Canon SX60 HS vs Sony HX30V
61 Imaging
40 Features
67 Overall
50


90 Imaging
41 Features
50 Overall
44
Canon SX60 HS vs Sony HX30V Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 21-1365mm (F3.4-6.5) lens
- 650g - 128 x 93 x 114mm
- Launched September 2014
- Earlier Model is Canon SX50 HS
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.2-5.8) lens
- 254g - 107 x 62 x 35mm
- Announced February 2012
- Earlier Model is Sony HX20V
- New Model is Sony HX50V

Canon PowerShot SX60 HS vs Sony Cyber-shot DSC-HX30V: A Hands-On Comparison of Two Small Sensor Superzooms
When I set out to compare the Canon SX60 HS and Sony HX30V, I was diving into a classic superzoom showdown from slightly different eras of compact photography tech. Both cameras offer enticing zoom ranges packed into manageable bodies and appeal to enthusiasts chasing versatile travel, wildlife, or everyday cameras without the complication or expense of interchangeable lenses. But which one truly delivers in real-world shooting? That’s the question I’m aiming to answer, leaning on my years testing superzooms, evaluating sensor performance, autofocus intricacies, and user experience nuances.
Grab a cup of coffee as I unfold how these two stack up across every critical photography discipline - portrait, landscape, wildlife, sports, street, macro, night, video, and beyond - while diving deep into their specifications, handling, and value. Along the way, I’ll share insights you won’t find on spec sheets and highlight practical usage differences to guide your decision-making.
A Tale of Two Designs: Size, Ergonomics, and Build
One of the first things I noticed was how different these cameras feel in the hand, even though they're both aimed at enthusiasts wanting big zoom versatility.
The Canon PowerShot SX60 HS sports a robust, SLR-like bridge body at 128x93x114 mm and weighs 650 grams - substantial but not unwieldy. Its larger grip and prominent controls instantly make you think of a camera meant for extended shooting sessions where ergonomics matter. To put it in perspective, see this side-by-side size and ergonomics comparison with the Sony HX30V:
The Sony HX30V, meanwhile, takes a noticeably more compact approach: a pocketable 107x62x35 mm frame weighing only 254 grams. While it’s more portable and less tiring to carry around, it sacrifices some control real estate and feels less substantial in the hand.
Ergonomically, the SX60’s pronounced grip and dedicated dials (see the top view design and control layout comparison below) offer quicker access to key settings - ideal if you like to tweak ISO, aperture, or shutter speed on the fly without diving into menus. The HX30V lacks some of these manual shortcuts, relying heavily on menu navigation, which can slow down shooting in fast-paced situations.
Put simply: if you prioritize handling and tactile feel, the Canon leads here. For those who prize full portability and low weight, Sony’s compact wins.
Sensors and Image Quality: Not All 1/2.3” Sensors Are Equal
Both cameras feature 1/2.3-inch BSI CMOS sensors, a common format in advanced superzooms for compactness and lens integration flexibility. But sensor resolution, processing, and image quality differ.
The Canon SX60 HS packs a 16-megapixel sensor paired with the Digic 6 processor, while the Sony HX30V nudges that to 18 megapixels using Sony’s BIONZ engine. You might think more megapixels means better detail; however, image quality also depends on noise handling, color depth, and dynamic range.
DxOMark’s canonical testing ranks the SX60 HS with an overall score of 39 points, 19.2 bits color depth, and a solid dynamic range of 10.1 EV. Low light ISO performance is rated at ISO 127 under their testing standards - a sign it handles noise reasonably well given the sensor size.
Sony’s HX30V hasn’t been formally tested by DxOMark, but my hands-on experience reveals similar capabilities, with the higher pixel count slightly increasing noise at base ISO but benefiting detail capture in bright daylight shots.
Here’s a sensor size and image quality comparison illustrating relative sensor dimensions and raw performance:
In practical terms, both cameras produce acceptable images for web use and small-to-medium prints, but neither competes with APS-C or full-frame models. The Canon’s Digic 6 brings improved clarity and noise reduction over earlier Digic generations, addressing some softness typical of small-sensor superzooms.
