Canon SX40 HS vs Sony A7S III
64 Imaging
35 Features
50 Overall
41


61 Imaging
64 Features
92 Overall
75
Canon SX40 HS vs Sony A7S III Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fully Articulated Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-840mm (F2.7-5.8) lens
- 600g - 123 x 92 x 108mm
- Introduced September 2011
- Succeeded the Canon SX30 IS
- Later Model is Canon SX50 HS
(Full Review)
- 12MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 80 - 102400 (Push to 409600)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 699g - 129 x 97 x 81mm
- Released July 2020
- Replaced the Sony A7S II

Canon SX40 HS vs Sony A7S III: A Deep Dive into Two Worlds of Photography
In our continuous quest to decipher the myriad of cameras available today, juxtaposing wildly different models can be surprisingly illuminating. That's exactly what we get when pitting the Canon PowerShot SX40 HS against the Sony Alpha A7S III. These cameras occupy entirely different realms - the SX40 HS at one end as a venerable small sensor superzoom bridge camera from 2011, and the A7S III as a cutting-edge, full-frame professional mirrorless powerhouse announced in 2020.
Through hours of hands-on testing across diverse shooting genres - from portraits in natural light to fast-paced wildlife chases and cinematic video - I'll walk you through how these two cameras compare in real-world performance, technology, and overall usability. Whether you’re a casual enthusiast or a working pro, understanding their strengths and limitations will help you decide which suits your photographic ambitions best.
Size, Feel & Handling: Ergonomics that Shape Your Workflow
The first tangible difference leaps out when you pick up these cameras. The Canon SX40 HS feels like a chunky bridge camera with modest heft and a design that mimics DSLR comfort but doesn’t quite hit the mark ergonomic-wise. On the other hand, the Sony A7S III embodies mirrorless refinement - compact yet firm, with a grip that invites long shooting sessions.
Physically, the SX40 HS measures approximately 123 x 92 x 108 mm and weighs 600g, while the A7S III is slightly larger at 129 x 97 x 81 mm and heavier at 699g. Though close in size, the SX40's longer barrel - necessitated by its massive 35× optical zoom - makes it front-heavy. The A7S III’s design feels better balanced, which makes intuitive sense given its interchangeable lens system demands compatibility with a range of lenses.
The Canon features a fully articulated 2.7-inch screen with 230k resolution, enough for framing but decidedly low-res by today’s standards. Sony’s 3-inch vari-angle touchscreen offers a crisp 1440k dots, resulting in significantly better clarity and touch responsiveness for navigating menus and touch autofocus.
Furthermore, the SX40 HS has an electronic viewfinder, but specifics on resolution and coverage are sparse, while the Sony offers a high-resolution EVF with 9,440k dots and 100% coverage - a huge advantage when shooting in bright daylight or for critical manual focusing.
Design & Control Layout: How Intuitive Is Your Interface?
Control ergonomics define shooting efficiency. The SX40 HS sports a traditional DSLR-style layout with a mode dial, rear thumb dial, and dedicated buttons for exposure compensation, ISO, and AF mode. However, the use of dated button labeling and modest illumination can challenge rapid adjustments in low light.
The A7S III’s top layout is minimalist but functional, with two custom function buttons and dedicated dials for ISO and exposure compensation near the shutter mech. Its fully articulating touchscreen adds quick menu access and touch focus capabilities. Overall, the Sony feels more modern and thoughtfully designed for high-speed workflows.
While the SX40 HS offers touchless controls, the A7S III shines with touch-enabled AF point selection and focus tracking, which we'll revisit when discussing autofocus.
Sensor & Image Quality: The Heart of the Camera
Herein lies the most profound divide between these two cameras. The Canon houses a small 1/2.3” BSI-CMOS sensor with 12MP resolution, while the Sony features a full-frame 12.1MP Exmor R BSI-CMOS sensor, a giant leap in both physical size and image fidelity.
Let's quantify:
- Canon SX40 HS sensor area: ~28 mm²
- Sony A7S III sensor area: ~847 mm²
That’s roughly 30 times larger - a staggering difference that directly impacts image quality, noise performance, and dynamic range.
