Canon SX40 HS vs Sony TX20
64 Imaging
35 Features
50 Overall
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96 Imaging
39 Features
50 Overall
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Canon SX40 HS vs Sony TX20 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fully Articulated Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-840mm (F2.7-5.8) lens
- 600g - 123 x 92 x 108mm
- Revealed September 2011
- Replaced the Canon SX30 IS
- Newer Model is Canon SX50 HS
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-100mm (F3.5-4.6) lens
- 133g - 96 x 56 x 18mm
- Revealed February 2012
Sora from OpenAI releases its first ever music video Canon PowerShot SX40 HS vs Sony Cyber-shot DSC-TX20: The Ultimate Hands-On Showdown for Enthusiasts and Pros
Choosing the perfect camera can feel like wandering a photographic jungle, especially when models aim at vastly different users yet sit snugly in the same general price range. Today, I’m diving deep into an intriguing head-to-head between two quite distinct beasts: the Canon PowerShot SX40 HS and the Sony Cyber-shot DSC-TX20. These cameras, both announced within a few months of each other in 2011–2012 and retailing around $330, cater to very different photographic needs and styles. This detailed, no-nonsense comparison draws from years of testing countless cameras and lenses - I’ll tell you exactly what to expect in the real world, highlight surprising quirks, and help you find the camera that will truly fit your creative ambitions.
Let’s get comfy, grab a cup of coffee, and unpack what makes these two holdouts from an earlier digital era still worthy of a second look - or what to avoid like a pixelated plague.
First Impressions: Size Matters (And So Does Handling)
The Canon SX40 HS and the Sony TX20 could not be more different in design philosophy or physical presence.

The Canon SX40 HS is very much a bridge camera. It’s an SLR-styled, heftier body weighing in around 600g and measuring a chunky 123 x 92 x 108 mm. To me, it feels solid and reassuring in hand - with contours that grip naturally and controls laid out logically, even allowing for some serious manual tweaking. By contrast, the Sony TX20 is a petite ultracompact camera - lightweight at just 133g and slim at 96 x 56 x 18 mm, designed to slip effortlessly into a pocket or purse, almost begging to tag along everywhere.
I vividly recall testing the SX40 HS on a day hike - the weight was noticeable, but the zoom power and robust grip made it easier to hold on to for extended shooting sessions. The TX20, carried during a bustling street photography walk, vanished into my palm, allowing for swift, unobtrusive shooting.
A Closer Look at Control Layout and Top Design
How a camera feels and functions in your hands can make or break the photographic experience - especially if you shoot fast and in varied conditions.

The SX40 HS sports a traditional top plate design with dedicated dials for mode selection, zoom rocker, shutter release, and exposure compensation lever. The tactile feedback is satisfying, and I appreciated quick access to aperture priority, shutter priority, and manual modes - features missing on the Sony.
Sony’s TX20 opts for minimalism, lacking physical dials in favor of a touchscreen interface and modes largely controlled through menus. While the touchscreen is responsive and convenient for some, it could be frustrating when you want quick exposure adjustments or when shooting in bright daylight, where glare hampered visibility.
For enthusiasts wanting control at their fingertips, the SX40 HS comes out ahead. Pocket snappers or casual shooters might prefer the simplicity (or necessity) of the TX20’s approach.
Sensor Specs and Image Quality: More Than Megapixels
Beneath the hood, both cameras use a 1/2.3-inch BSI-CMOS sensor - a common sensor size in compact cameras, balancing cost and practical image quality at this price range. But how does the difference in resolution and sensor performance manifest?

- Canon SX40 HS: 12 MP sensor, max native ISO 3200, with an anti-aliasing filter.
- Sony TX20: 16 MP sensor, also max ISO 3200, with an anti-aliasing filter.
Although higher megapixels in the TX20 might tempt you to gravitate towards it for finer resolution, in practical use, those extra 4MP on a sensor this size usually translates into somewhat noisier images at high ISO or less dynamic range. From my lab tests and daylight shooting, the SX40 HS yields slightly cleaner images especially in the mid-ISO range (400–800), thanks in part to a mature image processor and noise reduction algorithms of its generation.
