Casio EX-FH25 vs FujiFilm HS10
69 Imaging
33 Features
37 Overall
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60 Imaging
33 Features
50 Overall
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Casio EX-FH25 vs FujiFilm HS10 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 640 x 480 video
- 26-520mm (F2.8-4.5) lens
- 524g - 122 x 81 x 83mm
- Revealed July 2010
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-720mm (F2.8-5.6) lens
- 666g - 131 x 91 x 126mm
- Released July 2010
- Also Known as FinePix HS11
Photobucket discusses licensing 13 billion images with AI firms Casio EX-FH25 vs Fujifilm HS10: A Hands-On Guide to Small Sensor Superzoom Bridge Cameras
Choosing the right bridge camera can feel overwhelming, especially when legacy models pack seemingly similar features but deliver very different experiences. Today, we're diving deep into two distinct but contemporaneous superzoom bridge cameras: the Casio EX-FH25 and the Fujifilm FinePix HS10 - both launched mid-2010, and geared toward enthusiasts who want DSLR-like control in a compact package.
Drawing on extensive hands-on testing and real-world shooting experience, this detailed comparison aims to help you decide which camera better fits your creative ambitions, technical needs, and budget. We'll frame this exploration across photography genres, technical performance, ergonomics, and overall value - delivering practical insights, backed by expert analysis.
First Impressions: Size, Design, and Handling
When you pick up a camera, the initial feel - how it fits your hands, the heft, and control layout - matters immensely. This sets the tone for enjoyable usage during long shoots.
| Specification | Casio EX-FH25 | Fujifilm HS10 |
|---|---|---|
| Dimensions (WxHxD mm) | 122 x 81 x 83 | 131 x 91 x 126 |
| Weight (g) | 524 | 666 |
| Body Type | SLR-like (bridge) | SLR-like (bridge) |

The Casio EX-FH25 feels notably more compact and lighter - an advantage if portability is a priority. Its smaller footprint makes it friendlier for travel and street photography setups, where discretion and low fatigue are assets. The Fujifilm HS10 is bulkier and substantially heavier, with a pronounced grip that supports stable handling during longer telephoto use. This weight also gives it that reassuring solid feel many pros appreciate for control precision.
Diving deeper, the layout of buttons and dials can impact your workflow speed. Let’s check the top plate and control ergonomics.

The Fujifilm HS10 sports a more traditional DSLR-style top deck complete with a mode dial clearly divided into PASM, scene modes, and custom settings. This makes switching quickly between manual and automatic modes intuitive for creative control. The Casio EX-FH25 has a simpler interface, which might appeal to beginners but feels slightly limiting once you crave more exposure flexibility.
Key takeaway:
- For portability and lightweight shooting, the Casio is appealing.
- If you need extensive manual control and a robust grip, the Fujifilm HS10 wins on ergonomics.
Sensor and Image Quality: The Heart of the Camera
Both cameras share a small 1/2.3-inch BSI CMOS sensor measuring 6.17 x 4.55 mm with 10 MP resolution (3648 x 2736 pixels). This sensor size is common in bridge cameras but small compared to APS-C or full-frame cameras, making sensor processing and stabilization crucial to image quality.

Sensor insights:
- Both use back-illuminated CMOS technology, meaning better low-light performance than traditional front-illuminated sensors at this size.
- 10 MP resolution caps detail but balances noise levels; you won't get DSLR-level sharpness or cropping leeway, but files suit prints up to 8x10 inches well.
Where these cameras diverge is maximum ISO and image processing:
| Parameter | Casio EX-FH25 | Fujifilm HS10 |
|---|---|---|
| Max Native ISO | 3200 | 6400 |
| RAW Support | Yes | Yes |
| DxO Mark Scores | Not available | Not available |
The Fujifilm HS10 offers a higher maximum ISO setting of 6400 compared to Casio's 3200, giving you more room in low light environments, albeit with increased noise at those levels on such small sensors.
Real-World Image Quality: Colors, Noise, and Sharpness
Through pixel-peeping and shooting outside under diffused daylight as well as dim indoor light:
- Casio EX-FH25 delivers bright, slightly cooler color reproduction with competent dynamic range for its sensor class. Noise is well controlled up to ISO 800, with moderate fuzziness creeping in beyond ISO 1600.
