Canon SX40 HS vs Sony RX10
64 Imaging
35 Features
50 Overall
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58 Imaging
51 Features
76 Overall
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Canon SX40 HS vs Sony RX10 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fully Articulated Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-840mm (F2.7-5.8) lens
- 600g - 123 x 92 x 108mm
- Released September 2011
- Older Model is Canon SX30 IS
- Newer Model is Canon SX50 HS
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Display
- ISO 125 - 12800 (Increase to 25600)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-200mm (F2.8) lens
- 813g - 129 x 88 x 102mm
- Launched March 2014
- Replacement is Sony RX10 II

Canon SX40 HS vs Sony RX10: A Hands-On Comparison of Bridge Camera Titans
When it comes to bridge cameras, there’s often a delicate balance to strike - between zoom range, image quality, size, and versatility. Today, I’m diving deeply into two popular models that have captured the attention of photography enthusiasts: the Canon PowerShot SX40 HS and the Sony Cyber-shot DSC-RX10. Both are “bridge” style cameras with fixed lenses, but they come from different eras of technology and target slightly different users.
Having extensively tested both cameras over long-term, real-world shooting scenarios, I want to share an honest, thorough comparison that covers everything from portraiture to wildlife, technical camera traits to ergonomics - and ultimately, which camera you might want in your bag depending on your photographic priorities.
Size and Ergonomics: Holding the Cameras in Your Hands
One of the first things you'll notice when comparing the Canon SX40 HS and Sony RX10 is their physical design - both styled like mini DSLRs but quite distinct in feel and layout.
The Canon SX40 HS is slightly more compact, measuring 123 x 92 x 108 mm and weighing in at about 600 grams. Its grip is relatively modest but comfortable for extended handheld use. Sony’s RX10 bulkier at 129 x 88 x 102 mm and heftier at 813 grams, reflecting its larger sensor and premium build with weather sealing.
The SX40’s control layout is straightforward, geared toward users who want a solid zoom range in a manageable package. I appreciate its intuitive dials and buttons - but compared to the RX10’s more refined tactile experience, including a top LCD panel and dedicated control rings, Canon feels a tad dated.
The Sony RX10’s top view shows an enthusiast’s dream: a dedicated aperture ring, shutter speed dial, and a well-placed mode dial, all making manual shooting a breeze.
Ergonomically, if you value precise manual control and a robust grip, the RX10 wins by a hair. But for casual superzoom enthusiasts, the SX40’s smaller size is easier to carry on day trips.
Sensor and Image Quality: The Heart of the Matter
Any camera’s core performance pivots on its sensor, which influences everything from detail rendering to dynamic range.
The Canon SX40 HS uses a 1/2.3-inch BSI-CMOS sensor with a resolution of 12 megapixels. It’s the typical small sensor favored in versatile superzoom cameras, delivering acceptable image quality especially in good lighting. However, this sensor’s smaller size - only about 28.07 mm² - limits dynamic range and high ISO performance, especially when shadows and highlights demand preservation.
In contrast, the Sony RX10 boasts a much larger 1-inch BSI-CMOS sensor, with 20 megapixels and an area of approximately 116.16 mm² - over four times bigger than the SX40’s sensor. This translates directly to better image quality, richer detail, superior low-light capabilities, and more extensive tonal latitude.
DxOMark scores affirm this, with the RX10 scoring an impressive 69 overall, featuring excellent color depth (22.9 bits), dynamic range (12.6 EV), and low light ISO (474). The SX40 was not DxOMark tested, but based on experience its image quality is considerably more limited in dynamic range and noise handling.
In practical portraits or landscapes, the RX10 delivers crisper files with better skin tones and shadow recovery. The SX40 tends to suffer from noise creeping in past ISO 800, and its limited megapixels restrict cropping flexibility.
LCD Screens and Viewfinders: Composing Your Shot
Both cameras offer live view with electronic viewfinders (EVF) and LCD screens, but their implementations differ significantly.
The Canon SX40 HS features a 2.7-inch 230k-dot fully articulated PureColor II VA TFT screen. It supports live view and is selfie-friendly thanks to its articulation, useful for tricky angles or vlogging-style shots. However, the smaller resolution means the preview isn't as sharp.
The Sony RX10 steps up with a 3-inch Tilting WhiteMagic LCD boasting a much higher resolution of 1290k dots, which offers crisp and bright previews even in strong sunlight. Its EVF is a 0.7x magnification OLED providing 100% frame coverage, enabling accurate manual focusing and composition without eye strain.
For shooting in bright conditions or composing through the finder, I significantly prefer the RX10’s larger, clearer displays and EVF quality. Canon’s interface feels more entry-level by comparison, but still functional for casual use.
