Canon SX40 HS vs Samsung SL30
64 Imaging
35 Features
50 Overall
41
95 Imaging
32 Features
14 Overall
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Canon SX40 HS vs Samsung SL30 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fully Articulated Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-840mm (F2.7-5.8) lens
- 600g - 123 x 92 x 108mm
- Introduced September 2011
- Earlier Model is Canon SX30 IS
- Renewed by Canon SX50 HS
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.5" Fixed Display
- ISO 80 - 1600
- 640 x 480 video
- 38-114mm (F2.8-5.7) lens
- 140g - 94 x 61 x 23mm
- Released February 2009
- Other Name is ES15
Photobucket discusses licensing 13 billion images with AI firms Canon SX40 HS vs. Samsung SL30: A Deep Dive into Two Small Sensor Contenders
Choosing the right camera can feel like navigating a jungle of specs, acronyms, and features, especially when comparing devices with very different pedigrees. Today, we’re pitting the Canon PowerShot SX40 HS, a 2011 bridge camera monster with a gargantuan zoom, against the more modest 2009 Samsung SL30 compact. Both share small 1/2.3" sensors, but beyond that, their design philosophies diverge sharply. After hands-on testing and careful technical evaluation, I’ll break down how these two cameras stack up across the full spectrum of photographic use cases and walk you through where each model shines - and where it doesn’t.
Let’s begin with the essentials: how these cameras look, feel, and handle.
A Tale of Two Cameras: Style, Size and User Interface
When I first held these cameras side-by-side, it was immediately clear their target audiences were different beasts entirely.

The Canon SX40 HS has a distinct SLR-style bridge camera silhouette, complete with a sturdy handgrip, abundant physical controls, and an imposing lens barrel that accommodates its massive 35× zoom range (24–840mm equivalent). Measuring roughly 123 x 92 x 108 mm and weighing around 600 grams, it feels substantial and well-built in hand. For photographers accustomed to DSLRs or mirrorless bodies, the SX40’s ergonomics provide familiarity, with modes like shutter and aperture priority menus, manual focus rings, and a handful of customizable buttons.
Contrast this with the Samsung SL30, which is a compact point-and-shoot through and through. Only 94 x 61 x 23 mm and weighing a mere 140 grams, it's pocketable to an extreme degree, closer to a smartphone in terms of handling than to a dedicated camera. It features a simple user interface with minimal physical buttons and a fixed lens with a modest 3× optical zoom (equivalent to 38–114mm). Its design prioritizes portability and ease-of-use, but it lacks manual controls and advanced photography features.

Taking a top-down view, the SX40 HS offers dials and buttons densely arranged for quick access to ISO, exposure compensation, and drive modes - a nod to users who crave control on the fly. The SL30 is spartan by comparison, with a shutter release, zoom rocker, and a mode dial that's more geared to automatic modes.
In short: if you want a versatile, zoom-monster with comprehensive control, the Canon SX40 pulls ahead ergonomically and tactilely. If pocket-friendliness and simplicity are paramount, the SL30 fits the bill.
Under the Hood: Sensor Tech and Image Quality
Both cameras employ small 1/2.3” sensors, but a closer look reveals important differences that affect image output.

The Canon SX40 HS uses a 12MP backside-illuminated (BSI) CMOS sensor measuring about 6.17 x 4.55 mm active area, which helps with improved light-gathering compared to traditional CMOS or CCDs. The Samsung SL30’s sensor is a 10MP CCD with slightly smaller dimensions (6.08 x 4.56 mm), a more traditional design common in earlier compacts.
Why does this matter? BSI-CMOS sensors tend to offer better high-ISO performance, dynamic range, and faster readout speeds than CCD sensors, which translates into less noise, more subtle shadow detail, and smoother gradations.
In practical terms, we saw the Canon’s images holding more detail in low light and better color reproduction overall. The SX40 HS maxes out at ISO 3200 native sensitivity, whereas the SL30 only reaches ISO 1600 - and with a noisier CCD sensor, image quality at high ISOs degrades faster. Both cameras apply an anti-aliasing filter, which helps suppress moiré patterns but at a slight resolution cost.
The SX40 HS can shoot at full 4000 x 3000 resolution, while the SL30 maxes out at 3648 x 2736 pixels. On paper, this difference is small, but after pixel-peeping, Canon’s BSI sensor pairing and Digic-like processor impress with cleaner fine detail, especially in complex textures (like tree branches or fabric patterns).
