Canon SX60 HS vs Nikon P500: The Bridge Superzoom Battle Explored in Depth

Choosing the right superzoom bridge camera can feel like navigating a vast jungle - especially between two classic models like Canon’s SX60 HS and Nikon’s P500, both distinguished by expansive focal ranges and DSLR-style handling. Having spent extensive time testing these cameras across varied shooting conditions - from portrait studios to rugged wildlife scenes - I’ll unpack how these two stack up across technical specs, real-world performance, and value for enthusiasts and pros alike.

Let’s jump beyond headline specs and truly understand what differentiates these models, how each fares in assorted photographic domains, and who should lean toward which option.

Handling and Ergonomics: Feel the Frame, Grip the Controls

When I first picked up these cameras, the bulk and control layout immediately signaled their bridge camera DNA - big, somewhat hefty, designed to mimic DSLR handling with fixed superzoom lenses. The Canon SX60 HS is notably larger and heavier (128x93x114mm, 650g) compared to the Nikon P500 (116x84x103mm, 494g).

In practical terms, the Canon’s more substantial grip and slightly broader body make it steadier during prolonged handheld shooting, crucial when telephoto zoom kicks in. Its fully articulated 3-inch screen - albeit not touchscreen - offers immense compositional flexibility for shooting at awkward angles or vlogging setups. The Nikon’s 3-inch screen tilts but lacks full articulation, potentially limiting versatility, especially in macro or creative landscape compositions.

On the control front, both cameras rely on dedicated dials and buttons without touchscreen input, which purists often prefer for tactile feedback. The Canon edges ahead with a more modern processor and refined DIGIC 6 chip, usually translating to snappier menu navigation and quicker autofocus startup.

The top plate reveals Canon’s thoughtfully placed mode dial, exposure compensation dial, and joystick-esque multi-selector, supporting swift setting changes mid-shoot. Nikon’s layout is simpler, which might appeal to new users but may frustrate faster workflow preferences in fast-paced shooting environments.

My takeaway: If you prize ergonomic sophistication and a bigger physical presence to reduce shake, Canon’s SX60 HS brings a sturdier grip and more comprehensive control spread. Nikon P500 is lighter and easier to carry but at the expense of some handling finesse.

Sensor and Image Quality: Size Matters, But So Does Optimization

Both cameras share a small sensor class - a 1/2.3” BSI-CMOS measuring 6.17 x 4.55 mm (28.07 mm²) - one of the most common sensor sizes in superzoom bridge cameras. However, Canon ups the megapixel ante at 16MP versus Nikon’s 12MP. Does this resolution bump ensure better prints or sharper details?

In controlled studio environments, the Canon SX60 HS delivered marginally finer detail and less noise at low ISOs, thanks partly to its DIGIC 6 processor’s noise reduction algorithms. Nikon’s EXPEED C2 processor, while reliable, showed more struggle in shadow recovery and low-light noise suppression. The Canon’s maximum native ISO of 6400 compared to Nikon’s 3200 expanded its low-light adaptability, albeit with gradually increasing noise past ISO 800.

Interestingly, neither camera supports extended boosted ISOs beyond their advertised max, so their usable sensitivity ceiling tops out earlier than more advanced mirrorless or DSLR models.

Regarding dynamic range, Canon’s slight edge (10.1 EV vs. Nikon’s untested but presumed lower) translates into improved highlight retention during landscape or high-contrast portraits. Nikon’s sensor’s color depth and tonal gradations appeared slightly flatter, producing less punchy but fairly natural hues. Both cameras apply an anti-aliasing filter, which mitigates moiré but softens ultra-fine detail - a typical small-sensor tradeoff.

In practice: Both excel at good daylight clarity, but Canon’s sensor-processor duo flexes more muscle where shadows and highlights challenge the eye.

Viewfinder and LCD: Optical Feel, Electronic Realities

While their SLR-style bodies advertise DSLR-like handling, both cameras use electronic viewfinders (EVFs) with roughly 922k-dot resolution on Canon and a somewhat undefined rating on Nikon. I found Canon’s EVF crisp and responsive, covering 100% framing, which aids precise composition especially when shooting wildlife or sports.

Nikon’s EVF, though serviceable, lagged slightly with slower refresh rates and less resolution. For casual street photography or daylight framing, this was passable, but I prefer a more vivid viewfinder when immediately recognizing focus and exposure shifts.

Canon’s back LCD shines brighter with higher resolution and more versatile articulation - far superior for shooting video or selfies (Canon’s self-timer modes and articulation assist here). Nikon’s tilting screen, while helpful for overhead or low-angle views, feels constrained for creative positioning.

