Casio EX-FC150 vs Sony A6000
93 Imaging
33 Features
20 Overall
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85 Imaging
65 Features
78 Overall
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Casio EX-FC150 vs Sony A6000 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 37-185mm (F3.6-4.5) lens
- 173g - 99 x 58 x 28mm
- Launched November 2009
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600 (Boost to 51200)
- 1920 x 1080 video
- Sony E Mount
- 344g - 120 x 67 x 45mm
- Launched April 2014
- Older Model is Sony NEX-6
- Refreshed by Sony A6300

Compact Simplicity Meets Mirrorless Versatility: Casio EX-FC150 vs Sony A6000
When the photography market offers such divergent designs as Casio’s EX-FC150 and Sony’s Alpha A6000, a detailed comparison is necessary beyond mere specs. These cameras hail from different eras and classes – the EX-FC150 is a small-sensor compact from 2009, while the A6000 is a 2014 advanced mirrorless system camera that dramatically changed enthusiast expectations. Over many years of hands-on testing hundreds of cameras across genres, I've found that direct size and performance disparities often mask nuanced real-world usability and image quality differences. Here, I’ll take you through their key traits, contextualize their strengths and trade-offs, and help you decide which might suit your photographic ambitions.
First Impressions: Size, Design, and Handling
The Casio EX-FC150 is petite, pocket-friendly, and thrives on simplicity. In contrast, the Sony A6000 resembles a reduced DSLR but packs considerably more tech and control.
At just 99 x 58 x 28 mm and weighing 173g, the Casio is easy to slip into a coat pocket or small purse. It offers a minimal grip and minimalistic ergonomics typical of compact cameras of its time. Manual focus is available but rudimentary; there’s no viewfinder, just a fixed 2.7-inch LCD with basic resolution (230K dots).
Compare that to the Sony A6000’s 120 x 67 x 45 mm body and 344g weight - it’s nearly double the bulk but remains compact for a mirrorless camera. Its more substantial grip and carefully placed buttons cater to enthusiast photographers comfortable with manual controls and varied shooting modes. The 3-inch tilting LCD (922K dots) and a 1.44 million dot electronic viewfinder afford considerable compositional flexibility.
Functionally, the A6000’s array of dials and dedicated buttons enable quick exposure adjustments and autofocus mode changes, a boon for sports, wildlife, and street shooters. The Casio’s simplicity favors casual users wanting an easy grab-and-go without fuss but severely limits agility in fast-changing conditions.
Sensor Size and Image Quality: Small vs APS-C
The core technical distinction lies in their sensor technologies. The Casio features a 1/2.3” (6.17 x 4.55 mm) BSI-CMOS sensor delivering 10MP resolution, while the Sony boasts a significantly larger APS-C CMOS sensor (23.5 x 15.6 mm) with 24MP.
What does that mean practically?
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Dynamic Range: The Sony’s larger sensor captures a broader tonal range, unlocking richer shadow detail and highlight retention. This advantage shines in landscapes, product still lifes, and any challenging light.
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Noise Performance: The A6000 delivers clean images even up to ISO 3200 and usable results up to 6400, whereas the Casio’s noise becomes apparent beyond ISO 400-800, limiting low-light versatility.
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Resolution and Detail: Sony’s 24MP sensor records fine detail with greater clarity, enabling substantial cropping or large prints. Casio’s 10MP sensor suffices for small prints and web use but falls short if you want to enlarge or extensively crop images.
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Color Depth: The Sony sensor outputs smoother color gradations and more accurate skin tones, crucial for portraits and studio work where fidelity matters.
Simply put, the Casio’s sensor is typical of late-2000s compacts - adequate for snapshots but not serious image quality. The A6000’s sensor remains competitive even years after release due to the size and efficient processing.
Viewfinding and LCD Usability: Your Window to the World
Many photographers underestimate the ergonomics of how a camera shows you the scene. The Casio’s sole visual feedback is its fixed, non-touch 2.7" LCD with low resolution, which under bright daylight is hard to see clearly. No live histogram or real-time exposure preview means you often shoot blind, relying on trial and error.
Sony counters this with an articulated 3-inch LCD screen boasting higher resolution and a bright, contrasty picture. More importantly, the A6000 includes a high-res electronic viewfinder (EVF) with 100% coverage and 0.7x magnification.
Why does this matter? The EVF offers stable framing in bright sunlight and reduces shake by bracing the camera against your face. The tilting screen facilitates composition from unconventional angles: waist-level for street photography or overhead in macro or landscape shoots.
Casio users can only shoot using the LCD, which constrains shooting flexibility and contributes to fatigue in extended sessions or bright outdoor conditions. Sony’s interface is also packed with customizable menus, intuitive layouts, and live exposure feedback, essential tools for creative control.
