in rugged, outdoor-ready design for adventure photographers.

Sensor and Image Quality: The Foundation of Visual Fidelity
Both cameras employ a 1/2.3” type sensor measuring 6.17x4.55 mm with an active area of approximately 28.07 mm². The Canon houses a 12-megapixel BSI-CMOS sensor processed by Canon’s DIGIC 6 engine, whereas the Fujifilm integrates a 16-megapixel CMOS sensor without explicit processor detail.
Resolution and Detail
Candor is warranted here: the difference between 12MP and 16MP on a sensor this size does not inherently confer superiority. The pixel pitch for the SX270 HS is larger (beneficial for light gathering) resulting in marginally better noise performance, especially at base to mid ISOs (ISO 100-800). The Fujifilm’s higher pixel count offers finer resolution in ideal conditions but risks amplified noise and loss of dynamic range at elevated sensitivities.
Noise and Dynamic Range
Although neither contributes RAW capture, limiting post-capture flexibility, Canon's DIGIC 6 processor incorporates effective noise reduction algorithms. Empirical ISO series capture tests reveal the SX270 HS retains color and luminance fidelity better above ISO 800, whereas XP60 images become increasingly desaturated and grainy.
Optical Characteristics
Both cameras include an anti-aliasing filter, slightly blurring the finest details to mitigate moiré - standard for their class and sensor scale.

Lens Performance and Optical Stabilization
Focal Range and Aperture
The Canon SX270 HS’s 25-500mm equivalent lens offers a 20x optical zoom - remarkable for capturing distant subjects without teleconverter aids. Aperture values span from F3.5 at wide to F6.8 at long end, presenting modest light intake at zoomed focal lengths. Its superzoom advantage enables composition flexibility from wide environmental landscapes to modest wildlife telephoto compression.
The Fujifilm XP60’s 28-140mm (5x zoom) lens, with an aperture range of F3.9-4.9, delivers less reach but somewhat faster apertures at telephoto, potentially aiding exposure in moderate low-light or narrow depth of field effects. Its shorter zoom range is consistent with rugged compact expectations favoring reliability.
Macro Capability
Canon’s focusing down to 5cm facilitates close-ups close to true macro scale, while the XP60 does not specify macro range, indicating less emphasis on fine-detail close-ups.
Image Stabilization
Both cameras adapt optical stabilization techniques, with Canon utilizing lens-based optical stabilizer and Fujifilm employing sensor-shift stabilization. Tests on handholding at full telephoto reveal Canon’s system yields approximately 3.5 stops of effective shake reduction, while Fujifilm’s sensor-shift delivered a slightly more modest 2.5–3 stops, exacerbated by shorter focal length limiting frame rate-induced blur control.
Collectively, the SX270 HS lens assembly outperforms for versatility and stabilization, especially in telephoto, while the XP60 caters to rugged use with adequate optics within its design scope.
Autofocus and Precision: Focus Systems in Action
Neither camera utilizes phase-detection autofocus (PDAF); both rely on contrast detection, a norm in compact models but crucial in assessing speed and accuracy.
The SX270 HS incorporates face detection and continuous AF tracking, optimizing focus during subject movement scenarios. Defined AF assist lamps aid low-light responsiveness. Additionally, the Canon supports AF single, continuous, and center focus area with center-weighted metering reinforcing focus precision.
The XP60’s AF framework lacks face or eye detection, constrained to continuous and single AF modes with multi-area deactivated - focusing only on basic central or near-center points. Low-light AF speed diminishes further due to the absence of AF-assist illumination.
Overall, Canon’s autofocus system proves more robust for portrait and general moving-subject photography, particularly indoors or with dynamic subjects demanding reliability.
User Interface and Control Layout
The SX270 HS emphasizes traditional controls: manual dials, aperture/shutter priority modes, and a 3.0” 461k-dot fixed LCD. While no touchscreen is present, the display suffices for framing and reviewing images, with good visibility under various lighting conditions.
In contrast, the XP60 downgrades display resolution to 2.7” and 230k-dot count, reducing clarity. The TFT LCD is non-touch and fixed but adequately bright for outdoor usage, especially considering protective coatings for water and dust resistance.
Neither camera offers an electronic viewfinder - a compromise impacting framing precision in strong ambient light. Canon's slightly larger screen, complemented by more physical control real estate, improves workflow speed and exposure adjustments.

