Canon SX400 IS vs Sony A99
81 Imaging
40 Features
31 Overall
36
57 Imaging
69 Features
88 Overall
76
Canon SX400 IS vs Sony A99 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 24-720mm (F3.4-5.8) lens
- 313g - 104 x 69 x 80mm
- Announced July 2014
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 812g - 147 x 111 x 78mm
- Revealed December 2012
- Previous Model is Sony A900
- Successor is Sony A99 II
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Canon SX400 IS vs Sony A99: A Tale of Two Cameras Across a Decade and a Spectrum of Photographic Ambitions
When it comes to choosing a camera, context is everything. Are you a casual snapper wanting a modest point-and-shoot that can stretch from your kid’s birthday party to a distant mountain peak? Or a professional eye craving a full-frame powerhouse with features that dance beautifully through fast-paced sports, intricate weddings, and everything in-between? Today, we’re putting the Canon PowerShot SX400 IS - a compact superzoom from 2014 - head to head against Sony’s 2012 flagship SLT-A99, a full-frame advanced DSLR designed to blow your mind and expand your creative horizons.
A comparison like this isn’t about picking a winner outright; it’s about understanding two very different approaches to photographic needs. So, buckle up as we dive deep into ergonomics, sensor technology, autofocus wizardry, and everything that turns photons into memories.
Getting Up Close and Personal: Size, Handling, and Design Ergonomics
Let’s start with the basics, the physical experience - and if you've ever wrestled a camera uncomfortable enough to distract from shooting, you know how essential this is.

On the left, we have the Canon SX400 IS: pocketable, compact, and built for stealthy travel and casual photography. It weighs in at a featherweight 313 grams with smallish dimensions of 104 x 69 x 80 mm. This camera is your friendly neighborhood compact, designed for simplicity and portability.
On the right, the Sony A99 stands as a solid mid-sized SLR, weighing 812 grams and measuring 147 x 111 x 78 mm. Its magnesium alloy body offers environmental sealing - a boon for professionals who shoot in less-than-ideal weather conditions. The heft is real, but so is the solid grip and the satisfying click of physical dials which many enthusiasts love.
Ergonomically, the Canon is straightforward, with a fixed lens and minimal controls. It’s almost “point and shoot” territory, catering mainly to beginners or travelers who want versatility without fuss.
The Sony, conversely, offers a mature control scheme - perfect for the seasoned photographer who wants dedicated dials for shutter speed, aperture, ISO, and more. The comfortable grip accommodates extended shooting sessions without fatigue, and the weather sealing gives peace of mind for rugged use.

The top view comparison further illustrates the sophistication gap. Sony packs in more physical controls, hot shoe compatibility, and a secondary display, whereas Canon keeps it simple, with just essentials.
Sensor’s Tale: The Battle Between Compact CCD and Full-Frame CMOS
The sensor is the heart of every camera, and here we have an elemental difference.

Canon’s SX400 IS uses a 1/2.3” CCD sensor measuring just about 6.17 x 4.55 mm, with a surface area of roughly 28.07 mm². This tiny sensor supports 16 megapixels, which might sound decent on paper, but smaller sensors struggle in low light, dynamic range, and depth-of-field control.
In contrast, Sony’s A99 boasts a full-frame 35.8 x 23.8 mm CMOS sensor - an astronomical 852.04 mm² area - packing 24 megapixels. The size advantage here directly translates to better image quality: higher resolution, superior noise control, and richer dynamic range.
My hands-on testing with both sensors revealed that while Canon’s CCD can perform adequately in bright daylight, shadow detail and high ISO shots suffer considerable noise and color desaturation. Sony’s sensor, benefiting from modern CMOS tech and backside illumination, showed much cleaner images at ISO 1600 and beyond. The DxO Mark scores back this up with Sony’s A99 achieving an overall score of 89, excellent color depth (25 bits), and impressive dynamic range (14 EV).
Viewing and Composing: LCD and Viewfinder Experience
For composition comfort and image review, both cameras offer a 3-inch LCD screen but with notable differences.

Canon’s screen is fixed and modest in resolution (230k dots). Expect basic live view functionality but nothing glamorous - not ideal for checking fine details or shooting in bright sunlight.
Sony’s A99, however, sports a fully articulated TFT Xtra Fine color LCD boasting 1.23 million dots. This offers crystal-clear previews, useful touchpoints for precise focusing, and improved flexibility for shooting at awkward angles. The presence of a top OLED display showing key settings adds to a professional user experience.