Autofocus and Performance: Speed, Accuracy, Burst Rates
While many newer compacts and mirrorless models tout high-speed autofocus and continuous shooting, years separate these two.
The Casio EX-FC150 uses contrast-detection AF only, a slow and sometimes hunting system, fixed to central areas. No face, eye, or subject tracking means focus accuracy hinges heavily on good lighting and careful composition.
Sony’s A6000 is equipped with a hybrid AF system combining 179 phase-detection points and 25 contrast-detection points. This explosive focus engine raises the bar on accuracy, especially in continuous AF mode and subject tracking.
In burst mode, the Casio reports up to 40fps, but keep in mind this is in low-resolution or highly compressed modes with fixed exposure. Real-world continuous shooting is sluggish and limited by buffer and processor speed.
The A6000 offers 11fps continuous shooting with full AF and exposure tracking, suitable for wildlife and sports photographers who need to freeze action.
Lens Ecosystem: Fixed Lens vs Interchangeable Flexibility
The Casio’s fixed 5x zoom lens spans 37-185mm equivalent, covering moderate telephoto range but with a relatively slow maximum aperture (f/3.6-4.5). The absence of interchangeable lenses means users are locked into this optical package, limiting creative potential.
Sony’s E-mount system boasts over 120 native lenses from Sony and third-party brands ranging from ultra-wide, primes, macro, telephoto zooms, and specialized optics.
This lens ecosystem diversity translates into enormous versatility - macro photographers can select dedicated close-up lenses; portrait shooters can choose fast primes for creamy bokeh; wildlife enthusiasts can access telephoto zooms beyond 300mm.
Handling Across Genres: Which Camera Excels Where?
Portrait Photography
Sony’s larger sensor and advanced AF with face detection deliver superior skin tones, sharper eyes, and artistic background separation. The Casio’s fixed lens aperture and limited sensor size produce flatter images with less selective focus.
Landscape Photography
Wide dynamic range and higher resolution favor the A6000. Its tilt screen and manual controls facilitate composing and bracketing for HDR workflows. Casio offers decent snapshots but its narrow dynamic range and fixed lens hamper serious landscape work.
Wildlife and Sports
The A6000’s rapid 179-point hybrid AF and fast 11fps continuous mode excel at tracking fast-moving subjects. The Casio’s contrast-only AF and minimal controls make wildlife shooting difficult and frustrating.
Street Photography
If discretion and size are priorities, Casio’s compact body and near-silent shutter might appeal. Sony’s larger size and louder mechanisms are noticeable but provide faster focus and exposure control in dynamic scenes.
Macro Photography
Sony’s lens selection and larger sensor outperform Casio’s fixed lens. The Casio does offer a close focus distance of 5 cm but variable aperture and sensor limitations cap image quality.
Night and Astro
High ISO performance and ability to shoot RAW files give the A6000 a clear edge in low light, allowing longer exposures and cleaner images. The Casio’s noise and limited ISO ceiling restrict night photography usefulness.
Video Capabilities
Casio shoots max at 640x480 resolution in Motion JPEG format - clearly sub-HD and dated by 2009 standards. The Sony keeps pace by offering Full HD 1080p at up to 60fps with better codecs (AVCHD, XAVC S). No microphone inputs on either models, limiting external audio options.
Travel and General Use
Casio’s tiny size and light weight make it an easy travel companion, especially for casual users prioritizing simplicity. Sony’s versatility and advanced features come with bigger size and higher cost, ideal for enthusiasts wanting one camera for most situations.
Build Quality and Weather Resistance
Neither camera offers weather sealing. The Casio’s plastic build feels less robust, while Sony’s magnesium alloy and polycarbonate body impart more confidence. The A6000 withstands regular use better, but neither is designed for extreme environments.
Battery Life and Storage Flexibility
The A6000’s battery life of approximately 360 shots per charge surpasses Casio’s unspecified but generally shorter runtime typical of small compacts. Sony includes more flexible storage options supporting SDXC and dual brand Memory Sticks.
Connectivity and Extras
Sony’s built-in WiFi and NFC enable fast image transfer and remote control via smartphone apps, a critical feature in modern workflows. Casio supports Eye-Fi cards for wireless, but this approach is outdated and limited.
Image Gallery: Seeing Is Believing
To illustrate real-world results, here are representative samples from both cameras across varied conditions.
The Sony images reveal superior detail retention, color richness, and dynamic range. Casio images, while adequate for snapshots, often show noise, lack depth, and exhibit limited sharpness.
Overall Performance Scores
To quantify performance across major metrics, here are the summary ratings:
Sony’s A6000 clearly outperforms the Casio EX-FC150 by a wide margin in almost all categories except size.