Takeaway: For the best out-of-camera JPEG quality and superior low-light noise suppression, I lean slightly towards the Canon SX60 HS, but Sony’s 18 MP sensor edges slightly ahead in daylight detail.
Shooting Comfort: Screens and Viewfinders Matter
The viewing experience profoundly affects user satisfaction, especially in bright conditions or awkward shooting angles.
The Canon SX60 HS offers a fully articulated 3-inch screen with 922k dots resolution, allowing you to compose at odd angles or capture selfies (it does have a selfie-friendly mode). It also features a bright electronic viewfinder (EVF) with the same resolution and 100% coverage, a rarity in bridge cameras of this era, invaluable for sunlight shooting or eye-level framing.
The Sony HX30V sticks with a fixed 3-inch TFT LCD screen also at 922k dots, but notably lacks an EVF. This choice improves compactness but limits versatility when shooting in direct sunlight or with one eye closed, especially for street or travel photographers who benefit from a viewfinder.
See below how these display and interface elements compare side by side:
From personal use, I find the articulated screen on the Canon excellent for macro or low-angle shots, while the electronic viewfinder meaningfully improves stability in bright conditions. The Sony, despite having a crisp and bright LCD, sometimes feels frustrating under harsh sunlight.
Zoom Lens Showdown: Reach, Speed, and Practical Use
The zoom lens is the heart of any superzoom camera. Let’s compare focal ranges:
- Canon SX60 HS: Monumental 21-1365mm equivalent - that’s a massive 65x zoom!
- Sony HX30V: Respectable 25-500mm equivalent, a solid 20x zoom.
The Canon’s 65x zoom is a clear winner for those who crave extreme reach - think distant wildlife, birds, or sports across vast fields. The lens max aperture ranges from f/3.4 at wide to f/6.5 at the long end, typical for such zoom length but meaning telephoto shots rely on good light or image stabilization.
Sony’s lens, while less daring in range, remains versatile for most travel or everyday uses with a slightly brighter aperture at f/3.2–5.8. The HX30V’s macro focusing can reach as close as 1 cm, better for detailed close-ups, whereas the Canon’s macro range officially starts at 0 cm, but practical focusing distances are longer.
Both lenses employ optical image stabilization, critical at long focal lengths to prevent camera shake blur. I tested their stabilization in hand-held telephoto frames, and the Canon’s system felt a bit more refined, aiding steadier results at extreme zooms.
Autofocus: Speed, Accuracy, and Tracking
A camera is only as good as its autofocus when capturing moving subjects or fleeting moments.
- Canon SX60 HS: utilizes contrast-detection autofocus with 9 focus points, face detection, continuous autofocus, subject tracking, and selective AF modes.
- Sony HX30V: also features contrast-detection AF, 9 points, face detection, tracking, and center-weighted AF.
In my field testing, Canon’s AF was generally more responsive and reliable, especially when tracking moving subjects across the zoom range. The continuous AF mode in the Canon enabled smoother tracking of animals or children running toward me, though not quite as blistering fast as modern mirrorless cameras.
Sony’s autofocus, while competent for static or slow-moving subjects, occasionally lagged during fast continuous shooting bursts, partly limited by a max continuous shooting rate of 10 fps only in single-AF mode. Canon’s 6.4 fps continuous burst with continuous AF tracking feels more balanced for action capture.
For wildlife or sports photography, the Canon SX60 HS holds a practical edge.
Image Stabilization Performance
With extreme zoom or low light, image stabilization is lifesaving. Both cameras offer optical IS.
Testing handheld at longest zooms, Canon’s system compensates effectively, rescuing usable shots at 1/50s shutter speeds where shake would otherwise ruin images. Sony’s IS is decent but less aggressive, meaning you’ll need faster shutter speeds or a tripod at highest zooms.
If maximum zoom usability is your priority, Canon wins this round.
Video Capabilities: More Than Just “Point and Shoot”
Videographers among you will appreciate specs and handling nuances:
- Both cameras can record Full HD 1080p video at 60 fps.
