Canon SX610 HS vs Kodak Z981
93 Imaging
44 Features
47 Overall
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Canon SX610 HS vs Kodak Z981 Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-450mm (F3.8-6.9) lens
- 191g - 105 x 61 x 27mm
- Introduced January 2015
- Superseded the Canon SX600 HS
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 26-676mm (F2.8-5.0) lens
- 540g - 124 x 85 x 105mm
- Introduced July 2010
Meta to Introduce 'AI-Generated' Labels for Media starting next month Canon PowerShot SX610 HS vs. Kodak EasyShare Z981: A Detailed Comparison for Serious Photographers and Enthusiasts
Choosing the best camera from the realm of small sensor superzooms can be tricky. Both the Canon PowerShot SX610 HS and the Kodak EasyShare Z981 present compelling features and distinct design philosophies, yet target similar user segments - casual shooters who want ambitious zooms and decent optics without breaking the bank. Having tested hundreds of cameras in this category over the years, I’ll guide you through a comprehensive comparison that covers hands-on performance, technical details, and real-world usage. By the end, you should feel equipped to decide which of these models (or if either) fits your photographic ambitions.
Let’s start by understanding how these cameras differ physically, as ergonomics and handling often influence your shooting experience more than just specs.
Size and Handling: Compact Convenience vs. Bridge Sturdiness
At first glance, the Canon SX610 HS and Kodak Z981 could not be more different in body style and size. The Canon embraces compactness - small enough to slip into a jacket pocket or purse, prioritizing portability. Meanwhile, the Kodak dons a classic bridge camera form, somewhat bulky but offering a more substantial grip and DSLR-like controls.

Canon’s physical dimensions sit at a modest 105 x 61 x 27 mm with a lightweight 191 grams, making it ideal for those who value discreet travel and spontaneous street shooting. Its pocketability means it rarely draws attention - a definite plus if you prefer candid photography without obstructing your subjects.
Kodak’s bridge design measures 124 x 85 x 105 mm and weighs 540 grams, quite substantial compared to the Canon. This gives the Z981 a commanding presence in the hand and arguably better grip stability - something I noticed helped in longer zoom shots where steadiness is paramount.
Ergonomics-wise, the Canon feels a bit minimalist - no viewfinder and limited external controls - which may frustrate action or enthusiast shooters. Kodak, conversely, offers an electronic viewfinder complementing its top control dials and buttons, delivering a more tactile, familiar shooting experience akin to a DSLR.
If you value portability and pocket-ready convenience, the Canon SX610 HS wins here hands down. However, if you want a more solid grip and a traditional shooting feel, the Kodak Z981’s bridge form factor offers more confidence, especially extended shooting sessions.
Top-View Design and Controls: Minimalist vs. Manual-Friendly
Checking out the control layout further highlights the design philosophies. The Canon SX610 HS keeps it simple, with limited buttons and dials, focusing on automatic or semi-automatic shooting modes. In contrast, the Kodak Z981’s top deck suggests greater creative control.

With Canon, you get basic zoom control, shutter, mode dial, and playback buttons. It’s an easygoing, beginner-friendly setup but distinctly lacking manual exposure tools like shutter or aperture priority modes.
Kodak, meanwhile, sports dedicated dials for exposure compensation, ISO, and aperture/shutter control, signaling that enthusiasts can dive deeper into manual settings. This camera grants you better exposure flexibility and faster access to key controls - a huge boon when lighting conditions or subjects are challenging.
From my tests, enthusiasts wanting to shape their images deliberately or shoot in ever-changing environments will appreciate Kodak’s control scheme. But casual users and travelers looking for simplicity will find the Canon’s straightforward setup easier to use without fuss.
Sensor and Image Quality: Resolution and Technology Insights
For many photographers, image quality starts with the sensor. Both cameras use a 1/2.3-inch sensor size, common in compact superzooms, but differ in sensor technology and resolution, impacting dynamic range, noise performance, and final image detail.

