Canon SX220 HS vs Samsung Galaxy Camera
96 Imaging
35 Features
43 Overall
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90 Imaging
39 Features
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Canon SX220 HS vs Samsung Galaxy Camera Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 28-392mm (F3.1-5.9) lens
- n/ag - 106 x 59 x 33mm
- Released February 2011
(Full Review)
- 16MP - 1/2.3" Sensor
- 4.8" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 23-481mm (F2.8-5.9) lens
- 300g - 129 x 71 x 19mm
- Revealed February 2013
- Alternative Name is Wi-Fi
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Canon SX220 HS vs Samsung Galaxy Camera: A Hands-On Comparison for Serious Enthusiasts
If you’re hunting for a compact superzoom from the early 2010s, two options that often pop up in conversation are Canon’s SX220 HS and Samsung’s Galaxy Camera. Both pack powerful zoom lenses and compact bodies but occupy slightly different niches - one leaning closer to a traditional point-and-shoot with thoughtful DSLR-like controls, the other a convergence device blending camera and smart connectivity. Over my fifteen years in the field, I’ve tested thousands of cameras - not only pushing image quality and speed but also exploring integration into real-world workflows across genres. In this detailed comparison, I’ll unpack these two machines from sensor to shutter, giving you the lowdown for portraits, landscapes, wildlife, video, street, and more.
So, buckle up. I’ll walk you through where each shines and where you might want to consider alternatives, even in today’s crowded market.
First Impressions: Handling and Build
Before even firing a shutter, it’s impossible not to notice how these cameras feel in your hand.
The Canon SX220 HS is all about compact convenience with its 106 x 59 x 33 mm footprint - a very pocketable size, though a bit thick by today’s slim standards. The matte plastic finish isn’t flashy, but contours on the grip give a reassuring hold, especially for one-handed operation during street shooting or travel. The 3-inch fixed LCD is bright but modest by modern standards, lacking touch functionality and articulating capability.
The Samsung Galaxy Camera, meanwhile, feels more substantial - larger at 129 x 71 x 19 mm, with a sleeker profile and a much larger 4.8-inch touchscreen (HD Super Clear), resembling a camera-smartphone hybrid. The touchscreen drastically speeds navigation through menus and settings, which I appreciated during quick travel snaps or when toggling creative modes on the fly. The solidity is good, even if the slimness means it’s less ergonomic for extended one-handed use compared to the Canon.
If size and handling matter, take a look at this side-by-side physical comparison for a clearer idea:

Personally, I prefer the Canon’s thicker, grip-focused design for longer sessions, while the Samsung’s large display suits casual, touch-savvy users.
Visual Controls and Interface: Battle of Screens and Buttons
Moving beyond size, the control layout and screen technology dictate how intuitively you can frame, review, and adjust images.
Canon opted for a classic approach - physical buttons and a concise mode dial, oriented toward photographers familiar with dedicated cameras. The DIGIC 4 processor is robust for its time, delivering snappy menu response and decent burst shooting. However, the Canon’s fixed screen with 461K dots and no touch reduces fluidity. Navigating settings or selecting focus points demands button jabs, slowing down rapid operation.
Samsung’s Galaxy Camera flips the script with its 922K resolution touchscreen - one of the sharpest I’ve handled at the time. Pinch-zoom, swipe to review, tap-to-focus, and live filter previews turn image control into a smartphone-like experience. On the downside, the lack of a physical mode dial or dedicated function buttons means you rely heavily on software menus, which can be a distraction in bright outdoor settings or fast-paced shooting.
Refer to this top-down design comparison for details on button placement and controls:

Ultimately, your choice depends on usage style: tactile enthusiasts will find Canon’s interface more straightforward, while tech-savvy or casual shooters may relish Samsung’s touchscreen flexibility.
Sensor and Image Quality: Small Sensors with Big Expectations
Here’s where things get interesting. Both cameras utilize a 1/2.3" BSI-CMOS sensor measuring 6.17x4.55 mm, with 28.07 mm² surface area. While tiny compared to APS-C or full-frame sensors, their back-illuminated (BSI) design boosts low-light efficiency, a clever move in small-sensor tech.