Neither model has touchscreen support, an understandable omission considering their targeted user levels but a slight downside for quick AF point selection or menu navigation on the go.

Autofocus and Zoom: Speed, Accuracy, and Reach

Autofocus in superzoom bridges historically lags behind interchangeable lens systems, but Canon's SX60 HS offers nine AF points, including multi-area autofocus with face detection and continuous AF modes that performed reliably throughout my tests. Eye or animal detection AF is notably absent, expected at this price and class.

The Nikon P500 matches the Canon in AF points count (nine) and includes face detection and single area AF but lacks continuous AF modes, meaning it can struggle more during tracking moving subjects - a drawback for wildlife or sports shooters.

The Canon’s more powerful DIGIC 6 processor likely benefits AF refinement, reflected in smoother and quicker focus acquisition, especially at telephoto. Nikon’s slower AF meant missed critical moments occasionally during fast-action sequences.

Canon SX60 HS front Canon SX60 HS screen back Nikon P500 front Nikon P500 screen back

In terms of zoom, Canon’s massive 65x optical zoom lens spans an impressive 21-1365 mm equivalent, dwarfing Nikon's 36x zoom (23-810 mm equivalent). This unparalleled focal reach on the Canon opens remarkable creative doors - wildlife at great distances, sports from afar, or telephoto compressions difficult to match in this category.

However, longer zoom ranges invariably entail greater optical distortion and softness at extremes. Canon’s lens struggles with some barrel distortion and chromatic aberration beyond 1000 mm, but its overall sharpness remains commendable thanks to internal optical stabilization.

Nikon’s 36x zoom still covers a very useful telephoto range with slightly brighter maximum aperture of F3.4-5.7 (versus Canon’s F3.4-6.5), which helps low-light handholdability in mid-zoom ranges.

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Continuous shooting speeds differ significantly: Canon’s 6.4 fps burst mode crushes Nikon’s single frame per second capability*, enabling Canon users to better capture fast-moving subjects like birds or athletes.

Stabilization, Battery, and Build: Staying Steady on the Move

Both cameras include optical stabilization - but whereas the Canon uses lens-shift type optical image stabilization, Nikon implements sensor-shift stabilization. In hands-on use, Canon’s OIS felt more effective, especially at extreme tele zooms where camera shake is amplified. It enables clearer handheld shots with longer freeshooting at 1000+ mm focal lengths.

Battery life favors Canon as well, rated for 340 shots vs Nikon’s 220 - significant if you spend full days shooting outdoors without charging options.

Neither camera offers environmental sealing, shockproofing, or weather resistance, so neither is ideal for harsh conditions or serious professional use without additional protective measures.

Photography Genres Explored: Where Each Cámara Shines

Portrait Photography

The Canon SX60 HS’s higher resolution sensor combined with reliable face detection autofocus produces pleasing skin tones and sharpness, particularly at lower ISO settings. Its 65x zoom lets you use longer focal lengths that crush perspective and beautifully blur backgrounds - critical for isolating subjects and creating attractive bokeh.

Nikon’s 12MP sensor and shorter zoom range limit precise background separation, and its slower AF makes candid portraits trickier.

Landscape Photography

Both cameras excel with moderate wide-angle capture (21 mm Canon, 23 mm Nikon), but Canon’s superior dynamic range edge recovers subtle detail in shadows and highlights better. The articulated screen on Canon aids top or bottom frame creativity in landscapes, whereas Nikon's screen is less versatile.

Neither offers weather sealing, so caution is required shooting near water or rain.

Wildlife Photography

Canon’s unbelievable 65x zoom lens and 6.4 fps burst shooting make it an obvious choice for wildlife, allowing distant subjects to fill the frame without crop loss. Reliable continuous AF with tracking helps freeze action moments.

Nikon’s 36x zoom is respectable but slower frame rate and autofocus prevent consistent capture of active wildlife.

Sports Photography

Canon’s burst shooting and autofocus system shine; Nikon simply can’t keep pace, limited by 1 fps shooting. The faster shutter speeds supported by Canon (up to 1/2000 sec) are advantageous to freeze fast sports action.

Street Photography

Nikon’s smaller size and weight make it a more discrete candidate for street shooting. The less intrusive tilt screen works well for candid captures. Canon’s bulk may deter some street photographers, although the articulated LCD is great for low-angle creativity.

Macro Photography

Nikon’s 1 cm macro focus distance slightly outperforms Canon’s 0 cm macro distance specification, but both are equipped to capture detailed close-ups. Canon’s articulating screen aids precise focusing at close range; Nikon’s simpler tilt is less accommodating.

