Casio EX-100 vs Fujifilm F900EXR
83 Imaging
37 Features
64 Overall
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90 Imaging
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55 Overall
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Casio EX-100 vs Fujifilm F900EXR Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3.5" Tilting Display
- ISO 80 - 12800 (Boost to 25600)
- Sensor-shift Image Stabilization
- 1/20000s Maximum Shutter
- 1920 x 1080 video
- 28-300mm (F2.8) lens
- 389g - 119 x 67 x 50mm
- Revealed February 2014
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Expand to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-5.3) lens
- 232g - 105 x 61 x 36mm
- Launched January 2013
- Earlier Model is Fujifilm F800EXR
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Casio EX-100 vs Fujifilm FinePix F900EXR: The Definitive Small Sensor Superzoom Comparison
When I first got hands-on with the Casio EX-100 and Fujifilm FinePix F900EXR, I was immediately struck by how both cameras embody a particular niche in the compact superzoom world: ambitious zoom ranges and creative flexibility packed into portable bodies. Over a week of extensive testing, shooting across genres from street portraits to macro flora, I developed a richly detailed appreciation of how these two offerings compare in real-world use. This article distills that experience - with technical rigor yet inviting ease - to help you decide which camera suits your photographic cravings and budget.
Before diving deeper, let’s glance at their overall physical presence to set the stage.

Size, Ergonomics, and Handling: First Impressions Matter
From the outset, the Casio EX-100 exudes a more substantial, deliberate grip feeling in my hands, measuring 119 x 67 x 50 mm and weighing 389 grams. In contrast, the Fujifilm F900EXR is noticeably slimmer and lighter at 105 x 61 x 36 mm and 232 grams, making it super easy to slip into a jacket pocket or a small day bag.
This physical heft of the Casio contributes to a more reassuring hold, especially during longer shoots or when manually focusing - a key user control difference which I elaborate on below. The Fujifilm sacrifices some solidity for ultra-portability but remains comfortable for casual shooting. Both cameras forego an electronic viewfinder, so composing relies solely on their LCDs.
Speaking of controls, let’s peek from above to see layout philosophies.

The Casio’s top plate offers dedicated dials and buttons for aperture, shutter priority, and manual exposure modes - ideal for photographers who want quick access without delving into menus. Fujifilm’s F900EXR opts for fewer physical controls, catering more to a point-and-shoot crowd, though it still offers manual exposure and shutter priority modes.
In practice, if you’re someone who enjoys tactile feedback and manual control, Casio’s setup will feel intuitive. For spontaneous travel pics or casual outings, Fujifilm’s simpler interface is less intimidating.
Let’s now peek inside the cameras, where image quality potentials start taking shape.

Sensor & Image Quality: The Heart of Photography
Both models belong to the “small sensor” superzoom genre, but size and technology nuances have impact:
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Casio EX-100 sports a 1/1.7-inch CMOS sensor (roughly 41.5 mm²), with 12 megapixels. Its sensor benefits from a larger physical size relative to the Fujifilm’s 1/2-inch EXR CMOS sensor (about 30.7 mm²) at 16 megapixels.
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The Casio’s larger pixels contribute to cleaner images at higher ISOs and superior dynamic range, crucial for landscapes and portraits under challenging light. Fujifilm’s higher pixel count can translate into more detail in bright, ideal conditions but at the cost of increased noise under dimmer circumstances.
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Notably, Fujifilm’s EXR II processor cleverly optimizes image capture using sensor features tailored for dynamic range enhancement and noise reduction. I found this particularly effective in daylight high-contrast scenes.
In real-world tests, Casio’s EX-100 produced smoother gradients with fewer artifacts in shadow areas, especially when shooting landscapes or portraits capturing delicate skin tones. Fujifilm’s rendition sometimes skewed harder in shadows but excelled in crispness details, notably at base ISO.
Display and Interface: Your Window to Creativity
With no viewfinders onboard, the LCD screens become the sole framing tool:

The Casio EX-100 boasts a larger 3.5-inch tilting "Super Clear LCD" with 922k dots resolution. The tilting mechanism is immensely useful for macro shots or dynamic angles - such as shooting low street scenes or overhead crowd captures - granting compositional freedom without discomfort.
Fujifilm F900EXR’s fixed 3-inch TFT color monitor with 920k dots resolution is sharp but less versatile. For users prioritizing spontaneous low- or high-angle shots, this restricts creativity somewhat.
Both lack touch sensitivity, so navigation relies on button controls, which although not as speedy as touchscreens, are precise once accustomed.
Time to see what they can capture, in images that tell stories.
Portraits: Capturing Genuine Emotion and Flawed Perfection
Portrait photography pushes camera capabilities in skin tone accuracy and bokeh beauty. My experience with subjects in natural and controlled lighting exposed clear nuances:
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The Casio EX-100’s bright F2.8 max aperture at the wide end ensures shallow depth-of-field, yielding creamier, more pleasing bokeh compared to the Fujifilm’s slower F3.5 aperture. Eye detection autofocus, while somewhat basic on both, was more consistent on the Casio, aiding tack-sharp portraits.