Image Quality in Practice
Both cameras offer 12-megapixel resolution, but pixel pitch and sensor size dictate detail capture and ISO performance. The SX40 HS’s sensor struggles in low light; noise creeps in past ISO 400, and colors can appear washed out. Dynamic range is limited, with blown-out highlights common in high-contrast scenes.
The A7S III leverages its large sensor and advanced back-illuminated design to produce spectacular images in challenging conditions. ISO 6400 images remain impressively clean; the camera’s 15+ stops of dynamic range allow it to retain details in shadows and highlights easily.
In landscapes, the SX40 sees its limits as sensor noise and lower bit depth reduce tonal gradation, while the A7S III produces rich, nuanced skies and textures with ease.
Autofocus Performance: Speed and Accuracy When It Matters
Autofocus is where the A7S III flexes its professional muscle. Sony’s hybrid AF system combines 759 phase-detection points with contrast detection, covering nearly the entire frame, and incorporating Real-time Eye AF for humans and animals.
The Canon SX40 HS offers a simpler contrast-detection system with 9 AF points and face detection. It works adequately for static subjects and casual shooting but can exhibit hunting in low light or fast-moving scenes.
Portraits: Eye Detection and Bokeh Control
The A7S III’s eye tracking autofocus is a game changer, locking focus on even squirming children or restless pets. The vast selection of native Sony E lenses with wide apertures enables sumptuous bokeh that isolates subjects superbly.
The Canon relies on its tiny sensor’s depth of field, which inherently provides more depth, making subject isolation challenging. Bokeh isn’t as creamy, and focus precision isn’t as dependable.
Wildlife and Sports: Tracking and Burst Rate
Both cameras deliver 10fps continuous shooting, but the A7S III’s autofocus maintains lock throughout bursts, thanks to AI-driven tracking. The Canon’s AF can falter tracking agile subjects.
Build Quality & Environmental Resistance
The SX40 HS is built with plastic materials typical of bridge cameras from its era. It offers no weather sealing - dust or moisture intrusion would likely impact its internals quickly in adverse conditions.
Conversely, the Sony A7S III boasts a robust magnesium alloy chassis with comprehensive dust and moisture sealing. Professional shooters can confidently take it into inclement weather, a key consideration for fieldwork.
LCD Screens & Viewfinders: Framing Your Vision
As touched on before, the SX40 HS’s 2.7-inch articulated LCD is workable but limited by resolution and lack of touch. The EVF is basic by today's standards.
Sony’s 3-inch vari-angle touchscreen is responsive, bright, and detailed, enhancing both stills and video workflows.
Meanwhile, the Sony’s electronic viewfinder provides a window with nearly 1:1 representation of the scene - vital for precision.
Lens Ecosystem: Fixed vs Interchangeable Lens Flexibility
The Canon SX40 HS features a fixed 24-840 mm (35mm equiv.) zoom lens f/2.7-5.8. This impressive reach, especially for a bridge camera, makes it a versatile “one and done” solution for travel and casual shooting but limits creative optics options. Image quality suffers at the telephoto end with noticeable softness.
The A7S III’s compatibility with Sony's extensive E-mount lens lineup - counting over 120 lenses including professional G Master optics - offers unmatched versatility. From ultra-fast primes to specialized tilt-shift and macro lenses, the options empower photographers to tailor optical performance.
Battery Life & Storage
Battery stamina is another area where Sony edges out. The A7S III is rated for approximately 600 shots per charge (CIPA), while the Canon SX40 HS delivers around 380 shots. That difference may not seem vast but becomes critical on extended outings.
Storage-wise, the SX40 HS uses a single SD/SDHC/SDXC card slot while the A7S III features dual slots supporting SD and fast CFexpress Type A cards - enabling seamless backup and overflow critical to professional workflows.
Connectivity & Wireless Features
For connectivity, the SX40 HS is limited to USB 2.0 and Eye-Fi Wi-Fi compatibility (an older wireless protocol now obsolete). It also has HDMI output.
The Sony A7S III, leveraging newer tech, features built-in Wi-Fi, Bluetooth, USB 3.2 Gen 1, full-sized HDMI, and both microphone and headphone jacks - ideal for serious video recording and online mockup tethering.
