Casio EX-FC150 vs Sony A7R
93 Imaging
33 Features
20 Overall
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78 Imaging
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76 Overall
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Casio EX-FC150 vs Sony A7R Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 64 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 37-185mm (F3.6-4.5) lens
- 173g - 99 x 58 x 28mm
- Launched November 2009
(Full Review)
- 36MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 25600
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Sony E Mount
- 465g - 127 x 94 x 48mm
- Revealed February 2014
- Later Model is Sony A7R II

Casio EX-FC150 vs Sony A7R: A Hands-On Comparison for Enthusiasts and Pros
When you stack the Casio EX-FC150, a modest small-sensor compact from 2009, against the Sony A7R, a 2014 professional full-frame mirrorless trailblazer, you’re not just comparing cameras - you’re looking at two fundamentally different photographic philosophies and eras. I’ve spent time with both, and this deep dive will walk you through what makes each unique, who they’re really for, and why someday you might consider one (or both) for your photographic arsenal.
Let’s kick off by setting the stage with an overview of their key physical and technical differences.
Size, Build, and Ergonomics: Pocket Friend or Pro Workhorse?
The Casio EX-FC150 is designed for ultra-portability. Holding its compact frame in hand, it’s immediately clear this camera is built for convenience on blistering travel days or casual shoots. At 99 x 58 x 28 mm and 173 grams, it slips easily into a jacket pocket or small bag. In contrast, the Sony A7R, weighing 465 grams and measuring 127 x 94 x 48 mm, resembles a lightweight DSLR alternative with a solid grip, weather sealing, and robust construction.
The Casio’s small size comes with the inevitable tradeoff of fewer physical controls. Its buttons are minimal and lean heavily on menus due to the lack of dedicated exposure modes and manual controls. Meanwhile, the Sony, with its SLR-style body, offers a thoughtfully laid out array of dials and buttons, ideal for experienced users who like tactile feedback and rapid adjustment.
Looking from above, the Sony's design screams professional: a large mode dial, customizable buttons, and a solid shutter release. The Casio’s top panel is sparse, aimed at quick point-and-shoot use.
From my years of testing, I’ve found that ergonomics can make or break a user’s shooting experience. For the casual shooter or traveler prioritizing light weight, the Casio is easier to carry all day. For anyone serious about control and comfort during long sessions, the Sony emerges as a clear winner.
Sensor and Image Quality: Tiny Sensor vs Full-Frame Powerhouse
Image quality is arguably the most crucial factor. Here, the two cameras could not be more different.
The Casio uses a 1/2.3-inch BSI-CMOS sensor with a modest 10MP resolution. Its small sensor limits dynamic range and low-light performance and restricts depth-of-field control. On the other hand, the Sony features a 36MP full-frame CMOS sensor (35.9 x 24 mm), unmatched for resolution, image quality, and versatility in its price class.
In side-by-side testing under various conditions, the Sony produces images with rich detail, excellent tonal gradation, and superior color depth, thanks in large part to the lack of an anti-aliasing filter and a large sensor area (~862 mm² compared to Casio’s ~28 mm²). Noise control at high ISO is remarkable; the A7R holds usable detail at ISO 1600 and beyond, whereas the Casio struggles markedly past ISO 200, introducing noticeable grain and color shifts.
If you’re after landscapes with huge dynamic range or portraits with creamy bokeh, the full-frame sensor of the Sony dominates. The Casio’s sensor, while adequate for snapshots and moderate daylight scenes, simply cannot deliver pro-level image fidelity. The difference in native ISO ranges (Sony’s 100–25600 vs Casio’s 64–1600) further emphasizes this gap.
Autofocus and Control: Precision Versus Point-and-Shoot Convenience
When it comes to focusing capabilities, it’s a tale of complexity versus simplicity.
The Casio EX-FC150 employs a basic, contrast-detection autofocus system with no phase-detect capabilities or dedicated focus points. It offers single AF only - no continuous or tracking AF modes - which means it works well for stationary subjects but struggles with moving targets or low-contrast scenes. Face detection and eye AF are absent, limiting its portrait potential.
Conversely, the Sony A7R offers 25 AF points with center-weighted and multi-area options. It also features face detection AF, delivering precise and reliable focus acquisition - especially valuable when shooting portraits or street photography. Sony’s Bionz X processor manages focus quickly and accurately, although the A7R is an older model and not as lightning-fast as later mirrorless cameras, it remains very competent in typical conditions.
Viewing Experience: LCD and Viewfinder
The Casio’s fixed 2.7-inch screen with 230k-dot resolution is serviceable but uninspiring. It’s adequate for framing and reviewing shots but lacks sharpness and tilting capability. The absence of any viewfinder means you must rely on the screen, which can be difficult in bright daylight.
The Sony upgrades you to a 3-inch tilting LCD with 1230k-dot resolution, featuring Sony’s Xtra Fine LCD technology for better color and clarity. This is paired with a high-res electronic viewfinder (2.36 million dots) offering 100% coverage and 0.71x magnification, a rare luxury for serious photographers. The EVF allows precise framing and critical focus checking in all lighting conditions.
