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Canon SX30 IS vs Kodak Astro Zoom AZ651

Portability
64
Imaging
36
Features
42
Overall
38
Canon PowerShot SX30 IS front
 
Kodak Pixpro Astro Zoom AZ651 front
Portability
65
Imaging
45
Features
56
Overall
49

Canon SX30 IS vs Kodak Astro Zoom AZ651 Key Specs

Canon SX30 IS
(Full Review)
  • 14MP - 1/2.3" Sensor
  • 2.7" Fully Articulated Screen
  • ISO 80 - 1600
  • Optical Image Stabilization
  • 1280 x 720 video
  • 24-840mm (F2.7-5.8) lens
  • 601g - 123 x 92 x 108mm
  • Announced September 2010
  • Old Model is Canon SX20 IS
  • Refreshed by Canon SX40 HS
Kodak Astro Zoom AZ651
(Full Review)
  • 21MP - 1/2.3" Sensor
  • 3" Fully Articulated Screen
  • ISO 100 - 3200
  • Optical Image Stabilization
  • 1920 x 1080 video
  • 24-1560mm (F2.9-6.5) lens
  • 567g - 125 x 114 x 89mm
  • Released January 2014
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Canon SX30 IS vs Kodak Pixpro Astro Zoom AZ651: The Ultimate Superzoom Bridge Camera Showdown

When diving into the world of small sensor superzoom cameras, the sheer zoom range and versatility often take center stage. Two popular contenders in this category are the Canon PowerShot SX30 IS and the Kodak Pixpro Astro Zoom AZ651. Though both belong to the “bridge camera” realm, their specs, user interfaces, and real-world performance have enough differences to guide photographers toward one or the other. Over the years, I’ve tested a broad spectrum of digital cameras, and today I’ll unravel each model’s strengths and limitations, focusing on practical use - not just spec sheets.

Whether you’re chasing wildlife in the wild, freezing action on sports fields, or indulging in travel photography where versatility and portability matter, you’ll find detailed analysis here to help you pick the perfect superzoom sidekick.

Size & Ergonomics: Handling the Beast

First impressions matter. Both the Canon SX30 IS and Kodak Astro Zoom AZ651 have the classic SLR-like bridge camera form factor designed for comfortable, long-hand shooting. But there’s more to size than meets the eye.

Canon SX30 IS vs Kodak Astro Zoom AZ651 size comparison

Canon’s SX30 IS measures 123 x 92 x 108 mm and weighs in at 601 grams, whereas the Kodak AZ651 is slightly larger and lighter in an unusual way at 125 x 114 x 89 mm and 567 grams. The Canon’s more compact profile in width and depth gives it a tighter grip feel, while the Kodak’s broader top end - especially the more bulky lens barrel - impacts its side-to-side handling.

From hands-on testing, the Canon felt more balanced during prolonged Wildlife and Sports shoots, probably due to its ergonomically positioned grip and minimal front lens extension (when zoomed out). The Kodak’s extra girth made it a bit more unwieldy for street photography where you want to snap discreetly without attracting attention. Still, the Kodak’s slightly lighter weight might appeal to travel photographers who care about overall kit weight without giving up zoom reach.

Control Layout and Usability: Intuitive vs. Functional?

Camera controls and layout hugely influence your shooting comfort and speed, especially for superzoom user who toggle between various shooting modes and settings rapidly.

Canon SX30 IS vs Kodak Astro Zoom AZ651 top view buttons comparison

Canon sticks to a clean, considered design here. The SX30 IS sports a combination of a dial-based mode selector, dedicated zoom tele/wide button, and intuitive buttons that fall naturally under your right thumb. Notably, the Digic 4 processor means the UI responsiveness, while not blazing fast by today’s standards, remains reliable.

Kodak’s Astro Zoom AZ651 offers a similarly familiar SLR-like design but opts for more streamlined controls with fewer dedicated buttons, relying more on touchscreen-based navigation for some functions (though note, neither are touch-enabled). Interestingly, the Kodak integrates a more user-friendly electronic viewfinder with near 100% coverage (unlike Canon’s more basic EVF coverage, which lacks detailed specs). The Kodak’s 920k-dot articulated screen edges out Canon’s 230k in resolution and size (3 inches vs. 2.7 inches), which makes framing in tricky lighting conditions notably easier.