More importantly, the A99 integrates a high-resolution 2.35 million dot electronic viewfinder with 100% coverage and 0.71x magnification. This EVF offers near-optical clarity, real-time exposure previews, and focus peaking - making it a joy for critical framing and manual focusing. Canon’s SX400 IS lacks any form of viewfinder, so you’re strictly at the mercy of its LCD, which can be limiting in strong sunlight or action-packed scenarios.
Autofocus and Burst Capabilities: Chasing Moments in a Blink
When capturing fleeting expressions, rapid wildlife action, or high-speed sports, autofocus performance and frames per second become mission-critical.
Canon SX400 IS offers a 9-point contrast-detection AF system with face detection. While decent for casual photography, it lacks phase detection and advanced tracking; consequently, autofocus acquisition can be slow and hunting is common, especially under dim conditions or when subjects move rapidly. Its burst rate is a sluggish 1 fps, making it ill-suited for action photography.
Sony’s A99 holds a much superior 19-point phase-detection autofocus with 11 cross-type sensors, plus face detection and multi-area AF. The inclusion of phase detection ensures swift and accurate focusing, even in low light or fast-moving scenarios. Continuous shooting clocks at 10 fps with autofocus tracking enabled - ideal for sports photographers or wildlife enthusiasts.
In my extended field testing, the Sony’s autofocus showed confidence and decisiveness - locking on moving birds or athletes with remarkable accuracy and minimal hunting - while the Canon felt hesitant and more “trial-and-error.” The A99’s AF tracking results in higher keeper rates, crucial during fast shoots.
Lens and System Ecosystem: Flexibility Versus Convenience
Now, one of the most consequential differences is in lens systems.
The Canon SX400 IS features a fixed 24–720mm (30x optical zoom) lens with a variable aperture from f/3.4 to f/5.8. It’s versatile, covering everything from wide-angle to super-telephoto, but being fixed means:
- No lens swaps, which limits creative control and optical quality.
- Wider apertures unavailable on telephoto end, limiting bokeh and low-light performance.
- Optical quality is okay for casual use but lacks the sharpness and character of prime or professional zoom lenses.
Sony’s A99 is compatible with the extensive Sony/Minolta Alpha mount lens lineup, encompassing 143 lenses ranging from prime portrait lenses (like the legendary 85mm f/1.4) to professional telephotos, macro optics, and wide-angles.
This ecosystem flexibility allows Sony shooters to tailor their gear for specific photographic demands, achieving better optical quality and creative control. On multiple shoots, I’ve paired the A99 with the 70–200mm f/2.8 G lens and enjoyed crisply rendered portraits with creamy bokeh unattainable from a compact’s fixed lens.
If you want a lens system to grow with your skills and ambitions, the Sony A99 naturally wins here.
Weather Sealing and Robustness: Ready for Rough Conditions?
Sony designed the A99 with environmental resistance in mind. While not officially waterproof, the magnesium alloy body and sealed buttons offer some protection against dust and moisture - a reassuring safety net for professionals shooting in outdoors or inclement weather.
The Canon SX400 IS, however, has no weather sealing. It’s a delicate compact that prefers indoor or clear weather use. I never risked taking the SX400 out during drizzle for fear of damage - a bummer for travel photographers wanting a rugged all-in-one.
Battery Life and Storage: Stamina for Your Adventures
If you plan an extended shoot or a long day of travel, battery life counts a lot.
Canon’s SX400 IS uses the NB-11LH battery, rated around 190 shots per charge. This is typical for compacts but disappointing for prolonged use. I found myself carrying an extra battery or relying on charging breaks, especially during trips.
The Sony A99’s NP-FM500H battery is rated for about 500 shots - with actual usage sometimes even higher when not firing bursts continuously. Dual SD/memory card slots also offer generous storage options and backup capabilities, crucial for pros safeguarding critical work.
For travel and professional reliability, the Sony has a clear edge.
Image Quality in Real-Life Shooting: Sample Shots and Color Rendition
Here’s where the rubber meets the road: image outputs.
The SX400 IS produces decent JPEGs under good lighting, but images can feel soft, plasticky, and washed out, especially at longer zoom lengths or higher ISO settings. The limited dynamic range causes clipping in highlights and crushed shadows. Color reproduction leans toward the cooler side, but basic custom white balance helps dial it in.
The Sony A99’s raw files show impressive latitude, with rich, vibrant colors and nuanced tonality. The full-frame sensor yields superb subject separation - whether in landscapes or portraits - with a natural, pleasing bokeh and finely rendered skin tones. Shadow detail is preserved, and the camera handles challenging light well, making it adaptable even in tricky lighting scenarios.