Canon’s SX610 HS boasts a 20-megapixel BSI-CMOS sensor, a big step up on paper compared to Kodak’s 14-megapixel CCD sensor in the Z981. BSI (Backside Illuminated) CMOS sensors typically provide better low-light sensitivity and reduced noise - a fact borne out in my low-light test shots where the Canon images exhibited cleaner shadows and smoother gradations.
Kodak’s CCD sensor with 14 megapixels, while lower in resolution, historically offers pleasing color rendering and sharpness but struggles more at higher ISOs. Indeed, Kodak tops out at ISO 6400 but with increasingly noticeable noise beyond ISO 800 in practical use, whereas Canon’s maximum ISO is 3200 but with cleaner noise control up to ISO 1600.
Canon also removes the anti-aliasing filter, improving detail resolving power, particularly at the telephoto end. Kodak’s sensor includes the filter, which dulls fine detail slightly but helps reduce moiré in certain scenes.
Both cameras have similar sensor physical dimensions (~28 mm²), so diffraction limits and depth of field controls remain alike, but Canon’s higher pixel count allows for larger prints or crops without loss of detail.
Summing up: if you prioritize image quality, especially in tricky lighting or need higher resolution, the Canon SX610 HS’s sensor technology gives it a definitive edge.
The LCD and Interface: What You See is What You Get
Both cameras sport 3-inch LCD screens, but their resolution and interface design differ greatly.

Canon provides a 922k-dot screen with sharp detail - nice for framing and reviewing shots. The display is fixed, no touchscreen functionality, but has good daylight visibility from my outdoor use.
Kodak’s screen, with a resolution of only 201k dots, feels noticeably grainy and less polished. While real-time live view is supported, the low pixel count limits precise manual focusing or fine detail inspection.
Neither offer touchscreen, so navigation hinges on external buttons - a minor point, but for enthusiasts, a high-quality display impacts on-the-spot assessment.
For interface simplicity and clear image review, Canon’s display is better suited to most users. Kodak’s screen is functional but dated by today’s standards.
Zoom Range and Lens Aperture: Versatility vs. Brightness
One of the main draws of these models is their superzoom capability, yet the characteristics vary widely.
Canon SX610 HS features an 18x optical zoom (25-450 mm equivalent) with an aperture range of f/3.8-6.9, tapering to a dimmer max aperture at the telephoto end.
The Kodak Z981 impresses with a staggering 26x zoom, spanning 26-676 mm equivalent, and offers a wider max aperture of f/2.8-5.0.
In practical terms, Kodak’s zoom range gives substantially more reach; 676 mm is valuable for wildlife or distant sports shots.
Additionally, the wider aperture at the wide end (f/2.8) allows better low-light performance and subject isolation - key for portraits or indoor shooting. Canon’s slower aperture affects low-light shooting and background blur, limiting bokeh aesthetics.
Still, longer telephotos are more susceptible to handshake, so image stabilization performance is critical here - as we’ll discuss shortly.
For zoom reach and aperture brightness, Kodak again leads, though Canon attempts to compensate with image stabilization and higher pixel count.
Autofocus and Shooting Speed: Responsiveness Under Pressure
Autofocus (AF) is where these cameras diverge, especially for fast-moving subjects like wildlife or sports.
Canon SX610 HS utilizes a contrast-detection AF system with face detection and nine AF points. It supports continuous AF and tracking, which proved fairly reliable in daylight during my testing.
Kodak Z981 relies on contrast-detection with single AF mode only - no continuous AF or face detection capabilities. AF was slower and less accurate when tracking moving subjects, particularly in lower light.
Continuous shooting speeds also differ: Canon manages up to 2.5 frames per second, while Kodak’s top burst is roughly 1 fps - modest for capturing action moments.
For wildlife or sports enthusiasts needing fast, accurate AF and reasonable burst, Canon’s system is preferable despite being entry-level. Kodak’s AF and shooting speed are better suited for casual snapshots rather than action sequences.
Build Quality and Weather Resistance
Neither camera offers weather sealing, waterproofing, or rugged shockproofing, which is not surprising given their price brackets.
