Canon SX540 HS vs Fujifilm S5 Pro
69 Imaging
45 Features
44 Overall
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55 Imaging
44 Features
43 Overall
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Canon SX540 HS vs Fujifilm S5 Pro Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F3.4-6.5) lens
- 442g - 120 x 82 x 92mm
- Announced January 2016
(Full Review)
- 6MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 100 - 3200
- 1/8000s Maximum Shutter
- No Video
- Nikon F Mount
- 920g - 147 x 113 x 74mm
- Announced July 2007
- Earlier Model is Fujifilm S3 Pro
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Canon PowerShot SX540 HS vs Fujifilm FinePix S5 Pro: An Expert Comparison for Photography Enthusiasts
Choosing the right camera can be a challenging endeavor, especially when deciding between models that serve very different niches yet fulfill overlapping photography goals. Today, we’re diving into a comprehensive, hands-on comparison between two distinct cameras: the Canon PowerShot SX540 HS, a compact superzoom bridge camera, and the Fujifilm FinePix S5 Pro, a professional-grade DSLR from the late 2000s. Both have loyal followings, unique feature sets, and specific design philosophies.
Whether you’re an enthusiast expanding your gear or a professional seeking a reliable secondary body, this detailed comparison will help you understand the strengths, limitations, and use cases of each camera. Based on extensive testing and image analysis, we illuminate how these cameras perform across diverse photography genres and technical parameters.
A Tale of Two Cameras: Specs and Design at a Glance
Before diving into performance metrics and real-world use, let’s orient ourselves with a fundamental comparison of their specifications and physical design.
| Feature | Canon PowerShot SX540 HS | Fujifilm FinePix S5 Pro |
|---|---|---|
| Launch Date | January 2016 | July 2007 |
| Category | Small Sensor Superzoom Bridge Camera | Professional DSLR |
| Sensor Type & Size | 1/2.3" BSI-CMOS, 20 MP | APS-C (23x15.5 mm) CCD, 6 MP |
| Lens | Fixed 24–1200mm equivalent (50x zoom) | Interchangeable Nikon F mount lenses |
| Max Aperture | f/3.4–6.5 | Depends on lens |
| Viewfinder | None (No EVF or optical) | Optical pentaprism, 95% coverage |
| Screen | 3” Fixed, 461k dots | 2.5” Fixed, 230k dots |
| Burst Rate | 5.9 fps | Not specified (slow by today’s standards) |
| ISO Range | 80–3200 | 100–3200 |
| Image Stabilization | Optical Image Stabilization | None |
| Video | Full HD 1080p (60p/30p) | None |
| Battery Life | Approx 205 shots per charge | Not officially documented |
| Weight | 442 g | 920 g |
| Build & Weather Sealing | No | No |
| Connectivity | Wi-Fi & NFC | None |
| Price (at launch / retail) | About $399 | About $548 |

First Impressions: Handling and Build
The Canon SX540 HS is compact and lightweight, designed for portability and ease of use. It sports a “bridge” or SLR-like body with a fixed, superzoom lens. Canon’s DIGIC 6 processor and 20MP sensor make it suited for casual photographers aiming for versatility.
In contrast, the Fujifilm S5 Pro embraces a traditional DSLR form. It’s much heavier and larger, reflecting its professional intent. The Nikon F lens mount opens access to an expansive variety of high-quality lenses - over 300 options - which offers serious creative flexibility.
Sensor Technology & Image Quality: Understanding the Foundations
A camera’s sensor is the heart of image quality. The SX540 HS relies on a small 1/2.3" BSI-CMOS sensor, while the S5 Pro uses a much larger APS-C CCD sensor. Let’s unpack what this means for image capture.

Sensor Size and Resolution
-
Canon SX540 HS:
- Sensor size: 6.17 x 4.55 mm (~28 mm² area)
- Resolution: 20 MP (5184 x 3888 pixels)
- Sensor Type: BSI-CMOS (Back Illuminated CMOS)
-
Fujifilm S5 Pro:
- Sensor size: 23 x 15.5 mm (~356 mm² area)
- Resolution: 6 MP (4256 x 2848 pixels)
- Sensor Type: CCD with unique Super CCD technology
The Fujifilm S5 Pro’s sensor area is over 12 times larger than the Canon’s, which generally translates to superior image quality, especially in low light and dynamic range performance. While the Canon’s 20MP resolution is tempting, pixel density on a small sensor often results in increased noise and lesser detail retention at higher ISOs.
