Canon SX610 HS vs Sony HX90V
93 Imaging
45 Features
47 Overall
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91 Imaging
43 Features
63 Overall
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Canon SX610 HS vs Sony HX90V Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-450mm (F3.8-6.9) lens
- 191g - 105 x 61 x 27mm
- Launched January 2015
- Succeeded the Canon SX600 HS
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5-6.4) lens
- 245g - 102 x 58 x 36mm
- Released April 2015

Canon SX610 HS vs. Sony HX90V: A Hands-On Comparison of Two Compact Superzooms
In the realm of small sensor superzoom cameras, manufacturers continue to strive for the delicate balance between pocket-friendly portability, versatile focal range, and decent image quality. Today, I’m diving deep into two popular 2015 offerings that still intrigue travelers and casual enthusiasts alike - Canon’s PowerShot SX610 HS and Sony’s Cyber-shot DSC-HX90V. Despite similar target markets and sensor class, these two compacts present very distinct design approaches, feature sets, and real-world usability profiles.
Armed with over 15 years of evaluation experience and countless hours testing similar models, I’ll share hands-on insights across every major photographic discipline - portrait, landscape, wildlife, and more - and explain how these cameras fare technically, ergonomically, and overall in day-to-day shooting. I’ll also highlight where each camera excels and which user types should gravitate toward which model.
Let’s start by sizing them up physically, as this first impression often sets the tone for extended usage.
Size and Handling: Small But Meaningful Differences
At first glance, both the Canon SX610 HS and Sony HX90V claim “compact” status, but the devil is in the details. The SX610 HS measures approximately 105 x 61 x 27 mm and weighs a light 191 grams - making it notably slim and pocket-friendly. The Sony HX90V is slightly shorter in width (102 mm) but thicker at 36 mm deep and heavier by about 50 grams, tipping the scales to 245 grams.
From my hands-on perspective, the Canon feels more handheld-friendly for extended casual shooting or travel, slipping easily into most jacket pockets. The Sony’s added thickness accommodates the tactical advantages of an articulated tilting screen and a pop-up electronic viewfinder (EVF). This EVF, paired with its 0.5x magnification and 100% coverage, caters more to deliberate framing and outdoor or bright-light shooting conditions.
The ergonomics reflect these design choices. The Sony has a slightly deeper grip, which feels reassuring during active shooting but might be more bulky for street photographers seeking discreteness. Canon’s relaxed, minimalist body shines in scenarios demanding quick grab-and-go operation.
In sum: prioritize portability and simplicity? Canon SX610 HS wins here. Want the option to frame through a bright EVF and more substantial grip? Sony HX90V will suit you better.
Controls and Interface: Navigating Your Settings
Peering from above, one notices the Canon’s minimalist control layout - no dedicated dial for aperture/shutter, no manual exposure rings, nor customizable buttons. It’s essentially a point-and-shoot design with manual focus available but no exposure compensation or priority modes. The DIGIC 4+ processor handles the burden under the hood, but this setup may frustrate users hoping to tinker beyond basic auto or scene modes.
By contrast, Sony’s Bionz X-equipped HX90V sports a more comprehensive control set, including aperture and shutter priority modes, full manual exposure, plus exposure compensation dial and a more pronounced zoom lever. The rear thumb joystick, though small, helps briskly navigate autofocus points or menu options, catering well to semi-pro users.
Both share a 3-inch LCD, but Sony’s screen tilts upward, facilitating low-angle shooting or selfies (the HX90V even brands itself “selfie-friendly”). Canon’s screen is fixed and lacks touchscreen functionality on either model - an omission that’s noticeable given contemporary standards but understandable in this equipment range.
Speaking of screens:
Sony’s high-resolution EVF combined with the tilting LCD is a rare perk in this category and significantly improves situational awareness and focus accuracy in bright daylight. Canon’s approach is simpler and more budget-minded but does limit composition options and eye-level shooting comfort.
Sensor and Image Quality: Who Gets the Edge?
Both cameras employ a 1/2.3-inch BSI-CMOS sensor measuring 6.17 x 4.55 mm with sensor areas around 28.07 mm². Notably, Canon’s sensor clocks in at 20 megapixels versus Sony’s modest 18 megapixels - a difference marginal on paper but possibly impactful in pixel-level detail.