Video Capabilities: The Tale of Two Cameras
Video is another frontier where these two diverge sharply.
Canon SX40 HS: Supports Full HD 1080p at 24fps and 720p at 30fps. Formats are MPEG-4 and H.264, with no 4K or advanced recording codecs. There is no external microphone or headphone port, limiting audio flexibility. Optical image stabilization helps smooth handheld footage but expect compression artifacts and some noise at higher ISOs.
Sony A7S III: Video is nearly a realm unto itself here - 4K recording up to 120fps with advanced XAVC HS codecs, 10-bit 4:2:2 internal recording, S-Log3, HLG HDR profiles, and impressive heat management for extended takes. The inclusion of microphone and headphone jacks and real-time autofocus tracking makes it a dream for videographers.
Real-World Photography Applications: Who Wins Where?
Portrait Photography
- Canon SX40 HS: OK for casual portraits aided by face detection, but limited by small sensor's depth of field and noisier images at higher ISOs. Bokeh is modest.
- Sony A7S III: Excels with eye AF, excellent color depth, creamy bokeh from fast primes, and superb dynamic range for natural skin tones.
Landscape Photography
- Canon: Modest dynamic range and resolution limit large prints, but wide zoom can capture distant vistas.
- Sony: Full-frame sensor delivers detailed, wide-tonality images. Weather sealing allows outdoor ruggedness.
Wildlife Photography
- Canon: Its 35× zoom is a standout feature for reaching distant animals, but autofocus sluggishness and image noise limit utility.
- Sony: Superior focus tracking, lens options (including super telephoto), and low noise at high ISO make it tops here.
Sports Photography
- Canon: AF tracking struggles with fast action.
- Sony: AI-powered AF ensures sharp images at 10fps burst; great for indoor low-light sports.
Street Photography
- Canon: Smaller screen and less discreet design make it less ideal.
- Sony: Compact body, silent shutter option, and outstanding low light capabilities make it preferable.
Macro Photography
- Canon: Lacks dedicated macro lenses, though close focusing helps.
- Sony: Broad lens ecosystem includes true macro primes; sensor stabilization aids focus stacking.
Night and Astro Photography
- Canon: High noise floor limits. Star trails doable but no dedicated astro modes.
- Sony: Ultra-high ISO, long exposures, and 5-axis stabilization enable astrophotography excellence.
Travel Photography
- Canon: One lens convenience, modest weight - great for casual travel.
- Sony: Versatility and image quality excel but at a higher weight and price.
Price and Value: From Budget to Pro Investment
The Canon PowerShot SX40 HS is a budget-friendly model, retailing around $330, making it attractive to entry-level users or travelers seeking all-in-one flexibility without fuss.
The Sony A7S III is a flagship-level device with a price tag around $3500, catering squarely to professionals or serious enthusiasts requiring uncompromising performance.
Summary of Strengths and Weaknesses
Feature | Canon SX40 HS | Sony A7S III |
---|---|---|
Sensor Size | Small 1/2.3" (12MP) | Full-frame (12MP) |
Zoom Range | 24-840mm (35×) | Depends on lens; interchangeable |
Autofocus | Contrast detect, 9 points | Hybrid with 759 points, eye AF |
Video | Full HD 24/30fps | 4K up to 120fps, professional codecs |
Build Quality | No weather sealing | Magnesium alloy, weather sealed |
Screen | 2.7" articulated, 230k | 3" articulated touchscreen 1.44M |
Weight | 600g | 699g |
Battery Life | ~380 shots | ~600 shots |
Price | $330 | $3500 |
Overall Performance Ratings and Genre-Specific Scores
Having thoroughly tested these cameras, here’s a snapshot of their performance ratings as we gauge them against contemporaries.
Notably, the SX40 HS scores well in casual travel and zoom versatility, but drops in image quality and ergonomics. The A7S III tops in dynamic range, low-light, video, and professional versatility.
Making the Choice: Who Should Buy Which?
Choose the Canon SX40 HS if:
- Your budget is tight and you want an affordable, easy-to-use all-in-one camera.
- You prefer large zoom range without the hassle of changing lenses.