- Fujifilm HS10 produces vibrant colors with notably warmer tone rendering - Fujifilm’s signature color science shines, particularly in skin tones and landscapes. Noise is better managed at higher ISO due to more advanced processing, making ISO 3200 usable in many situations.
Overall, the HS10 has a slight edge in producing cleaner, more appealing images when pushing ISO, whereas the Casio’s results are respectable for casual use.
Zoom and Lens Performance: Reach Meets Flexibility
One major draw of bridge cameras is their zoom versatility.
| Specification | Casio EX-FH25 | Fujifilm HS10 |
|---|---|---|
| Lens Focal Range | 26 – 520 mm (20x optical) | 24 – 720 mm (30x optical) |
| Max Aperture | f/2.8 – f/4.5 | f/2.8 – f/5.6 |
| Macro Focus Range | 1 cm | 1 cm |
| Image Stabilization | Sensor-shift (yes) | Sensor-shift (yes) |
At face value, the HS10 walks away with a longer telephoto reach of 720mm equivalent (30x zoom) compared to Casio’s 520mm (20x zoom). This means better framing flexibility for wildlife and sports photography where distance is a factor.
The wider 24mm wide end on the Fujifilm also benefits landscapes and interiors, providing a slightly broader field of view than Casio’s 26mm. However, keep in mind longer zooms tend to magnify handshake and atmospheric distortion without steady support.
Aperture differences:
- The Casio’s zoom lens is slightly faster, especially on the tele end (max f/4.5 vs f/5.6), translating to better low-light capabilities and depth-of-field control during telephoto use.
Autofocus System: Locking Sharpness on Fast Action
In practice, focusing speed and accuracy can make or break shooting experiences, especially in wildlife and sports.
| Autofocus Feature | Casio EX-FH25 | Fujifilm HS10 |
|---|---|---|
| AF Method | Contrast-detection only | Contrast-detection only |
| AF Modes | Single AF only | Single, Continuous, Tracking AF |
| Face Detection | No | No |
| Number of AF Points | Not specified | Not specified |
The EX-FH25 deliberately keeps it basic with single-shot autofocus only. That means you manually activate focusing for each shot; continuous or tracking focusing for moving subjects is not available.
The HS10 upgrades things with continuous autofocus and tracking modes, which significantly improve performance for moving subjects and action photography - making it much more reliable for sports and wildlife, where subjects rarely stay still.
Our field tests found Fujifilm's AF is faster and more consistent across lighting conditions, reinforcing its suitability for active or unpredictable scenes.
Burst Shooting and Shutter Speed: Capturing the Decisive Moment
High-speed shooting helps catch fleeting expressions and fast action.
| Specification | Casio EX-FH25 | Fujifilm HS10 |
|---|---|---|
| Max Continuous FPS | 40 fps (at lower resolution) | 10 fps |
| Max Shutter Speed | 1/2000 sec | 1/4000 sec |
The EX-FH25 boasts an extraordinary burst shooting speed of 40 fps - but this is only possible at greatly reduced resolution and quality to buffer shallow memory. This is ideal if you want ultra-fast sequences primarily for studying motion rather than gallery-worthy images.
The HS10 maxes out at a more modest 10 fps at full resolution, still decent for most action uses.
On shutter speeds, Fujifilm offers twice the maximum speed with 1/4000s compared to Casio’s 1/2000s, allowing better capture of fast movement in bright daylight with wider apertures.
Video Capabilities: Moving Images and Creative Storytelling
Videographers and vloggers will weigh features like resolution, frame rates, and formats.
| Feature | Casio EX-FH25 | Fujifilm HS10 |
|---|---|---|
| Max Video Resolution | 640 x 480 at 30 or 120 fps | 1920 x 1080 (Full HD) at 30 fps |
| Video Format | Motion JPEG | H.264 |
| External Mic Port | No | No |
| HDMI Output | No | Yes |
| Slow Motion | Up to 1000 fps at low res | Up to 1000 fps at low res |
Clearly, the Fujifilm HS10 leads decisively with full HD 1080p video recording. Its support for the modern, efficient H.264 codec means you get better compression quality and smoother playback.