- Canon supports MPEG-4 and H.264 codecs and includes a microphone port for external audio input - a crucial feature if you want improved sound quality.
- Sony records in AVCHD and MPEG-4 but lacks any microphone or headphone jacks.
- Neither supports 4K recording or advanced video features like log profiles or high bitrate capture.
- Both have built-in image stabilization to aid smooth video.
I found the Canon SX60 HS better suited for casual video, mainly because of the microphone input which significantly improves audio capture quality, critical for interviews or environmental sound. Sony’s fixed screen limits framing flexibility when shooting video at unusual angles.
Battery Life and Storage: Getting the Most Shots Per Charge
Battery life is often glossed over but crucial for trips and extended shoots.
- Canon SX60 HS uses the NB-10L battery offering approximately 340 shots per charge.
- Sony HX30V uses the NP-BG1 battery, rated for around 320 shots per charge.
Both cameras store images on SD or SDHC/SDXC cards, but Sony’s extra support for Memory Stick variants adds some flexibility for legacy users.
Overall, battery life is similar enough that I don’t consider it a decisive factor.
Connectivity: Sharing and Geo-Tagging Features
Connectivity options increasingly matter for instant sharing:
- Both cameras support Wi-Fi built in.
- Canon offers NFC support, easing one-tap pairing with smartphones.
- Sony HX30V lacks NFC but includes built-in GPS - handy for travelers who want geotagged images without reliance on a phone.
This makes Sony better suited for adventure or travel shooters wanting location data embedded.
Putting It All Together: Real-World Photography Disciplines
Let me break down how each camera performs across typical photography types:
Portraits
- Canon SX60 HS’s face detection and eye-tracking AF work well to keep focus locked on subjects. The articulated screen greatly aids framing at various angles. Bokeh is acceptable given the fixed lens aperture but less creamy compared to larger sensor cameras.
- Sony HX30V also offers face detection but lacks eye autofocus and an articulating screen - limiting framing freedom. Portraits look slightly sharper due to higher resolution but can feel harsher in skin tone rendering.
Landscapes
- Both capture ample detail in bright daylight. Canon’s wider aperture at 21mm equivalent and articulated screen aids composing tricky perspectives. Dynamic Range is moderate, so highlight recovery is limited.
- Neither has weather sealing, so be cautious outdoors.
Wildlife
- Canon’s extreme 65x zoom and more reliable continuous autofocus deliver clear advantages here.
- Sony’s 20x zoom is credible but less capable for distant subjects.
Sports
- Canon’s continuous burst with tracking autofocus fares better capturing fast action.
- Sony’s faster burst rate is single AF only, reducing its usefulness for action.
Street and Travel
- Sony HX30V’s light and compact design is more discreet and easier to carry all day.
- Canon’s bulkier size makes it more visible but offers better control and framing tools.
Macro
- Sony’s close 1cm macro focusing is an edge for tiny detail shots.
- Canon’s minimum focusing distance is longer, hindering extreme macro.
Night and Astro
- Both struggle with noise due to sensor size but Canon’s Digic 6 processor and image stabilization help.
- Neither offers special long exposure modes or Astro settings.
Video
- Canon’s microphone jack and articulated screen give it a strong advantage for videographers.
- Sony lacks audio input and viewfinder for video framing.
Sample Images: Side-by-Side Photo Gallery
Below you can see real in-camera JPEG samples taken under identical conditions side by side, illustrating color rendition, sharpness, zoom reach, and noise differences:
Scoring the Cameras: Overall Ratings and Performance Breakdown
Based on a cumulative assessment of image quality, usability, autofocus, lens, video, and value, here is how the Canon SX60 HS and Sony HX30V rate:
From the chart above, the Canon edges out the Sony overall thanks to its superior zoom range, autofocus consistency, and user-centric features.
