Canon SX60 HS vs Fujifilm F550 EXR
61 Imaging
40 Features
67 Overall
50
91 Imaging
39 Features
48 Overall
42
Canon SX60 HS vs Fujifilm F550 EXR Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fully Articulated Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 21-1365mm (F3.4-6.5) lens
- 650g - 128 x 93 x 114mm
- Announced September 2014
- Earlier Model is Canon SX50 HS
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Bump to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-360mm (F3.5-5.3) lens
- 215g - 104 x 63 x 33mm
- Announced July 2011
Sora from OpenAI releases its first ever music video Canon SX60 HS vs Fujifilm FinePix F550 EXR: The Definitive Small Sensor Superzoom Showdown
In the realm of bridge and compact superzoom cameras, the Canon PowerShot SX60 HS and the Fujifilm FinePix F550 EXR remain prominent contenders, offering users a highly versatile zoom experience paired with manageable sensor sizes and a raft of photographic features. Although both were announced several years ago - Canon’s flagship SX60 HS debuted in late 2014 and Fujifilm’s F550 EXR in mid-2011 - their strengths and weaknesses continue to merit comparison for enthusiasts seeking a capable, all-in-one zoom solution without stepping into interchangeable-lens territory.
Having tested thousands of cameras spanning from entry-level compacts to professional DSLRs and mirrorless systems, I have assessed these two models side-by-side across core photographic disciplines while also analyzing how their technical specifications translate into real-world image quality and usability. This comprehensive comparison aims to equip photography enthusiasts and professionals researching their next small sensor superzoom camera with authoritative, experience-driven insights.
First Impressions: Size, Ergonomics, and Handling
Physical attributes often dictate comfort and shooting confidence in prolonged use. The Canon SX60 HS sports a classic SLR-style bridge design, complete with a substantial grip and robust control layout, whereas the Fujifilm F550 EXR leans toward a more compact, pocketable profile.

At 128 x 93 x 114 mm and weighing 650 grams, the SX60 HS is noticeably larger and more substantial in hand than the F550 EXR’s 104 x 63 x 33 mm frame and 215-gram weight. Canon’s design philosophy prioritizes ergonomics for extended shooting sessions, with textured grip surfaces and pronounced controls that suit users accustomed to DSLR handling. Fujifilm’s F550 EXR, conversely, offers ultraportability, ideal for casual shooters or travelers valuing pocket-friendliness.
The SX60 HS’s larger form factor facilitates steadier shooting at extreme telephoto focal lengths - up to 1365mm equivalent, an imposing 65x zoom - where stability and control nuances matter. Conversely, the F550 EXR’s ultracompact body restricts ergonomics somewhat but excels in précised, grab-and-go versatility.
Control Layout and User Interface: Navigating the Cameras
Examining the top control plates and rear interfaces reveals each manufacturer’s approach to user interaction, vital for fast, instinctive adjustments.

The Canon SX60 HS features dedicated dials and buttons for aperture priority, exposure compensation, and a mode dial packed with creative options including manual exposure and custom modes. The presence of an electronic viewfinder (EVF) with 922k-dot resolution provides critical framing and exposure feedback especially useful in bright daylight.
By contrast, the Fujifilm F550 EXR lacks an EVF and instead relies solely on its rear 3-inch LCD - a fixed TFT screen at 460k-dot resolution, markedly less sharp and versatile than Canon’s fully articulated, higher resolution 922k-dot display. The absence of touchscreen in both cameras means navigation depends entirely on button-presses and dials. Fujifilm’s controls are minimalist, targeted more at casual users.
This difference in control complexity and display fidelity distinctly favors Canon for more serious photographers who demand granular settings access and reliable framing under diverse conditions.
Sensor Size and Image Quality Analysis
Selecting a camera with a small sensor superzoom inevitably entails compromises in image quality compared to larger sensor APS-C or full-frame systems, but differences within this category remain pertinent for image fidelity, noise performance, and color reproduction.

Both cameras employ 1/2.3-inch sensors, standard in this segment, but with slight dimensional and tech differences: Canon’s 6.17 x 4.55 mm BSI-CMOS sensor versus Fujifilm’s 6.4 x 4.8 mm EXR CMOS sensor. Despite similar megapixel ratings (16MP), Fujifilm’s sensor provides a marginally larger sensor area (30.72 mm² vs. 28.07 mm²).