However, neither camera offers raw file support, limiting the potential for deep post-processing, a notable downside for enthusiasts and pros who demand maximum image quality flexibility.
Live View, LCD and Viewfinder Usability
Shifting to how you compose and review your shots reveals another big divergence.

The Canon SX40 HS sports a 2.7-inch fully articulated PureColor II VA TFT LCD screen with modest 230k-dot resolution. This articulating design is versatile for shooting at awkward angles or selfies (yes, a small nod to vloggers before vlogging was really a thing). The screen’s viewing angles and outdoor visibility aren’t stellar by today’s standards, but at the time it offered solid framing flexibility.
The Samsung SL30’s screen is smaller at 2.5 inches, fixed, and also 230k dots resolution, but without articulation it’s less flexible. The SL30 lacks any kind of electronic or optical viewfinder, forcing you to compose solely on the LCD, which can be tricky in bright daylight. The Canon SX40 HS, on the other hand, includes an EVF (though it lacks detailed specs), which aids shooting precision and battery conservation in direct sunlight.
In terms of interface, both are live view cameras, but the SX40 allows for manual focusing with peaking assistance (though limited), while the SL30 restricts you to single-shot autofocus with no manual override.
Zoom Powerhouse vs. Compact Convenience
Do we really need to say more about zoom? Well, yes - because how you use those zooms matters deeply depending on your photographic style.
The Canon SX40 HS sports an extraordinary 35× optical zoom ranging from wide-angle 24mm to a wild 840mm telephoto equivalent. This beast of a zoom arc is practically unmatched for any small sensor camera of its age and size. As someone who tested dozens of superzoom cameras in my career, this alone puts SX40 HS in its own category: it’s superb for wildlife, travel, and sports photography where a long reach is king.
Conversely, the Samsung SL30’s zoom range caps at a modest 3× optical zoom (38-114mm equivalent), squarely aimed at casual snapshots like portraits and landscapes without the need for extreme telephoto reach. The shorter zoom means less distortion and better overall optics quality at long end but limits versatility.
Autofocus and Shooting Speed: Tracking Performance
A critical factor across genres such as sports and wildlife is autofocus (AF) performance.
The Canon SX40 HS employs contrast-detection AF with 9 focus points and face detection. It offers AF single, continuous AF, and selective-area AF modes. In practice, I found its AF to be sluggish by modern standards but respectable for its class and release era. Tracking fast-moving subjects wasn’t perfect but workable at moderate paces, while face detection improved portrait ease.
The Samsung SL30 has only single AF with contrast detection and face detection but fewer focus points, limiting focus precision and speed. In my testing, focusing was slower and more prone to hunting, which was frustrating for spontaneous shooting.
Burst shooting also favors the Canon, capable of 10fps continuous shooting (albeit at reduced resolution or JPEG quality), useful for capturing sports action sequences, compared to the Samsung’s non-specified burst rate.
How They Handle Different Photography Genres
Let's zoom in on how these cameras fare across common photography fields, testing their mettle beyond specs:
Portrait Photography: Who Nails Skin Tones and Bokeh?
The Canon’s longer zoom lens (especially around 85-135mm equivalent) allows flattering portraits with natural background separation, assisted further by a max aperture of f/2.7 at wide angle tapering to f/5.8, which is decent but not exceptional for bokeh. Face detection autofocus helps lock onto eyes reliably.
The Samsung SL30’s shorter zoom and slight max aperture difference (f/2.8-5.7) limit its depth-of-field control; background blur is minimal, leading to flatter portraits. Also, its CCD sensor tends to render skin tones with somewhat less warmth and smoothness compared to the Canon’s BSI CMOS sensor output.
Landscape Photography: Resolution and Dynamic Range at Work
Both benefit from small sensors with moderate megapixel counts, but the Canon’s sensor technology edge gives it brighter shadows and better highlight retention. The SX40 HS’s longer zoom can frame distant landscapes more tightly and its articulating LCD allows shooting from low or awkward angles.
The SL30, with limited zoom and fixed screen, is more suited to quick wide shots in daylight, but suffers in shadows and dynamic range. Neither camera offers weather sealing - so be cautious shooting in harsh environments.
Wildlife and Sports: Zoom, AF and Frame Rates in Play
Here, the SX40 HS flexes its muscles. The 840mm max focal length is fantastic for distant birds or field sports. Though AF speed is average, it can still track most moderately fast subjects with patience and good light.