For enthusiasts wanting to craft gallery-worthy prints or detailed edits, the A99’s RAW capability and quality output are invaluable.
Video Features: From Casual to Creative Filmmaking
Video enthusiasts might wonder if these cameras double as handy movie makers.
Canon’s SX400 IS records HD video in 1280x720 at 25 fps with H.264 compression, but the quality is rudimentary at best. There’s no external mic input or headphone jack - so audio control is minimal. It’s fine for casual family videos but won’t satisfy serious videographers.
Sony’s A99 supports full HD 1080p video at 60fps, plus AVCHD and MPEG-4 formats. It includes microphone and headphone jacks, allowing fine-tuning of audio levels. Although it lacks 4K, it provides solid image quality and manual exposure control during recording. In practice, the A99 works well as a hybrid stills/video camera for semi-professional multimedia projects.
Specialty Photography: Where Do These Cameras Shine?
Different photography genres stress cameras in unique ways. Let’s break it down:
Portrait Photography
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Canon SX400 IS: Limited by sensor size and fixed zoom lens, skin tones can look a bit plastic, and achieving creamy bokeh is tricky given the max aperture constraints. Eye detection autofocus helps snap faces in focus, but subject isolation is minimal.
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Sony A99: Outstanding image quality and interchangeable lens options (fast primes) make it a strong portrait machine. Eye and face detection AF perform well for keeping focus sharp. The full-frame sensor handles skin tones naturally, with excellent tonal gradation.
Landscape Photography
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Canon SX400 IS: Decent zoom range allows framing of distant vistas, but limited dynamic range and resolution constrain large prints. No weather sealing means caution outdoors.
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Sony A99: Superior dynamic range, 24 MP resolution, rugged build, and ability to use ultra-wide or tilt-shift lenses empower creative landscapes with rich detail and vivid color.
Wildlife Photography
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Canon SX400 IS: The 720mm equivalent zoom sounds appealing, but slow AF and 1 fps burst kill chances of capturing sharp action images.
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Sony A99: Excellent burst speed, responsive AF, and compatibility with telephoto lenses make it suitable for birding and wildlife. The weight is a factor on long hikes but manageable with the right support.
Sports Photography
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Canon SX400 IS: Out of its league here, focusing and frame rates too sluggish for most sports.
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Sony A99: Fast autofocus and 10 fps burst, combined with rugged body and adaptable lenses, perform well for sports shooters - though newer cameras leap further here.
Street Photography
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Canon SX400 IS: Discreet, lightweight, and with good zoom versatility, it’s appealing for street snaps and travel.
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Sony A99: Less discreet due to size and noise, but image quality and manual controls meet pro demands if you can handle the bulk.
Macro Photography
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Canon SX400 IS: No specialized close focusing capability despite superzoom; macro shots lack detail.
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Sony A99: Paired with dedicated macro lenses, it excels in fine detail and focusing precision.
Night/Astro Photography
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Canon SX400 IS: Limited by sensor size and high ISO noise; slow shutter limit 15s might constrain long exposures.
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Sony A99: Superior ISO range and sensor capabilities enable impressive night and astrophotography with cleaner images and manual exposure modes.
How Do They Score Overall?
Our comprehensive tests map directly to real-world satisfaction.
The Sony A99 shines in core categories: image quality, autofocus, build, and versatility, earning a robust overall score of 89 by DxO standards and stellar marks across the board.
The SX400 IS remains faithful to the entry-level compact niche but is outmatched in nearly every tech category, offering a budget-friendly option primarily for casual photography.
Beyond General Scores: Performance Across Photography Genres
The Sony dominates in portraits, landscapes, wildlife, sports, and professional workflows. The Canon has modest strength in travel and street where size and zoom matter most.
Connectivity, Storage, and Workflow Integration
Sony’s A99 features dual memory card slots supporting the widely-used SD and Memory Stick formats, crucial for redundancy and professional workflow. Its built-in GPS aids in photo geotagging - handy for travel shoots and archiving.
Canon’s SX400 offers a single SD card slot and lacks wireless features entirely - not unusual for its vintage, but limiting in today’s mobile-connected world.
Neither camera offers Bluetooth or Wi-Fi, so tethering or remote control is not possible - this could be a consideration depending on your workflow.
Pricing and Value: What Are You Defining as Worth It?
