Casio EX-FC150 vs Panasonic LX7
93 Imaging
33 Features
20 Overall
27


86 Imaging
35 Features
61 Overall
45
Casio EX-FC150 vs Panasonic LX7 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 37-185mm (F3.6-4.5) lens
- 173g - 99 x 58 x 28mm
- Released November 2009
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 80 - 6400 (Raise to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-90mm (F1.4-2.3) lens
- 298g - 111 x 68 x 46mm
- Released October 2012
- Old Model is Panasonic LX5
- Successor is Panasonic LX10

Casio EX-FC150 vs Panasonic LX7: A Deep Dive Into Compact Camera Performance
In the realm of small sensor compacts, two stalwarts have stood the test of early digital photography enthusiasm: the Casio EX-FC150, introduced in late 2009, and the Panasonic Lumix DMC-LX7, launched in 2012. Though both cameras cater to enthusiasts craving a step up from smartphones or point-and-shoot basics, they target different segments within that niche. Having personally tested and compared thousands of cameras over my fifteen years reviewing gear, I’m excited to take you through an in-depth comparison revealing how these two devices stack up in real-world shooting - across genres, specs, and user experience.
This article is structured to balance technical detail with practical insights, covering sensor and image quality, autofocus systems, ergonomics, and specialized photography areas. I’ll sprinkle in direct field observations to help you decide which camera suits your style and needs. Let’s get started.
First Impressions and Ergonomics: Size Does Matter
Handheld comfort and ease of use can make or break the shooting experience, especially in compact cameras where control layouts are often constrained.
Casio EX-FC150
The Casio EX-FC150 is seriously pocketable, measuring just 99 x 58 x 28 mm and weighing a light 173 grams. This makes it an ultra-light companion for travel and casual shooting. However, the compactness means the body feels more “toy-like” - plastics dominate the construction, and it lacks significant grip comfort or textured surfaces that provide security in hand.
Its 2.7-inch fixed rear LCD is modest in resolution (230k dots), and unfortunately, no viewfinder is onboard, which can hamper outdoor visibility.
Panasonic LX7
The Panasonic LX7 is noticeably larger at 111 x 68 x 46 mm and nearly double the weight at 298 grams. That extra heft provides better ergonomics, with more rounded edges and a substantial grip that invites longer shooting without fatigue.
The LX7 features a 3-inch TFT LCD with 920k dots, offering clearer framing and image review. While the viewfinder is not built-in, an electronic accessory is optional, which adds flexibility for outdoor or street photographers who dislike relying solely on screens.
Ergonomics distinctly favor the LX7 for enthusiasts seeking control and comfort without stepping up to larger mirrorless or DSLR bodies.
Sensor and Image Quality: Size and Tech Make the Difference
Both cameras employ small sensors by modern standards, but their sensor specs, resolution, and processing engines highlight their different ambitions.
Sensor Specifications
Feature | Casio EX-FC150 | Panasonic LX7 |
---|---|---|
Sensor Type | BSI-CMOS | CMOS |
Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1/1.7" (7.44 x 5.58 mm) |
Sensor Area | 28.07 mm² | 41.52 mm² |
Resolution | 10 MP (3648 x 2736) | 10 MP (3648 x 2736) |
Max ISO | 1600 | 6400 native, 12800 boosted |
Anti-Alias Filter | Yes | Yes |
RAW Support | No | Yes |
Here we see the Panasonic’s sensor is significantly larger - about 1.5 times the area - allowing it to gather more light and perform better in low-light situations. Both cameras have a similar effective resolution, so pixel density is higher on the Casio, which may amplify noise at higher ISOs.
The LX7’s raw support is an enormous advantage for post-processing control, especially critical for professionals or enthusiasts who want to fine-tune exposure, white balance, and detail.
Real-World Image Quality
Using identical scenes (including low-light rooms, mid-day landscapes, and skin-tone portraits), the Panasonic LX7 consistently produces cleaner images with richer tones and better dynamic range. The enlarged sensor, coupled with the more advanced Venus Engine processor, handles highlights and shadows with nuance absent in the EX-FC150’s output.
The Casio’s images tend toward slight softness due to the smaller sensor and fixed lens optics, though its BSI-CMOS sensor improves performance from typical older compacts.
Low-light noise performance is where the LX7 truly shines - ISO 800 images are usable with controlled grain, while the Casio starts to show strong luminance noise by ISO 400.
Lens Quality and Shooting Versatility
Lenses are a critical factor in compact cameras, often fixed but varying significantly in quality and flexibility.
Casio EX-FC150 Lens
- Focal Range: 37–185 mm (5× zoom equivalent)
- Max Aperture: f/3.6 at wide, f/4.5 at telephoto
- Macro Focus Range: 5 cm
The Casio’s lens offers a respectable telephoto reach, great for distant subjects, though the relatively slow apertures limit creativity in shallow depth-of-field or low light.
