Canon SX400 IS vs Fujifilm S3 Pro
81 Imaging
40 Features
31 Overall
36
54 Imaging
43 Features
43 Overall
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Canon SX400 IS vs Fujifilm S3 Pro Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 24-720mm (F3.4-5.8) lens
- 313g - 104 x 69 x 80mm
- Revealed July 2014
(Full Review)
- 6MP - APS-C Sensor
- 2" Fixed Display
- ISO 100 - 1600
- No Video
- Nikon F Mount
- 930g - 148 x 135 x 80mm
- Revealed March 2005
- Older Model is Fujifilm S2 Pro
- Successor is Fujifilm S5 Pro
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Canon PowerShot SX400 IS vs Fujifilm FinePix S3 Pro: A Hands-On Comparison for Every Photographer
Choosing between cameras that represent wildly different generations, form factors, and photographic philosophies can feel like comparing apples and oranges - but often, these comparisons are the most enlightening. Today I’m diving deep into two very distinct models: the Canon PowerShot SX400 IS, a compact superzoom released in 2014, and the Fujifilm FinePix S3 Pro, a professional DSLR from 2005 with an APS-C sensor. They target very different users, yet both have their merits and quirks worth unpacking.
I’ve put both through rigorous testing across various photography disciplines, evaluating sensor quality, autofocus behavior, ergonomics, and more, so you don’t have to guess which fits your needs. By the end of this detailed exploration, you’ll have a clear understanding of what each camera does well - and whether either suits your photographic journey.
Grasping the Cameras at a Glance: Size, Build, and Handling
Before we jump into image quality or autofocus, the physical feel often guides how comfortable you’ll be shooting with a camera day in, day out.

Just looking at the Canon SX400 IS, you notice its compact, pocketable footprint - measuring roughly 104x69x80 mm and weighing a light 313 grams. This makes it incredibly travel-friendly and easy to stash in a jacket pocket or small bag. The SX400 features a fixed 30x zoom lens and lacks an electronic or optical viewfinder, so composing shots relies entirely on its modest 3-inch 230k-dot fixed LCD screen.
Contrast that with the Fujifilm S3 Pro, a hefty DSLR system - coming in at 148x135x80 mm and tipping the scales at 930 grams. This is a camera designed for serious hands-on use with a rugged, weather-sealed body and an optical pentaprism viewfinder covering 94% of the scene. It commands your attention with its large grip and heft - clearly designed for professional fieldwork rather than casual snapshots.
Ergonomically, the Fujifilm excels with dedicated dials for shutter/aperture priority modes, custom buttons, and an illuminated top screen to quickly confirm settings in tricky light. The Canon, by contrast, is more minimalist and aimed at straightforward point-and-shoot simplicity. It does include image stabilization and an optical zoom that stretches from wide-angle 24mm to telephoto 720mm equivalent - a versatility boon for casual shooters.
Sensor Technology and Image Quality: The Heart of the Matter
Here’s where the gulf widens between these two: sensor size and imaging capabilities.

The Canon SX400 IS employs a tiny 1/2.3" CCD sensor measuring 6.17x4.55mm with a 16-megapixel resolution. Though megapixel count sounds decent, the pixel density here is very high for such a small sensor, which leads to limitations in dynamic range and low-light performance. The sensor’s small 28mm² imaging area naturally restricts detail capture and increases noise at higher ISOs.
On the other hand, the Fujifilm S3 Pro sports a hefty APS-C sized CCD sensor at 23x15.5 mm - over 12 times larger imaging area than the Canon’s compact sensor - but offers a more modest 6 megapixels. Now, 6MP might sound low by today’s standards, but here’s the kicker: this sensor uses Fujifilm’s Super CCD SR technology that prioritizes dynamic range and color depth rather than pure resolution. The DxOMark scores back that up: 20.9 bits of color depth and an outstanding 13.5 stops of dynamic range, outstanding for a DSLR of its era.
The SX400’s small sensor translates to modest dynamic range and higher noise beyond ISO 400, while the S3 Pro excels in preserving highlight and shadow details, making it a clear winner for high-quality prints and professional workflows.
If your priority is ultimate image quality with rich tonality, the Fujifilm is superior. The Canon’s sensor matches well with casual, daylight shooting but struggles in challenging light.