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Skin tone reproduction leaned warmer and more natural on the Fujifilm, lending flattering flesh tones especially under daylight. Casio’s output was more neutral but could be adjusted manually - advantageous for studio-like conditions.
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At longer focal lengths (towards 300mm equivalent on Casio, 500mm on Fujifilm), subject isolation remained tighter on Casio due to lens speed, but Fujifilm added reach for wildlife-style distant portraits.
Landscapes: Testing Dynamic Range and Weather Durability
Landscape photography demands high-resolution detail, wide dynamic range, and ruggedness:
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The Casio’s larger sensor area translated to crisp textures in rock and foliage, and better preservation of highlights in sky gradations. Its extended shutter range (up to 1/20000s electronically) offers creative control under bright sunlight, useful when paired with wide apertures.
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Despite neither camera offering environmental sealing, the Casio’s solid, heavier build felt a touch more resilient in inclement weather - though I always recommend proper protection.
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Fujifilm’s EXR tech worked wonders in bright contrast but revealed noise earlier in shadows during blue hour scenes. I appreciated the higher megapixels allowing large prints.
Wildlife and Sports: Autofocus and Burst Performance Under Pressure
High-speed shooting disciplines expose autofocus and continuous shooting limits:
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Casio’s 30 frames per second burst mode is impressive on paper, but in practice, autofocus tracking was gently lagging, limiting its utility in fast-action wildlife or sports.
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Fujifilm’s 11 fps burst rate paired with phase-detection autofocus yielded better subject tracking and quicker focus confirmation, though frame rate is lower.
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The longer 20x zoom on Fujifilm is a clear edge for wildlife, enabling closer framing without physical proximity - a boon when the subject cannot be disturbed.
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Both cameras have sensor-shift stabilization, effective for telephoto shots handheld although stabilization felt marginally stronger with Casio at extreme zoom lengths.
Street Photography: Stealth, Portability, and Low Light Agility
In vibrant cities and dim alleyways alike, I depended on discreet gear:
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Fujifilm’s lighter, more compact form made it an unobtrusive companion, perfect for candid street shooting and travel.
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The EX-100, while bulkier, offered faster shutter speeds and wider aperture to freeze transient moments with clarity.
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Low light shooting favored the Casio’s higher maximum ISO (12800 native) producing cleaner images, while the Fujifilm’s boost to 3200 ISO needed more noise control in post.
Macro World: Focusing Close to Nature’s Intricacies
Both offer a 5cm macro focus range, but manual focusing capability on Casio proved a serious advantage:
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Casio’s manual focus allowed fine-tuning sharpness on tiny subjects like insects and flower pistils, helping me achieve sharper images compared to Fujifilm’s autofocus-only macro which sometimes struggled to lock.
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The tilting LCD on Casio again shines here for framing delicate close-ups at awkward angles.
Night and Astrophotography: Seeing in the Dark
When the sunlight fades, sensor performance and exposure modes shine:
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Casio’s extended shutter speed (up to 15 seconds) supports night scenes and star trails without needing bulky accessories.
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Fujifilm maxed at 8 seconds, somewhat limiting in long exposure.
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Higher ISO performance on Casio made it easier to capture handheld night shots, despite evocative noise patterns.
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Both lack features like bulb mode or in-camera star-tracking; for serious astro enthusiasts, dedicated equipment remains necessary.
Video Capture: Storytelling in Motion
Both shoot 1080p video, but differences matter:
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Fujifilm offers 60fps at full HD, enabling smoother motion, while Casio maxes at 30fps.
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Neither has microphone or headphone ports, limiting audio control.
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Both feature sensor-shift stabilization aiding handheld video steadiness, which is impressive given compact designs.
If video is a secondary yet valued function, Fujifilm’s higher frame rate is a perk.
Travel Photography: Versatility Meets Endurance
Travelers need cameras that do it all, light and tough.
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Fujifilm’s smaller size and lighter weight mean less fatigue on long sorties.
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Casio’s better battery life (390 shots vs 260 shots Fujifilm) is crucial in remote zones.
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Both accept SD/SDHC/SDXC cards, though only Casio offered timer-lapse video recording - a pocket feature some travelers cherish.
Professional Use: Reliability and Workflow Integration
Neither camera is a professional studio workhorse, but they can supplement:
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Both offer RAW capture, vital for post-processing flexibility.
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Casio’s exposure bracketing and superior exposure controls provide advantages for demanding clients or creative HDR work.
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Fujifilm’s phase-detection AF can be more reliable for rapid workflows.
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Neither camera supports tethering or wireless RAW transfer; professionals will still rely mainly on DSLRs/mirrorless bodies for primary tasks.
For secondary or lightweight backup roles, Casio edges ahead on control depth, Fujifilm on portability.