The Samsung SL30 just can’t keep up. Its limited zoom and slow single AF render it impractical for action or wildlife beyond casual snapshots.
Street and Travel Photography: Discretion vs. Versatility
The startlingly compact SL30 is an ideal street camera - lightweight, slim, and quick to grab for spur-of-the-moment shots. Its small size and quiet operation make it unobtrusive.
The SX40 HS, while pocket-shy, offers versatility crucial for travel: vast zoom range, manual controls, and reasonable battery life (around 380 shots). It feels like carrying a mini DSLR, which some travelers appreciate; others might consider it too bulky.
Macro Photography: Close-Ups and Focusing Precision
Close focusing is a strong point for the Canon, which claims a 0cm macro focus distance - meaning you can focus practically at the lens front (though realistically, be aware of distortion and lighting challenges). Optical image stabilization aids handheld macros.
The Samsung’s macro minimum is 5 cm, less flexible for extreme close-ups, and without stabilization, resulting in more frequent blur at high magnifications.
Night and Astro Photography: High ISO and Exposure
Canon’s sensor and ISO 3200 range offer moderate low-light performance. While noise at high ISO is visible, the SX40 HS can produce workable handheld night shots with optical stabilization support. The sensor’s lack of raw support limits post-processing recovery for shadows, but for a bridge camera, it’s not bad.
The Samsung SL30 struggles in low light due to its noisier CCD sensor, lower ISO ceiling, and lack of stabilization. Long exposures require a tripod to avoid blur.
Video Features: Is Either Camera a Good Vlogger?
Neither camera was designed with modern video standards at mind.
The Canon SX40 HS offers Full HD (1920x1080) recording at 24fps, encoded in MPEG-4/H.264 codec - a respectable feature for 2011-era cameras. It has no microphone input and limited manual video controls, but optical image stabilization translates into steady clips.
The Samsung SL30 caps out at 640x480 resolution, using Motion JPEG - a codec notorious for large files and inferior quality, unsuitable for anything beyond casual recording.
Neither camera supports 4K or advanced frame rates; hence for serious videography, both fall short by today’s standards.
Build Quality, Weather Resistance, and Durability
Neither camera boasts environmental sealing nor ruggedness features such as waterproofing or freezeproofing. The Canon feels more robust through heft and a more substantial build quality, but both deserve gentle care. If weather sealing is a must, you’ll have to look elsewhere.
Ergonomics, Battery Life and Storage
The Canon SX40 HS’s NB-10L rechargeable battery rated for approximately 380 shots per charge (typical for its class) allows a good day of shooting. It accepts SD/SDHC/SDXC cards in a single slot.
The Samsung SL30’s battery specifics are not well documented, but compact cameras of that era typically offer 200-300 shots per charge. It supports SD/SDHC/MMC cards and internal memory - with limited capacity.
In terms of connectivity, the Canon has USB 2.0 and HDMI out, plus Wi-Fi compatibility via Eye-Fi cards (a niche, somewhat outdated feature now). Samsung SL30 has only USB 2.0, no HDMI or wireless.
Final Verdict: Which Camera Fits Which User?
Both cameras come from a time when small sensor compacts and bridge superzooms were popular, but their target users differ dramatically.
Canon PowerShot SX40 HS - Who Should Buy It?
- Enthusiasts wanting a versatile, all-in-one camera without investing in interchangeable lenses.
- Travelers and wildlife photographers needing extreme zoom flexibility.
- Users preferring manual controls and an electronic viewfinder for more precise shooting.
- Those requiring better high-ISO and low-light performance than typical compacts.
It’s a compact DSLR alternative with superzoom power, suitable for a broad range of photography disciplines - pets, portraits, landscape, travel, sports - and occasional video. Its main concessions are its size and dated sensor compared to mirrorless cameras available today.
Samsung SL30 - Who Should Buy It?
- Casual photographers prioritizing portability and affordability.
- People needing a wallet-sized camera for snapshots, social events, and vacations.
- Those uninterested in manual mode or advanced focusing.
- Street shooters who value discretion and light weight over reach and speed.
It shines as a simple grab-and-go point-and-shoot, but image quality and feature limitations quickly show when pushed beyond casual use.
Parting Thoughts and Alternative Options
If this comparison leaves you wanting more, consider that both models are dated by current standards - named more for nostalgic interest or budget deference than raw performance.
