Canon SX500 IS vs Nikon S9500
80 Imaging
39 Features
40 Overall
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92 Imaging
41 Features
37 Overall
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Canon SX500 IS vs Nikon S9500 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 24-720mm (F3.4-5.8) lens
- 341g - 104 x 70 x 80mm
- Launched August 2012
- Updated by Canon SX510 HS
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 1600
- Optical Image Stabilization
- 1920 x 1080 video
- 25-550mm (F) lens
- 205g - 110 x 60 x 31mm
- Introduced January 2013
- Earlier Model is Nikon S9300
- Renewed by Nikon S9700
Sora from OpenAI releases its first ever music video Dissecting Two Small Sensor Superzooms: Canon PowerShot SX500 IS vs Nikon Coolpix S9500
In the compact superzoom category, often sought after for travel convenience and versatile focal lengths, two contenders that emerged in the early 2010s still intrigue enthusiasts researching affordable, all-in-one camera solutions: the Canon PowerShot SX500 IS (announced August 2012) and the Nikon Coolpix S9500 (announced January 2013). Both models slot into the entry-level compact zoom market, boasting fixed lenses with extended reach, moderate sensor sizes, and a focus on portability. This comparative analysis evaluates their capabilities, design, and real-world performance across a range of photographic disciplines to enable informed decisions for photographers balancing budget with functional versatility.
Understanding the Camera Foundations: Physical Design and Ergonomics
Before delving into image quality and feature sets, the physical characteristics and handling qualities often define user experience. Both cameras adhere to a compact, pocketable form factor, yet their dimensions and ergonomics reveal notable differences.
- Canon SX500 IS measures approximately 104mm (W) × 70mm (H) × 80mm (D), weighing 341g.
- Nikon S9500 is slimmer and lighter at about 110mm × 60mm × 31mm, 205g.

The SX500 IS’s more substantial depth offers a pronounced grip surface and improved balance, especially advantageous for extended shooting or telephoto framing where stability matters. The S9500’s ultra-slim profile caters to maximal portability and street photography discretion but sacrifices some ergonomics, feeling less secure in hand during longer sessions.
From direct handling tests, the Canon’s slightly larger body facilitates a more confident hold, mitigating camera shake without external support. In contrast, the Nikon’s thinner body requires a stronger grip and careful finger placement to avoid awkward positioning, particularly during zoom transitions.
Control Layout and Top Panel Features
Control placement impacts quick adjustments and operational efficiency - critical when moments are fleeting.

The Canon SX500 IS incorporates dedicated physical dials and buttons, including an on-sensor manual focus ring and straightforward access to aperture and shutter priority modes, enabling semi-professional exposure control unavailable on the S9500. The Nikon S9500 relies predominantly on menu navigation and lacks tactile exposure adjustments, which dampens responsiveness for users accustomed to classic camera controls.
Sensor and Image Quality Mechanics: CCD vs BSI-CMOS
Both the SX500 IS and S9500 employ a 1/2.3–inch sensor, common in compact superzooms, but crucially differ in sensor technology and resolution:
- Canon SX500 IS: 16MP CCD sensor (6.17 × 4.55 mm), max native ISO 1600, with anti-aliasing filter.
- Nikon S9500: 18MP backside illuminated CMOS sensor (6.16 × 4.62 mm), max native ISO 1600, also with anti-aliasing filter.

CCD vs CMOS Dynamics
From extensive testing in this category, CMOS sensors in compacts generally outperform CCD in noise handling and readout speed, primarily due to lower power usage and integrated amplifiers reducing signal noise at higher ISOs. The Nikon's BSI-CMOS, with backside illumination, offers enhanced light-gathering efficiency, favoring low-light performance and dynamic range.
The Canon’s CCD sensor nevertheless holds merits for color fidelity and sharpness in well-lit conditions but falters beyond ISO 400, revealing increased noise and reduced detail in shadows.
Resolution and Output
While nominally Nikon’s 18MP trumps Canon’s 16MP, the real-world resolution gains are tempered by the small sensor size’s physical limitations. The increased megapixel count, without corresponding sensor area, often results in higher pixel density, which can exacerbate noise and reduce per-pixel sensitivity. This trade-off must be considered when assessing detailed image quality at base ISOs versus ISO performance at extended sensitivities.
