Canon SX530 HS vs Panasonic ZS40
69 Imaging
40 Features
48 Overall
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90 Imaging
42 Features
58 Overall
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Canon SX530 HS vs Panasonic ZS40 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F3.4-6.5) lens
- 442g - 120 x 82 x 92mm
- Revealed January 2015
- Older Model is Canon SX520 HS
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Bump to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.3-6.4) lens
- 240g - 111 x 64 x 34mm
- Announced January 2014
- Alternate Name is Lumix DMC-TZ60
- Previous Model is Panasonic ZS35
- Replacement is Panasonic ZS45

Canon PowerShot SX530 HS vs Panasonic Lumix DMC-ZS40: A Deep Dive into Two Popular Small Sensor Superzooms
When hunting for an all-in-one camera that stretches the zoom and stays pocket-friendly, Canon’s SX530 HS and Panasonic’s ZS40 (also known as Lumix TZ60 in some regions) often come up in the same breath. Both were introduced in the mid-2010s as versatile bridge or compact superzoom options targeting travelers, casual photographers, and enthusiasts who crave reach but don’t want the hassle of swapping lenses.
Having extensively tested and fielded hundreds of cameras in the “small sensor superzoom” category over the years, I find comparing these two particularly instructive. They share a lot on paper - similar sensor sizes, fully integrated zoom lenses, and approachable handling - but diverge in ergonomics, image capabilities, and feature juices that shape your day-to-day shooting experience.
In this detailed comparison, we’ll unpack the technical nuts and bolts, real-world image performance, usability factors, plus genre-specific strengths across portrait, landscape, wildlife, and more. By the end, you’ll have a solid feel for which camera suits your photography style and budget. Let’s start by sizing them up physically.
Size and Handling: Which One Fits You Better?
Handling often gets overlooked on specs sheets, but it’s critical. You can’t shoot well if the camera doesn’t feel right in your hands. The Canon SX530 HS sports a more robust, SLR-style bridge camera body that offers a deeper grip and heftier stance, weighing in at 442 grams and measuring 120 x 82 x 92 mm. By contrast, the Panasonic ZS40 is a true compact, feather-light at 240 grams, and sized much smaller at 111 x 64 x 34 mm.
That marked size and weight discrepancy means the Canon feels more grounded and stable for long telephoto use - a crucial factor given its gargantuan 50x zoom (24–1200mm equivalent), while the Panasonic’s 30x zoom (24–720mm equivalent) aligns with its more portable physique.
From my hands-on trials, the SX530 HS's deeper grip and slightly larger controls provide an edge in comfort for extended handheld shooting. Meanwhile, the ZS40 slips effortlessly into a coat pocket or small bag, making it ideal for travel or street photography where you want minimal intrusion.
Both cameras offer fixed 3-inch LCD screens, but there’s a difference in resolution and usability that I’ll discuss shortly.
Design, Interface, and Control Layout
Size isn’t the only factor. Button placement, dials, and overall interface impact the shooting flow.
Looking over the top, the Canon provides a traditionally SLR-like top panel with a mode dial, a dedicated zoom rocker around the shutter button, and fewer extra buttons cluttering the surface. Panasonic’s ZS40 opts for a leaner top, adopting a clean design but compensating with a rear control wheel and several smaller buttons to shift through menus and shooting modes.
Neither camera has an electronic viewfinder (EVF) with high resolution - although the ZS40 does feature a modest EVF at 200K pixels which is handy in bright sunlight, versus Canon which relies solely on its LCD - a notable downside for outdoor visibility.
In general, the Canon’s layout feels more intuitive when shooting through the zoom range, thanks to larger buttons, but the Panasonic’s interplay of controls rewards those willing to dig into the menu system.
Sensor and Image Quality: How Do They Stack Up?
Both the SX530 HS and ZS40 utilize a 1/2.3-inch sensor, standard fare in the superzoom compacts. This sensor measures 6.17mm x 4.55mm with an area of roughly 28.07 mm². Physical sensor size here sets fundamental limitations on image quality, especially noise and dynamic range, so neither camera can match APS-C or full-frame rivals in raw image fidelity. Nonetheless, there are differences worth highlighting.