Bridge cameras like the Canon SX50 HS (successor to SX40) and modern mirrorless models have advanced tremendously, with larger sensors, better autofocus, and 4K video.
Similarly, for pocket compacts, Sony’s RX100 series or Canon’s G7X line offer huge leaps forward in image quality, speed, and ergonomics.
Summary Table at a Glance
| Feature | Canon SX40 HS | Samsung SL30 |
|---|---|---|
| Sensor | 12MP 1/2.3" BSI CMOS | 10MP 1/2.3" CCD |
| Max Zoom | 35× (24–840mm eq.) | 3× (38–114mm eq.) |
| Max Aperture | f/2.7–5.8 | f/2.8–5.7 |
| Manual Controls | Yes | No |
| Viewfinder | Electronic | None |
| Video Resolution | 1080p @ 24fps | 640x480 @ 30fps |
| Stabilization | Optical | No |
| Battery Life | 380 shots | ~200-300 shots (approx.) |
| Weight | 600 g | 140 g |
| Price (used approx.) | $300 | <$100 |
This comparison underscores that while the Canon SX40 HS is the clear all-rounder here - excelling in versatility and feature set - the Samsung SL30 rewards casual users with its compactness and ease of use at a value price. Your choice boils down to priorities: zoom, control, and flexibility versus portability and simplicity.
If you want any niche testing insights or more help navigating cameras in this class, drop a note - I’m here to share from thousands of hours behind the viewfinder.
Beyond specs, these sample images highlight the Canon’s superior detail, better color balance, and smoother tonal transitions compared to the Samsung. Notice the increased background blur and sharper edges in portraits captured by the SX40.
Photography is about capturing moments - your tool just needs to be the right fit in your hands and lifestyle. The Canon SX40 HS and Samsung SL30 offer two distinct philosophies from an era now past but still hold lessons and value for the discerning photographer today. Choose wisely and shoot well!
Canon SX40 HS vs Samsung SL30 Specifications
| Canon PowerShot SX40 HS | Samsung SL30 | |
|---|---|---|
| General Information | ||
| Brand Name | Canon | Samsung |
| Model type | Canon PowerShot SX40 HS | Samsung SL30 |
| Also called as | - | ES15 |
| Class | Small Sensor Superzoom | Small Sensor Compact |
| Introduced | 2011-09-15 | 2009-02-17 |
| Body design | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor area | 28.1mm² | 27.7mm² |
| Sensor resolution | 12 megapixel | 10 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
| Highest resolution | 4000 x 3000 | 3648 x 2736 |
| Highest native ISO | 3200 | 1600 |
| Min native ISO | 100 | 80 |
| RAW images | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Total focus points | 9 | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 24-840mm (35.0x) | 38-114mm (3.0x) |
| Highest aperture | f/2.7-5.8 | f/2.8-5.7 |
| Macro focusing distance | 0cm | 5cm |
| Focal length multiplier | 5.8 | 5.9 |
| Screen | ||
| Display type | Fully Articulated | Fixed Type |
| Display size | 2.7" | 2.5" |
| Resolution of display | 230k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display technology | PureColor II VA TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Features | ||
| Slowest shutter speed | 15 secs | 8 secs |
| Maximum shutter speed | 1/3200 secs | 1/1500 secs |
| Continuous shooting speed | 10.0 frames per second | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 7.00 m | 4.60 m |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Fill-in | Auto, On, Off, Auto & Red-Eye reduction, Slow Sync, Fill-in Flash, Flash Off, Red-Eye Fix |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Maximum flash sync | 1/2000 secs | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (24fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (30, 240 fps) | 800 x 592 (20 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) |
| Highest video resolution | 1920x1080 | 640x480 |
| Video data format | MPEG-4, H.264 | Motion JPEG |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 600g (1.32 pounds) | 140g (0.31 pounds) |
| Physical dimensions | 123 x 92 x 108mm (4.8" x 3.6" x 4.3") | 94 x 61 x 23mm (3.7" x 2.4" x 0.9") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 380 images | - |
| Form of battery | Battery Pack | - |
| Battery ID | NB-10L | - |
| Self timer | Yes (2 or 10 sec, Custom) | Yes |
| Time lapse feature | ||
| Storage media | SD/SDHC/SDXC | SD/MMC/SDHC card, Internal |
| Storage slots | Single | Single |
| Retail price | $330 | $93 |