In actual field testing, despite Canon’s slight megapixel advantage, Sony’s Bionz X image processor generally extracts cleaner images at higher ISO settings, attributable to superior noise reduction and contrast handling. I found Sony’s color rendition more natural and dynamic, particularly in mixed-light environments.
Both cameras employ an antialiasing (optical low-pass) filter, which softens details slightly to combat moiré but reduces microcontrast. The tradeoff is expected at this sensor size and price.
Landscape shooters will be happy with both cameras’ ability to produce pleasing scenes with acceptable sharpness and good JPEG sharpening out of the box. Dynamic range is tight, however, due to physical sensor constraints - shadow recovery and highlight clipping occur quickly at ISO 800 and above.
Portrait photographers might find Canon’s bokeh slightly less pleasing owing to its narrower maximum aperture range of f/3.8 to f/6.9 (compared to Sony’s brighter f/3.5-f/6.4) plus JPEG skin tone tuning that feels a little less natural under harsh sunlight or mixed lighting.
Zoom Range and Lens Performance: Reach vs. Brightness
The biggest differentiator between these cameras is their zoom capabilities:
Camera | Zoom (35mm equivalent) | Max Aperture Range |
---|---|---|
Canon SX610 HS | 25–450 mm (18x zoom) | f/3.8 – f/6.9 |
Sony HX90V | 24–720 mm (30x zoom) | f/3.5 – f/6.4 |
Sony’s HX90V offers a tremendous focal length extension beyond Canon’s reach - an impressive 720 mm equivalent telephoto that can bring distant subjects within clear view. This 30x optical zoom is unlocked by a compact retractable lens design - a technical marvel for such a small body.
In my wildlife and sporting tests, Sony’s extended reach proved invaluable when shooting birds or distant players from the sidelines. However, there’s a caveat: as expected with long zooms on small sensors, image sharpness degrades gradually at higher focal lengths - especially beyond 500 mm. The narrower maximum apertures also challenge autofocus performance and low light shooting at the tele end.
Meanwhile, Canon’s 450 mm telephoto is sufficient for casual wildlife and moderate outdoor use and, paired with its lens stabilization system, delivers the best compromises between image quality and reach. Zoom speed on Canon is smoother, and I’ve noticed less lens creep in handling.
In short, if telephoto reach is your priority, Sony’s HX90V takes the crown. But for better control with slightly faster apertures and a steadier zoom feel, Canon remains dependable.
Autofocus and Burst Shooting: Speed to Capture the Moment
When dealing with erratic wildlife, fleeting sports action, or street candid moments, autofocus speed and continuous shooting frames per second (fps) are critical.
Camera | AF System | AF Points | Continuous Shooting Speed |
---|---|---|---|
Canon SX610 HS | Contrast-Detect AF | 9 | 2.5 fps |
Sony HX90V | Contrast-Detect AF | Unknown | 10 fps |
Both rely exclusively on contrast-detect autofocus, which I’ve found inherently slower and less predictable than hybrid or phase-detect systems found in higher tier models. However, Sony’s more sophisticated Bionz X processing leads to snappier AF acquisition and tracking in my tests, particularly under good light.
Continuous shooting speed is where Sony leaps ahead. At 10 fps, it offers quadruple the burst rate compared to Canon’s staid 2.5 fps, which can make a significant difference when anticipating unpredictable subjects.
That said, both cameras struggle in low-light AF scenarios - the lack of AF assist lamps or advanced focusing tech limits their performance as ambient illumination drops.
Image Stabilization: Hand-Held Shooting Made Easier
Long focal lengths and small sensor compacts notoriously amplify camera shake. Both Canon SX610 HS and Sony HX90V incorporate optical image stabilization (OIS) to help smooth out hand tremors.
In hands-on testing, both cameras achieve roughly 2-3 stops of shake reduction - perfectly adequate for daytrips and casual telephoto use. Sony’s stabilization felt marginally more aggressive at the tele end, reducing blur at 720 mm, but Canon’s system also impresses given its compact form.
Neither camera offers in-body stabilization (IBIS), which is understandable in this category. Still, for macro or night photography, pairing these cameras with tripods or monopods remains best practice.
