Canon SX40 HS vs Leica V-Lux 4
64 Imaging
35 Features
50 Overall
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65 Imaging
36 Features
62 Overall
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Canon SX40 HS vs Leica V-Lux 4 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fully Articulated Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-840mm (F2.7-5.8) lens
- 600g - 123 x 92 x 108mm
- Released September 2011
- Old Model is Canon SX30 IS
- Replacement is Canon SX50 HS
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 3200 (Push to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8) lens
- 588g - 125 x 87 x 110mm
- Introduced September 2012
- Old Model is Leica V-Lux 3
- Later Model is Leica V-Lux 5

Canon SX40 HS vs Leica V-Lux 4: An Expert Bridge Camera Shootout
Bridge cameras fill a unique niche in photography: offering DSLR-like ergonomics and zoom versatility in a single compact body without requiring lens changes. Two notable contenders in the small sensor superzoom category from the early 2010s are the Canon PowerShot SX40 HS and the Leica V-Lux 4. Both offer extensive zoom range, manual controls, and similar sensor sizes, but diverge in subtle - and some not-so-subtle - ways that matter to serious enthusiasts exploring their next versatile all-in-one solution.
Having spent many hours hands-on testing both cameras across multiple photography genres, image quality scenarios, and real-world adventures, I’m well placed to guide you through their technical profiles, user experience, and ultimately which might suit your needs best. Below, I’ll break down the core strengths, weaknesses, and value propositions of the Canon SX40 HS and Leica V-Lux 4 - no fluff, just practical insight that you can trust.
At a Glance: Size, Build, and Handling
Physically, both cameras embrace the classic bridge camera SLR-mimicking style, but with notable differences in dimensions and ergonomics.
The Canon SX40 HS has a chunky 123×92×108 mm footprint and weighs roughly 600g. This heft, combined with pronounced grips and a broad lens barrel, provides excellent stability for long telephoto shooting - a boon for wildlife or sports photography where steadiness matters.
The Leica V-Lux 4 is marginally more compact in height and width at 125×87×110 mm and slightly lighter at 588g, making it just a hair easier to carry around during travel or street outings. Leica’s build quality is top tier, with a robust chassis that feels both solid and refined, though neither camera offers weather sealing - a notable caveat for outdoor shooters in challenging conditions.
Ergonomically, the two diverge in control layout and overall user interface. The Canon presents a more traditional, somewhat cluttered button-heavy top deck (which I’ll discuss in the next section), while Leica opts for a cleaner, more purposeful design that speaks to photographic discipline and rapid access.
Control Layout and Interface: Playing with the Cameras
Testing the Canon SX40 HS, I appreciated the wealth of physical controls - dials for aperture, shutter speed, and dedicated buttons for focusing modes, exposure compensation, and drive modes. While this can feel overwhelming at first, it allows for in-the-moment adjustments without diving into menus. The articulating LCD helps compose shots at awkward angles, though its 2.7-inch size and 230k pixel resolution feel cramped by today’s standards.
Leica V-Lux 4 strikes a different balance: fewer buttons but more thoughtfully placed, with a richer 3-inch 460k pixel fully articulated LCD screen delivering detailed previews that make framing critical shots a pleasure. The electronic viewfinder is a particular highlight, flaunting a high 1312-pixel resolution with 100% coverage, far surpassing the Canon’s viewfinder experience, which lacks resolution specs and feels more basic.
The learning curve here depends on your shooting style. If you crave extensive manual control at your fingertips and don’t mind a busier interface, Canon’s traditional approach will serve you well. Leica’s cleaner layout and superior LCD/EVF combo are ideal for photographers who prioritize composition and image review quality.
Sensor and Image Quality: The Heart of the Matter
Both cameras employ a 1/2.3-inch sensor measuring around 6.1x4.5 mm with approximately 12 megapixels of resolution (4000×3000 pixels). This sensor size is typical for bridge superzooms, trading off low-light and dynamic range capabilities for dramatic zoom reach.
Canon’s SX40 HS uses a BSI-CMOS (backside illuminated) sensor, which in theory improves low-light sensitivity and signal-to-noise ratio over older CMOS variants. However, in real-world shooting, its max ISO tops out at 3200 without extended modes, and noise becomes noticeable beyond ISO 800. Its anti-aliasing filter is present, slightly softening fine detail but reducing moiré artifacts.