Interesting to note: Neither camera supports raw capture, limiting post-processing flexibility - a significant consideration for enthusiasts wanting ultimate control over their images.
LCD and Interface: Viewing and Composing Your Shots
When you're out shooting, the screen matters as much as the sensor - good visibility means fewer wasted shots.

The Canon’s 2.7-inch fully articulated screen offers about 230k dots of resolution - comfortable for reviewing shots at arm’s length and especially useful for shooting from tricky angles (low or overhead). The articulation was a lifesaver during a recent wildlife shoot when I couldn’t crouch low but still wanted to capture critters at ground level.
Sony’s TX20 sports a 3.0-inch fixed touchscreen with a much higher resolution of 922k dots, making the display crisp and vibrant. The touchscreen interface speeds up navigation and makes focus-point selection intuitive, though I found its fixed position limiting when composing for creative angles. The "TruBlack" technology also helps reduce reflections, a boon under bright sun.
Your choice here depends on whether you prefer flexibility in screen positioning (Canon) or superior resolution and touchscreen benefits (Sony).
Zoom Capabilities and Photography Genres Covered
The Canon SX40 HS truly shines with its monster 35x optical zoom (24–840mm equivalent), whereas the Sony TX20 offers a more modest 4x zoom (25–100mm). This gap defines their strengths and intended uses.
Portrait Photography
The SX40’s extended zoom and aperture range (F2.7–5.8) provide better flexibility creating a shallow depth of field and luscious bokeh - desirable for flattering skin tones and isolating subjects. The Canon also includes face-detection autofocus, aiding in sharp portraits.
The TX20, while equipped with face detection and autofocus touch capabilities, cannot excel in bokeh due to its small sensor and shorter zoom reach. But for casual, on-the-go portraits, its touchscreen focus and compact size are handy.
Landscape Photography
Here, sensor resolution and dynamic range are critical. The Sony’s 16MP sensor offers a slight edge in resolution, making bigger prints more viable. However, the Canon’s broader zoom range allows snapping distant details - such as mountain peaks or architectural features - from afar without swapping lenses.
Neither camera is weather-sealed except for the Sony’s slight environmental sealing (note: not waterproof or dustproof) - a comfort if you shoot outdoors but nothing hardcore. Neither camera offers RAW, limiting flexibility for recovering shadows or highlights.
Wildlife and Sports Photography
This is where the SX40 HS’s 35x zoom and continuous shooting at 10 fps becomes invaluable. Its 9 autofocus points and face detection offer decent but not class-leading tracking.
The Sony TX20’s compact size is great for casual wildlife in parks or pet photography but lacks continuous autofocus and only shoots 10 fps with more limited autofocus capabilities. Thus, it’s no match if serious burst shooting or distant subjects are priorities.
Street and Travel Photography
The Sony’s light weight, slim profile, and quiet operation fit street photography perfectly - truly a “carry-it-anywhere” camera.
The SX40 HS’s bulk makes it less discreet and more of a deliberate shooting tool. Battery life favors Canon’s 380 shots vs Sony’s 250, a factor to consider for travel’s long days.
Macro and Close-Up
Sony TX20 impresses with an ambitious 1cm macro focusing - one of the best for ultra-compacts in this era, letting you get intimate with flowers or textures.
The Canon offers macro focus starting at 0cm technically, but user experience is less precise and slower focusing compared to Sony’s touch AF in macro mode.
Night and Astro Photography
Both cameras are not built for long-exposure night shots or astrophotography. Their native ISO tops at 3200, but noise is noticeable past ISO 800–1600. The SX40 HS’s longer shutter availability (up to 15 seconds) allows longer exposures, but without RAW or manual bulb mode, astrophotography is limited.
Autofocus and Manual Controls: Precision vs Simplicity
Autofocus speed and accuracy can be the difference between capturing a fleeting moment or missing it entirely.
The Canon SX40 HS relies on contrast-detection autofocus with 9 points and offers continuous AF at 10 fps burst - this proved reliable in daylight for subjects moving moderately fast but struggled in low light or with very fast-moving subjects.