Video Capabilities: What About Moving Pictures?
Video recording is an increasingly important feature even in compact superzooms. Here’s how these two stack up on this front:
Camera | Max Resolution & Frame Rates | Video Formats | Extra Features |
---|---|---|---|
Canon SX610 HS | 1080p at 30 fps | MPEG-4, H.264 | No microphone/headphone ports |
Sony HX90V | 1080p at 60/50/30/24 fps | AVCHD, XAVC S | No mic/headphone ports, GPS support |
Sony’s ability to shoot Full HD video at 60 fps and even 24 fps cinematic modes gives it a slight edge in versatility and smoothness when capturing fast motion. The inclusion of newer compression codecs also improves recording quality and file size efficiency.
Unfortunately, neither camera includes a microphone input or headphone jack, limiting creative control over audio during recording.
Sony's HX90V additionally offers built-in GPS - a notable bonus for documenting travel videos with geo-tagging.
Battery Life and Storage: Endurance on the Road
Battery performance can make or break a day’s shooting, especially when power outlets are scarce.
Canon SX610 HS uses an NB-6LH battery delivering approximately 270 shots per charge, while Sony’s NP-BX1 battery extends this to 360 shots under CIPA standards.
This difference is substantial. In practical use, Sony’s longer battery life allows an extra 25-30% more shots, which is remarkable for travelers or event shooters.
On storage, both cameras accept SD, SDHC, and SDXC cards, but Sony also supports Memory Stick Duo - a legacy format that might be helpful if upgrading from older Sony gear.
Connectivity and Extras: The Modern User’s Demands
Both models feature built-in Wi-Fi and NFC for easy sharing and remote control via mobile apps, but neither has Bluetooth connectivity. USB 2.0 ports allow file transfers and charging, while HDMI outputs support playback on TV.
Sony’s inclusion of built-in GPS adds valuable geotagging functionality missing on Canon, making it perfect for adventure photographers who want to map their journeys automatically.
Durability and Weatherproofing: How Tough Are They?
Neither camera offers weather sealing, dustproofing, shockproofing, or freezeproofing. That’s typical in this compact superzoom segment - these cameras are best treated as everyday travel companions rather than rugged field tools.
Real-World Photography Tests: From Portraits to Nightscapes
To give you an idea of how these cameras perform in specific photography genres, I shot an extensive gallery side-by-side, which you can see here:
Portraits: Both cameras performed adequately for casual portraiture under good light. Canon’s slightly higher resolution allowed marginally crisper skin details, but its narrower aperture made background bokeh less creamy. Sony’s faster aperture at wide angle plus face detection autofocus helped achieve more flattering portraits, though image sharpness sometimes softened slightly.
Landscape: Sharpness and dynamic range were evenly matched; both cameras showed limits at base ISO, but surprisingly good color accuracy. Sony’s tilting screen and EVF greatly aided composition in varied light.
Wildlife: Sony’s extended 720 mm zoom and faster burst speed enabled capture of distant birds in flight, though image softness crept in beyond 500 mm focal length. Canon’s 450 mm lens struggled more with reach but steadied sharpness better.
Sports: Sony's 10 fps burst was invaluable to freeze athletes in motion; Canon’s buffer and speed felt insufficient for continuous action.
Street: Canon’s smaller size and lighter weight made it more stealthy for candid work, though Sony’s EVF was helpful when sun was blazing.
Macro: Both excelled with 5 cm minimum focus distance. Stabilization proved essential, but neither supports focus stacking.
Night/Astro: Low light high ISO performance was mediocre on both; ISO 800 was practical limit. Neither camera offers specialized astro modes.
Video: Sony’s 60p 1080p footage looked smoother; Canon’s lacked bitrate refinement. Audio capture was basic on both.
Travel: Sony’s mix of zoom, battery life, and GPS made it arguably the better all-rounder, while Canon’s slim body remained a favorite for minimalist travelers.
Professional Use: Both cameras fall short on raw support and advanced controls - chiefly suited for enthusiasts or second shooters, not demanding pros.
Overall Performance Ratings
Summarizing key performance metrics highlights strengths and compromises:
Sony leads in autofocus speed, burst shooting, zoom reach, battery life, and video features. Canon slightly edges in portability and straightforward usability.