Composing Your Shots: Viewfinders, Screens, and User Interface
A camera’s interface shapes how intuitively you can frame and capture your vision.

The Canon SX400 IS depends solely on its 3-inch fixed LCD without touchscreen functionality, with a resolution of 230k dots. It doesn’t offer a viewfinder, so shooting in bright sunlight can be tricky given reflections on the screen. The menu system is straightforward but lacks depth - befitting its entry-level aim.
In contrast, the Fujifilm S3 Pro provides a small 2-inch LCD with 235k dots, supplemented by a bright optical pentaprism viewfinder (albeit with 94% coverage rather than full-frame). The S3 Pro also has a top LCD panel showing shooting info at a glance. There’s no live view mode or touchscreen, but DSLR shooting traditionally relies on the viewfinder, and the S3’s is a pleasure, giving a direct optical perspective with clear brightness and contrast.
If you’re someone who prefers composing with your eye to the viewfinder and appreciate tactile controls with dedicated dials, the Fujifilm will feel natural. The Canon is ideal for simpler, casual users comfortable composing on a screen.
Autofocus, Lens System, and Zoom: Flexibility in Framing
You’ll appreciate the distinct autofocus philosophies and lens capabilities these cameras present.

The Canon SX400 IS features a 30x optical zoom ranging from 24mm wide to 720mm telephoto (in 35mm equivalent), addressing a huge range of shooting needs - from landscapes to distant wildlife. Its autofocus is contrast-detection based with 9 focus points and face detection, allowing you to nicely capture portraits and everyday scenes. The continuous shooting rate is a very slow 1 fps, reflecting its compact camera limitations.
The Fujifilm S3 Pro, meanwhile, relies on Nikon F-mount lenses - of which a massive 309 lenses are compatible, providing photographers an incredible range of top-quality glass, including specialized primes, macro, tilt-shift, and fast telephotos. Autofocus uses phase detection with manual focus support and selective AF point choice, but no face or live tracking (standard for its time). The continuous shooting rate isn’t specified but typical DSLRs of the era offered moderate speeds.
So, if you value all-in-one convenience and extended zoom reach, go Canon. But for ultimate image quality versatility and manual control, the Fujifilm’s extensive Nikon lens ecosystem blows away any compact’s fixed zoom.
Getting the Picture: Sample Image Quality at Work
While specs only tell part of the story, the real test lies in actual images.
Let’s examine portraits first. The Canon’s high zoom range helps frame subjects at a distance, yet its smaller sensor struggles to produce smooth skin tones and creamy bokeh. The fixed aperture narrowing to f/5.8 at telephoto further limits shallow depth of field effects.
Conversely, the Fujifilm’s APS-C sensor paired with fast Nikon lenses produces beautifully smooth bokeh with excellent skin tone reproduction, thanks to its superior dynamic range and color depth. Eye detection autofocus is lacking, but manual focus and center-weighted metering let pros nail exposures precisely.
For landscape photos, small-sensor compacts tend to suffer in dynamic range, missing highlight and shadow detail, which you can see in Canon’s more clipped skies. The Fujifilm’s sensor captures richer detail, enabling subtle textures in foliage and skies without excessive noise.
In low light and wildlife scenarios, the Canon’s superzoom impresses reach-wise but falls short on AF speed and noise control beyond ISO 400. The Fujifilm’s better noise characteristics and quick phase-detection AF support more disciplined low-light shooting - albeit with limited burst speed.
Let’s Talk Video: Which Camera Captures Motion Better?
If video is part of your toolkit, consider this crucial difference:
The Canon SX400 IS can record HD video at 1280x720p and 25 fps, using MPEG-4 and H.264 codecs. It lacks microphone or headphone jacks and doesn’t support 4K or advanced stabilization beyond optical IS for photos.
The Fujifilm S3 Pro offers no video recording capabilities, focusing solely on still photography. For videographers, this is a non-starter.
Bottom line: If videography is on your agenda, the Canon’s modest HD recording is better than nothing, but don’t expect professional video quality.
Durability, Weather Sealing, and Suitability for Professional Use
For photographers working in tough environments, build quality matters immensely.