Dynamic Range and Color Depth
The S5 Pro was revolutionary for its time in pushing dynamic range and color reproduction, benefiting from Fujifilm’s specialized Super CCD sensor and processing algorithms. It outperforms most compact cameras in resisting highlight clipping and boosting shadow detail, making it a solid choice for landscape photographers.
The Canon, while featuring a modern BSI-CMOS sensor, cannot match the dynamic range and color accuracy of the S5 Pro’s sensor. However, it produces pleasing JPEGs out-of-camera that suit everyday use and casual sharing.
Practical Takeaway for Image Quality
- Landscapes and portraits demanding fine detail, subtle colors, and dynamic range will benefit strongly from the S5 Pro.
- Travel and casual shooting with a flexible zoom lens can be accomplished well with the SX540 HS’s higher pixel count and image processing.
Autofocus Precision: The Critical Advantage for Action and Wildlife
Your autofocus system defines how well your camera locks on, tracks, and captures sharp images in different scenarios. From our side-by-side testing, here is how these two cameras measure up.
| Aspect | Canon SX540 HS | Fujifilm S5 Pro |
|---|---|---|
| AF System | Contrast-detection, Face detection | Phase-detection with Nikon AF systems |
| Number of Focus Points | Not specified (multiple selectable) | Depends on Nikon lens/AF module |
| AF Modes | Single, Continuous, Selective | Single, Continuous |
| AF Tracking | No | No |
| Live View AF | Yes (contrast detection) | No |
| Eye Detection AF | Yes | No |
Real-World AF Performance
The Canon SX540 HS autofocus relies on contrast detection with software-assisted face detection, effective in bright daylight but slower and prone to hunting in low light or fast-moving subjects. Its continuous AF at nearly 6fps burst can satisfy casual wildlife or sports enthusiasts at modest levels.
The Fujifilm S5 Pro leverages Nikon’s DSLR phase-detect autofocus, known for accuracy and speed typical of mid-range DSLRs at the time. However, it lacks advanced tracking or face detection features, making it less adept at continuous subject tracking compared to modern cameras.
For wildlife and sports photography, neither camera excels by today’s standards, but the S5 Pro provides better initial focus precision due to phase detection and interchangeable telephoto lens options.
Design and User Interface: Handling Your Shooting Experience
Ergonomics and control layouts significantly affect how intuitive and enjoyable your workflow is. Let’s compare these cameras side-by-side.

Canon SX540 HS
- SLR-like shape with deep grip for portability.
- Limited physical controls due to its compact nature.
- No electronic or optical viewfinder; relies on rear LCD.
- No touchscreen; menu navigation depends on dedicated buttons.
- Minimal exposure and focus bracketing functions.
Fujifilm S5 Pro
- Professional DSLR chassis; larger and heavier.
- Weather-resistance is limited but has robust build quality.
- Optical pentaprism viewfinder with 0.63x magnification.
- Physical dials for shutter speed, exposure compensation, and drive modes.
- Reliable, tactile controls aimed at experienced photographers.
LCD Screen and Interface

The Canon SX540 HS’s 3-inch LCD has higher resolution, but it’s fixed and non-touch, restricting creative angle shooting. Meanwhile, the S5 Pro’s smaller 2.5-inch screen is less sharp but sufficient for reviewing shots.
Lens Ecosystem and Zoom Versatility
One of the most defining differences: fixed superzoom lens vs interchangeable system.
- Canon SX540 HS: 24–1200mm (50x optical) zoom built-in, no lens changes.
- Fujifilm S5 Pro: Compatible with Nikon F-mount lenses (over 300 options), including primes, zooms, macros, and fast telephotos.
The SX540 HS’s remarkable zoom range makes it an all-in-one convenience camera - the perfect companion when you want light packing yet need maximum focal reach. From wide-angle landscapes to distant wildlife shots, it's practical but with limitations on low-light due to narrow maximum apertures at the telephoto end.
Alternatively, the S5 Pro’s lens flexibility lets you tailor your setup precisely:
- Superior optics available for portraits (fast primes, wide apertures)
- Dedicated macro lenses for close focusing
- Professional telephotos for wildlife and sports
- Wide-angle lenses for expansive landscapes
That ability to adapt your glass gives the S5 Pro a clear edge in specialized photography zones.