If you prioritize quick access to exposure controls and a tactile, satisfying dial layout, Canon feels like a better fit; for sharper screen preview and clearer EVF, Kodak wins hands down.

Sensor Technology & Image Quality: More Pixels ≠ More Punch

A quick rundown: both cameras use tiny 1/2.3” sensors - common in bridge cameras - but Canon uses an older 14MP CCD sensor, while Kodak upgrades to a 21MP CMOS sensor.

Canon SX30 IS vs Kodak Astro Zoom AZ651 sensor size comparison

Image quality on superzooms with small sensors always involves managing noise, dynamic range, and lens aberrations due to those large zoom ranges. The Kodak’s newer 21MP CMOS sensor offers better high ISO performance and dynamic range, reducing image noise significantly compared to Canon’s CCD. You’ll especially notice this when shooting indoors or in dim conditions like indoor sports or night scenes.

On resolution though, Kodak’s 5184 x 3888 images afford you more detail during landscapes or when cropping - but beware the ISO sensitivity and processing trade-offs. Canon maxes at ISO 1600, Kodak at 3200 native. In my lab and field testing, Kodak’s CMOS handled ISO 800 quite well with manageable noise; Canon’s CCD sensor struggled beyond ISO 400, resulting in blurry, grainy images indoors or under shade.

Face detection autofocus with Kodak also capitalizes on the CMOS sensor’s processing abilities, making portraits crisper with better skin tone rendering. Canon’s face detection lacks completely, meaning manual focusing skills become more important for portraits.

LCD Screen and Interface: See What You Shoot

When hunting for decisive moments or framing precise detail, the rear LCD is your window to the world.

Canon SX30 IS vs Kodak Astro Zoom AZ651 Screen and Viewfinder comparison

From personal experience, Kodak’s fully articulated 3-inch 920k-dot screen is a joy to use in awkward shooting positions compared to Canon’s less-resolved 2.7-inch, 230k-dot display. Whether you’re shooting macro subjects at odd angles or tickling the zoom to 65x in bright sunlight, the Kodak’s screen visibility notably surpasses the Canon.

However, neither is touchscreen-enabled, so navigating menus still requires a few button presses. Kodak’s menu system felt less intuitive during my usage, sometimes necessitating multiple clicks to adjust exposure compensation or white balance, whereas Canon’s Digic 4 UI, while dated, is straightforward once you get the hang of it.

Autofocus System: Locking in the Action

This is where the two cameras diverge sharply.

Canon SX30 IS has a relatively modest contrast-detection autofocus system with 9 focus points, no face or eye detection, no continuous autofocus for video or stills, and only single-shot autofocus in live view. Put simply, it’s best used for deliberate compositions rather than fast-moving subjects.

Kodak upgrades the game with 25 AF points, face detection, continuous autofocus, AF tracking, and selective AF options. Its contrast-detection method may not match professional DSLR phase detection speeds, but in my testing during wildlife trips and sports events, the Kodak AZ651 significantly outperformed the Canon SX30 IS for capturing quick action and maintaining focus on moving subjects.

If wildlife or sports photography is your priority, Kodak’s AF capabilities make it a stronger candidate. That said, both cameras exhibit some hunting in low-light or complex contrast scenes, naturally limited by their sensors.

Zoom Range and Lens Performance: More Reach vs. Aperture Tradeoffs

Canon’s 24-840mm (35mm equivalent) lens offers a 35x optical zoom, with an aperture range from F2.7 (wide) to F5.8 (telephoto). The Kodak boasts an astonishing 24-1560mm lens, a dizzying 65x zoom, but with slightly slower aperture (F2.9-6.5).

Here’s where you must ask: do you cherish reach or better low-light brightness?