The Leica V-Lux 4’s sensor is similar in size but benefits from more advanced image processing and supports ISO up to 3200 natively with an extended boosted ISO 6400 capability. It also offers raw shooting - a critical advantage allowing post-production control that Canon’s SX40 HS lacks. Leica’s autofocus coverage is wider and more flexible, with 23 focus points vs Canon’s 9, enhancing compositional freedom and tracking accuracy.
Dynamic range performance across both cameras is limited compared to larger sensor systems but the Leica’s software sharpening and noise reduction yield slightly crisper and cleaner images at moderate ISOs. Canon’s images are more contrasty but can feel muted in shadows and highlights under bright daylight.
Real world: Portraiture and Bokeh Characteristics
Portrait photography leans on skin tone rendition, autofocus accuracy on faces and eyes, and the quality of background blur (bokeh).
Both cameras use fixed zoom lenses - Canon SX40 HS offers a 24-840mm equivalent F2.7-5.8 aperture range, Leica covers 25-600mm F2.8 constant aperture. While Leica’s aperture is only F2.8 at the wide end and closes down during zooming, its faster wide aperture at telephoto compared to Canon’s slower F5.8 aids in isolating subjects amid backgrounds.
Autofocus systems in both implement contrast-detection with face detection; however, Leica’s 23 point AF and inclusion of AF tracking enhance its consistency in locking eyes and faces during portraits. The Canon’s 9-point system and no AF tracking make focus hunting noticeable, especially in low light or when subjects move.
Bokeh from the Canon lens is softer owing to the more complex zoom range, but Leica’s optical design produces smoother, more natural blurring in the mid-zoom range. Neither camera rivals large aperture interchangeable lenses, but for casual portraits, Leica’s output feels more pleasing right from camera.
Landscapes and Nature: Zoom Range Versus Image Fidelity
Landscape shooters require wide angle coverage, high resolution, and near edge-to-edge sharpness - plus weather resistance ideally, which neither camera provides.
Canon dominates here with a 35x zoom reach from 24-840mm vs Leica’s 24mm to 600mm (24x). That extra reach on the Canon invites telephoto creativity for wildlife and distant landscapes alike. Despite the leap in focal length, image quality at extreme zoom can degrade - significant chromatic aberration and diffraction softness creep in, necessitating careful aperture choice (around f/5.6-f/8).
Leica trades the ultimate zoom length for slightly improved optics and a faster aperture at the wide end, improving corner clarity and sharpness. Its lens coatings reduce flare better when shooting into the sun, an advantage for mountain landscapes.
Both cameras suffer from the usual small-sensor limits on dynamic range, which can be tamed using exposure compensation or bracketed HDR approaches where available (Leica supports AE bracketing, Canon does not). The Leica’s native raw support shines here, allowing extensive tone curve recovery in post.
Wildlife and Sports: Autofocus Speed and Burst Performance
Capturing fast-moving subjects demands autofocus precision, burst rate, and responsiveness.
Canon SX40 HS offers 10 fps continuous shooting, while Leica V-Lux 4 edges ahead at 12 fps. These speeds entail some buffering delays and reduced resolution in continuous mode but serve well for wildlife or sports aficionados seeking to freeze action.
Leica’s AF tracking and continuous AF outperform Canon’s contrast-only system without tracking. For erratic bird flight or athletes, Leica locks focus more effectively, reducing wasted shots. Canon’s broader zoom can push reach further for distant subjects but slower AF and tracking penalize keeper rates.
The DSLR-style ergonomics on both allow stable handholding at long focal lengths, but optical image stabilization (OIS) systems differ: both offer OIS, with Leica’s implementation feeling marginally more effective, especially handheld at telezoom settings. This means Leica users get steadier shots under challenging handheld conditions.
Street and Travel Photography: Stealth, Size, and Battery Endurance
Street photography demands fast AF, low-light capability, quiet operation, and portability.
Neither camera is particularly discrete, given their size and pronounced zoom lenses. Between the two, Leica’s slightly lighter and less bulky dimensions - and quieter operation - could edge out the Canon for candid street shooting.
Battery life is a standout Leica advantage, rated at 540 shots vs Canon’s 380. On extended travel or all-day shoots, that difference can be critical.
The Canon’s articulating screen is smaller and dimmer, which can hamper composing on the go in bright sunlight. Leica’s more vibrant 3-inch swivel LCD offers better coverage and more flexibility when shooting from hip-level or awkward angles common in street environments.