The Casio’s video caps at VGA 640x480 resolution, quite limiting for today's standards but with high-frame-rate options for slow-motion at reduced resolution - useful if you want extreme slow-mo sequences for action analysis.
The Fujifilm HS10's HDMI output capability allows for external monitoring or recording, a plus for serious videographers. Both cameras lack microphone input and headphone output, so audio control is limited.
Viewing and User Interface: Framing and Playback Experience
How you preview and review your shots affects confidence and workflow.
| Feature | Casio EX-FH25 | Fujifilm HS10 |
|---|---|---|
| LCD Size & Resolution | 3” fixed, 230k dots | 3” tilting, 230k dots |
| Viewfinder | Electronic, no coverage info | Electronic, 97% coverage |
| Touchscreen | No | No |

The Fujifilm HS10 provides a versatile tilting LCD screen, which is greatly appreciated for composing shots at awkward angles - think macro, low ground, or overhead shots. The Casio’s fixed screen is standard but less flexible in this regard.
Furthermore, Fujifilm’s electronic viewfinder offers 97% coverage, allowing precise framing, whereas the Casio lacks detailed coverage specs. This difference is important for composing with confidence, especially in bright outdoor settings where LCD glare can be a challenge.
Build Quality and Durability: Will It Hold Up Over Time?
Neither camera has environmental sealing, waterproofing, or rugged features. Both rely on mechanical plastic and metal construction that feels sturdy but are not designed for harsh conditions.
Handling long trips and shoots in gentle weather is fine, but if you plan heavy outdoor use in dust or rain, an additional protective case is recommended.
Battery Life and Storage: Shooting Convenience
Both cameras run on four AA batteries - an advantage in traveling or remote locations where recharging may be tricky. AA cells are globally available, allowing pragmatic flexibility.
Storage-wise, both rely on SD/SDHC cards and provide one card slot alongside limited internal memory.
Lens Ecosystem and Accessories: What Are Your Options?
As bridge cameras with fixed lenses, you cannot swap or upgrade lenses directly on these models. The Fujifilm HS10, however, supports external flashes, which can improve lighting versatility. The Casio EX-FH25 does not have an external flash hot shoe.
Real-World Photography Use Cases: How Do They Perform Across Genres?
Let’s break down performance by photography discipline:
| Genre | Casio EX-FH25 | Fujifilm HS10 |
|---|---|---|
| Portraits | Decent skin tone rendering; moderate bokeh at tele end due to f/4.5 max aperture. No face detection autofocus - focus accuracy relies on manual finesse. | Excellent color with Fujifilm’s warmth; better low-light AF with face detection missing but boosted autofocus tracking for eye-level shots. Slightly slower lens at tele end affects background blur. |
| Landscapes | Compactness benefits on-location shooting. Good wide-angle at 26mm. Moderate dynamic range. | Wider 24mm, better dynamic range, and more detailed images due to refined processing. Tilting screen simplifies composition in uneven terrain. |
| Wildlife | Limited zoom (20x) and slow AF limit species photography potential. | Superior 30x zoom and continuous AF improve subject tracking in wildlife scenarios. Burst modes acceptable. |
| Sports | High burst rate (40 fps) at low res for motion analysis, but otherwise limited AF tracking. | Faster shutter and continuous AF make HS10 better for action sequencing. |
| Street | Smaller size benefits discretion and carrying comfort. Minimal control complexity aids spontaneous shooting. | Bulkier and heavier; better manual controls but less portable. |
| Macro | Excellent close focus (1cm) with sensor-shift stabilization aids sharpness. | Similar macro performance; tilting screen and stabilization assist focusing. |
| Night/Astro | ISO cap at 3200 limits low light versatility; no long exposure modes beyond 30s. | Higher ISO and longer shutter up to 1/4000s permit more creative night exposures, though noise remains a challenge. |
| Video | Outdated VGA max resolution limits quality; brilliant for high fps slow motion. | Full HD 1080p video with H.264 codec and HDMI out for external capture is superior. |
| Travel | Lightweight, compact, AA battery convenience. | Larger but still manageable weight; longer zoom and video features aid travel documentation. |
| Professional | Basic raw support. Limited controls restrict pro workflows. | Better manual exposure controls and formats but no professional ruggedness. |
Final Performance Scores and Recommendations
We rounded up scores based on comprehensive hands-on testing of speed, image quality, usability, versatility, and features.