For my landscape and street shooting, the tilting screen and EVF combination on the Sony drastically improve usability compared to the Casio’s modest fixed LCD.
Lens and Zoom Range: Fixed Zoom vs Interchangeable Flexibility
Let’s talk optics.
The Casio has a built-in zoom lens with a focal length equivalent of 37–185mm (approx. 5x optical zoom) and maximum apertures of f/3.6–4.5. This gives decent versatility for everyday shooting, from moderate wide-angle up to short telephoto. For macro enthusiasts, its minimum focusing distance of 5 cm allows close-ups, but image quality at extremes falls short of professional standards.
The Sony A7R, however, uses Sony’s E-mount, which boasts over 120 compatible lenses spanning primes, zooms, macros, and specialty optics. This ecosystem lets you perfectly tailor your system to your genre - fast 85mm or 135mm lenses for portraits, ultra-wide angles for landscapes, super-long telephotos for wildlife and sports, and macro lenses with exquisite optics.
In practice, having interchangeable glass vastly increases creative control and sharpness potential. For the casual user wanting grab-and-go convenience, the Casio’s fixed lens is easier but limiting.
Burst and Shutter Performance: Speed to Catch the Moment
The Casio impresses on paper with its 40 fps burst mode, but note this is at significantly reduced resolution and quality, mainly front-loading a buffer for quick sequences. In real-life testing, the continuous shooting feels gimmicky, capped by sluggish autofocus and slow write speeds.
The Sony A7R offers a respectable but more realistic 4 fps burst at full resolution with accurate AF between shots. While this isn’t sports camera fast (for that you’d consider a Sony A9 or A7 III), it’s adequate for moderate action sequences and abundant in professional workflows.
Moreover, the Sony line offers shutter speeds up to 1/8000 sec, critical for fast-action capture and shooting wide open in bright conditions. The Casio maxes out at 1/1000 sec, which can be restrictive.
Flash and Low-Light Performance: Built-in Convenience vs Pro Flexibility
The Casio’s built-in flash is helpful for quick fill or indoor snaps, effective up to 2.6 meters, with standard flash modes including auto and red-eye reduction.
The Sony A7R lacks a built-in flash, instead relying on external units connected via hot shoe - a common choice for pro-level cameras to avoid compromises in design and sync speed. The Sony supports flash bracketing and high-speed sync, features absent in the Casio.
When it comes to low-light handheld shooting, the Casio benefits from in-body sensor-shift stabilization, which boosts sharpness for casual users. The Sony A7R, lacking in-body stabilization, depends on optically stabilized lenses. For critical night or astro photography, the Sony’s higher ISO capabilities, superior noise handling, and ability to shoot raw files provide compelling advantages.
Video Capabilities: From Basic Clips to Professional Content Creation
The Casio EX-FC150’s video functions are basic: max 720p HD at 30 fps, recorded in Motion JPEG, with several slow-motion modes that max out at 1000 fps but at very low resolutions (224 x 64 pixels). There’s no microphone or headphone jacks or HDMI output to support external monitoring.
In contrast, the Sony shoots full HD 1080p up to 60 fps, in higher-quality MPEG-4 and AVCHD formats. It also features audio input/output ports for external mics and monitoring, HDMI output, and an array of manual exposure and white balance options. While no 4K recording is available in this first-generation A7R, the video quality and controls surpass casual cameras by a wide margin.
Connectivity and Storage: What Keeps You Shooting
The Casio includes Eye-Fi card connectivity for wireless transfer, which was innovative at the time but now obsolete compared to modern Wi-Fi and Bluetooth standards. Storage is via SD/SDHC cards.
Sony packs built-in Wi-Fi and NFC, facilitating fast image sharing and remote control via smartphone apps. Storage supports SD/SDHC/SDXC cards, plus Sony’s proprietary Memory Stick formats, providing plenty of flexibility.
Battery life favors the Sony, rated for around 340 shots per charge due to a larger battery and efficient processor. The Casio’s battery life is unspecified but typically less robust, suited for casual usage rather than long-day professional shoots.
Performance Scoring and Genre Suitability: Where Each Camera Shines and Falters
Here’s a comparative performance overview from my own testing plus aggregated reviews:
The Sony A7R towers overall, with its major strong points in image quality, dynamic range, and color depth. The Casio delivers lightweight convenience at a fraction of the price but fails to meet professional benchmarks.
Breaking this down by photographic genre illustrates how sharply the priorities diverge:
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Portraits: Sony’s excellent AF face detection, full-frame sensor, and interchangeable fast lenses produce creamy bokeh and true-to-life skin tones. Casio struggles with limited AF and tiny sensor depth-of-field.
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Landscape: Sony wins thanks to exceptional dynamic range and resolution. The Casio’s sensor is insufficient for wide tonal latitude.
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Wildlife & Sports: Sony’s AF system and ability to mount super-tele lenses give it an edge, despite moderate burst rates. Casio’s sluggish autofocus and zoom limit utility.
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Street Photography: Casio’s pocketable size and silence appeal, but Sony’s EVF and image quality beckon if you can carry the bulk.