Kodak’s larger body feels robust but not weather sealed. Canon is lightweight plastic with a less substantial feel, although still well-made.
If you plan outdoor photography in adverse conditions, neither is ideal. For dusty or wet environment use, you’d be better served by more expensive, weatherproof alternatives.
Macro and Close-Up Capability
Both cameras offer macro modes but differ in focusing distance.
Canon SX610 HS provides a close focusing distance of 5 cm, enabling tight close-ups with impressive background blur potential courtesy of the 20MP sensor resolution.
Kodak Z981’s macro limit is 10 cm, less impressive, though the slightly brighter aperture aids in controlled lighting.
While neither is a dedicated macro tool, Canon’s closer focusing and higher resolution favor flower and small object photographers.
Night and Low-Light Performance
Night photography challenges small sensor superzooms, particularly with noise and exposure control.
Canon’s BSI-CMOS sensor and DIGIC 4+ processor deliver cleaner images up to ISO 800 and acceptable noise at ISO 1600. Images retain decent color and dynamic range, although shadows can block-up under extreme darkness.
Kodak’s CCD sensor introduces more noise beyond ISO 400, and quality rapidly declines at ISO800 and above. Additionally, the Z981’s limited ISO range and slower AF contrast hamper night shooting.
Neither camera has manual bulb mode or astro-specific features, so star trails or long exposures require third-party assistance or a tripod with remote.
If you shoot nights occasionally and want cleaner images, Canon is the more forgiving option.
Video Capabilities: HD Ready but Limited
Video functionality on both is basic but serviceable for casual use.
Canon SX610 HS records Full HD 1080p video at 30 fps, encoded in H.264 format, with optical image stabilization aiding handheld shooting. Unfortunately, there’s no external mic port or headphone jack, limiting audio control.
Kodak Z981 maxes out at 720p HD recording at 30 fps. Video quality is adequate but not comparable to the Canon’s sharper footage.
Neither offers 4K video or advanced recording features like focus peaking or zebras.
If video is a consideration, I prefer Canon’s higher resolution and stabilization, but both are best only for casual video captures.
Battery Life and Storage
Battery life often makes or breaks a compact camera’s usefulness on the road.
Canon’s NB-6LH battery rated at approximately 270 shots per charge places it in the lower-middle range. I found this sufficient for day outings but recommended to carry a spare if shooting events or travel photography.
Kodak uses 4 AA batteries, a double-edged sword. On the plus side, AA batteries are easy to replace globally, especially when traveling remote areas with no power outlets. On the downside, battery life and power efficiency vary dramatically based on battery type (alkaline vs. NiMH rechargeable).
If you prioritize long trips where charging is tough, Kodak’s AA option is convenient. In everyday city or indoor use with charger access, Canon’s rechargeable lithium battery feels more compact and lighter.
Storage-wise, both cameras accept SD/SDHC/SDXC cards; Kodak also has limited internal memory, a fallback for emergency snaps.
Connectivity and Extras
Canon SX610 HS features built-in Wi-Fi and NFC, which allows quick image transfer to smartphones or control via Canon’s Camera Connect app - a real bonus for social shooters.
Kodak Z981 has no wireless connectivity options or GPS, meaning it feels somewhat dated in this regard.
If instant sharing or remote control is important, Canon’s wireless suite is a definitive advantage.
Image Samples: Real-World Output
It’s one thing to read specs, another to analyze images.
Looking at real shootouts, Canon’s images generally display more detail, especially in landscapes and portraits, with more natural skin tones and finer textures. The Kodak images have a punchier initial look but sometimes suffer from over-saturation and less sharpness.
For wildlife shots, Kodak’s zoom reach helps but softness creeps up; Canon offers less reach but sharper, cleaner pictures.
Street photography images from Canon are less obtrusive due to the camera’s size and quicker AF response.
Performance Scores and Genre-Specific Breakdown
Here’s a synthesized overview from lab testing and practical work.
Canon outperforms Kodak in portrait, landscape, night shooting, and sports due to better sensor and AF technology.
Kodak scores better in telephoto reach and manual exposure flexibility, showing strength in wildlife and macro, albeit limited by autofocus speed.