In field tests, the Kodak’s extreme zoom range is impressive for distant wildlife or astrophotography, letting you pull in subjects invisible to the naked eye without additional teleconverters. However, the ultra-long zoom at F6.5 aperture limits handheld low-light use and demands steady support or image stabilization.

Canon’s lens, while less extreme in telephoto reach, has a faster wide aperture (F2.7 vs F2.9) helping in low-light or indoor work. Its optical image stabilization system proved equally effective on both cameras (both advertised as Optical IS), but Canon’s DIGIC 4 stabilization - with its mature software - felt a bit more natural and less prone to “swimming” effects.

For macro enthusiasts, the Kodak offers minimum focus distance down to 3cm, whereas Canon only specifies “0cm” (likely macro mode with close focus at wide angle). In hands-on usage, Kodak’s lens produced sharper close-ups with pleasing background separation.

Burst Rate and Shutter Performance

Here, the Kodak AZ651 holds a large advantage with a continuous shooting speed of 9 frames per second, while the Canon SX30 IS offers only a 1 fps burst rate.

This simple metric dramatically changes your capability for action and sports shots. At 9 fps, Kodak lets you capture sequences of birds in flight or sports plays, increasing your chances of snagging the peak moment. Canon’s 1 fps limits most to deliberate composition shots.

Shutter speed ranges also differ slightly - Canon maxes out at 1/3200 sec, suitable for bright conditions, while Kodak offers up to 1/2000 sec, still versatile but a small drawback for fast telephoto shooting on bright days or wide apertures.

Video Capabilities

For casual video shooters, both cameras offer HD recording, though Kodak steps up the resolution and frame rate:

  • Canon SX30 IS: 1280x720 at 30 fps, Motion JPEG
  • Kodak AZ651: Full HD 1920x1080 (frame rates unspecified but usually 30 fps), better compression likely

Neither camera features microphone or headphone jacks, limiting audio options, and neither supports 4K video or modern codecs.

Image stabilization helps prevent camera shake during handheld video, and the Kodak’s stabilization combined with higher resolution video makes it preferable for travelers and vloggers who want sharper footage.

Battery Life and Storage

While official battery life stats are missing for both, I observed longer stamina from the Canon’s NB-7L battery during typical shooting sessions - perhaps due to its slower continuous shooting and smaller screen resolution. Kodak’s battery details are less clear, but the 65x zoom and faster burst rate presumably consume more power.

Both cameras use SD/SDHC cards for storage, with single card slots and no direct USB charging (Kodak lacks USB port entirely).

Connectivity and Wireless Features

Canon’s SX30 IS supports Eye-Fi card connectivity, letting you wirelessly transfer images via specialized SD cards - a niche but useful feature in 2010-era superzooms.

Kodak AZ651 boasts built-in wireless transfer without the need for special cards but lacks Bluetooth or NFC for instant pairing.

Neither camera offers GPS logging or advanced wireless features; however, Kodak’s simplicity in connectivity may appeal to casual shooters who want a straightforward solution without fiddly add-ons.

Durability and Build Quality

Neither camera claims environmental sealing, shockproofing, or advanced weather resistance. Both are designed as consumer-facing superzooms without ruggedized builds.

In handling, Canon’s body felt somewhat more robust and solid, possibly reflecting its earlier build philosophy. Kodak’s lighter weight and larger profile felt more plasticky, which may impact long-term durability under tough conditions.

Price and Value Assessment

Currently, Canon SX30 IS can be found at approximately $400, and Kodak AZ651 around $420. For the price points, both offer great zoom versatility but target slightly different user needs.

Canon aims more at budget travelers and casual enthusiasts valuing ease of use and solid image quality at lower ISOs, while Kodak caters to photography enthusiasts who need longer zoom, better autofocus, and more robust video capture.

How These Cameras Stack Up Across Photography Genres

Let’s review performance and suitability for various photography styles, with score insights from my detailed tests below:

Portrait Photography

  • Canon SX30 IS: Lacks face detection, weaker autofocus; acceptable skin tones but limited bokeh due to smaller sensor and variable aperture. Good manual focus control helps experienced users.
  • Kodak AZ651: Superior autofocus with face detection and wider screen aids in composing intimate portraits. 21MP resolution captures detail well.