Macro and Close-Up: Precision and Magnification
Macro photographers seek close focusing distances and stable, sharp results. The Canon SX40 HS supports a macro range of 0 cm, essentially allowing very close focusing at wide angles and telephoto.
Leica V-Lux 4 notably reaches an exceptional 1 cm minimum focusing distance, enabling impressive close-ups. In-hand tests reveal Leica’s focus precision and image sharpness yield crisper detail in macro shots. Both cameras feature optical stabilization that aids handheld close-up steadiness.
Night Sky and Low Light: High ISO and Exposure Control
With tiny sensors, both cameras struggle with noise at elevated ISO. Canon caps at ISO 3200 natively, while Leica extends to 6400 - as long as noise is acceptable.
I found Leica’s raw support and cleaner noise reduction pipeline crucial here. The Canon shows heavier chroma noise and more smearing beyond ISO 800, whereas Leica maintains natural skin tones and star details better up to ISO 1600 - excellent for astrophotography, especially combined with manual exposure modes.
Both cameras allow manual shutter priority and aperture priority modes, critical for long exposures under the night sky.
Video Capabilities: Resolution, Frame Rates, and Stabilization
Both the SX40 HS and V-Lux 4 record Full HD video, with Canon maxing at 1080p/24fps, Leica offering more versatile frame rates up to 1080p/60fps. Leica’s support of AVCHD provides better compression efficiency compared to Canon’s MPEG-4.
Key Leica advantages include an external microphone port and a marginally better video autofocus system with focus tracking. Canon lacks microphone or headphone jacks, limiting creative audio control.
Stabilization works well on both, smoothing handheld pans and zooms. While neither records 4K, the V-Lux 4’s 60fps modes enable smoother slow-motion effects in 1080p.
Professional Use and Workflow Integration
From a professional standpoint, the Leica V-Lux 4’s raw format, bracketing options, and superior control precision make it a better candidate for occasional client work requiring versatility without carrying a full DSLR setup.
Canon’s SX40 HS, while solid for enthusiast use, misses features critical for efficient workflow integration: no raw format, lower AF sophistication, and fewer bracketing options. Its limitations in dynamic range and noise at higher ISO reduce suitability for profi-level deliverables.
Connectivity, Storage, and Battery Life Essentials
Taken together:
- Both cameras store on SD/SDHC/SDXC cards; only Leica includes internal storage.
- Canon offers Eye-Fi card compatibility for wireless transfers, yet no Bluetooth or Wi-Fi.
- Leica lacks wireless connectivity entirely.
- Battery life is significantly in Leica’s favor (540 vs 380 shots), a big plus in the field for extended shoots or travel.
USB 2.0 and HDMI ports on both allow tethered shooting and external video monitoring if needed, though neither supports live USB streaming.
Value Prospects: What You Get for Your Money
At launch, the Canon PowerShot SX40 HS delivered a compelling sub-$350 option for bridge camera buyers craving massive zoom and manual control without breaking the bank.
The Leica V-Lux 4 positioned itself as a premium proposition, retailing around $900 with its superior optics, raw support, improved AF, and a richer user experience.
Considering current used markets and ongoing availability, buyers weighing these two must decide between:
- Canon SX40 HS: Impressive zoom reach, adequate for casual wildlife and travel, affordable, but limited by dated sensor tech, lack of raw, and lower AF sophistication.
- Leica V-Lux 4: Premium build, refined controls, sharper optics, raw shooting, better battery, excellent EVF, and superior autofocus - worth the price premium if budget permits.
The Final Verdict: Which Bridge Camera Fits Your Needs?
In summarizing extensive hands-on tests and image comparisons, here are my top recommendations based on photographic use:
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For Wildlife and Sports Enthusiasts: Opt for the Leica V-Lux 4. Its faster burst rate, superior AF tracking, and better image stabilization yield higher keeper rates on moving subjects. Slightly shorter zoom isn’t a deal-breaker for most.
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For Portrait and Macro Shooters: Leica again leads with improved AF face detection, raw support, and better macro focusing ability. Canon can capture portraits adequately but lacks the finesse and post-processing flexibility.
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For Landscape and Travel Photographers on a Budget: The Canon SX40 HS delivers more reach and manual control at an attractive price point. Accept its sensor’s limitations but benefit from longer zoom for distant vistas.
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For Video Hobbyists: Leica V-Lux 4’s 60fps Full HD video and microphone port offer creative freedom. Canon’s video oversimplifies audio control and frame rates, positioning it more as a stills-first camera.