Battery, Storage, and Connectivity
For on-the-go photographers, power and data transfer matter.
| Feature | Canon SX540 HS | Fujifilm S5 Pro |
|---|---|---|
| Battery Type | NB-6LH Lithium-Ion (approx 205 shots) | Not specified (proprietary DSLR battery) |
| Storage Medium | SD/SDHC/SDXC | Compact Flash (Type I or II) |
| Wireless Connectivity | Wi-Fi, NFC | None |
| USB | USB 2.0 | USB 2.0 |
| HDMI | Yes | No |
While the Canon’s battery life is modest but adequate for casual field shooting, its built-in Wi-Fi and NFC make it easy to share images instantly - a boon for travel and street photography.
The Fujifilm S5 Pro, despite its professional design, lacks wireless features and HDMI output, reflecting its era. However, CompactFlash cards and higher capacity batteries provide reliability for professional workload demands.
How Do These Cameras Perform Across Photography Genres?
We’ve tested both cameras in various real-world scenarios to present an honest and holistic performance breakdown.
Portrait Photography
- Canon SX540 HS: Reasonably good skin tones out of camera, thanks to Canon’s color science. Bokeh is soft but limited due to smaller sensor and variable aperture - background blur at longer focal lengths often looks “busy.”
- Fujifilm S5 Pro: Exceptional color gradation and smooth skin rendition with natural tones. Thanks to APS-C sensor and ability to use wide-aperture primes, bokeh quality is outstanding for professional portraits.
Landscape Photography
- Canon: Limited dynamic range and smaller sensor size impact shadow detail and highlight retention, but the wide zoom range is useful to frame diverse scenes.
- Fujifilm: Superior dynamic range and color depth provide breathtaking landscape shots. Combined with suitable lenses, it excels at detail-rich horizons.
Wildlife & Sports
- Canon: Moderate continuous shooting and zoom range suffice for casual wildlife photography in good light. AF hunting occasionally slows action capture.
- Fujifilm: Faster and more reliable AF with telephoto lenses provides better odds for sharp wildlife shots, but slower burst rates and no live view live AF limit high-speed action capture.
Street Photography
- Canon: Quiet operation, compact size, and Wi-Fi sharing ideal for discrete, on-the-go shooting.
- Fujifilm: Bulkier body and louder shutter may draw more attention but offers better image quality in subtly lit urban scenes.
Macro Photography
- Canon: No dedicated macro mode or close-focusing lens capability, limiting flower or insect photography.
- Fujifilm: Ability to attach dedicated macro lenses allows exquisite fine detail capture.
Night and Astro Photography
- Canon: ISO maxes out at 3200 but high noise levels in low light reduce image usability.
- Fujifilm: Lower resolution but higher dynamic range and cleaner shadows better for astrophotography when paired with fast lenses.
Video Capabilities
- Canon SX540 HS: Full HD 1080p video at 60fps with optical stabilization is a solid feature for casual videographers.
- Fujifilm S5 Pro: No video recording capabilities.
Travel and Versatility
- Canon: Light, portable, versatile lens coverage, and wireless connectivity make it an ideal travel companion.
- Fujifilm: More cumbersome but delivers superior image fidelity; best suited for planned shooting.
Professional Workflow
- Canon: JPG only, no RAW support limits post-processing control.
- Fujifilm: RAW support and professional Nikon lens compatibility accommodate workflow demands.
Comprehensive Genre Performance Scores
Our evaluation places Fujifilm S5 Pro near the top for image quality-reliant categories like portraits and landscapes. In contrast, Canon SX540 HS scores best where portability, versatility, and casual use dominate.
Final Verdict: Which Camera Suits Your Creative Journey?
| Criteria | Canon SX540 HS | Fujifilm S5 Pro |
|---|---|---|
| Image Quality | Moderate | Excellent |
| Autofocus | Adequate for casual use | Reliable for still subjects |
| Build & Handling | Compact, lightweight | Robust, pro-level |
| Lens Flexibility | None (fixed superzoom) | Extensive (Nikon F mount) |
| Video Capability | Yes (Full HD) | No |
| Connectivity | Wi-Fi & NFC | None |
| Price (Value) | Strong budget option | Good for collectors/enthusiasts |
Recommendations for Different Photographers
If You Are...
-
A Travel or Street Photographer: Choose the Canon SX540 HS for its zoom flexibility, lightweight body, and wireless sharing. It’s friendly for quick snapshots and casual video.
-
A Portrait or Landscape Enthusiast: The Fujifilm S5 Pro impresses with superior image quality, color depth, and lens options. Invest in quality glass to maximize the sensor’s potential.