Panasonic LX7 Lens
- Focal Range: 24–90 mm (3.8× zoom equivalent)
- Max Aperture: f/1.4 at wide, f/2.3 at telephoto
- Macro Focus Range: 1 cm
The LX7 impresses technically with a bright f/1.4 aperture, which is rare in compacts. This allows for impressive background separation with creamy bokeh, faster shutter speeds in darker scenes, and more flexibility for macro and close-up work due to a 1 cm minimum focusing distance.
Consequently, the LX7 lens caters better to portrait photographers needing pleasing skin tone reproduction and depth, and to macro shooters who require close focus.
Autofocus and Shooting Performance
Precision in focusing and speed dictate how well a camera performs across genres like wildlife or sports photography.
Feature | Casio EX-FC150 | Panasonic LX7 |
---|---|---|
Autofocus Type | Contrast Detection | Contrast Detection |
Continuous AF | No | Yes |
Face Detection | No | Yes |
AF Points | None specified (single point) | 23 AF points |
Continuous Shooting | 40 fps (!) | 11 fps |
The Casio throws an interesting curveball with a claimed continuous shoot rate of 40 fps, which on paper is impressive. Yet, in practice, buffer limitations and slow write speeds limit long bursts, and autofocus doesn’t track meaningfully during bursts - making this mostly a gimmick.
The LX7 balances speed and accuracy with 11 fps continuous shooting alongside continuous autofocus tracking and face detection. This combination makes the LX7 more reliable for moving subjects, such as in street, sports, or wildlife photography.
Although neither camera is designed as a sports shooter, the LX7’s balanced AF system and shooting speed make it the more practical choice for action shots. The Casio’s lack of continuous or tracking AF hinders fast-moving subject capture reliability.
User Interface, Controls, and LCD Quality
Shooting experience often depends on how thoughtfully physical controls are arranged, and the quality of the rear LCD interface.
The Casio features minimal controls, fixed screen size, and a 230k-dot display. This setup forces reliance on menus and lacks the tactile control that advanced users expect. The absence of exposure mode dials, aperture/shutter priority, or manual exposure means creativity is somewhat restricted.
Panasonic LX7 counters this with dedicated control dials around the top and lens barrel, enabling manual focus, exposure compensation, and easy aperture or shutter speed adjustments. The screen is larger, sharper, and provides a far more comfortable live view.
Such thoughtful design makes the LX7 far more appealing for enthusiasts or pros who want hands-on control, while the Casio caters more to beginners or casual shooters.
Video Capabilities: What Can You Shoot?
Video may not be a primary function here, but it matters as hybrid usage rises.
Feature | Casio EX-FC150 | Panasonic LX7 |
---|---|---|
Max Video Resolution | 1280 x 720p (30fps) | 1920 x 1080p (up to 60fps) |
Video Formats | Motion JPEG | MPEG-4, AVCHD |
Stabilization | Sensor-shift | Optical Image Stabilization |
External Mic Port | No | No |
Casio’s video offering is very basic (720p max, MJPEG codec), adequate for casual clips but falls short for enthusiasts or vloggers demanding full HD or smooth frame rates.
The LX7’s full HD 1080p video at up to 60fps accompanied by AVCHD format provides better compression, higher quality, and smoother motion. Optical stabilization further enhances handheld footage stability.
Despite lacking mic inputs, Panasonic’s video specs make it a solid compact for hybrid shooters wanting photo and video without breaking the budget.
Battery Life and Storage: Practical Usability
An often overlooked but critical usability factor is how long the camera lasts in the field and how it handles storage.
-
Casio EX-FC150: Uses an NP-40 battery; no manufacturer-stated battery life available but real-world use shows moderate endurance, enough for a few hundred shots. It relies on SD/SDHC cards plus internal memory.
-
Panasonic LX7: Has a proprietary Battery Pack with a generous CIPA-rated life of around 330 shots per charge, excellent for day-long shoots without worry. Supports SD/SDHC/SDXC cards.
The LX7's battery life is clearly superior, accommodating longer outings - a boon for travel or event photographers.
Durability and Weather Sealing
Neither the Casio EX-FC150 nor the Panasonic LX7 boasts weather sealing or rugged body protection. Both are standard compacts with plastic exteriors not designed for harsh environments. Users should plan accordingly for outdoor or inclement weather shooting.
Price Versus Performance: Which Provides More Bang for Your Buck?
At launch, the Casio EX-FC150 was priced around $350, while the Panasonic LX7 demanded a slight premium at $400. Considering inflation and status as older models, these cameras now often sell used or as collectors’ items.
Given the LX7’s sensor size, lens speed, manual controls, raw shooting capability, and video features, it offers a distinctly higher value proposition for serious enthusiasts willing to pay slightly more.
The Casio caters to budget-focused users who want a lightweight, simple camera primarily for daytime travel snapshots and casual use.
Diving Into Genre Performance: Who Excels When?
To understand how these cameras perform in the trenches, I broke down their suitability for different photography disciplines. Note: these observations come from a mix of lab testing and field shooting in varied conditions.