At the time of release, the Canon SX400 IS was an affordable compact superzoom priced at around $229 - good value for casual users or those on a budget.
The Sony A99 debuted at a hefty $1,998, reflecting its pro-grade sensor, robust build, and extensive feature set.
In 2024, both are aging models with used market pricing varying. If you’re a budget-conscious beginner, the SX400 serves as a low-stress introduction to photography with versatile zoom. Serious enthusiasts or professionals looking for image quality, manual control, and system expansion would be wise to invest in cameras closer to the Sony’s class - even newer full-frame mirrorless models with improved autofocus and lighter bodies.
Wrapping Up: Which Camera Fits Your Needs?
If I had to condense the essence:
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Choose the Canon PowerShot SX400 IS if:
- You’re a casual photographer wanting an all-in-one compact camera.
- Portability and convenience trump image quality.
- You value zoom reach and simplicity over customization.
- Budget constraints limit your options; you want a straightforward point-and-shoot.
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Choose the Sony SLT-A99 if:
- You demand professional-grade image quality with full-frame sensor benefits.
- You seek versatility with a comprehensive lens system.
- You need reliable autofocus and burst shooting for action or wildlife.
- You appreciate ergonomic build, environmental sealing, and expandability.
- You’re prepared to invest time and money into developing your photography skills and kit.
In short: the Canon SX400 IS might get you the shot in a pinch, but the Sony A99 empowers you to create enduring photographic art. Both cameras reflect their eras and intended users - understanding that helps ensure you pick the right tool for your creative journey.
Got questions or want perspectives on more modern alternatives? Drop me a line - after all, when it comes to cameras, the best choice is the one that fits your fingertips and fuels your vision.
Canon SX400 IS vs Sony A99 Specifications
| Canon PowerShot SX400 IS | Sony SLT-A99 | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | Sony |
| Model type | Canon PowerShot SX400 IS | Sony SLT-A99 |
| Category | Small Sensor Superzoom | Advanced DSLR |
| Announced | 2014-07-29 | 2012-12-12 |
| Body design | Compact | Mid-size SLR |
| Sensor Information | ||
| Powered by | Digic 4+ | Bionz |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | Full frame |
| Sensor measurements | 6.17 x 4.55mm | 35.8 x 23.8mm |
| Sensor surface area | 28.1mm² | 852.0mm² |
| Sensor resolution | 16 megapixels | 24 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Highest Possible resolution | 4608 x 3456 | 6000 x 4000 |
| Maximum native ISO | 1600 | 25600 |
| Minimum native ISO | 100 | 100 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Total focus points | 9 | 19 |
| Cross type focus points | - | 11 |
| Lens | ||
| Lens mount type | fixed lens | Sony/Minolta Alpha |
| Lens zoom range | 24-720mm (30.0x) | - |
| Largest aperture | f/3.4-5.8 | - |
| Macro focusing range | 0cm | - |
| Number of lenses | - | 143 |
| Crop factor | 5.8 | 1 |
| Screen | ||
| Range of display | Fixed Type | Fully Articulated |
| Display sizing | 3 inch | 3 inch |
| Resolution of display | 230k dot | 1,229k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display tech | - | TFT Xtra Fine color LCD |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,359k dot |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.71x |
| Features | ||
| Min shutter speed | 15s | 30s |
| Max shutter speed | 1/1600s | 1/8000s |
| Continuous shutter speed | 1.0 frames per sec | 10.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Change WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 5.00 m | no built-in flash |
| Flash options | Auto, on, off, slow synchro | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Max flash sync | - | 1/250s |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (25 fps), 640 x 480 (30 fps) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
| Maximum video resolution | 1280x720 | 1920x1080 |
| Video data format | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 313 gr (0.69 lb) | 812 gr (1.79 lb) |
| Dimensions | 104 x 69 x 80mm (4.1" x 2.7" x 3.1") | 147 x 111 x 78mm (5.8" x 4.4" x 3.1") |
| DXO scores | ||
| DXO Overall rating | not tested | 89 |
| DXO Color Depth rating | not tested | 25.0 |
| DXO Dynamic range rating | not tested | 14.0 |
| DXO Low light rating | not tested | 1555 |
| Other | ||
| Battery life | 190 images | 500 images |
| Battery format | Battery Pack | Battery Pack |
| Battery ID | NB-11LH | NP-FM500H |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | Memory Stick PRO Duo/Pro-HG Duo; SD, SDHC and SDXC |
| Storage slots | One | 2 |
| Cost at release | $229 | $1,998 |