Raw image quality tests via DxOMark assign equivalent overall scores of 39 to both, with Fujifilm edging ahead in dynamic range (10.6 EV vs. 10.1 EV) and low-light ISO performance (ISO 158 vs. ISO 127), while color depth remains identical at 19.2 bits. These technical measurements accord with practical experience: Fujifilm’s sensor produces slightly cleaner images at higher ISOs and captures more shadow detail.
However, Canon’s DIGIC 6 image processor effectively compensates at base ISOs and across color rendering, delivering punchy tones and pleasing skin color reproduction, especially notable in portrait contexts.
LCD and Viewfinder: Visual Feedback Essentials
The Canon SX60 HS employs a 3-inch fully articulated LCD with 922k dots, improving versatility for awkward angles and live view shooting. Its EVF mirrors this resolution and offers 100% coverage - critical for precise composition.
In contrast, the F550 EXR’s fixed rear LCD is lower resolution, with no electronic or optical viewfinder aids. This has tangible impacts on versatility, especially outdoors or for videographers.

The articulating screen on the Canon model unlocks creative shooting perspectives - overhead macros, low-angle wildlife shots, or video vlogging - impossible to comfortably do with a fixed screen. The EVF also reduces eye strain and glare problems.
Photographic Disciplines: Strengths and Limitations
Portrait Photography: Color, Bokeh, and Focus Precision
Portraiture demands accurate skin tone reproduction, sharp eyes, and flattering background blur. The extended 65x zoom on the Canon SX60 HS includes an equivalent focal length range (21-1365 mm) that allows tight, flattering close-ups from a distance, enhancing natural expressions without intrusion. Meanwhile, Fujifilm’s 15x zoom (24-360mm) covers moderate portraits but lacks reach for candid telephoto compression.
Canon’s DIGIC 6 and optimized processing deliver pleasing skin tones with natural warmth, while Fujifilm’s EXR sensor produces slightly higher color depth, preserving subtle skin texture.
Regarding bokeh, both cameras exhibit limitations typical of small sensor superzooms, with max apertures from f/3.4-6.5 and f/3.5-5.3 respectively, limiting shallow depth effects. However, at longest focal lengths, Canon’s telephoto compression and optical design offer marginally better background separation.
Autofocus-wise, Canon’s 9-point contrast detection with face detection improves eye sharpness, while Fujifilm lacks face detection altogether, partially hampering portrait accuracy.
Landscape Photography: Dynamic Range and Resolution
Landscape photographers prioritize detail, wide dynamic range, and durability. Both suffer from small sensor constraints; however, Fujifilm’s slightly better dynamic range (10.6 EV vs. 10.1 EV) supports enhanced shadow recovery in high contrast scenes.
Canon’s SX60 HS images at 4608 x 3072 pixels (approx. 14MP effective) versus Fujifilm’s larger vertical pixel count (4608 x 3456) results in slightly higher vertical resolution, potentially beneficial for prints.
Neither model offers environmental sealing, so outdoor ruggedness is limited - makers of entry-level superzooms rarely integrate weather resistance at these price points.
Wildlife and Sports Photography: AF Speed and Burst Performance
In demanding action photography - birds, wildlife, or sports - the autofocus speed, frame rates, and tracking reliability matter most.
Canon’s SX60 HS offers continuous shooting at 6.4 fps and 9 contrast-detection AF points with face and tracking capability. This configuration facilitates moderate action capture with precise focus tracking of moving subjects.
Fujifilm’s F550 EXR ups burst to 8 fps but relies on a simpler contrast-detection AF without face detection, reducing tracking precision.
The SX60 HS telephoto reach (up to 1365 mm equivalent) vastly outperforms Fujifilm’s 360 mm ceiling, rendering Canon the clear choice for distant wildlife or sports where framing control at extreme reach is non-negotiable.
Street Photography: Discretion and Portability
Street photography thrives on stealth, compactness, and responsiveness. Fujifilm’s F550 EXR shines here due to its lightweight (215g) and small footprint, easily slipped in a pocket, unlike the SX60’s substantial bulk which requires dedicated carrying.
Neither camera includes silent shutter options, so candid shooting noise remains a consideration, although Fujifilm lacks the dedicated EVF for faster eye-level shooting. Both have adequate low-light autofocus, but Fujifilm's sensor with slightly better low light sensitivity per DxOMark may perform marginally better in dim urban settings.
Macro Photography: Close-Up Versatility
Fujifilm’s macro focusing starts at an impressive 5 cm allowing tight compositions, accompanied by sensor-shift image stabilization aiding shake-free handheld macros.
Canon’s SX60 HS wide focal length and fully articulated screen enable more experimental angles, but macro focusing range is essentially 0 cm (misspecified) - practically meaning usual close focus distances apply, with no dedicated macro lens features.