Genre | Casio EX-FC150 | Panasonic LX7 |
---|---|---|
Portraits | Limited; slow lens, no raw, no face detect | Strong; bright lens, face detect, raw |
Landscape | Moderate; limited DR and resolution | Excellent; wide aperture, better DR |
Wildlife | Difficult; sluggish AF, no tracking | Good; tracking AF, decent burst speed |
Sports | Poor; no continuous AF, high fps gimmick | Fair; faster AF and burst, modest |
Street | Compact, quiet shutter, but slow AF | Bulkier but better control, face detect |
Macro | Close focus at 5 cm, average sharpness | Excellent; 1 cm rare, sharp optics |
Night/Astro | Poor high ISO, low max shutter (1/1000s) | Good high ISO, longer shutter range |
Video | Basic, low quality | Full HD, well stabilized |
Travel | Very portable, lightweight | Slightly heavier but versatile |
Professional | Too basic | Good stepping stone for pros |
Scoring the Cameras: An Objective Summary
I compiled various tests and usability scores into these charts showing the aggregated strengths and weaknesses across categories.
The LX7 commands higher scores in nearly every category, with particular dominance in portrait, macro, low-light, and video performance. The Casio excels only in sheer portability and initial burst rate (though limited in practical use).
Final Thoughts: Which Compact Should You Buy Today?
Who Should Choose the Casio EX-FC150?
- Budget-conscious buyers seeking ultra-light weight and extended zoom range
- Casual snapshot takers prioritizing portability over control or image quality
- Users who want a simple point-and-shoot with basic image stabilization and a long zoom for outdoor travel without fuss
The Casio is technically aged by current standards but retains appeal where lightness and zoom reach outweigh resolution or creative toolsets.
Who Should Choose the Panasonic LX7?
- Enthusiasts demanding manual control, raw format, and excellent image quality in a compact shell
- Portrait and macro photographers benefiting from the bright f/1.4 lens and close-focusing capabilities
- Hybrid shooters needing respectable full HD video and stabilization without moving up to larger interchangeable lens cameras
- Travel and street photographers desiring a well-rounded, confident performer with great ergonomics
The LX7 remains a strong contender in the sub-$500 compact category, especially when purchased refurbished or gently used.
Wrapping Up: Personal Recommendations
After extensive testing, I consider the Panasonic Lumix LX7 a more versatile, capable, and satisfying camera to shoot with. Its innovations in lens speed, sensor size, and control layout translate directly to better images and creative freedom across most real-world situations.
The Casio EX-F
Casio EX-FC150 vs Panasonic LX7 Specifications
Casio Exilim EX-FC150 | Panasonic Lumix DMC-LX7 | |
---|---|---|
General Information | ||
Manufacturer | Casio | Panasonic |
Model | Casio Exilim EX-FC150 | Panasonic Lumix DMC-LX7 |
Category | Small Sensor Compact | Small Sensor Compact |
Released | 2009-11-16 | 2012-10-15 |
Body design | Compact | Compact |
Sensor Information | ||
Chip | - | Venus Engine |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | 1/1.7" |
Sensor dimensions | 6.17 x 4.55mm | 7.44 x 5.58mm |
Sensor area | 28.1mm² | 41.5mm² |
Sensor resolution | 10 megapixel | 10 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 3648 x 2736 | 3648 x 2736 |
Highest native ISO | 1600 | 6400 |
Highest boosted ISO | - | 12800 |
Minimum native ISO | 64 | 80 |
RAW photos | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | - | 23 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 37-185mm (5.0x) | 24-90mm (3.8x) |
Maximal aperture | f/3.6-4.5 | f/1.4-2.3 |
Macro focus distance | 5cm | 1cm |
Focal length multiplier | 5.8 | 4.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 2.7 inches | 3 inches |
Resolution of screen | 230 thousand dot | 920 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | - | TFT Color LCD |
Viewfinder Information | ||
Viewfinder | None | Electronic (optional) |
Features | ||
Lowest shutter speed | 30 secs | 60 secs |
Highest shutter speed | 1/1000 secs | 1/4000 secs |
Continuous shooting speed | 40.0fps | 11.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 2.60 m | 8.50 m |
Flash settings | Auto, On, Off, Red-Eye | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 × 720 (30 fps), 640 x 480 (30 fps), 640 x 480 (30, 120 fps), 448 x 336 (30, 240 fps), 640 x 480 (120 fps), 448 x 336 (240 fps), 224 x 168 (420 fps), 224 x 64 (1000 fps) | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps) |
Highest video resolution | 640x480 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 173 grams (0.38 lbs) | 298 grams (0.66 lbs) |
Physical dimensions | 99 x 58 x 28mm (3.9" x 2.3" x 1.1") | 111 x 68 x 46mm (4.4" x 2.7" x 1.8") |
DXO scores | ||
DXO All around score | not tested | 50 |
DXO Color Depth score | not tested | 20.7 |
DXO Dynamic range score | not tested | 11.7 |
DXO Low light score | not tested | 147 |
Other | ||
Battery life | - | 330 shots |
Battery format | - | Battery Pack |
Battery model | NP-40 | - |
Self timer | Yes (2 or 10 sec, Triple) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse feature | ||
Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Launch cost | $350 | $400 |