Canon’s 12-megapixel sensor maxes out at 4000x3000 pixels, while Samsung ups the ante to 16 megapixels at 4608x3456 resolution. This difference provides slightly more room for cropping or large-format prints on the Samsung but isn’t a guarantee of superior image quality given sensor size parity.
In my controlled testing, both cameras deliver respectable sharpness in daylight, but Samsung’s higher resolution pushes noise subtly higher at base ISO. Canon’s DIGIC 4 processor’s noise reduction adds a touch of softness but delivers cleaner output at ISO 400+.
Here’s a handy sensor specs chart to visually compare:

For landscape photographers craving detail, Samsung’s extra pixels can be enticing, though I caution against heavy ISO: both cameras struggle above 800 ISO with noticeable grain and color shifts.
Autofocus and Burst Shooting: Tracking the Action
When chasing fast-moving subjects - be it wildlife or sports - autofocus speed and accuracy are paramount.
Canon equips the SX220 HS with 9 AF points featuring contrast-detection autofocus and center-weighted metering. Face detection is included, offering reliable focusing on portraits or casual snapshots. Continuous autofocus is supported with a moderate 3 fps burst shooting rate.
The Samsung Galaxy Camera falls short here - unfortunately, its AF is contrast detection only without continuous or face detection modes active in my trials. Samsung also doesn’t disclose focus point count, but from experience and user reports, the system can feel sluggish and inconsistent, particularly in low contrast or moving subjects.
Put simply: Canon’s AF is more dependable for action and wildlife shooting, although neither will rival modern mirrorless or DSLR systems.
Lens and Zoom: How Far and How Sharp?
Superzoom cameras live or die by their optics. Take note:
- Canon SX220 HS: 28-392 mm equivalent focal length, 14x optical zoom, max aperture f/3.1-5.9
- Samsung Galaxy Camera: 23-481 mm equivalent, a longer 20.9x optical zoom, with a brighter f/2.8-5.9 wide end
Samsung boasts a wider wide-angle (23 mm vs 28 mm) and a much longer telephoto reach by nearly 90 mm, translating to more framing versatility outdoors, especially wildlife and sports shooters who want to get closer without lugging giant lenses.
But keep this caveat in mind: Maximum zoom, especially beyond 400 mm equivalent, often comes with softness and chromatic aberration. I’ve recorded both cameras showing softer edges at long reach, though Samsung’s wider aperture at the wide end helps in low light or indoor group shots.
If macro photography interests you, Canon offers a close focusing mode down to 5 cm, while Samsung doesn’t specify macro capability, which tended to limit close-up detail shots.
Display and Viewfinder: Composing Your Shot
Neither camera includes an electronic viewfinder (EVF), a notable omission for bright daylight or precise composition. You’ll rely entirely on the LCD.
Canon’s fixed 3-inch “PureColor II TG TFT” LCD offers adequate resolution with a straightforward anti-reflective coating but doesn’t swivel or tilt. Frame your shots here, but be aware of occasional glare.
Samsung’s larger screen (4.8 inches) at 308 ppi is vivid, with excellent contrast and a capacitive touch layer for quick focusing and zoom control. Modes like “Smart Mode” guide beginners through scene selections visually. This display doubles as the primary control hub but doesn’t have any viewfinder headroom.
For an instant visual comparison, check out these back-screen images:

The Samsung’s large touchscreen excels for casual or hybrid users familiar with smartphone gestures, while Canon’s more minimalist screen may appeal to those prioritizing eye-level shooting.
Image Samples: Seeing Is Believing
Enough talk - let’s look at actual image quality side by side.
In daylight portrait shots, Canon’s 12 MP sensor renders natural skin tones with balanced contrast, aided by its optical image stabilization (OIS). Bokeh is soft but limited due to the small sensor and slow apertures.
Samsung’s extra megapixels allow for slight cropping, though skin tones sometimes skew cooler. The f/2.8 wide aperture shines with slightly shallower depth of field at the wide end, improving subject separation outdoors.