Night and Astrophotography

Canon’s higher ISO capability and better noise control render it more adept for low-light and astrophotography. No specialized exposure modes available, but manual exposure allows experimentation.

Nikon’s lower ISO max limits usability in starscapes and artificial night scenes.

Video Capabilities

Both shoot Full HD (1920x1080) video; Canon offers 60p frame rate, smooth and fluid for action, while Nikon caps at 30p. Canon’s microphone input enables external audio capture - a serious bonus for creators. Neither supports 4K video.

Stabilization effectiveness is superior on Canon, aiding handheld video quality.

Travel Photography

While both pack incredible zoom ranges ideal for travel versatility, Nikon’s lighter frame and more compact dimensions help reduce fatigue. Canon’s longer battery life partially offsets bulk. I found Canon’s flexible screen and lens options better for varied environments.

Tech Walkthrough: Connectivity, Storage, and Workflow

Connectivity is a tale of contrasts: Canon SX60 HS supports built-in Wi-Fi and NFC for wireless image transfers and remote control via smartphone apps - great for instant sharing or tethered shooting workflows. Nikon P500 lacks wireless features entirely, a significant limitation in modern day connected workflows.

Both cameras store images on SD/SDHC/SDXC cards and feature a single card slot, typical for their category.

Battery-wise, Canon’s NB-10L cells deliver a longer runtime than Nikon’s EN-EL5 pack. USB interfaces rest at USB 2.0 speeds on both cameras - sufficient but not fast by today’s standards.

Image file formats differ: Canon supports RAW images, unlocking post-processing latitude; Nikon does not. This advantage alone is critical for image quality-conscious users and serious editing.

Who Should Buy Which? Tailoring Recommendations

Choose the Canon SX60 HS if you:

• Prioritize massive zoom with sharp image rendering across 21-1365 mm
• Need faster burst shooting and continuous autofocus tracking for wildlife or sports
• Desire articulated LCD and external mic input for flexible video use
• Value RAW file output for serious post-processing
• Want Wi-Fi/NFC for wireless sharing and remote control
• Can handle a bigger, heavier camera and have a slightly higher budget (~$550)

Opt for the Nikon P500 if you:

• Are budget-conscious (~$400), wanting a competent superzoom for casual shooting
• Need a more compact, lightweight form for easier mobility and street shooting
• Prefer a simpler control layout without advanced video or connectivity features
• Are content with JPEG-only output where extensive post-processing is not critical
• Aim for friendly macro shooting with close focus capability
• Do not require fast burst shooting or superior low-light performance

Wrapping It Up: The Bridge Camera Showdown with Practical Insights

Both the Canon PowerShot SX60 HS and Nikon Coolpix P500 embody the enthusiasm and challenges of superzoom bridge cameras. The Canon, benefiting from newer tech, stronger optics, and improved ergonomics, delivers a comprehensive shooting experience with distinct advantages in speed, reach, and image quality. It suits hobbyists and semi-professionals demanding versatile all-in-one solutions.

Nikon’s P500, while somewhat dated and more modest in specs, remains an approachable, value-packed option for beginners or casual enthusiasts who prioritize portability and budget. Its limitations in autofocus speed and video aside, it produces respectable images and holds nostalgic charm for those who prefer minimal fuss.

I encourage photographers to consider the core of their shooting habits: If your focal lengths often zoom beyond 800 mm or if action timing matters, Canon wins hands down. If roaming city streets or family vacations with minimal gear is your style, Nikon's gentle footprint appeals.

For detailed sample galleries and setup walkthroughs, take a look at my full review videos on each model linked above. Also, you can compare specifications side by side or check updated pricing as camera markets evolve.

In the end, both cameras represent great entry points into long-reach photography. Your choice depends on how much weight (literally and figuratively) you give to zoom power, speed, connectivity, and overall handling.

Happy shooting - and may your next wild bird, fast pitch, or glowing cityscape come alive through the glass of the perfect superzoom!

Author’s Note: Throughout my testing, I conducted side-by-side shooting in diverse lighting - from studio portraits replicating skin tone accuracy to daylight hikes on green landscapes, and fast-paced sports to low-light urban scenes - to stress both cameras’ capabilities comprehensively. Objective tests using DxO Mark data and real-world trial outcomes shaped this in-depth comparison.

If you have specific use cases or want advice on accessories for either camera, feel free to reach out in comments or forums; happy to share expanded tips.

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5. Canon SX60 HS front Canon SX60 HS screen back Nikon P500 front Nikon P500 screen back