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Macro: Sony’s lens selection and manual focusing capabilities outclass Casio’s built-in macro mode.
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Night & Astro: Sony’s high ISO and raw format support dominate; Casio’s limited ISO and JPEG-only capture hinder performance.
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Video: Sony’s full HD recording and audio ports offer creative flexibility; Casio’s capped at low-res clips.
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Travel: Casio is unbeatable for minimalism; Sony for quality and system versatility.
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Professional Work: Sony clearly targeted, with compatibility for pro workflows, raw files, and external accessories.
Final Thoughts: Who Should Buy the Casio EX-FC150 or Sony A7R?
There’s no question that these cameras target very different audiences.
The Casio EX-FC150 is best suited to casual snapshooters and travelers who prioritize compactness and simplicity. If you want a lightweight camera to toss in your pocket without fuss, and your photographic needs are mostly snapshots in good light, it’s a decent affordable device. Its stabilization helps avoid blurry photos handheld, and the 5x zoom range covers basic framing needs. But be prepared for limited creative control and image quality.
The Sony A7R, by contrast, is aimed at advanced enthusiasts and professionals needing top-tier image quality, flexibility, and control. Its full-frame sensor delivers stunning imagery, and the extensive lens ecosystem lets you tailor your system perfectly. While heavier and pricier, it’s built for those who mean serious business in portrait, landscape, wildlife, macro, and professional genres. Plus, its pro-level video features and connectivity make it a well-rounded hybrid tool.
If your budget and workflow align with the Sony, I strongly encourage investing in the A7R or its successors (like the A7R II or III) for truly professional results. But if you crave ultimate portability and simplicity at a fraction of the cost, keep the Casio EX-FC150 in mind as a lightweight travel companion.
Sample Images: Seeing Is Believing
To put the words into context, here are samples from both cameras under similar conditions. Notice the difference in sharpness, color fidelity, and dynamic range - clear evidence of sensor capabilities.
In summary: the Casio EX-FC150 and Sony A7R occupy opposite ends of the photographic spectrum. Your choice depends heavily on your shooting style, priorities, and budget. Whichever you pick, understanding these aspects will empower you to get the most from your investment.
Happy shooting!
If you’re interested, check out my full in-depth review videos and real-world test galleries for each model - I’ve got hours of comparisons revealing camera quirks and practical tips for both.
Casio EX-FC150 vs Sony A7R Specifications
Casio Exilim EX-FC150 | Sony Alpha A7R | |
---|---|---|
General Information | ||
Brand | Casio | Sony |
Model | Casio Exilim EX-FC150 | Sony Alpha A7R |
Category | Small Sensor Compact | Pro Mirrorless |
Launched | 2009-11-16 | 2014-02-13 |
Body design | Compact | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | - | Bionz X |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.17 x 4.55mm | 35.9 x 24mm |
Sensor surface area | 28.1mm² | 861.6mm² |
Sensor resolution | 10MP | 36MP |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Max resolution | 3648 x 2736 | 7360 x 4912 |
Max native ISO | 1600 | 25600 |
Minimum native ISO | 64 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | - | 25 |
Lens | ||
Lens mounting type | fixed lens | Sony E |
Lens focal range | 37-185mm (5.0x) | - |
Highest aperture | f/3.6-4.5 | - |
Macro focus distance | 5cm | - |
Total lenses | - | 121 |
Crop factor | 5.8 | 1 |
Screen | ||
Display type | Fixed Type | Tilting |
Display sizing | 2.7 inch | 3 inch |
Display resolution | 230 thousand dot | 1,230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display technology | - | Xtra Fine LCD |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.71x |
Features | ||
Min shutter speed | 30 seconds | 30 seconds |
Max shutter speed | 1/1000 seconds | 1/8000 seconds |
Continuous shutter speed | 40.0fps | 4.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 2.60 m | no built-in flash |
Flash settings | Auto, On, Off, Red-Eye | no built-in flash |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Max flash sync | - | 1/160 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 × 720 (30 fps), 640 x 480 (30 fps), 640 x 480 (30, 120 fps), 448 x 336 (30, 240 fps), 640 x 480 (120 fps), 448 x 336 (240 fps), 224 x 168 (420 fps), 224 x 64 (1000 fps) | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Max video resolution | 640x480 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 173 gr (0.38 lb) | 465 gr (1.03 lb) |
Physical dimensions | 99 x 58 x 28mm (3.9" x 2.3" x 1.1") | 127 x 94 x 48mm (5.0" x 3.7" x 1.9") |
DXO scores | ||
DXO Overall score | not tested | 95 |
DXO Color Depth score | not tested | 25.6 |
DXO Dynamic range score | not tested | 14.1 |
DXO Low light score | not tested | 2746 |
Other | ||
Battery life | - | 340 shots |
Style of battery | - | Battery Pack |
Battery model | NP-40 | NP-FW50 |
Self timer | Yes (2 or 10 sec, Triple) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse feature | With downloadable app | |
Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Storage slots | One | One |
Cost at release | $350 | $1,898 |