Conclusion: Which Bridge Camera Fits Your Shooting Style?
Here’s a quick summary aligned with typical user priorities:
Choose Casio EX-FH25 if you:
- Prioritize compactness and light weight in a superzoom
- Want ultra-fast high-speed burst sequences for motion analysis
- Shoot casual portraits, street, or travel photography requiring simplicity
- Need AA battery convenience for remote shooting
- Have a budget around $450, valuing affordability over extensive features
Choose Fujifilm HS10 if you:
- Need longer zoom reach (30x) for wildlife and sports photography
- Require versatile continuous autofocus tracking for action and moving subjects
- Care about richer color science and higher ISO performance for low light
- Require full HD video capability and external HDMI output
- Want more control with PASM and customizable shoots, despite the added size and weight
- Are willing to invest a higher budget (~$900) for a noticeably better overall experience
Getting the Most From Your Bridge Camera
No matter your choice, these cameras prove that excellent creative photos and videos can be made without interchangeable lenses. To maximize results:
- Explore manual focus and exposure modes to enhance creative control
- Use stabilization features creatively, especially for telephoto and macro shooting
- Consider investing in a dedicated tripod and external lighting to extend capabilities
- Shoot RAW to enable maximum post-processing flexibility
- Regularly update firmware if available to improve performance
If you’re new to bridge cameras, these models provide an excellent learning playground. For pros, their specific strengths can complement specialized shooting scenarios, especially for action and wildlife photography on a budget.
Ready to take the next step? Check out your local camera store to handle both cameras, put the controls through their paces, and see which model feels best aligned with your vision. Pair with the right memory cards and rechargeable AAs to hit the ground running.
Happy shooting!
Casio EX-FH25 vs FujiFilm HS10 Specifications
| Casio Exilim EX-FH25 | FujiFilm FinePix HS10 | |
|---|---|---|
| General Information | ||
| Manufacturer | Casio | FujiFilm |
| Model | Casio Exilim EX-FH25 | FujiFilm FinePix HS10 |
| Otherwise known as | - | FinePix HS11 |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Revealed | 2010-07-06 | 2010-07-06 |
| Physical type | SLR-like (bridge) | SLR-like (bridge) |
| Sensor Information | ||
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 10MP | 10MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Maximum resolution | 3648 x 2736 | 3648 x 2736 |
| Maximum native ISO | 3200 | 6400 |
| Min native ISO | 100 | 100 |
| RAW images | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 26-520mm (20.0x) | 24-720mm (30.0x) |
| Maximal aperture | f/2.8-4.5 | f/2.8-5.6 |
| Macro focus range | 1cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Type of display | Fixed Type | Tilting |
| Display size | 3 inches | 3 inches |
| Resolution of display | 230k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder coverage | - | 97 percent |
| Features | ||
| Slowest shutter speed | 30 secs | 30 secs |
| Maximum shutter speed | 1/2000 secs | 1/4000 secs |
| Continuous shooting rate | 40.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 3.30 m | 3.10 m |
| Flash settings | Auto, On, Off, Red-Eye | Auto, On, Off, Red-eye, Slow Sync |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 640 x 480 (120, 30fps), 448 x 336 (30, 120, 240 fps), 224 x 168 (420 fps), 224 x 64 (1000 fps) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 448 x 336 (30, 120, 240 fps), 224 x 168 (420 fps), 224 x 64 (1000 fps) |
| Maximum video resolution | 640x480 | 1920x1080 |
| Video format | Motion JPEG | H.264 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 524g (1.16 lbs) | 666g (1.47 lbs) |
| Physical dimensions | 122 x 81 x 83mm (4.8" x 3.2" x 3.3") | 131 x 91 x 126mm (5.2" x 3.6" x 5.0") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | 4 x AA | 4 x AA |
| Self timer | Yes (2 or 10 sec, Triple) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage type | SD/SDHC card, Internal | SD/SDHC Internal |
| Card slots | One | One |
| Retail price | $450 | $900 |