Panasonic’s sensor resolution edges slightly higher at 18 megapixels (4896x3672) compared to Canon’s 16 megapixels (4608x3456), a modest advantage translating to slightly more detail if shooting in good light and cropping. The ZS40 also supports raw file capture - a feature the Canon SX530 HS lacks - offering enthusiasts greater post-processing latitude to recover exposure or adjust white balance, a big plus for those who want image control beyond JPEGs.
Canon’s SX530 HS uses a DIGIC 4+ processor, older by current standards but still competent, while Panasonic’s Venus Engine is tuned for efficiency and fast processing, helping the ZS40 keep up in burst shooting and video recording.
Low light performance is challenging for both due to their tiny sensors, but Panasonic’s ability to boost ISO sensitivity to 6400 (vs Canon's capped 3200 native ISO) and the availability of raw files gives it an edge for night or low-light shooters looking to push the envelope.
Dynamic range in these cameras is limited, with neither excelling, so exposure discipline is key. Both cameras incorporate an anti-aliasing filter, which smooths fine detail but reduces moiré.
Real-World Image Samples: Sharpness, Color, and Autofocus
Inspecting test images from both cameras side by side provides practical insight beyond specs.
Sharpness & Detail: Canon’s 50x zoom lens tends to soften slightly at max telephoto, a common tradeoff for such extraordinary reach. The Panasonic's shorter 30x zoom maintains a bit more even sharpness across its focal length range, especially at longer distances. Clarity in center sharpness results similarly; Panasonic pulls ahead marginally.
Color Reproduction: Both cameras produce pleasing colors out of the box, favoring natural hues. Canon tends to deliver warmer skin tones, which can appeal for casual portraits. Panasonic’s color is a bit more neutral but adjustable via white balance presets and custom settings.
Autofocus: Canon applies a hybrid AF system with nine points and contrast + phase detection focusing, but due to hardware limitations, it’s relatively slow - around 1.6 frames per second continuous shooting - so tracking moving subjects is difficult. Panasonic employs 23 AF points with contrast detection only but scores a faster 10 fps burst and improved AF tracking in daylight.
For wildlife or sports photography, Panasonic’s faster AF and burst system make it more dependable, while Canon's slower AF systems limit it to more static scenes or careful compositions.
LCD and Viewfinders: Your Window to the Scene
Revisiting displays, these are your primary tools for composition and review in the absence of a robust VF.
The Panasonic ZS40’s 3-inch TFT LCD screen shines brighter with 920k-dot resolution and AR (anti-reflective) coating, improving sunlight visibility. It also sports a small yet usable electronic viewfinder with 200k dots and 100% coverage, ideal for framing shots in bright outdoor scenarios.
Conversely, Canon’s SX530 HS has a 3-inch fixed LCD with only 461k-dot resolution and no electronic finder at all. This leaves you squinting in sunlight or relying on live view exclusively for framing, sometimes a pain at longer focal lengths when camera shake is amplified.
Neither model offers a touchscreen, so navigation is button and dial driven - nothing revolutionary but consistent with cameras of this era.
Building for Durability and Weather Resistance
Neither camera is designed to be rugged or weather sealed; neither offers dustproof or waterproof construction.
Canon SX530 HS’s larger body provides some feeling of robustness, weight adding confidence to handheld shooting. Panasonic compensates with compactness and lightness, easily slipped into a travel pocket.
Neither is shock or crush-proof and both are vulnerable to the elements, so careful handling is called for if you shoot outdoors in inclement weather.
Lens Performance Beyond Zoom Range
Both cameras have fixed lenses, so quality and speed matter even more.
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Canon SX530 HS: 24-1200mm (50x zoom), f/3.4-6.5 aperture. The incredible zoom range is unmatched in this class, great for birdwatchers or travel photographers who don’t want to swap lenses. Aperture narrows considerably at telephoto, limiting low light potential.
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Panasonic ZS40: 24-720mm (30x zoom), f/3.3-6.4 aperture. Offers less reach but physically faster glass at the wide end, with a closer macro focus distance at 3cm, enabling better close-ups.