Strengths Across Photographic Disciplines
Drilling down into genre-specific capabilities confirms much of what intuition suggests:
- Portrait, Landscape, Wildlife, Sports: Sony dominates
- Street, Travel: Casio’s portability narrows gap somewhat
- Macro, Night, Video: Sony significantly better
Final Verdict - Which Camera Fits Your Needs?
Choose the Casio EX-FC150 if…
- You want a very compact point-and-shoot camera for casual, day-to-day snapshots
- Simplicity, ease of use, and affordability outweigh image quality and creative control
- You find value in ultra-high-speed slow motion features (up to 1000fps at low resolution)
- You don’t plan to shoot in low light or demanding situations requiring rapid autofocus or wider ISO ranges
Opt for the Sony Alpha A6000 if…
- You seek a serious upgrade path with access to a vast lens ecosystem and manual control
- You require superior image quality, dynamic range, and low-light versatility
- Your shooting includes action, wildlife, portraits, landscapes, and video
- You want a durable, ergonomic body with advanced autofocus and connectivity options
- You aim to grow your photographic skills without changing camera systems
Closing Thoughts
Comparing the Casio EX-FC150 with the Sony A6000 is essentially contrasting two cameras designed for fundamentally different types of photography and users. The Casio is a time capsule of compact simplicity with some neat slow-motion tricks but limited by its sensor size and dated features. The Sony A6000, though now succeeded by newer models, remains a benchmark in the advanced compact mirrorless segment, offering excellent image quality and fast performance still competitive today.
For enthusiasts and professionals reading this, my experience suggests that investing in a camera with a larger sensor and flexible system like the A6000 pays off handsomely across most photographic disciplines, especially if you want images that hold up to critical scrutiny or artistic use. However, if size and lightweight portability trump everything, and your photography is casual, the EX-FC150 can serve as an affordable pocket-friendly tool.
Whether you lean toward compact convenience or mirrorless versatility, understanding these differences equips you to choose the camera that best fits your vision and workflow.
Happy shooting!
Casio EX-FC150 vs Sony A6000 Specifications
Casio Exilim EX-FC150 | Sony Alpha a6000 | |
---|---|---|
General Information | ||
Manufacturer | Casio | Sony |
Model type | Casio Exilim EX-FC150 | Sony Alpha a6000 |
Category | Small Sensor Compact | Advanced Mirrorless |
Launched | 2009-11-16 | 2014-04-23 |
Physical type | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | - | Bionz X |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor surface area | 28.1mm² | 366.6mm² |
Sensor resolution | 10 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Maximum resolution | 3648 x 2736 | 6000 x 4000 |
Maximum native ISO | 1600 | 25600 |
Maximum boosted ISO | - | 51200 |
Minimum native ISO | 64 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | - | 179 |
Lens | ||
Lens support | fixed lens | Sony E |
Lens zoom range | 37-185mm (5.0x) | - |
Maximal aperture | f/3.6-4.5 | - |
Macro focusing range | 5cm | - |
Total lenses | - | 121 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen size | 2.7 inches | 3 inches |
Resolution of screen | 230 thousand dots | 922 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen tech | - | TFT LCD |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 1,440 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Lowest shutter speed | 30 secs | 30 secs |
Highest shutter speed | 1/1000 secs | 1/4000 secs |
Continuous shooting rate | 40.0fps | 11.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 2.60 m | 6.00 m (at ISO 100) |
Flash modes | Auto, On, Off, Red-Eye | Flash off, auto, fill-flaw, slow sync, redeye reduction, hi-speed sync, wireless control |
External flash | ||
AEB | ||
WB bracketing | ||
Highest flash synchronize | - | 1/160 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 × 720 (30 fps), 640 x 480 (30 fps), 640 x 480 (30, 120 fps), 448 x 336 (30, 240 fps), 640 x 480 (120 fps), 448 x 336 (240 fps), 224 x 168 (420 fps), 224 x 64 (1000 fps) | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p, 25p), 640 x 480 (30p, 25p) |
Maximum video resolution | 640x480 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 173 grams (0.38 pounds) | 344 grams (0.76 pounds) |
Dimensions | 99 x 58 x 28mm (3.9" x 2.3" x 1.1") | 120 x 67 x 45mm (4.7" x 2.6" x 1.8") |
DXO scores | ||
DXO All around rating | not tested | 82 |
DXO Color Depth rating | not tested | 24.1 |
DXO Dynamic range rating | not tested | 13.1 |
DXO Low light rating | not tested | 1347 |
Other | ||
Battery life | - | 360 shots |
Battery type | - | Battery Pack |
Battery ID | NP-40 | NP-FW50 |
Self timer | Yes (2 or 10 sec, Triple) | Yes (2 or 10 sec, continuous (3-5 shot)) |
Time lapse recording | With downloadable app | |
Type of storage | SD/SDHC card, Internal | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | Single | Single |
Price at launch | $350 | $548 |