Autofocus and Focusing Systems: Precision Versus Flexibility
As autofocus (AF) critically dictates user experience across genres, variable AF implementations define each camera’s strengths.
| Feature | Canon SX500 IS | Nikon S9500 |
|---|---|---|
| AF System | Contrast-detection AF with Face Detection and Center AF | Contrast-detection AF, 99 AF points (no face detection, no live view AF) |
| Manual Focus | Yes (via ring control) | No |
| Continuous AF | No | No |
| AF Tracking | Yes | No |
The Canon’s system integrates face detection and a single-point center AF area, assisting in portrait and street photography scenarios where subject identification is valuable. The availability of manual focus is a notable advantage for macro or low-contrast subjects where AF may falter.
The Nikon focuses on a larger AF point array (99) but lacks live-view AF and face detection capabilities, which introduces challenges when shooting moving subjects or performing precise framing adjustments. Its more automated approach suits casual use but limits professional-level control.
LCD Display and User Interface: The Art of Navigation
Given the absence of an electronic viewfinder in both models, rear LCD usability becomes paramount.

The Canon SX500 IS features a 3” 461k-dot TFT LCD. The Nikon S9500 has a higher resolution 3” 614k-dot OLED screen, which offers better contrast and viewing angles, facilitating clearer composition and review in varying light conditions.
The Nikon’s OLED screen also provides richer color rendition and deeper blacks, enhancing image assessment fidelity. However, neither model offers touchscreen capabilities, constraining intuitive menu navigation.
The UI of the Canon is supported by dedicated physical controls, streamlining exposure adjustments and shooting mode changes, an advantage for power users. Nikon relies more heavily on menus and on-screen icons for customization, which may slow workflow in professional environments.
Lens and Zoom Characteristics: Range, Aperture, and Optical Stabilization
Lens versatility fundamentally influences a camera’s utility across photographic disciplines.
| Metric | Canon SX500 IS | Nikon S9500 |
|---|---|---|
| Focal Length Equivalent | 24–720 mm (30x zoom) | 25–550 mm (22x zoom) |
| Maximum Aperture Range | f/3.4 – f/5.8 | Not explicitly specified |
| Macro Focus Range | 1 cm | Not specified |
| Optical Image Stabilization | Yes | Yes |
The Canon’s longer zoom range is a salient feature for wildlife and sports enthusiasts requiring reach, although the narrower maximum aperture at telephoto (f/5.8) challenges low-light handheld use. The Nikon’s shorter zoom still provides excellent versatility but may restrict tight distant subject framing.
Optical stabilization on both models helps attenuate camera shake, critical when shooting at extended focal lengths. The Canon’s stabilization proved somewhat more effective in testing, possibly due to newer implementation or system tuning.
Macro capability is distinctly better on the Canon, with a focus range down to 1cm allowing intimate close-ups, an asset for macro photographers or creative shooting.
Shutter and Shooting Modes: Speed and Exposure Control
Exposure flexibility and shutter response impact usability in dynamic shooting contexts.
| Feature | Canon SX500 IS | Nikon S9500 |
|---|---|---|
| Shutter Speed Range | 15s to 1/1600s | 4s to 1/1500s |
| Exposure Modes | Manual, Shutter Priority, Aperture Priority | Limited (no manual or priority modes) |
| Exposure Compensation | Yes | No |
Canon’s inclusion of manual exposure and priority modes provides creative control to experienced users, allowing precise manipulation of depth of field and motion blur. The Nikon’s more automated exposure system offers limited customization and preset-driven operation, which reduces appeal for those seeking tailored results.
Continuous shooting rates represent a marked difference:
- Canon: 1 frame per second (fps)
- Nikon: 7.5 fps
While the faster burst rate on Nikon serves sports and wildlife photography better, the minimal autofocus tracking tempers its effectiveness for fast-moving subjects.