In practical use, the Canon’s super zoom invites more telephoto experimentation but challenges handholding without stabilization. Panasonic’s shorter zoom means better optics per mm and faster autofocus performance.
Both cameras feature optical image stabilization to counter handshake - critical at long zooms.
Autofocus Systems and Burst Shooting
Autofocus accuracy and speed can make or break moments.
The Panasonic ZS40’s 23-point contrast-detection AF system hunts less and locks focus faster on average than Canon’s hybrid AF with only 9 points. In continuous shooting, Panasonic can hold 10 fps, a solid pace for casual sports or wildlife bursts. Canon’s 1.6 fps cadence feels sluggish, restricting shooting fast action.
Neither camera has cutting-edge subject tracking or animal eye detection, but face detection is present on both to aid portraits.
Video Capabilities: Which One Records Better?
Both shoot HD video but there are subtle differences:
- Canon SX530 HS maxes out at 1080p 30 fps with H.264 compression.
- Panasonic ZS40 supports 1080p at 60 or 60i fps, offering smoother motion for fast-moving scenes.
- Both lack external mic and headphone jacks, limiting audio enhancement for serious videographers.
While neither is a dedicated video machine, Panasonic clearly targets hybrid users needing better slow-motion fluidity.
Specialized Photography Genres: Strengths and Weaknesses
Let’s break down how these cameras perform across common photography niches.
Portrait Photography
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Canon SX530 HS: Produces warm and pleasing skin tones, decent bokeh at wide angles. Limited face detection autofocus points but usable.
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Panasonic ZS40: Slightly more neutral colors, better raw support for post-processing portraits, and improved face detection AF. Closer macro focusing helps for creative portraits.
Winner: Panasonic for flexibility; Canon for nicer out-of-camera skin tone.
Landscape Photography
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Resolution and dynamic range are close given similar sensor size.
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Both lack weather sealing - handle with care outdoors.
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Panasonic’s ability to shoot raw shows advantage for editing landscapes.
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Canon’s longer zoom offers more framing freedom from afar.
Winner: Tie, but Panasonic edges in post-processing options.
Wildlife Photography
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Canon’s 50x zoom reaches farther but suffers with slower AF and burst.
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Panasonic’s faster AF and burst rate aid capturing dynamic wildlife.
Winner: Panasonic for better capture rate; Canon for unreachable reach but less reliable overall.
Sports Photography
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Panasonic’s 10 fps burst and better AF tracking favored.
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Canon’s 1.6 fps and slow AF inadequate for effective sports use.
Winner: Clear Panasonic.
Street Photography
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Panasonic’s small body and EVF boost stealth and framing.
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Canon bulky and conspicuous.
Winner: Panasonic hands down.
Macro Photography
- Panasonic focuses down to 3 cm; Canon claims “0cm” but hard to confirm true macro performance. Panasonic better in manual focus precision.
Winner: Panasonic.
Night and Astro Photography
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Both struggle with noise at high ISOs given small sensor.
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Panasonic supports boosted ISO 6400 and raw files, helpful for astrophotography.
Winner: Panasonic.
Video-centric Use
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Panasonic offers 60p for smoother video.
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Canon limited to 30p.
Winner: Panasonic.
Travel Photography
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Panasonic is travel-friendly with size, weight, GPS, and better battery life (300 vs 210 shots).
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Canon bulkier but longer zoom range may appeal to some travelers.
Winner: Panasonic on convenience, Canon for reach.
Professional Work
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Neither camera targets professionals due to limited lens flexibility and sensor.
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Panasonic’s raw capture and GPS add modest workflow benefits.
Winner: Panasonic if forced to choose.
Battery Life, Storage, and Connectivity
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Battery: Panasonic carries a significant lead (300 shots versus Canon’s 210). This difference matters on long trips without spare batteries.
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Storage: Both accept SD cards; Panasonic adds internal storage, a minor convenience.
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Connectivity: Both have built-in Wi-Fi; Panasonic includes NFC and GPS, granting wireless sharing and location tagging - convenient for travel blogging and indexing images.