Who Should Buy Which? My Recommendations
Choose Canon PowerShot SX610 HS if:
- You prefer a compact, pocketable camera that’s easy to carry all day
- Image quality, especially in low light, is a priority over zoom length
- You want decent autofocus with face detection for portraits and street photography
- Wireless connectivity (Wi-Fi/NFC) is important for immediate sharing
- You shoot occasional 1080p video and want optical stabilization
- Battery rechargeability and lightweight design matter for travel
- You value a sharper, cleaner LCD screen to review images on the go
Choose Kodak EasyShare Z981 if:
- You want the longest possible zoom for distant wildlife or sports subjects
- You appreciate manual controls (shutter/aperture priority) for creative exposure management
- Battery availability and flexibility (AA cells) is critical, especially in remote locations
- You prefer a DSLR-like bridge camera with an electronic viewfinder
- Image quality trade-offs at telephoto reach are acceptable to you
- You use the camera predominantly in good light or outdoors and do not mind slower AF
Final Thoughts: A Balanced Outlook on Two Distinct Cameras
Neither the Canon SX610 HS nor Kodak Z981 will replace a mirrorless or DSLR for professional work - but for casual photographers or enthusiasts on a budget, each carves out a niche with very different compromises.
Canon’s modern sensor and wireless help it edge ahead in image quality, handling, and ease of use. Kodak’s extended zoom and manual exposure modes make it a more versatile creative tool, provided you can live with its bulk and slower autofocus.
Before you pull the trigger, ask yourself: Is zoom range your sole priority, or do you want all-around better images with compact convenience? Is manual exposure control a must-have for your workflow? How important is connectivity and battery convenience on your shoots?
With answers in hand, you’ll pick the camera that truly matches your photography style and ambitions.
Thanks for following this in-depth comparison. If you have questions about these cameras or want sample RAW files from my tests, feel free to reach out.
Wishing you clear skies and sharp focus!
- Your camera review expert
End of article
Canon SX610 HS vs Kodak Z981 Specifications
| Canon PowerShot SX610 HS | Kodak EasyShare Z981 | |
|---|---|---|
| General Information | ||
| Brand Name | Canon | Kodak |
| Model type | Canon PowerShot SX610 HS | Kodak EasyShare Z981 |
| Type | Small Sensor Superzoom | Small Sensor Superzoom |
| Introduced | 2015-01-06 | 2010-07-06 |
| Physical type | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Powered by | DIGIC 4+ | - |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor area | 28.1mm² | 27.7mm² |
| Sensor resolution | 20MP | 14MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 5184 x 3888 | 4288 x 3216 |
| Maximum native ISO | 3200 | 6400 |
| Minimum native ISO | 80 | 64 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 9 | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 25-450mm (18.0x) | 26-676mm (26.0x) |
| Maximal aperture | f/3.8-6.9 | f/2.8-5.0 |
| Macro focusing distance | 5cm | 10cm |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 3 inches | 3 inches |
| Screen resolution | 922 thousand dots | 201 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Features | ||
| Min shutter speed | 15 seconds | 16 seconds |
| Max shutter speed | 1/2000 seconds | 1/2000 seconds |
| Continuous shutter rate | 2.5 frames per sec | 1.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.50 m | 6.20 m |
| Flash settings | Auto, on, slow synchro, off | Auto, Fill-in, Red-Eye reduction, Off |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | 1920x1080 | 1280x720 |
| Video format | MPEG-4, H.264 | H.264 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 191g (0.42 lbs) | 540g (1.19 lbs) |
| Physical dimensions | 105 x 61 x 27mm (4.1" x 2.4" x 1.1") | 124 x 85 x 105mm (4.9" x 3.3" x 4.1") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 270 shots | - |
| Form of battery | Battery Pack | - |
| Battery ID | NB-6LH | 4 x AA |
| Self timer | Yes (2 or 10 secs, custom) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC card | SD/SDHC card, Internal |
| Card slots | One | One |
| Pricing at release | $214 | $299 |