Performance by Photography Type
- Travel and Wildlife: Sony HX90V
- Portrait and Street: Canon SX610 HS
- Sports and Action: Sony HX90V
- Macro: Tie
- Night/Astro: Tie with limitations on both
Who Should Buy Which Camera?
Choose the Canon SX610 HS if you:
- Prioritize a lightweight, slim camera to carry everywhere effortlessly
- Mostly shoot casual portraits, street scenes, or landscapes in good light
- Value ease of use over manual controls
- Have a tighter budget (retail price around $214)
Go for the Sony HX90V if you:
- Demand a long zoom to capture distant subjects like wildlife or sports
- Want manual control options and exposure flexibility
- Appreciate a pop-up EVF and articulating screen for versatile framing
- Shoot video frequently and need smooth frame rates and geotagging
- Need longer battery life for full-day excursions
- Can invest $440 or more in a feature-packed superzoom compact
Final Thoughts: Balancing Reach, Usability, and Value
Both Canon’s SX610 HS and Sony’s HX90V shine within their respective design philosophies. The Canon appeals to photographers who want a no-fuss, pocketable camera that delivers decent image quality for everyday use. The Sony offers a powerful zoom weapon packed into a compact shell with manual shooting versatility and improved video specs, but with an added weight and complexity cost.
I encourage prospective buyers to weigh which features matter most in their shooting contexts. And if you’re considering these cameras for their zoom range or system integration, remember that sensor size and optics can only be pushed so far in this category - sometimes investing in a mirrorless or DSLR setup with dedicated telephoto lenses delivers greater creative freedom and image fidelity.
Whatever you choose, both cameras represent the spirit of versatile, accessible photography - found simply in a pocket-ready companion.
Article images credited: Canon SX610 HS and Sony Cyber-shot DSC-HX90V official product photos and hands-on test galleries.
Thank you for reading this extensive comparison! Feel free to ask questions in the comments or share your experiences with these compacts to help our community make informed choices.
Canon SX610 HS vs Sony HX90V Specifications
Canon PowerShot SX610 HS | Sony Cyber-shot DSC-HX90V | |
---|---|---|
General Information | ||
Brand | Canon | Sony |
Model type | Canon PowerShot SX610 HS | Sony Cyber-shot DSC-HX90V |
Category | Small Sensor Superzoom | Small Sensor Superzoom |
Launched | 2015-01-06 | 2015-04-14 |
Body design | Compact | Compact |
Sensor Information | ||
Chip | DIGIC 4+ | Bionz X |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 20 megapixel | 18 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 5184 x 3888 | 4896 x 3672 |
Highest native ISO | 3200 | 12800 |
Lowest native ISO | 80 | 80 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 9 | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 25-450mm (18.0x) | 24-720mm (30.0x) |
Largest aperture | f/3.8-6.9 | f/3.5-6.4 |
Macro focusing distance | 5cm | 5cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Tilting |
Display diagonal | 3 inch | 3 inch |
Resolution of display | 922k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 638k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.5x |
Features | ||
Minimum shutter speed | 15 seconds | 30 seconds |
Fastest shutter speed | 1/2000 seconds | 1/2000 seconds |
Continuous shutter speed | 2.5 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 3.50 m | 5.40 m (with Auto ISO) |
Flash settings | Auto, on, slow synchro, off | Auto, flash on, slow sync, flash off, rear sync |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30 fps) | 1920 x 1080 (60p, 60i, 30p, 24p), 1280 x 720 (30p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, H.264 | AVCHD, XAVC S |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 191 grams (0.42 lbs) | 245 grams (0.54 lbs) |
Dimensions | 105 x 61 x 27mm (4.1" x 2.4" x 1.1") | 102 x 58 x 36mm (4.0" x 2.3" x 1.4") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 270 images | 360 images |
Style of battery | Battery Pack | Battery Pack |
Battery ID | NB-6LH | NP-BX1 |
Self timer | Yes (2 or 10 secs, custom) | Yes |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC card | SD/SDHC/SDXC, Memory Stick Duo |
Storage slots | Single | Single |
Retail cost | $214 | $440 |