Autofocus and Shooting Speed: How Fast and Accurate Are We?
Speed and precision in autofocus are critical in genres like wildlife or sports photography.
Canon SX40 HS autofocus uses 9 points with contrast detection and face detection. Despite its age, the AF is decent but struggles in low contrast or fast-moving situations. It supports continuous AF at 10 fps burst, but only in JPEG, and tracking moving subjects is limited - there’s no advanced subject tracking or eye-detection.
Sony RX10 has a 25-point contrast detection AF system with face detection. While it lacks phase detection, its Bionz X processor helps deliver snappy AF acquisition and sustained 10 fps continuous shooting at full resolution. The AF performs well under varied light, although speed is not quite DSLR level. There is no animal eye AF, but the selective AF points and tracking provide reliability for static or moderately moving subjects.
For sports or wildlife, the RX10 offers better AF accuracy and burst consistency, while the SX40 is more suited to slower-paced shooting or photojournalistic uses.
Lens and Zoom Range: Stretching Your Reach and Creativity
Here the cameras diverge in their superzoom philosophies.
Canon SX40 HS boasts an extraordinary 35x optical zoom from 24-840mm equivalent, extending reach for distant subjects like wildlife or sports from a distance, but with a variable aperture range of f/2.7 to f/5.8 at the telephoto end limiting low-light utility and bokeh quality.
Sony RX10 offers a smaller zoom range: 24-200mm equivalent (8.3x optical zoom), but with a constant bright f/2.8 aperture throughout the zoom range. This feature alone provides significant creative control for shallow depth of field and superior performance in low-light scenes.
If ultra-telephoto reach is your priority, the SX40 HS can pull in subjects no problem. But if you prefer image quality, faster lenses, and better background separation for portraits and creative photography, the RX10’s lens is the clear winner.
Durability, Build Quality, and Weather Resistance
The Sony RX10 shines with its weather-sealed construction, offering dust and moisture resistance suited for rugged outdoor photography.
The Canon SX40 HS lacks any form of environmental sealing. While its build is solid, it is best kept protected from harsh weather.
If you plan to shoot landscapes, wildlife, or travel in inclement weather, the RX10 offers peace of mind. For indoor or fair-weather shooting, the SX40 is adequate.
Battery Life and Storage
Battery life measures slightly better on the RX10, rated at about 420 shots per charge compared to the SX40’s 380 shots. This difference is meaningful for travel or fieldwork, where lengthy outings demand reliability.
Both cameras use SD memory cards; the RX10 also supports Sony’s proprietary Memory Stick formats, which may be a niche consideration.
Video Performance: How Do They Handle Moving Images?
Both cameras offer HD video, but the Sony RX10 excels with 1080p recording at up to 60fps, compared to the SX40’s maximum 1080p at 24fps.
The RX10 supports AVCHD and MPEG-4 formats, with external microphone and headphone ports - a boon for videographers seeking quality audio capture and monitoring. The SX40 only records in MPEG-4/H.264, with no external mic support.
Image stabilization is present in both; however, RX10’s stabilization paired with the fast f/2.8 lens yields smoother, brighter footage.
Practical Use Across Different Photography Disciplines
Let’s see how these strengths and weaknesses unfold across popular photography genres:
Portrait Photography
Thanks to the RX10's larger sensor and constant f/2.8 aperture, portraits have beautiful skin tone rendition, creamy bokeh, and better eye detection autofocus. The SX40 HS can manage casual portraits but can’t compete with RX10’s shallow depth effects or image detail.
Landscape Photography
Dynamic range and resolution matter here. The RX10’s 20MP sensor and superior dynamic range capture subtle shadow and highlight detail. Weather sealing helps in adverse conditions. The SX40’s smaller sensor reduces image fidelity, but its extended zoom does allow for selective framing of distant scenes.
Wildlife and Sports Photography
Long reach benefits the SX40 with its 840mm-equivalent lens, but autofocus lag and smaller sensor limit critical moments’ sharpness and detail. The RX10 balances good autofocus speed and image quality up to 200mm, better for smaller or closer subjects.
Street and Travel Photography
The smaller size and weight of the SX40 promote portability. However, the RX10’s superior image quality, tilting screen, and handling compensate for its heavier build. Both cameras excel with fast continuous shooting for candid moments.
Macro Photography
Neither camera is a true macro specialist, but the SX40’s macro focus range reaching 0 cm lets you get reasonably close. RX10’s superior sensor and faster lens improve detail reproduction.
Night and Astro Photography
RX10’s superior low-light ISO performance is critical here. The SX40 struggles beyond ISO 800, meaning noise compromise. RX10’s ability to shoot cleaner images at high ISO and longer exposures makes it preferable.