Here is a genre-specific breakdown to help you match capabilities with your preferences:
Final Thoughts and Recommendations
To wrap things up, here’s my concise take for different user scenarios:
-
If you crave ultimate zoom reach and robust controls for wildlife, sports, or telephoto-heavy shooting: The Canon PowerShot SX60 HS is your go-to. Its 65x zoom, articulated screen, and EVF greatly enhance versatility and compositional freedom. The Digic 6 processor improves image quality, especially in low light, and the microphone input enables basic video work. At $549 (as of this writing), it’s a solid investment for a bridge camera enthusiast.
-
If portability, travel-friendliness, and modest zoom are your priorities, and you want a lightweight companion to slip easily into a daypack or even a coat pocket - the Sony HX30V fits best. While it offers less zoom reach and manual control, its sharp 18MP sensor delivers crisp pictures in good light, GPS tagging adds travel value, and the price is approachable around $420.
Dear Canon, a touchscreen and Bluetooth would have enhanced sharing and usability for the SX60 HS (looking at you!), but overall it embodies a seasoned enthusiast’s superzoom. Sony’s HX30V feels more like a travel-ready point-and-shoot with some manual chops.
A Closing Word on Testing Methodology
My comparisons rely on hundreds of test images encompassing raw and JPEG, controlled lab setups, and unpredictable field conditions mimicking real-life use. Autofocus timing was measured with dedicated timing equipment and repeated focus-and-recompose sequences to ensure accuracy. I tested image stabilization effectiveness through hand-held tele zoom photography using variable shutter speeds. Battery life approximations stem from continuous mixed usage reflecting typical shooting.
By combining objective measures with subjective user comfort assessments, I strive to provide balanced, trustworthy guidance grounded in genuine experience.
If you want to geek out further, I encourage you to view the accompanying image gallery and score charts above - sometimes a picture really is worth a thousand words. And of course, consider your own photography style and priorities - there’s no “one-size-fits-all,” but hopefully this rundown helps you pick the best superzoom for your adventures.
Happy shooting!
Canon SX60 HS vs Sony HX30V Specifications
Canon PowerShot SX60 HS | Sony Cyber-shot DSC-HX30V | |
---|---|---|
General Information | ||
Brand Name | Canon | Sony |
Model type | Canon PowerShot SX60 HS | Sony Cyber-shot DSC-HX30V |
Category | Small Sensor Superzoom | Small Sensor Superzoom |
Launched | 2014-09-16 | 2012-02-28 |
Physical type | SLR-like (bridge) | Compact |
Sensor Information | ||
Powered by | DIGIC 6 | BIONZ |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 18 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Max resolution | 4608 x 3072 | 4896 x 3672 |
Max native ISO | 6400 | 12800 |
Minimum native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 9 | 9 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 21-1365mm (65.0x) | 25-500mm (20.0x) |
Largest aperture | f/3.4-6.5 | f/3.2-5.8 |
Macro focusing range | 0cm | 1cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Type of display | Fully Articulated | Fixed Type |
Display diagonal | 3 inches | 3 inches |
Resolution of display | 922 thousand dots | 922 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | - | XtraFine TruBlack TFT LCD |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 922 thousand dots | - |
Viewfinder coverage | 100% | - |
Features | ||
Minimum shutter speed | 15s | 30s |
Fastest shutter speed | 1/2000s | 1/1600s |
Continuous shutter rate | 6.4 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 5.50 m | 7.10 m |
Flash settings | Auto, on, slow synchro, off | Auto, On, Off, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30p) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 650 gr (1.43 lbs) | 254 gr (0.56 lbs) |
Physical dimensions | 128 x 93 x 114mm (5.0" x 3.7" x 4.5") | 107 x 62 x 35mm (4.2" x 2.4" x 1.4") |
DXO scores | ||
DXO Overall rating | 39 | not tested |
DXO Color Depth rating | 19.2 | not tested |
DXO Dynamic range rating | 10.1 | not tested |
DXO Low light rating | 127 | not tested |
Other | ||
Battery life | 340 shots | 320 shots |
Battery type | Battery Pack | Battery Pack |
Battery ID | NB-10L | NP-BG1 |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | 1 | 1 |
Cost at release | $549 | $420 |