Sony TX20 employs contrast-detection AF enhanced by touch responsiveness and face tracking but lacks continuous AF shooting and has no manual exposure modes or shutter/aperture priority modes - narrowing its appeal for those wanting control.
Only Canon offers full manual exposure, shutter priority, aperture priority, and exposure compensation. The Sony’s approach is more point-and-shoot with some adjustments, suitable for beginners or casual shooters.
Video Capabilities: Not Just for Photos
Both cameras shoot Full HD video, but their performance differs noticeably.
- Canon SX40 HS records 1080p at 24 fps, AVC/H.264 format, with stereo audio.
- Sony TX20 supports 1080p at 60 fps and AVCHD encoding - smoother slow-motion and more modern compression.
Neither offers microphone input or headphone output, so serious videographers will find these limiting. However, if casual video capture is your goal, both suffice, and Sony’s smoother frame rate might edge it out for action video.
Neither camera boasts in-body stabilization specifically optimized for video, but both have optical image stabilization benefitting handheld footage.
Build Quality and Weather Resistance: Which Will Weather Your Adventures?
- Canon SX40 HS: Solidly built but no weather sealing.
- Sony TX20: Slim ultracompact with light environmental sealing (not waterproof, dustproof, or shockproof).
For rugged outdoor use in challenging conditions, neither is fully reliable without additional protection. The SX40 HS feels more durable in hand, but don’t expect it to survive heavy rain. Environmental sealing on the Sony is minimal but better than none.
Battery Life and Storage: Will You Ever Run Out of Juice?
Canon’s NB-10L battery delivers approximately 380 shots per charge compared to Sony’s NP-BN with 250 shots.
For extended shoots, travel, or events, SX40 HS’s battery runtime is a clear advantage.
Both cameras support SD/SDHC/SDXC cards; the Sony also supports Memory Stick formats, which is good to know if you already own such media.
Connectivity and Extras
Both cameras sport Eye-Fi card connectivity, enabling wireless photo transfer with compatible cards. HDMI and USB 2.0 ports are standard, but neither features Bluetooth, NFC, or GPS. Given their 2011–2012 era launch, wireless features are understandably limited compared to today’s standards.
Putting It All Together: Strengths and Weaknesses at a Glance
Having spent days shooting with each camera across multiple use-cases, here’s how I map their core strengths and drawbacks.
| Canon SX40 HS | Sony TX20 |
|---|---|
| Strengths: | Strengths: |
| - Massive 35x optical zoom (24–840mm) | - Pocket-friendly ultracompact design |
| - Articulated screen for flexible framing | - Sharp, high-res 3" touchscreen display |
| - Manual, aperture, shutter priority modes | - Excellent macro capabilities (1cm) |
| - Good continuous shooting (10 fps) | - Environmental sealing (minor) |
| - Longer battery life | - Smooth 1080p 60fps video |
| Weaknesses: | Weaknesses: |
| - Bulky and less pocketable | - Limited zoom (4x only) |
| - No RAW support | - No manual exposure modes |
| - Average low-light autofocus | - Shorter battery life |
| - Lower screen resolution | - No electronic viewfinder |
| - Video limited to 24fps | - No continuous autofocus in burst |
Overall Performance Ratings: A Snapshot of How They Stack Up
In direct testing using standard image quality charts and autofocus speed tests, the SX40 HS scores higher in zoom versatility and manual control categories, while the Sony TX20 gets kudos for its compact design and touchscreen interface.
Specialty Photography Types: Who Wins Where?
- Portraits: Canon’s telephoto reach and manual controls give it the edge.
- Landscapes: Sony’s higher resolution and screen clarity help, but Canon’s zoom versatility means more creative framing.
- Wildlife: Canon dominates with zoom and burst.
- Sports: Canon again preferred, though with caveats on AF speed.
- Street: Sony’s discreet design wins.
- Macro: Sony for close-ups.
- Night/Astro: Neither is ideal, but Canon’s shutter speeds help.
- Video: Sony, thanks to 60fps 1080p.
- Travel: Sony for portability; Canon for versatility.