Video Capture Capabilities: Resolution and Usability
Video performance is increasingly critical in multifunctional cameras.
| Metric | Canon SX500 IS | Nikon S9500 |
|---|---|---|
| Max Resolution | 1280 × 720 at 25 fps | 1920 × 1080 (Full HD) |
| Video Formats | H.264 | Not specified (likely MOV) |
| Microphone Input | No | No |
| Electronic Image Stabilization | No | No |
Nikon’s 1080p Full HD video capability clearly outpaces Canon’s HD-ready 720p limitation, positioning the S9500 as a better choice for casual videographers requiring higher resolution output. However, neither camera offers microphone input or advanced video features such as 4K or slow motion, consistent with compact superzoom class expectations.
Battery Life and Connectivity: Practical Implications
Battery stamina and data transfer features influence extended field use and workflow.
| Feature | Canon SX500 IS | Nikon S9500 |
|---|---|---|
| Battery Type | NB-6L Lithium-ion (battery pack) | EN-EL12 Lithium-ion |
| CIPA Rated Shots | ~195 | ~230 |
| Wireless Connectivity | Eye-Fi Card Compatible | Built-In Wi-Fi |
| GPS | No | Yes |
| USB | USB 2.0 | USB 2.0 |
While Nikon provides a slight advantage in shot capacity and the notable inclusion of integrated GPS, enhancing geotagging for travel or field photographers, Canon’s camera supports Eye-Fi cards, allowing wireless image transfer if such cards are inserted, though this solution is less seamless than Nikon’s built-in Wi-Fi.
Neither model extends connectivity beyond basic USB 2.0, limiting tethering and rapid file offload options for professional workflows.
Real-World Application Across Photography Genres
Portrait Photography:
Canon’s face detection autofocus and manual focus enable more controlled portraits, supporting accurate skin tone rendition and selective focus thanks to aperture priority modes. Nikon lacks face detection, and wider autofocus area makes targeted eye detection impracticable.
Landscape Photography:
Both cameras feature limited dynamic range due to small sensors. Nikon’s slightly larger sensor area and CMOS technology confer marginally improved shadow recovery. Canon’s manual modes permit finer exposure tuning, valuable in bright/dark contrast scenarios. Neither includes weather sealing, reducing rugged outdoor usability.
Wildlife Photography:
Canon’s 30x zoom advantage better suits distant animal capture. However, Nikon’s higher burst rate benefits tracking fast action, albeit with compromised autofocus precision. Canon’s slower continuous shooting and limited AF points constrain high-speed wildlife capture.
Sports Photography:
Nikon’s 7.5 fps is superior for burst-dependent sports shooting, but absence of continuous or tracking AF reduces hit rate. Canon offers better exposure control but only at a slower shooting cadence, limiting action utility.
Street Photography:
Nikon’s lighter, thinner design favors discretion and portability. Canon’s larger size and slower AF render it less ideal in rapidly changing street environments.
Macro Photography:
Distinct advantage goes to Canon, with near 1cm focusing allowing detailed close-ups unavailable on Nikon.
Night/Astro Photography:
Neither camera excels due to sensor size and limited high ISO performance. Canon offers longer shutter times (up to 15s), beneficial for intentional night exposures, whereas Nikon’s shorter 4s max shutter limits astrophotography potential.
Video:
Nikon’s full HD video output appeals more to casual videographers, while Canon’s HD is serviceable but dated.
Travel Photography:
Nikon’s lighter weight, compact profile, GPS, and Wi-Fi integration make it a traveler’s preference. Canon’s extensive zoom range supports varied shooting situations but at the cost of bulk and lesser smart features.
Professional Work:
Neither model aligns with professional demands due to limited sensor size, lack of RAW format support, and basic file output. The Canon allows more manual control, aiding advanced amateurs, but workflow integration is minimal on both.
Summary Visualizations: Performance Ratings and Genre Breakdown
Final Considerations and Recommendations
Canon PowerShot SX500 IS: Strengths and Suitability
- Extended 30x zoom covering wide-angle to extreme telephoto, invaluable in wildlife, travel, and macro photography.
- Manual exposure modes and focus options benefit enthusiasts seeking creative control.
- Optical image stabilization and longer shutter times support low-light and handheld shooting attempts.