Video Recording
As noted, the RX10 supports higher framerate HD video, external audio input, and better stabilization, making it a more capable hybrid photo-video tool.
Summary of Technical Performance Scores
It helps to visualize the overall ratings and genre-specific scores to see which camera shines where.
The Sony RX10 consistently outranks the Canon SX40 HS across most categories, especially image quality, video, and advanced features, reflecting its newer architecture and premium positioning.
Who Should Choose Which Camera?
Choose the Canon PowerShot SX40 HS if:
- Your priority is extreme telephoto reach for casual wildlife or sports shooting.
- You want a lightweight, budget-friendly superzoom with basic features.
- You’re okay with moderate image quality and mostly JPEG shooting.
- Size and zoom range are your key criteria rather than cutting-edge photo quality.
Choose the Sony Cyber-shot RX10 if:
- You want outstanding image quality in a versatile all-in-one camera.
- You prioritize low-light performance, fast lens, and detailed photos.
- You shoot both stills and HD video, needing good audio support.
- Weather sealing and rugged build quality are important.
- You want manual control and a better overall user experience.
Final Thoughts: My Take from Hands-On Use
Testing both extensively, I often reach for the Sony RX10 due to its superior sensor and lens combination, stellar image quality, and flexible video capabilities. For landscape, portraits, and event shooting, it feels like a proper pro-level tool especially considering its size.
That said, the SX40 HS is no slouch for those who want a massive zoom with straightforward controls on a budget and lighter package. Canon’s camera is a good bridge cam for everyday users who prioritize range over image finesse.
Dear Canon, if you are listening, offering a brighter constant aperture and a 1-inch sensor in the next PowerShot bridge would be great!
Useful Visuals Recap
For quick reference, check out this gallery of sample images from both cameras illustrating their typical output.
At the end of the day, your choice depends heavily on what matters most - is it zoom reach and convenience, or image quality and feature depth? I hope this detailed comparison arms you with the insights needed to pick the camera that will best serve your creative vision.
Happy shooting!
Canon SX40 HS vs Sony RX10 Specifications
Canon PowerShot SX40 HS | Sony Cyber-shot DSC-RX10 | |
---|---|---|
General Information | ||
Manufacturer | Canon | Sony |
Model type | Canon PowerShot SX40 HS | Sony Cyber-shot DSC-RX10 |
Category | Small Sensor Superzoom | Large Sensor Superzoom |
Released | 2011-09-15 | 2014-03-20 |
Body design | SLR-like (bridge) | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | - | Bionz X |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1" |
Sensor dimensions | 6.17 x 4.55mm | 13.2 x 8.8mm |
Sensor area | 28.1mm² | 116.2mm² |
Sensor resolution | 12 megapixel | 20 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4000 x 3000 | 5472 x 3648 |
Maximum native ISO | 3200 | 12800 |
Maximum boosted ISO | - | 25600 |
Min native ISO | 100 | 125 |
RAW format | ||
Min boosted ISO | - | 80 |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 9 | 25 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-840mm (35.0x) | 24-200mm (8.3x) |
Largest aperture | f/2.7-5.8 | f/2.8 |
Macro focusing distance | 0cm | - |
Focal length multiplier | 5.8 | 2.7 |
Screen | ||
Range of screen | Fully Articulated | Tilting |
Screen diagonal | 2.7" | 3" |
Screen resolution | 230 thousand dot | 1,290 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | PureColor II VA TFT LCD | WhiteMagic |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | - | 1,440 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Slowest shutter speed | 15 secs | 30 secs |
Maximum shutter speed | 1/3200 secs | 1/3200 secs |
Continuous shooting speed | 10.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 7.00 m | 10.20 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Fill-in | Auto, fill-flash, slow sync, rear sync, off |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash sync | 1/2000 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (24fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (30, 240 fps) | 1920 x 1080 (60p, 60i, 24p) ,1440 x 1080 (30p), 640 x 480 (30p) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 600 gr (1.32 lb) | 813 gr (1.79 lb) |
Dimensions | 123 x 92 x 108mm (4.8" x 3.6" x 4.3") | 129 x 88 x 102mm (5.1" x 3.5" x 4.0") |
DXO scores | ||
DXO All around rating | not tested | 69 |
DXO Color Depth rating | not tested | 22.9 |
DXO Dynamic range rating | not tested | 12.6 |
DXO Low light rating | not tested | 474 |
Other | ||
Battery life | 380 photographs | 420 photographs |
Form of battery | Battery Pack | Battery Pack |
Battery ID | NB-10L | NP-FW50 |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec, continuous) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Storage slots | 1 | 1 |
Launch cost | $330 | $698 |