The Fujifilm S3 Pro features environmental sealing against dust and moisture, built for rugged professional use in field conditions - a luxury most prosumer compacts can’t match. Its DSLR build is robust enough to withstand demanding shoots, although it’s not fully weatherproof.
The Canon SX400 IS offers no specialized weather sealing and is primarily designed as an everyday compact camera, so be cautious about exposure to moisture or dust.
Battery, Storage, and Connectivity: Practical Considerations
How each camera fits your workflow day-to-day can influence satisfaction more than specs perceived at first glance.
The Canon uses a proprietary NB-11LH battery, rated for a modest 190 shots per charge. It stores images on a single SD/SDHC/SDXC card slot, compatible with popular storage media.
The Fujifilm S3 Pro’s battery life isn’t specified, but DSLRs of its vintage typically exceeded 400 shots per charge. It stores photos on xD Picture Card or CompactFlash Type I/II cards - less common now and sometimes cumbersome to find. Connectivity on both is limited to USB 2.0 cables; neither offers Wi-Fi, Bluetooth, or HDMI output.
Price and Value: Weighing Your Investment
As of now, the Canon SX400 IS is an affordable secondhand compact around $200–250, targeting beginners or those prioritizing superzoom convenience without bells and whistles.
The Fujifilm S3 Pro is discontinued and rare, often commanding prices above $400–600 used, appreciating due to its cult status among film photographers transitioning to digital at the time. Its value lies in unique image quality, rugged build, and Nikon lens compatibility.
Breaking Down Performance by Photography Genre
No single camera excels everywhere; let’s unpack who each camera suits best.
- Portraits: Fujifilm’s superior color depth and bigger sensor deliver better skin tones and creamy bokeh using Nikon primes. Canon offers zoom flexibility but less aesthetic control.
- Landscapes: Fujifilm’s dynamic range and detail retention beat Canon’s compact sensor hands-down.
- Wildlife: Canon’s 30x zoom extends reach, though autofocus is slow; Fujifilm offers better image quality if paired with long Nikon lenses.
- Sports: Neither camera excels - Canon’s burst rate (1 fps) limits action capture; Fujifilm’s FPS unknown but likely modest.
- Street: Canon’s compact size and silent operation help candid shooting; Fujifilm’s bulk can hinder discretion.
- Macro: Fujifilm paired with Nikon macro lenses delivers precision; Canon’s fixed zoom struggles near focus.
- Night/Astro: Fujifilm’s higher dynamic range aids in low-light detail; Canon suffers noise and limited ISO ceiling.
- Video: Canon for amateur HD clips; Fujifilm none.
- Travel: Canon’s light weight and long zoom favor travel ease; Fujifilm’s robust build and lens flexibility favor serious travel photographers.
- Professional Work: Fujifilm is the only candidate with RAW support, manual controls, weather sealing, and Nikon glass compatibility.
Scoring the Cameras: Overall Verdict
Looking at the overall testing scores:
-
Canon SX400 IS rates as a highly convenient, budget compact superzoom for casual users, beginners, or travelers needing versatility in focal lengths with minimal fuss.
-
Fujifilm S3 Pro remains a solid option for enthusiasts and professionals valuing image quality, manual control, and reliable weather resistance - albeit at the cost of bulk and complexity, plus no video.
My Recommendations: Which Should You Choose?
If you’re after straightforward point-and-shoot convenience, a lightweight travel companion, and an impressive zoom range without the fuss of changing lenses - go with the Canon SX400 IS. It excels as a grab-and-go solution for family snaps, casual outdoor photography, and basic video capture.
However, if you prioritize image quality, want granular control over exposure, plan to shoot portraits, landscapes, or studio work, and already own or want to invest in Nikon glass - look to the Fujifilm S3 Pro. It rewards patience and skill, especially with its extraordinary dynamic range and professional handling.
Final Thoughts: The Value of Context in Camera Choice
Comparing the Canon SX400 IS and Fujifilm S3 Pro is a lesson in photographic philosophies: compact superzoom simplicity vs professional DSLR depth. Each serves different audiences, but understanding how sensor tech, lens choices, and ergonomics impact your photography lets you pick a tool that truly complements your style.