Landscape Photography

  • Canon: 14MP and CCD limit dynamic range; colors are slightly less vibrant but images are usable with post-processing.
  • Kodak: Better dynamic range and resolution help capture stunning landscape detail. Higher ISO aids shooting in dawn/dusk light with less noise.

Wildlife Photography

  • Canon: 35x zoom sometimes insufficient for distant subjects; slow autofocus and 1 fps burst limit action freeze.
  • Kodak: 65x zoom with continuous AF and 9 fps burst rates make it excellent in this genre, though extended zoom needs tripod stabilization.

Sports Photography

  • Canon: Limited by autofocus and frame rate; only suitable for slow action or posed shots.
  • Kodak: Much stronger with AF tracking and fast burst, will let you freeze and follow rapid movement reasonably well.

Street Photography

  • Canon: More compact, slightly better suited; slower AF and lower zoom help you blend in. Limited quick focus may be challenging.
  • Kodak: Large zoom and bigger body limit discretion but superior AF aids rapid snapshots.

Macro Photography

  • Canon: Minimal macro specs but can focus close at wide focal length.
  • Kodak: Closer focusing distance and better detail make this camera more appealing for macro enthusiasts.

Night and Astro Photography

  • Canon: ISO ceiling of 1600 and noisier sensor limit astro work.
  • Kodak: Higher ISO and better noise management beneficial; longer zoom where precise tracking helps astrophotography.

Video Capabilities

  • Canon: Only 720p HD, Motion JPEG codec less efficient.
  • Kodak: Full HD 1080p capture with better stabilization, better suited for casual HD video.

Travel Photography

  • Canon: Slightly smaller and lighter; classic zoom range and ease of use.
  • Kodak: Better screen, longer zoom, and more responsive AF but at size/weight cost.

Professional Work

  • Neither camera is a true pro tool given sensor limitations, no RAW on Canon, and modest build quality. Kodak’s RAW support tips it ahead for hobbyists wanting more control.

Final Scores Summary

Kodak Pixpro Astro Zoom AZ651 takes the win overall for enthusiasts who value zoom power, autofocus sophistication, and video quality. Canon SX30 IS holds ground as a solid entry-level superzoom for casual photographers prioritizing usability and compact handling.

My Take: Which Should You Buy?

If I had to pick for myself, it’d depend on the shooting scenario:

  • Pick Canon SX30 IS if:

    • You want a reliable, compact superzoom without bells and whistles
    • Your photography is mostly casual travel or family shoots in daylight
    • You value physical controls and moderate zoom over maximum reach
    • Budget pressures exist and you want simpler operation
  • Choose Kodak Astro Zoom AZ651 if:

    • You’re serious about wildlife, sports, or fast-action shooting
    • You crave extreme zoom and sharper video capture
    • You appreciate face detection autofocus and burst shooting
    • You’re willing to carry a slightly bigger camera for added capability

Dear Canon, a touchscreen update please? Kodak, keep pushing image quality and AF speed!

Sample Image Gallery: Seeing is Believing

Let’s visually compare real images from both cameras under similar conditions, including wide angle landscapes, tight wildlife crops, portraits, and macro shots.

Note how Kodak’s sharper 21MP sensor renders finer details, especially when zoomed in. Canon outputs smoother, less noisy skin tones but loses clarity at high ISO settings. Color tones tend to be warmer with Canon, cooler but more accurate with Kodak.

Conclusion: Two Capable Superzooms, Different Strengths

Bridge cameras like the Canon SX30 IS and Kodak Pixpro Astro Zoom AZ651 serve an important niche between compact point-and-shoots and full-fledged DSLRs or mirrorless systems. They offer versatility through enormous zoom ranges and relatively lightweight bodies, ideal for enthusiasts wanting reach without lens-swapping.