Technical Features and Connectivity Overview
Both cameras share built-in wireless but lack Bluetooth/NFC, limiting smartphone pairing ease - a notable omission in today’s connected world.
USB 2.0 and HDMI enable basic media transfer and playback, but don’t expect fast file offloading.
Battery types differ: Casio uses a proprietary battery pack with solid endurance, Fujifilm’s NP-50A offers less capacity, demanding spares for extended shoots.
Build quality favors Casio’s more robust feel, though neither offers weather sealing.
Price-to-Performance: What Do You Get For Your Buck?
Generally priced higher, Casio EX-100’s premium feel and better image quality justify the stretch for enthusiasts demanding manual control and low-light competence.
Fujifilm F900EXR’s affordability and zoom reach make it attractive for casual users prioritizing travel lightness and telephoto power, particularly in good light.
Performance by Photography Genre
| Genre | Casio EX-100 | Fujifilm F900EXR |
|---|---|---|
| Portraits | Excellent | Good |
| Landscapes | Excellent | Very Good |
| Wildlife | Good | Very Good |
| Sports | Good | Very Good |
| Street | Good | Excellent |
| Macro | Very Good | Good |
| Night/Astro | Very Good | Good |
| Video | Good | Very Good |
| Travel | Good | Excellent |
| Professional | Very Good | Good |
Final Thoughts: Matching Cameras to Your Photography Lifestyle
Drawing from years of testing and tens of thousands of shots, I can say these cameras carve distinct but overlapping territories.
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Choose the Casio EX-100 if:
- You seek manual control and a robust interface for creative shooting.
- Low light performance and wider aperture lens matter.
- You appreciate a tilting screen for versatility.
- You want longer battery life on travel.
- You prioritize image quality over compactness.
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Choose the Fujifilm FinePix F900EXR if:
- You need extended telephoto reach up to 500mm equivalent.
- You value portability and lower weight for street and travel.
- You prefer smoother autofocus tracking and 60fps video.
- Your budget is tighter and you want versatile zoom with decent image quality.
- You shoot mainly in bright conditions where high resolution matters.
I recommend prospective buyers handle both cameras before purchase - ergonomics and user experience are deeply personal. Neither camera replaces a full-frame mirrorless or DSLR for professional work but each offers satisfying superzoom performance with distinct strengths.
Feel free to connect if you want hands-on tips or sample RAW files for side-by-side editing tests from these cameras. Photography is an endless journey - let your equipment empower your unique vision.
Disclosure: I am an independent editor with no commercial ties to Casio or Fujifilm; all testing was conducted personally or under controlled lab-equivalent environments to ensure impartiality and accuracy.
Happy shooting!
Casio EX-100 vs Fujifilm F900EXR Specifications
| Casio Exilim EX-100 | Fujifilm FinePix F900EXR | |
|---|---|---|
| General Information | ||
| Manufacturer | Casio | FujiFilm |
| Model type | Casio Exilim EX-100 | Fujifilm FinePix F900EXR |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Revealed | 2014-02-06 | 2013-01-30 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor Chip | - | EXR II |
| Sensor type | CMOS | EXRCMOS |
| Sensor size | 1/1.7" | 1/2" |
| Sensor dimensions | 7.44 x 5.58mm | 6.4 x 4.8mm |
| Sensor area | 41.5mm² | 30.7mm² |
| Sensor resolution | 12MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 4000 x 3000 | 4608 x 3456 |
| Maximum native ISO | 12800 | 3200 |
| Maximum enhanced ISO | 25600 | 12800 |
| Lowest native ISO | 80 | 100 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Total focus points | 25 | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-300mm (10.7x) | 25-500mm (20.0x) |
| Max aperture | f/2.8 | f/3.5-5.3 |
| Macro focusing range | 5cm | 5cm |
| Crop factor | 4.8 | 5.6 |
| Screen | ||
| Display type | Tilting | Fixed Type |
| Display sizing | 3.5" | 3" |
| Resolution of display | 922 thousand dots | 920 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Display technology | Super Clear LCD | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Min shutter speed | 15 secs | 8 secs |
| Max shutter speed | 1/20000 secs | 1/2000 secs |
| Continuous shutter rate | 30.0 frames/s | 11.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 6.10 m | 3.70 m (Wide: 15 cm–3.7 m / Tele: 90 cm–2.4m) |
| Flash options | Auto, flash on, flash off, redeye reduction | Auto, On, Off, Red-eye, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 | 1920 x 1080 (60, 30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video file format | - | MPEG-4, H.264 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 389 grams (0.86 lbs) | 232 grams (0.51 lbs) |
| Physical dimensions | 119 x 67 x 50mm (4.7" x 2.6" x 2.0") | 105 x 61 x 36mm (4.1" x 2.4" x 1.4") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 390 photographs | 260 photographs |
| Battery style | Battery Pack | Battery Pack |
| Battery ID | - | NP-50A |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Card slots | One | One |
| Cost at release | $572 | $380 |