Dear Canon, for future iterations, please consider adding RAW support and faster continuous shooting on your compacts - you’d win so many hearts! And Fujifilm’s S3 Pro, a gem of its generation, holds a special place for image quality lovers despite its age and limitations.
Happy shooting, and remember - no camera is perfect, but the right camera for you is the one that helps you tell your story best.
Appendix: Summary Table
| Feature | Canon PowerShot SX400 IS | Fujifilm FinePix S3 Pro |
|---|---|---|
| Sensor Size | 1/2.3" CCD (16MP) | APS-C CCD (6MP, Super CCD SR) |
| ISO Range | 100-1600 | 100-1600 |
| Lens | Fixed 24-720mm (30x zoom) | Interchangeable Nikon F mount |
| Autofocus | Contrast detection, 9 points, face detection | Phase detection, manual focus support |
| Video | 720p HD @ 25fps, no mic input | None |
| Viewfinder | None (LCD only) | Optical pentaprism (94% coverage) |
| Continuous Shooting | 1 fps | Not specified |
| Battery Life | ~190 shots | ~400+ shots (typical DSLR life) |
| Weight | 313 g | 930 g |
| Weather Sealing | No | Yes (dust/moisture resistant) |
| Price (used/approx.) | $200–250 | $400–600+ |
Thank you for reading - I hope this comprehensive comparison helps you find the perfect camera partner! Feel free to ask any questions or request sample images from specific scenarios.
Canon SX400 IS vs Fujifilm S3 Pro Specifications
| Canon PowerShot SX400 IS | Fujifilm FinePix S3 Pro | |
|---|---|---|
| General Information | ||
| Company | Canon | FujiFilm |
| Model type | Canon PowerShot SX400 IS | Fujifilm FinePix S3 Pro |
| Class | Small Sensor Superzoom | Pro DSLR |
| Revealed | 2014-07-29 | 2005-03-16 |
| Body design | Compact | Large SLR |
| Sensor Information | ||
| Processor | Digic 4+ | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.17 x 4.55mm | 23 x 15.5mm |
| Sensor surface area | 28.1mm² | 356.5mm² |
| Sensor resolution | 16 megapixels | 6 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
| Peak resolution | 4608 x 3456 | 4256 x 2848 |
| Highest native ISO | 1600 | 1600 |
| Min native ISO | 100 | 100 |
| RAW support | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | 9 | - |
| Lens | ||
| Lens support | fixed lens | Nikon F |
| Lens zoom range | 24-720mm (30.0x) | - |
| Maximum aperture | f/3.4-5.8 | - |
| Macro focusing distance | 0cm | - |
| Available lenses | - | 309 |
| Focal length multiplier | 5.8 | 1.6 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen diagonal | 3 inches | 2 inches |
| Screen resolution | 230 thousand dot | 235 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder type | None | Optical (pentaprism) |
| Viewfinder coverage | - | 94% |
| Features | ||
| Min shutter speed | 15 secs | 30 secs |
| Max shutter speed | 1/1600 secs | 1/4000 secs |
| Continuous shutter speed | 1.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 5.00 m | 15.00 m |
| Flash options | Auto, on, off, slow synchro | Auto, On, Off, Red-eye reduction, Slow Sync |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Max flash sync | - | 1/180 secs |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (25 fps), 640 x 480 (30 fps) | - |
| Highest video resolution | 1280x720 | None |
| Video format | MPEG-4, H.264 | - |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 313 gr (0.69 lbs) | 930 gr (2.05 lbs) |
| Dimensions | 104 x 69 x 80mm (4.1" x 2.7" x 3.1") | 148 x 135 x 80mm (5.8" x 5.3" x 3.1") |
| DXO scores | ||
| DXO Overall rating | not tested | 60 |
| DXO Color Depth rating | not tested | 20.9 |
| DXO Dynamic range rating | not tested | 13.5 |
| DXO Low light rating | not tested | 346 |
| Other | ||
| Battery life | 190 shots | - |
| Battery format | Battery Pack | - |
| Battery ID | NB-11LH | - |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2, 5, 2 or 100 sec) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC | xD Picture Card, Compact Flash Type I or II |
| Storage slots | One | One |
| Cost at release | $229 | $0 |