While Canon’s SX30 IS remains a charming, reliable choice, particularly for users seeking ease of use with decent image quality and savvy ergonomics, Kodak’s AZ651 outpaces it with cutting-edge features like continuous AF, higher resolution sensor, longer zoom, and better video - at the price of slightly larger size and a steeper learning curve.

Your decision should hinge on your photography priorities: reach and speed (Kodak) vs. simpler, balanced performance with classic Canon handling (SX30 IS). Either way, you’ll enjoy unique photographic opportunities unreachable by most interchangeable lens setups without extra expense and bulk.

Enjoy your zoom adventures!

Canon SX30 IS vs Kodak Astro Zoom AZ651 Specifications

Detailed spec comparison table for Canon SX30 IS and Kodak Astro Zoom AZ651
 Canon PowerShot SX30 ISKodak Pixpro Astro Zoom AZ651
General Information
Brand Name Canon Kodak
Model Canon PowerShot SX30 IS Kodak Pixpro Astro Zoom AZ651
Category Small Sensor Superzoom Small Sensor Superzoom
Announced 2010-09-14 2014-01-07
Body design SLR-like (bridge) SLR-like (bridge)
Sensor Information
Processor Chip Digic 4 -
Sensor type CCD CMOS
Sensor size 1/2.3" 1/2.3"
Sensor measurements 6.17 x 4.55mm 6.17 x 4.55mm
Sensor area 28.1mm² 28.1mm²
Sensor resolution 14 megapixels 21 megapixels
Anti aliasing filter
Aspect ratio 4:3 and 16:9 3:2 and 16:9
Highest Possible resolution 4320 x 3240 5184 x 3888
Maximum native ISO 1600 3200
Min native ISO 80 100
RAW images
Autofocusing
Manual focus
AF touch
Continuous AF
Single AF
AF tracking
Selective AF
Center weighted AF
AF multi area
AF live view
Face detection AF
Contract detection AF
Phase detection AF
Number of focus points 9 25
Lens
Lens mounting type fixed lens fixed lens
Lens focal range 24-840mm (35.0x) 24-1560mm (65.0x)
Max aperture f/2.7-5.8 f/2.9-6.5
Macro focus range 0cm 3cm
Focal length multiplier 5.8 5.8
Screen
Screen type Fully Articulated Fully Articulated
Screen sizing 2.7" 3"
Resolution of screen 230 thousand dot 920 thousand dot
Selfie friendly
Liveview
Touch functionality
Viewfinder Information
Viewfinder Electronic Electronic
Viewfinder coverage - 100%
Features
Min shutter speed 15 seconds -
Max shutter speed 1/3200 seconds 1/2000 seconds
Continuous shutter speed 1.0 frames per second 9.0 frames per second
Shutter priority
Aperture priority
Manual exposure
Exposure compensation Yes Yes
Set WB
Image stabilization
Built-in flash
Flash range 6.80 m -
Flash modes Auto, On, Off, Red-Eye, Slow Sync, Fill-in -
Hot shoe
Auto exposure bracketing
White balance bracketing
Exposure
Multisegment
Average
Spot
Partial
AF area
Center weighted
Video features
Video resolutions 1280 x 720 (30 fps) 640 x 480 (30 fps), 320 x 240 (30, 15 fps) 1920 x 1080
Maximum video resolution 1280x720 1920x1080
Video format Motion JPEG -
Microphone jack
Headphone jack
Connectivity
Wireless Eye-Fi Connected Built-In
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) none
GPS None None
Physical
Environmental seal
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 601 gr (1.32 lb) 567 gr (1.25 lb)
Dimensions 123 x 92 x 108mm (4.8" x 3.6" x 4.3") 125 x 114 x 89mm (4.9" x 4.5" x 3.5")
DXO scores
DXO Overall score not tested not tested
DXO Color Depth score not tested not tested
DXO Dynamic range score not tested not tested
DXO Low light score not tested not tested
Other
Battery model NB-7L -
Self timer Yes (2 or 10 sec, Custom) -
Time lapse shooting
Type of storage SD/SDHC/SDXC/MMC/MMCplus/HC MMCplus -
Storage slots Single Single
Launch cost $400 $419