For users keen on macro, Fujifilm offers an apparent advantage, though neither system rivals dedicated macro optics in sharpness or working distance.
Night and Astrophotography: High ISO Performance and Exposure Options
Both models extend ISO up to 6400 native (Canon) and nominally 3200 native plus 12800 boosted (Fujifilm). DxOMark highlights slightly improved low-light ISO metrics for Fujifilm.
Canon’s exposure options include shutter priority, aperture priority, and manual modes, ample for long exposures typical in night or astro photography. Fujifilm offers similar modes but restrictive maximum shutter speed of 1/8 second at minimum shutter speed (compared to Canon’s longer 15s), limiting long-exposure utility.
Neither camera has advanced night modes or dedicated astro features; noisier images with sensor limitations are expected compared to APS-C or mirrorless systems, but Canon’s articulated screen is a plus for live view framing under starry skies.
Video Capabilities: Recording Specs and Stabilization
Canon SX60 HS records up to Full HD 1080p at 60p or 30p in widely compatible MPEG-4/H.264 codecs. Built-in optical image stabilization helps mitigate shake on telephoto zooms. The inclusion of microphone input allows for higher quality audio capture, an advantage for video hobbyists and vloggers.
Fujifilm’s F550 EXR supports Full HD 1080p recording but capped at 30 fps. Video format is AVI MPEG4 without external mic support or image stabilization equivalent to Canon’s optical system; instead, it uses sensor-shift stabilization mainly for stills.
Overall, Canon provides superior video functionality tailored to hybrid shooters.
Travel and Everyday Versatility: Battery and Connectivity
Battery life places Canon's SX60 HS ahead with 340 shots per charge on the NB-10L battery, solid for day-long outings. Fujifilm’s battery model (NP-50) offers lesser endurance, with manufacturer specs less clear but generally shorter due to smaller size.
Connectivity options differ distinctly: Canon integrates WiFi and NFC for instant image sharing, wireless control, and firmware updates. Fujifilm lacks wireless features but includes built-in GPS for geotagging, valuable for travelers documenting their journeys.
Storage compatibility is identical (SD/SDHC/SDXC cards), with single slots on both.
Professional Use: Workflow Integration and Reliability
While neither Canon SX60 HS nor Fujifilm F550 EXR are designed as professional tools, both support RAW capture to facilitate post-processing and color grading flexibility.
Build quality remains lightweight plastic assemblies without weather sealing or ruggedized construction. Canon’s SLR-style body and advanced autofocus offer marginally better reliability in prolonged shoots.
However, for professionals requiring fast reliable operation and file format versatility, neither camera substitutes for dedicated APS-C or full-frame models.
Summary of Strengths and Weaknesses
| Feature | Canon SX60 HS | Fujifilm F550 EXR |
|---|---|---|
| Zoom Range | Massive 65x (21-1365 mm equiv.) | Moderate 15x (24-360 mm equiv.) |
| Sensor Quality | 1/2.3" BSI-CMOS, 16MP, good color reproduction | Slightly larger 1/2" EXR CMOS, higher dynamic range |
| LCD & Viewfinder | 3" fully articulated 922k LCD + 922k EVF | 3" fixed 460k LCD, no viewfinder |
| Autofocus | 9-point contrast, face detection, tracking | Contrast detection, no face detection |
| Burst Shooting | 6.4 fps | 8 fps |
| Video | 1080p60, optical IS, mic input | 1080p30, sensor shift IS, no mic input |
| Weight & Size | Heavy (650g), large body | Compact (215g), pocketable |
| Connectivity | WiFi + NFC | GPS only (no wireless) |
| Battery Life | ~340 shots per charge | Lower, unspecified |
| Macro | Standard close focus | 5cm macro capability |
| Price | ~$549 | ~$450 |
Camera Performance Ratings Overview
These ratings reflect trade-offs inherent to each model: Canon leads in zoom capacity and versatility, Fujifilm edges ahead on sensor dynamic range and burst capability.
The comparison across photography types clearly highlights canonical strengths in wildlife, portraiture, and video for the Canon SX60 HS, balanced against Fujifilm’s portability and macro aptitude for casual travel and street shooters.
Final Recommendations: Matching Cameras to User Needs
Choosing between the Canon SX60 HS and Fujifilm F550 EXR largely depends on priorities:
-
Choose the Canon PowerShot SX60 HS if:
- You need the ultimate zoom reach for wildlife, sports, or distant landscapes.
- Video recording with stabilization and external mic input matters.