Landscape photos reveal more detail on the Samsung in bright light, but Canon handles dynamic range better, preserving highlights and shadows with more nuance.
Low-light night scenes are tough on both; Canon’s DIGIC 4 noise reduction produces less chroma noise but softens details, while Samsung’s output is grainier but preserves more edge sharpness.
Here’s a curated gallery to evaluate sharpness, color, and exposure:
Video Capabilities: Shoot Motion with These Compact Zooms
If video holds appeal, both cameras shoot full HD 1080p, but with important differences:
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Canon SX220 HS records 1920x1080p at 24 fps using H.264 codec, with additional options of 720p at 30 fps and lower resolutions supporting high frame rate captures up to 240 fps for slow motion. However, it lacks a microphone input, which restricts audio quality improvement.
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Samsung Galaxy Camera also provides 1080p video with H.264 and MPEG-4 codecs but records at a more standard rate and supports an external microphone input - a rare feature in compacts of this era, ideal for vloggers or interview recordings.
Neither offers 4K or advanced video features such as focus peaking or zebras. Optical image stabilization helps smooth footage, though the Canon fared slightly better during handheld pans in my tests.
Connectivity and Battery Life: Staying Powered and Online
Canon SX220 HS is austere on connectivity: no Wi-Fi, Bluetooth, or GPS. Images store on SD/SDHC/SDXC cards. Battery life is rated around 210 shots per charge, which felt limiting when traveling. The NB-5L battery is proprietary but readily available.
Samsung Galaxy Camera embraces wireless with built-in GPS and Wi-Fi, allowing direct upload or geo-tagging - a boon for travelers or social media enthusiasts. Storage uses microSD cards. Battery life data is scarce but noticeably shorter than Canon’s in practice, especially when the large screen and processor run constant background tasks.
Durability and Weather Resistance: Ready for Outdoor Challenges?
Neither camera offers environmental sealing, dustproofing, or weatherproofing. Both should be treated as indoor or light weather cameras. For serious landscape or wildlife trips into harsh environments, rugged alternatives are warranted.
Price-to-Performance and Value
At launch, the Canon SX220 HS retailed around $399, while Samsung’s Galaxy Camera was priced slightly higher near $450. For photographers today who acquire these on used markets, consider:
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If you value quick, reliable autofocus, manual control, and slightly better battery life, Canon offers enduring value.
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If you want the convenience of a smart interface, longer zoom reach, and GPS tagging, Samsung’s Galaxy Camera is tempting - especially if integrated connectivity is a must.
However, keep in mind that neither supports RAW capture, limiting post-processing latitude. Also, small sensors restrict image quality ceiling for professional use.
How These Cameras Perform Across Photography Genres
For those of you curious about genre suitability, here is a rundown based on my long-term testing and hands-on use cases:
| Photography Type | Canon SX220 HS | Samsung Galaxy Camera |
|---|---|---|
| Portrait | Good skin tones, face detection AF assists, limited shallow depth | Higher resolution helps cropping, but AF less reliable |
| Landscape | Balanced dynamic range, decent resolution, no weather sealing | Slightly sharper but struggles with highlights |
| Wildlife | Moderate zoom and AF speed | Longer zoom but sluggish AF, not ideal for fast subjects |
| Sports | Limited 3 fps burst, usable AF tracking | Poor AF response, no burst mode |
| Street | Compact, quiet shutter, discreet | Larger and less discreet, touchscreen aids in rapid adjustments |
| Macro | Close focusing to 5 cm enables decent macro shots | Macro uncertain, limited close-up details |
| Night/Astro | Low-light ISO 3200, noise reduction softens details | Slightly noisier images, but retains more detail |
| Video | 1080p 24 fps, no audio input | 1080p, supports external microphone |
| Travel | Compact and reliable, good battery life | GPS and Wi-Fi excel for travel and sharing |
| Professional Work | No RAW, limited AF, occasional image softness | No RAW, lack of professional controls |
For an easy visualization, here are the genre-specific performance scores I assessed:
And overall performance scores based on image quality, handling, and feature set:
Wrapping It Up: Who Should Choose Which?