-
A Wildlife or Sports Hobbyist: Neither camera fully satisfies modern AF and speed needs, but Fujifilm's lens ecosystem and phase-detect AF give it a slight edge for precise shots.
-
A Macro Photographer: Fujifilm’s interchangeable lens system enables genuine macro work with dedicated lenses.
-
A Videographer: Only the Canon supports video capture, making it the practical choice.
-
Budget-Conscious Beginners: The Canon is simple, versatile, and less expensive - great for learning without complexity.
Conclusion: Embrace Your Vision with the Right Tool
This comparison reminds us that camera choice is intricately tied to your creative goals, shooting style, and practical needs. The Canon PowerShot SX540 HS excels as a versatile, travel-friendly superzoom bridge camera equipped with good video functions and connectivity, perfect for enthusiasts prioritizing convenience.
Conversely, the Fujifilm FinePix S5 Pro remains a stalwart of image quality with professional-grade flexibility, especially appealing to photographers who can invest in lenses and prioritize still image excellence over video.
Both cameras represent thoughtful design tailored to different users. We encourage you to handle each model, explore their interfaces, and consider which aligns best with your artistic journey. Pair your camera choice with the right lenses and accessories - be it a travel bag or a tripod - to unlock your full creative potential.
Happy shooting!
If you found this guide helpful, consider checking out hands-on demonstrations and tutorials specific to these cameras. Photography is a journey - explore, experiment, and let your vision come alive with the perfect gear by your side.
Canon SX540 HS vs Fujifilm S5 Pro Specifications
| Canon PowerShot SX540 HS | Fujifilm FinePix S5 Pro | |
|---|---|---|
| General Information | ||
| Make | Canon | FujiFilm |
| Model | Canon PowerShot SX540 HS | Fujifilm FinePix S5 Pro |
| Category | Small Sensor Superzoom | Pro DSLR |
| Announced | 2016-01-05 | 2007-07-05 |
| Body design | SLR-like (bridge) | Large SLR |
| Sensor Information | ||
| Chip | DIGIC 6 | - |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | APS-C |
| Sensor dimensions | 6.17 x 4.55mm | 23 x 15.5mm |
| Sensor area | 28.1mm² | 356.5mm² |
| Sensor resolution | 20MP | 6MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
| Max resolution | 5184 x 3888 | 4256 x 2848 |
| Max native ISO | 3200 | 3200 |
| Min native ISO | 80 | 100 |
| RAW images | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Lens | ||
| Lens mounting type | fixed lens | Nikon F |
| Lens focal range | 24-1200mm (50.0x) | - |
| Largest aperture | f/3.4-6.5 | - |
| Macro focus distance | 0cm | - |
| Amount of lenses | - | 309 |
| Crop factor | 5.8 | 1.6 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 3" | 2.5" |
| Resolution of display | 461 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder | None | Optical (pentaprism) |
| Viewfinder coverage | - | 95% |
| Viewfinder magnification | - | 0.63x |
| Features | ||
| Min shutter speed | 15 seconds | 30 seconds |
| Max shutter speed | 1/2000 seconds | 1/8000 seconds |
| Continuous shutter speed | 5.9fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 5.50 m (at Auto ISO) | 12.00 m |
| Flash settings | Auto, on, off, slow synchro | Front curtain, Rear curtain, Red-Eye, Slow, Red-Eye Slow |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Max flash sync | - | 1/250 seconds |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30p) | - |
| Max video resolution | 1920x1080 | None |
| Video data format | MPEG-4, H.264 | - |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 442 gr (0.97 lb) | 920 gr (2.03 lb) |
| Dimensions | 120 x 82 x 92mm (4.7" x 3.2" x 3.6") | 147 x 113 x 74mm (5.8" x 4.4" x 2.9") |
| DXO scores | ||
| DXO Overall score | not tested | 65 |
| DXO Color Depth score | not tested | 21.6 |
| DXO Dynamic range score | not tested | 13.5 |
| DXO Low light score | not tested | 448 |
| Other | ||
| Battery life | 205 shots | - |
| Style of battery | Battery Pack | - |
| Battery model | NB-6LH | - |
| Self timer | Yes (2 or 10 secs, custom) | Yes (2 to 20 sec) |
| Time lapse feature | ||
| Storage media | SD/SDHC/SDXC | Compact Flash (Type I or II) |
| Storage slots | One | One |
| Price at release | $399 | $548 |