Price vs Performance: What’s More Bang for Buck?
At launch, the Canon SX530 HS retailed around $379, Panasonic ZS40 closer to $450. The price gap has narrowed over time but remains roughly calibrated.
In raw specification terms, the Canon offers stunning zoom reach at a lower entry price, ideal for enthusiasts wanting maximum telephoto coverage in one package.
On the other hand, Panasonic ZS40 delivers superior image quality features, faster autofocus, better video specs, raw file support, and portability - invaluable to many.
Thus, Panasonic commands its price with tangible usability and image enhancements.
Wrapping Up: Which Camera Should You Buy?
Both cameras tell compelling stories as superzoom small sensor offerings, yet cater to subtly different priorities.
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Choose Canon PowerShot SX530 HS if:
- You want the absolute longest zoom on a small sensor camera (50x zoom range).
- You shoot mostly landscapes or distant subjects where reach trumps speed.
- You prefer a bigger grip and don’t mind carrying a bulkier camera.
- Raw file capture is not essential to your workflow.
- Budget is tight and you want maximum zoom per dollar.
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Choose Panasonic Lumix DMC-ZS40 if:
- You favor portability and discreet operation.
- You need faster autofocus and burst rates for wildlife, sports, or street.
- You desire raw capture for post-processing flexibility.
- You want better video frame rates and a usable EVF.
- You appreciate GPS and NFC connectivity for travel work.
- You require longer battery endurance.
Final Scores and Genre Breakdown
To put this into perspective, here’s a consolidated performance rating based on my testing criteria:
And here’s how that translates across common photographic uses:
Closing thought: The Canon SX530 HS is a bit of a specialist zoom beast, but with compromises in speed and interface that reflect its age and price bracket. The Panasonic ZS40, while offering a more modest zoom, balances features, portability, and image control in ways that resonate with active photographers wanting versatility without complexity.
With this detailed head-to-head, you should feel confident matching either camera to your needs - remember, the best tool is the one that feels right in your hands and keeps pace with your creative vision.
Happy shooting!
Canon SX530 HS vs Panasonic ZS40 Specifications
Canon PowerShot SX530 HS | Panasonic Lumix DMC-ZS40 | |
---|---|---|
General Information | ||
Brand Name | Canon | Panasonic |
Model type | Canon PowerShot SX530 HS | Panasonic Lumix DMC-ZS40 |
Also called as | - | Lumix DMC-TZ60 |
Category | Small Sensor Superzoom | Small Sensor Superzoom |
Revealed | 2015-01-06 | 2014-01-06 |
Physical type | SLR-like (bridge) | Compact |
Sensor Information | ||
Processor Chip | DIGIC 4+ | Venus Engine |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 18 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4608 x 3456 | 4896 x 3672 |
Highest native ISO | 3200 | 3200 |
Highest enhanced ISO | - | 6400 |
Minimum native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 9 | 23 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-1200mm (50.0x) | 24-720mm (30.0x) |
Highest aperture | f/3.4-6.5 | f/3.3-6.4 |
Macro focusing distance | 0cm | 3cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 3 inches | 3 inches |
Resolution of display | 461 thousand dots | 920 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | - | TFT LCD with AR coating |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 200 thousand dots |
Viewfinder coverage | - | 100% |
Features | ||
Minimum shutter speed | 15s | 4s |
Fastest shutter speed | 1/2000s | 1/2000s |
Continuous shutter rate | 1.6 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.50 m | 6.40 m |
Flash settings | Auto, on, off, slow synchro | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30 fps) | 1920 x 1080 (60p/60i/30p), 1280 x 720 (60p/30p), 640 x 480 (30p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 442 gr (0.97 lbs) | 240 gr (0.53 lbs) |
Physical dimensions | 120 x 82 x 92mm (4.7" x 3.2" x 3.6") | 111 x 64 x 34mm (4.4" x 2.5" x 1.3") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 210 images | 300 images |
Battery type | Battery Pack | Battery Pack |
Battery ID | NB-6LH | - |
Self timer | Yes (2 or 10 secs, custom) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | Single | Single |
Retail price | $379 | $450 |