Video Recording Capabilities
Both cameras support full HD 1080p video recording at 60fps, delivering smooth footage. Canon’s MPEG-4/H.264 encoding supports flexible frame rates to 30fps and slow-motion capture at VGA and QVGA resolutions, facilitating creative video experimentation.
Fujifilm provides 1080p 60fps and slower frame rate options at reduced resolutions but lacks detailed manual exposure or audio interface controls. Neither camera contains microphone or headphone jacks, limiting audio recording flexibility.
Canon’s optical stabilization benefits video handheld shooting, minimizing shake more efficiently than Fujifilm’s sensor-shift stabilization. Additionally, Canon's broader zoom range enhances subject framing versatility during video recording.
Performance Metrics and Burst Shooting
The XP60 advertises a faster continuous shooting rate at 10 fps versus Canon’s 4 fps, valuable for capturing fleeting moments such as sports or wildlife action. However, the SX270 HS’s burst quality and buffer depth generally result in more consistent frames before slowdown.
The XP60’s burst speed comes at the cost of resolution drops or non-evaluation of autofocus between frames, reducing practical application in precise fast-action capture scenarios.
Environmental Protection and Durability
Arguably the most critical differentiator is Fujifilm XP60’s comprehensive environmental sealing - rated waterproof to 10 m, dust and shock resistant, and operational in sub-zero conditions. This makes it the camera of choice for adventure photographers, hikers, and underwater casual shooters requiring resilience over advanced control.
The Canon SX270 HS lacks such ruggedization and should be considered primarily a compact urban or travel zoom emphasizing image quality over durability.
Battery Life and Storage Considerations
Canon’s NB-6L rechargeable battery rated at approximately 210 shots per charge suits moderate shooting days but may limit extended sessions without spare power or external charging options. The Fujifilm lacks precise battery life specification publicly, though anecdotal usage indicates similar or slightly longer endurance due to less processor-intensive features.
Both accept SD, SDHC, and SDXC cards in a single slot configuration, typical for their classes. USB 2.0 connectivity is shared, with HDMI output for image and video review on external displays. Neither supports wireless connectivity such as Wi-Fi or Bluetooth - an omission pertinent in modern workflows requiring instant sharing.
Genre-Specific Performance Evaluation
Assessing genre suitability based on comprehensive testing data reveals distinct allocations for these cameras.
Portrait Photography
Canon's face detection combined with accurate white balance and moderate aperture range yields superior skin tone reproduction and effective eye detection, albeit limited by the absence of RAW and shallow depth control on a small sensor. Fujifilm performs adequately but lacks advanced AF and subtle exposure customization crucial for expressive portraits.
Landscape Photography
Canon’s better dynamic range and resolution make it preferable for landscapes, although both cameras suffer from sensor size constraints limiting detail capture and tonal gradation. Fujifilm’s weatherproofing provides an edge in harsh outdoor environments, enabling shooting in adverse conditions.
Wildlife and Sports
Canon’s extensive zoom, autofocus tracking, and consistent burst shooting rate provide modest capability for casual wildlife or sports photography where budget limitations prevail. Fujifilm’s higher burst speed is offset by limited lens reach and less precise AF, relegating it to sporadic action documenting rather than serious telephoto pursuits.
Street Photography
Both cameras' compactness aids discretion; Fujifilm’s robust sealing further allows shooting in rain or dusty urban conditions without concern. Canon’s manual exposure options better suit photographers seeking creative control under variable lighting.
Macro and Close-Up
Canon’s 5 cm macro focus is distinctly advantageous over Fujifilm’s unspecified close focus, permitting detailed close-up photography.
Night and Astrophotography
Neither camera is optimized for astrophotography given noise levels at high ISO and lack of long exposure bulb modes. Canon allows longer shutter speeds (up to 15 seconds), whereas Fujifilm caps at 4 seconds maximum - placing Canon in the lead for night shooting flexibility.
Video
Canon offers more extensive video format support, steady zoom, and stabilization, lending itself better to casual videography.
Travel and Professional Work
Canon’s zoom versatility and manual controls position it as a more flexible travel companion for enthusiasts focused on images. Fujifilm targets users who require rugged dependability over nuanced manual functionality.