Canon SX220 HS remains a solid choice for enthusiasts wanting a hassle-free superzoom with tactile controls, reliable autofocus, and solid image processing. If you shoot portraits, casual wildlife, or landscapes in good light, Canon balances features and image quality well. Its battery life and native aperture range suit travel or street photography more than extreme action.
Samsung Galaxy Camera is a niche product blending a large touchscreen interface and smart features with an ambitious zoom lens and GPS. It suits those who favor connectivity, quick sharing, and prefer control via touchscreen. However, AF limitations and reliance on contrast detection make it less competitive for dynamic subjects.
If you’re after:
- Traditional photographic experience and dependable autofocus: Canon wins
- Hybrid camera-smart device, long zoom, mobile uploads: Samsung Galaxy Camera shines
Personal Recommendation and Final Thoughts
After putting both cameras through varied conditions and shooting genres, my preference skews toward the Canon SX220 HS. Its blend of dependable autofocus, solid image quality, and manual controls makes it more versatile for photography enthusiasts who care about picture quality and usability over flashy features.
That said, if you travel a lot and prioritize GPS tagging, instant Wi-Fi uploads, and a smartphone-style interface, the Galaxy Camera offers unique value - provided you accept its compromises in autofocus and battery performance.
Whichever you choose, understand that these are vintage superzooms best suited for casual use or as secondary travel companions in 2024. For professional-grade output or demanding use-cases, modern mirrorless systems with larger sensors and superior optics remain unmatched.
For an accessible yet thorough dive into this camera face-off, I hope this guide helps you make an informed decision rooted in real-world use and technical nuance. If you want more data or hands-on video demonstrations, feel free to reach out.
Happy shooting!




Canon SX220 HS vs Samsung Galaxy Camera Specifications
| Canon SX220 HS | Samsung Galaxy Camera | |
|---|---|---|
| General Information | ||
| Brand | Canon | Samsung |
| Model type | Canon SX220 HS | Samsung Galaxy Camera |
| Also called | - | Wi-Fi |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Released | 2011-02-07 | 2013-02-19 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Chip | DIGIC 4 with iSAPS technology | 1.4GHz Quad-Core |
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
| Highest resolution | 4000 x 3000 | 4608 x 3456 |
| Highest native ISO | 3200 | 3200 |
| Minimum native ISO | 100 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 9 | - |
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-392mm (14.0x) | 23-481mm (20.9x) |
| Max aperture | f/3.1-5.9 | f/2.8-5.9 |
| Macro focusing distance | 5cm | - |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen sizing | 3 inches | 4.8 inches |
| Screen resolution | 461 thousand dots | 922 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen tech | PureColor II TG TFT LCD | 308 ppi, HD Super Clear Touch Display |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Slowest shutter speed | 15 secs | 16 secs |
| Maximum shutter speed | 1/3200 secs | 1/2000 secs |
| Continuous shooting rate | 3.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 3.50 m | - |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync | - |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Maximum flash synchronize | 1/2000 secs | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (24fps), 1280 x 720 (30 fps), 640 x 480 (30,120 fps), 320 x 240 (30, 240 fps) | 1920 x 1080 |
| Highest video resolution | 1920x1080 | 1920x1080 |
| Video data format | H.264 | MPEG-4, H.264 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | none |
| GPS | None | BuiltIn |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | - | 300g (0.66 pounds) |
| Dimensions | 106 x 59 x 33mm (4.2" x 2.3" x 1.3") | 129 x 71 x 19mm (5.1" x 2.8" x 0.7") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 210 images | - |
| Form of battery | Battery Pack | - |
| Battery ID | NB-5L | - |
| Self timer | Yes (2 or 10 sec, Custom) | - |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC/MMC/ MMCplus/HC MMCplus | micro SD/micro SDHC/micro SDXC |
| Card slots | 1 | 1 |
| Launch pricing | $399 | $450 |