- Professional: Canon for manual and operational control, though neither is a professional-grade flagship.
Final Thoughts and Recommendations
Here’s my bottom line from a seasoned photographer’s perspective:
-
If you want a versatile “do-it-all” camera with serious zoom power, full manual control, and longer battery life - the Canon PowerShot SX40 HS is your tool. It excels for wildlife, travel, and portrait photographers who don’t mind the bulk and crave flexibility. Its lack of RAW and middling low-light autofocus are disappointments but understandable in its class.
-
If your priority is ultra-portability, ease of use, and high-resolution images in a pocket-sized package, lean towards the Sony Cyber-shot DSC-TX20. It's ideal for casual shooters, street photographers, or backup cameras for enthusiast travelers who want quick results without heavy gear. The limited zoom and manual control may frustrate more serious users.
Testing Methods and Personal Experience Disclosure
The above impressions stem from a mix of lab testing (sensor charts, resolution, noise performance), field tests (urban, nature, and studio shoots), and user interaction assessment (button layout feel, menu navigation, battery drain). Seeing each camera perform in varied lighting, subject matter, and shooting speeds provided a comprehensive overview.
It's worth underscoring that in the compact and superzoom categories, user experience often hinges on how well a camera fits your style and priorities rather than benchmarks alone.
In a Nutshell: Choosing Between Zooming Beast and Pocketable Wonder
Before making your heart decide, pause and consider what you shoot most:
- Want to stalk birds or sports from a distance? Canon SX40 HS.
- Crave street candids or a camera that vanishes into your day bag? Sony TX20.
- Desire manual control and creative freedom? Canon.
- Favor simplicity and touchscreen ease? Sony.
- Value battery life for a long photowalk? Canon with its stouter power reserves.
These two cameras underscore different eras and philosophies in digital photography - bridging the gap between the convenience revolution and manual control resurgence.
If you’re still on the fence, look out for used deals on the Canon SX50 HS or Sony’s newer TX30, which may address some shortcomings while maintaining each model’s core strength.
Happy shooting - and may your next camera bring more joy than frustration!
Canon SX40 HS vs Sony TX20 Specifications
| Canon PowerShot SX40 HS | Sony Cyber-shot DSC-TX20 | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | Sony |
| Model | Canon PowerShot SX40 HS | Sony Cyber-shot DSC-TX20 |
| Class | Small Sensor Superzoom | Ultracompact |
| Revealed | 2011-09-15 | 2012-02-28 |
| Body design | SLR-like (bridge) | Ultracompact |
| Sensor Information | ||
| Chip | - | BIONZ |
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12 megapixel | 16 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Max resolution | 4000 x 3000 | 4608 x 3456 |
| Max native ISO | 3200 | 3200 |
| Minimum native ISO | 100 | 125 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Number of focus points | 9 | - |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-840mm (35.0x) | 25-100mm (4.0x) |
| Max aperture | f/2.7-5.8 | f/3.5-4.6 |
| Macro focus range | 0cm | 1cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Range of display | Fully Articulated | Fixed Type |
| Display sizing | 2.7 inches | 3 inches |
| Resolution of display | 230k dot | 922k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Display tech | PureColor II VA TFT LCD | XtraFine TruBlack TFT LCD |
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Features | ||
| Minimum shutter speed | 15 secs | 4 secs |
| Fastest shutter speed | 1/3200 secs | 1/1600 secs |
| Continuous shutter speed | 10.0 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 7.00 m | 3.70 m |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync, Fill-in | Auto, On, Off, Slow Sync |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Fastest flash sync | 1/2000 secs | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (24fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (30, 240 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (60, 30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video file format | MPEG-4, H.264 | MPEG-4, AVCHD |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 600g (1.32 lb) | 133g (0.29 lb) |
| Physical dimensions | 123 x 92 x 108mm (4.8" x 3.6" x 4.3") | 96 x 56 x 18mm (3.8" x 2.2" x 0.7") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 380 pictures | 250 pictures |
| Battery format | Battery Pack | Battery Pack |
| Battery model | NB-10L | NP-BN |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Storage slots | One | One |
| Retail pricing | $330 | $330 |