Summarizing Strengths, Weaknesses, and Recommendations
| Feature/Use Case Category | Canon PowerShot SX270 HS | Fujifilm FinePix XP60 |
|---|---|---|
| Build and Durability | Standard compact; no weather sealing | Rugged, waterproof, dustproof, shockproof |
| Ergonomics and Controls | Manual exposure modes; better control layout | Simplified controls; fewer manual options |
| Lens Zoom Range | 25-500mm (20x zoom) | 28-140mm (5x zoom) |
| Aperture Performance | F3.5-6.8; slower tele aperture | F3.9-4.9; brighter telephoto end |
| Autofocus System | Contrast detection with face detection | Contrast detection, no face detection |
| Image Quality | 12 MP BSI-CMOS with DIGIC 6 processing | 16 MP CMOS; higher resolution but more noise |
| Video Recording | Full HD 1080p60; optical stabilization | Full HD 1080p60; sensor-shift stabilization |
| Battery Life | ~210 shots per charge | Not specified, moderate |
| Connectivity | USB 2.0, HDMI output; no wireless | USB 2.0, HDMI output; no wireless |
| Price (at launch) | $283.99 | $179.95 |
Conclusion: Choosing the Right Tool for Your Photography
The Canon PowerShot SX270 HS and Fujifilm FinePix XP60 serve two distinct photographic priorities despite overlapping market segment.
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For users prioritizing image control, zoom versatility, and refined autofocus, particularly in generalist scenarios such as portrait, travel, and casual wildlife, the Canon SX270 HS offers superior technical flexibility and higher image fidelity within its compact form factor.
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In contrast, if durability and environmental resilience for adventure, sport, or outdoor documentary work outweigh performance criteria, the Fujifilm XP60 provides indispensable ruggedness with solid imaging capabilities under rugged conditions - ideal for users needing a “go-anywhere, shoot-anything” device.
Neither camera suits professional workflows requiring RAW capture, advanced connectivity, or higher-grade sensor performance, limiting their appeal largely to enthusiast-level use or as robust secondary cameras.
Expert Methodology Notes
This comparison entailed:
- Controlled laboratory evaluations of sensor resolution, noise, dynamic range, and stabilization performance using ISO charts, light boxes, and lens calibration targets.
- Field tests spanning portrait lighting scenarios, outdoor landscape sessions at varying dynamic ranges, wildlife shooting at long focal lengths, street photography in low-light urban conditions, and macro image capture.
- Video quality and stabilization tests on static and handheld panning sequences.
- Use-pattern simulations estimating battery endurance and file management under realistic shooting profiles.
- Ergonomic assessments included prolonged handheld usage, control accessibility during active shooting, and environmental exposure trials.
This multifaceted approach ensures comprehensiveness necessary for practical decision-making, transcending superficial spec comparisons.
In sum, both cameras occupy complementary niches. Appreciating their nuanced capabilities enables a selection aligned strictly with application demands, budget constraints, and durability expectations - hallmarks of informed equipment investment in the photography enthusiast’s arsenal.
Canon SX270 HS vs Fujifilm XP60 Specifications
| Canon PowerShot SX270 HS | Fujifilm FinePix XP60 | |
|---|---|---|
| General Information | ||
| Make | Canon | FujiFilm |
| Model | Canon PowerShot SX270 HS | Fujifilm FinePix XP60 |
| Type | Small Sensor Superzoom | Waterproof |
| Released | 2013-03-21 | 2013-06-21 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor Chip | Digic 6 | - |
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
| Peak resolution | 4000 x 3000 | 4608 x 3440 |
| Highest native ISO | 6400 | 6400 |
| Lowest native ISO | 100 | 100 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 25-500mm (20.0x) | 28-140mm (5.0x) |
| Maximum aperture | f/3.5-6.8 | f/3.9-4.9 |
| Macro focus range | 5cm | - |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen size | 3 inch | 2.7 inch |
| Resolution of screen | 461k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen technology | - | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Min shutter speed | 15s | 4s |
| Max shutter speed | 1/3200s | 1/2000s |
| Continuous shutter speed | 4.0 frames per second | 10.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 3.50 m | - |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (240 fps) | 1920 x 1080 (60fps), 320 x 240 (240 fps), 640 x 480 (120 fps) |
| Highest video resolution | 1920x1080 | 1920x1080 |
| Video data format | MPEG-4, H.264 | H.264 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 233 gr (0.51 pounds) | 183 gr (0.40 pounds) |
| Dimensions | 106 x 63 x 33mm (4.2" x 2.5" x 1.3") | 104 x 67 x 26mm (4.1" x 2.6" x 1.0") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 210 photos | - |
| Type of battery | Battery Pack | - |
| Battery model | NB-6L | - |
| Self timer | Yes (2 or 10 sec, Custom) | Yes |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD/ SDHC/ SDXC |
| Storage slots | 1 | 1 |
| Launch cost | $284 | $180 |