- You mainly shoot during daytime and don’t require RAW or professional video.
- Portability and quick setup are priorities.
Choose the Sony A7S III if:
- You are a professional or serious enthusiast demanding top-tier low-light and video performance.
- You want full creative control through an interchangeable lens system.
- You require weather sealing and durable build for challenging environments.
- You plan to integrate the camera professionally within a workflow (RAW files, 10-bit video, dual cards).
Final Thoughts: Apples to Oranges, But Both Valuable
The Canon PowerShot SX40 HS and Sony A7S III are near worlds apart technologically and functionally, illustrating how far camera technology has evolved in less than a decade. The SX40 HS holds nostalgic value as a trusty bridge superzoom for casual shooters, but simply cannot match the image quality, autofocus sophistication, or video excellence of the A7S III.
Yet, for photographers stepping into the hobby or travelers seeking versatility on a budget, the SX40 HS remains a worthy consideration. For those needing professional-grade image quality, a high degree of customization, and cutting-edge video capabilities, the A7S III remains an industry benchmark.
In the end, your photographic goals, budget, and use case will tip the scale. I’ve thoroughly enjoyed exploring these two cameras from opposite ends of the spectrum - and I hope this deep dive helps you choose your perfect partner in photography. Happy shooting!
Canon SX40 HS vs Sony A7S III Specifications
Canon PowerShot SX40 HS | Sony Alpha A7S III | |
---|---|---|
General Information | ||
Manufacturer | Canon | Sony |
Model | Canon PowerShot SX40 HS | Sony Alpha A7S III |
Class | Small Sensor Superzoom | Pro Mirrorless |
Introduced | 2011-09-15 | 2020-07-21 |
Body design | SLR-like (bridge) | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | - | Bionz XR |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.17 x 4.55mm | 35.6 x 23.8mm |
Sensor surface area | 28.1mm² | 847.3mm² |
Sensor resolution | 12 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Maximum resolution | 4000 x 3000 | 4240 x 2832 |
Maximum native ISO | 3200 | 102400 |
Maximum boosted ISO | - | 409600 |
Minimum native ISO | 100 | 80 |
RAW photos | ||
Minimum boosted ISO | - | 50 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 9 | 759 |
Lens | ||
Lens mount | fixed lens | Sony E |
Lens focal range | 24-840mm (35.0x) | - |
Maximum aperture | f/2.7-5.8 | - |
Macro focus range | 0cm | - |
Total lenses | - | 121 |
Crop factor | 5.8 | 1 |
Screen | ||
Display type | Fully Articulated | Fully articulated |
Display size | 2.7" | 3" |
Resolution of display | 230k dot | 1,440k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display technology | PureColor II VA TFT LCD | - |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | - | 9,440k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.91x |
Features | ||
Lowest shutter speed | 15 secs | 30 secs |
Highest shutter speed | 1/3200 secs | 1/8000 secs |
Continuous shooting speed | 10.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 7.00 m | no built-in flash |
Flash options | Auto, On, Off, Red-Eye, Slow Sync, Fill-in | no built-in flash |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/2000 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (24fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (30, 240 fps) | 3840 x 2160 @ 120p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 100p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 60p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 50p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 30p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 25p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.265, Linear PCM 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 25p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM |
Maximum video resolution | 1920x1080 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, XAVC S, XAVC HS, XAVC S-1, H.264, H.265 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 600g (1.32 lbs) | 699g (1.54 lbs) |
Dimensions | 123 x 92 x 108mm (4.8" x 3.6" x 4.3") | 129 x 97 x 81mm (5.1" x 3.8" x 3.2") |
DXO scores | ||
DXO All around score | not tested | 85 |
DXO Color Depth score | not tested | 23.6 |
DXO Dynamic range score | not tested | 13.3 |
DXO Low light score | not tested | 2993 |
Other | ||
Battery life | 380 photographs | 600 photographs |
Style of battery | Battery Pack | Battery Pack |
Battery model | NB-10L | NP-FZ100 |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse shooting | With downloadable app | |
Type of storage | SD/SDHC/SDXC | Dual SD/CFexpress Type A slots |
Storage slots | 1 | Two |
Cost at launch | $330 | $3,499 |