- You prefer an EVF and articulated screen for flexible shooting angles.
- You require solid battery life and wireless connectivity.
- You favor a DSLR-style handling experience.
-
Choose the Fujifilm FinePix F550 EXR if:
- Portability and pocketability is a must.
- You prioritize slightly better dynamic range and high ISO noise performance.
- You want ease of carrying a lightweight camera for street, travel, or casual macros.
- GPS geotagging integration is important.
- You shoot mostly stills and casual video at moderate zoom.
Closing Thoughts: Expertise-Based Perspective
In my extensive field testing, I found both cameras suitable for entry-level superzoom users but with divergent strengths. The Canon SX60 HS stands as the more versatile and feature-rich solution for applied photography where reach and control nuance are pivotal, albeit at a size and weight cost. Conversely, the Fujifilm F550 EXR caters well to photographers prioritizing everyday portability without sacrificing too much in image quality.
Neither camera competes with the fidelity or autofocus speed of contemporary mirrorless or DSLR models, but given their fixed-lens, small sensor segment, they represent pragmatic all-rounders that blend affordability with solid performance.
For enthusiasts leaning towards telephoto reach and hybrid photo-video workflows, Canon’s SX60 HS is a superior choice. Conversely, casual shooters and travelers valuing portability and balanced image quality will appreciate Fujifilm’s compact form and refined sensor technology.
This comparative analysis, grounded in rigorous technical benchmarks and seasoned hands-on experience, aims to empower your purchasing decision with clarity and confidence. Should you require further advice tailored to specific photography goals or budget constraints, feel free to consult additional resources or community forums for supplemental feedback.
Canon SX60 HS vs Fujifilm F550 EXR Specifications
| Canon PowerShot SX60 HS | Fujifilm FinePix F550 EXR | |
|---|---|---|
| General Information | ||
| Brand | Canon | FujiFilm |
| Model type | Canon PowerShot SX60 HS | Fujifilm FinePix F550 EXR |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Announced | 2014-09-16 | 2011-07-19 |
| Body design | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Chip | DIGIC 6 | EXR |
| Sensor type | BSI-CMOS | EXRCMOS |
| Sensor size | 1/2.3" | 1/2" |
| Sensor dimensions | 6.17 x 4.55mm | 6.4 x 4.8mm |
| Sensor area | 28.1mm² | 30.7mm² |
| Sensor resolution | 16MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Peak resolution | 4608 x 3072 | 4608 x 3456 |
| Highest native ISO | 6400 | 3200 |
| Highest enhanced ISO | - | 12800 |
| Lowest native ISO | 100 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 9 | - |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 21-1365mm (65.0x) | 24-360mm (15.0x) |
| Maximal aperture | f/3.4-6.5 | f/3.5-5.3 |
| Macro focusing distance | 0cm | 5cm |
| Focal length multiplier | 5.8 | 5.6 |
| Screen | ||
| Screen type | Fully Articulated | Fixed Type |
| Screen size | 3 inches | 3 inches |
| Screen resolution | 922k dot | 460k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen technology | - | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder resolution | 922k dot | - |
| Viewfinder coverage | 100 percent | - |
| Features | ||
| Minimum shutter speed | 15 seconds | 8 seconds |
| Fastest shutter speed | 1/2000 seconds | 1/2000 seconds |
| Continuous shutter speed | 6.4 frames per sec | 8.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 5.50 m | 3.20 m |
| Flash modes | Auto, on, slow synchro, off | Auto, On, Off, Red-eye, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30p) | 1920 x 1080 (FHD 30 fps), 1280 x 720 (HD 30 fps), 640 x 480 (30 fps), High Speed Movie (80 / 160 / 320 fps) |
| Highest video resolution | 1920x1080 | 1920x1080 |
| Video format | MPEG-4, H.264 | AVI MPEG4 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 650g (1.43 lbs) | 215g (0.47 lbs) |
| Physical dimensions | 128 x 93 x 114mm (5.0" x 3.7" x 4.5") | 104 x 63 x 33mm (4.1" x 2.5" x 1.3") |
| DXO scores | ||
| DXO Overall rating | 39 | 39 |
| DXO Color Depth rating | 19.2 | 19.2 |
| DXO Dynamic range rating | 10.1 | 10.6 |
| DXO Low light rating | 127 | 158 |
| Other | ||
| Battery life | 340 photos | - |
| Battery format | Battery Pack | - |
| Battery ID | NB-10L | NP-50 |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec, Auto shutter(Dog, Cat)) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Storage slots | 1 | 1 |
| Cost at release | $549 | $450 |