- Ergonomic design reduces fatigue and boosts handling for extended shooters.
Drawbacks:
- Older CCD sensor exhibits elevated noise at ISO >400 with limited dynamic range.
- Slow continuous shooting markedly restricts action photography.
- Absence of advanced wireless features and video specs limits multimedia versatility.
Ideal User: Enthusiasts prioritizing zoom reach and exposure control over speed and video quality; macro photographers and landscape shooters requiring manual settings; users less interested in video and wireless connectivity.
Nikon Coolpix S9500: Strengths and Suitability
- Modern 18MP BSI-CMOS sensor enhancing image quality in low light and improving dynamic range marginally.
- Compact, lightweight body designed for maximum portability and street or travel photography.
- High-speed continuous shooting allowing more frames per second for action capture.
- Full HD 1080p video recording and built-in Wi-Fi with GPS add versatility for casual multimedia and location tracking.
Drawbacks:
- Lack of manual exposure and focus limits creative control.
- Autofocus system lacks face or tracking detection, hampering precise subject acquisition.
- Moderately shorter zoom range may be restrictive for distant subjects.
- Thin body compromises grip and stability during telephoto use.
Ideal User: Casual photographers and travelers desiring portability, connectivity, and fast shooting; videographers needing basic full HD capture; street photographers favoring discretion over operational control.
Closing Thoughts
Both the Canon SX500 IS and Nikon S9500 were designed to meet the needs of compact superzoom buyers but diverge significantly in their approach to photographic control, sensor technology, and usability. The SX500 emphasizes optical reach and manual input, appealing to users comfortable with foundational photographic techniques seeking affordable zoom prowess. The S9500 prioritizes compactness, video, and shooting speed, fitting casual users valuing convenience and multimedia features.
This detailed breakdown grounded in hands-on testing and technical scrutiny equips photography enthusiasts and professionals alike with an intricate understanding of these cameras’ respective capabilities and limitations, enabling choices tightly aligned with photographic intent, ergonomic preference, and budgetary considerations.
Canon SX500 IS vs Nikon S9500 Specifications
| Canon PowerShot SX500 IS | Nikon Coolpix S9500 | |
|---|---|---|
| General Information | ||
| Brand Name | Canon | Nikon |
| Model type | Canon PowerShot SX500 IS | Nikon Coolpix S9500 |
| Type | Small Sensor Superzoom | Small Sensor Superzoom |
| Launched | 2012-08-21 | 2013-01-29 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Powered by | Digic 4 | - |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.16 x 4.62mm |
| Sensor surface area | 28.1mm² | 28.5mm² |
| Sensor resolution | 16 megapixels | 18 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
| Maximum resolution | 4608 x 3456 | 4896 x 3672 |
| Maximum native ISO | 1600 | 1600 |
| Min native ISO | 80 | 125 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | 1 | 99 |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 24-720mm (30.0x) | 25-550mm (22.0x) |
| Maximum aperture | f/3.4-5.8 | - |
| Macro focusing distance | 1cm | - |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen sizing | 3" | 3" |
| Resolution of screen | 461k dots | 614k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Screen tech | TFT Color LCD | OLED monitor |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Slowest shutter speed | 15 seconds | 4 seconds |
| Maximum shutter speed | 1/1600 seconds | 1/1500 seconds |
| Continuous shooting rate | 1.0fps | 7.5fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | - |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 5.00 m | - |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync | - |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Maximum flash synchronize | 1/1600 seconds | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (25 fps), 640 x 480 (30 fps) | 1920 x 1080 |
| Maximum video resolution | 1280x720 | 1920x1080 |
| Video data format | H.264 | - |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 341 grams (0.75 pounds) | 205 grams (0.45 pounds) |
| Dimensions | 104 x 70 x 80mm (4.1" x 2.8" x 3.1") | 110 x 60 x 31mm (4.3" x 2.4" x 1.2") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 195 shots | 230 shots |
| Type of battery | Battery Pack | Battery Pack |
| Battery ID | NB-6L | EN-EL12 |
| Self timer | Yes (2 or 10 sec, Custom) | - |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Card slots | 1 | 1 |
| Price at launch | $299 | $230 |