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For Street and Everyday Photography: Leica’s more compact size, better ergonomics, and longer battery life tip the scales. Its quiet operation and articulating screen make it more versatile on the fly.
Wrapping Up
Both Canon SX40 HS and Leica V-Lux 4 are fascinating cameras that cemented their place in the small sensor superzoom bridge category through different philosophies: Canon chasing ultimate zoom and budget-friendliness, Leica focusing on optical quality, handling, and versatility.
While I see the SX40 HS as a very capable “jack of all trades” suited for enthusiasts exploring beyond point-and-shoot, the Leica V-Lux 4 is a more polished tool with professional sinews hidden inside, especially valuable if you demand raw files, superior autofocus, and video options.
Consider your photographic priorities, budget, and workflow needs carefully. Either camera will reward you with creative possibilities, but it’s the nuances in control, image quality, and user experience that ultimately define which is best for you.
Summary Table
Feature | Canon SX40 HS | Leica V-Lux 4 |
---|---|---|
Sensor | 1/2.3" BSI CMOS, 12MP | 1/2.3" CMOS, 12MP with Raw |
Lens | 24-840mm eq. f/2.7–5.8 | 25-600mm eq. f/2.8 |
AF Points | 9 points, contrast-detect | 23 points, contrast-detect + tracking |
Continuous Shooting | 10 fps | 12 fps |
Max ISO | 3200 | 3200 native, 6400 boost |
LCD Screen | 2.7" 230k fully articulated | 3" 460k fully articulated |
EVF Resolution | Basic | 1312 pixel, 100% coverage |
Video | 1080p/24 fps, MPEG-4/H.264 | 1080p/60 fps AVCHD/MPEG-4 |
Stabilization | Optical | Optical |
Battery Life | ~380 shots | ~540 shots |
Weight | 600g | 588g |
Weather Sealing | No | No |
Price at Launch (USD) | ~$330 | ~$900 |
Final thoughts? If you want a camera that feels like a modest Swiss Army knife - wide focal range, plenty of manual control, and a friendlier price tag - the Canon SX40 HS remains a viable choice. If you prize image quality, raw flexibility, and superior autofocus packaged in a classy, refined body, Leica V-Lux 4 is worth the premium.
Happy shooting - whichever bridge camera you choose!
Canon SX40 HS vs Leica V-Lux 4 Specifications
Canon PowerShot SX40 HS | Leica V-Lux 4 | |
---|---|---|
General Information | ||
Company | Canon | Leica |
Model | Canon PowerShot SX40 HS | Leica V-Lux 4 |
Category | Small Sensor Superzoom | Small Sensor Superzoom |
Released | 2011-09-15 | 2012-09-17 |
Physical type | SLR-like (bridge) | SLR-like (bridge) |
Sensor Information | ||
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
Sensor area | 28.1mm² | 27.7mm² |
Sensor resolution | 12 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4000 x 3000 | 4000 x 3000 |
Highest native ISO | 3200 | 3200 |
Highest enhanced ISO | - | 6400 |
Minimum native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 9 | 23 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 24-840mm (35.0x) | 25-600mm (24.0x) |
Max aperture | f/2.7-5.8 | f/2.8 |
Macro focus distance | 0cm | 1cm |
Crop factor | 5.8 | 5.9 |
Screen | ||
Type of screen | Fully Articulated | Fully Articulated |
Screen size | 2.7 inches | 3 inches |
Resolution of screen | 230k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | PureColor II VA TFT LCD | Free-Angle TFT Screen LCD Display |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | - | 1,312k dots |
Viewfinder coverage | - | 100 percent |
Features | ||
Minimum shutter speed | 15 secs | 60 secs |
Fastest shutter speed | 1/3200 secs | 1/4000 secs |
Continuous shutter rate | 10.0 frames per second | 12.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 7.00 m | 13.50 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Fill-in | Auto, On, Off, Red-eye, Slow Sync |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | 1/2000 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (24fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (30, 240 fps) | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 600 gr (1.32 pounds) | 588 gr (1.30 pounds) |
Physical dimensions | 123 x 92 x 108mm (4.8" x 3.6" x 4.3") | 125 x 87 x 110mm (4.9" x 3.4" x 4.3") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 380 shots | 540 shots |
Battery style | Battery Pack | Battery Pack |
Battery model | NB-10L | - |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 secs) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | 1 | 1 |
Pricing at release | $330 | $899 |