Casio EX-FH25 vs Panasonic ZS25
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33 Features
37 Overall
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Casio EX-FH25 vs Panasonic ZS25 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 640 x 480 video
- 26-520mm (F2.8-4.5) lens
- 524g - 122 x 81 x 83mm
- Announced July 2010
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 193g - 105 x 59 x 28mm
- Released January 2013
- Also referred to as Lumix DMC-TZ35
- Superseded the Panasonic ZS20
- Updated by Panasonic ZS30
Samsung Releases Faster Versions of EVO MicroSD Cards Bridging the Gap: Casio EX-FH25 vs Panasonic ZS25 - A Deep Dive into Two Small Sensor Superzooms
When stepping into the realm of small sensor superzoom cameras, you're effectively balancing compactness, versatile zoom ranges, and respectable image quality under constrained sensor sizes. Both the Casio EX-FH25 and the Panasonic Lumix DMC-ZS25 (also known as Lumix DMC-TZ35) aim to satisfy this niche but arrive with markedly different design perspectives and feature sets. After rigorous hands-on evaluation and technical scrutiny within our lab and real-world environments, this comparison lays out the nuanced distinctions that may well determine which of these cameras suits your photographic ambitions best.

Feel in the Hand: Body Design and Ergonomics
Holding a camera is the first meaningful interaction - and here the Casio EX-FH25 and Panasonic ZS25 diverge sharply. The EX-FH25 adopts a bold SLR-like bridge camera form factor, weighing in at 524 grams with dimensions 122 x 81 x 83 mm. The Panasonic ZS25, by contrast, epitomizes compactness with a mere 193 grams and svelte 105 x 59 x 28 mm dimensions.
The Casio’s generous grip and larger body offer tangible benefits for handling, especially when extended zoom ranges tend to destabilize compact cameras. Its textured grip and more spacious button layout accommodate prolonged handheld shooting comfortably - what I’d describe as an ergonomist's dream in a superzoom. Conversely, the ZS25’s pocketability is undeniable, but that comes at the expense of a slight hand-cramping tendency during extended telephoto work.
Ergonomically, the Casio’s design prioritizes shooting stability and physical controls; the Panasonic relies more on touchscreen-like simplicity with fewer physical buttons. For users who desire tactile control and solid heft, the Casio's design clearly impresses, though at the cost of portability.

Button Layout and Control Logic
Examining the top interface reveals how each brand approaches usability. Casio’s EX-FH25 sports dedicated dials and buttons that support quick adjustments - manual focus rings, shutter speed and aperture priority modes, plus a manual exposure mode. The layout feels conducive to enthusiasts craving control without menu diving.
The ZS25 disperses function access across fewer physical controls supplemented by a back panel touchscreen (non-touch, but live view focused) and mode dial. While the Panasonic offers shutter and aperture priority modes as well, it lacks manual focus rings or the same degree of control granularity found on the Casio. This makes the EX-FH25 a better companion for photographers who prefer direct interaction with exposure parameters.
Both cameras leave out illuminated buttons - a small omission but one worth noting for nighttime shooting comfort.

Sensor and Image Quality: Foundation of Performance
Here's where things get technically interesting. Both cameras deploy 1/2.3" CMOS sensors, a standard in small sensor superzooms, but with notable specification differences influencing image fidelity:
| Specification | Casio EX-FH25 | Panasonic ZS25 |
|---|---|---|
| Sensor size | 6.17 x 4.55 mm (28.07 mm²) | 6.08 x 4.56 mm (27.72 mm²) |
| Resolution | 10 MP | 16 MP |
| Max native ISO | 3200 | 6400 |
| Anti-alias filter | Yes | Yes |
| Raw support | Yes | No |
The Panasonic’s higher megapixel count provides more resolution headroom, which can translate into better cropping flexibility or large prints - a distinct advantage for landscape and travel shooters craving fine detail preservation. However, as often the case on such compact sensors, there’s a trade-off: Panasonic’s 16MP sensor tends to produce slightly more noise at higher ISO settings due to smaller individual photodiodes.
The Casio, with a modest 10MP output, boasts better pixel pitch, theoretically improving low-light sensitivity and dynamic range, aided by a BSI-CMOS design geared to optimize photon capture efficiency. This sensor choice reflects Casio’s design philosophy - focus on clean output over pixel quantity.
Another critical point: the EX-FH25 offers raw file support, a boon for post-processing flexibility that pros and enthusiasts will appreciate. The ZS25 forgoes raw, limiting creative latitude but possibly simplifying JPEG output straight from the camera.
Our image quality tests confirm these observations. While both cameras deliver respectable jpeg results in good light, the Casio’s images maintain cleaner shadows and superior highlight roll-off. Panasonic’s shots offer more detail but at the expense of noise infiltration earlier in ISO ramps.
Zoom Ranges and Apertures - Reach vs Brightness
In superzoom territory, lens specs are often deal-breakers. The Casio’s substantial 26-520 mm (20x optical zoom) range, combined with a bright aperture spectrum from F2.8 (wide) to F4.5 (telephoto), enables surprising flexibility - from wide-angle storytelling to long-distance wildlife attempts without auxiliary glass.
The Panasonic ZS25 edges it with 24-480 mm (20x zoom) but suffers a narrower aperture range of F3.3 to F6.4. This translates to less light gathering ability at the telephoto end, impacting low-light sharpness and autofocus speed. The Casio’s wider aperture gives an edge in subject isolation and low light, particularly when combined with its sensor-shift stabilization system.
Autofocus and Shooting Speed: Precision vs Speed
Autofocus systems are critical for fast-moving subjects and sharp portraits. The Panasonic ZS25 boasts a 23-point contrast-detection AF system with continuous autofocus and tracking capability, an impressive feat for a compact superzoom. This means it can keep subjects in focus as they move - an asset for wildlife and sports enthusiasts shooting with limited tracking aids.
Casio’s EX-FH25 operates with a simpler single-point contrast detection AF, lacking continuous and tracking modes. Its manual focus mode allows precise control, but autofocus is not as nimble or sophisticated.
Burst shooting also favors Casio heavily: with a blazing 40 frames per second continuous shooting rate, thanks to its speedy sensor readout and processor, it's ideal for capturing fleeting moments in sports and wildlife. Panasonic’s ZS25 caps at a slower but still respectable 10 fps.
The Casio’s high burst rate, combined with manual exposure controls, appeals to photographers valuing fast action capture, while Panasonic’s more refined AF system may better suit subjects requiring reliable autofocus tracking.

Rear Screen and Viewfinder Usability
While neither camera sports eye-level electronic viewfinders, their LCD implementations differ in utility. Both have fixed 3-inch displays, but the Panasonic ZS25 shines with a superior 460k dot resolution, delivering clearer and more vibrant live view images - crucial for composing and reviewing shots outdoors.
The Casio’s 230k dot fixed LCD feels dated and less crisp, detracting slightly from framing precision. Casio does include an electronic viewfinder, but resolution and eye-level comfort are limited, making it less practical for extended use.
Neither camera supports touchscreen functionality, a modern convenience that helps with intuitive focusing, particularly on subjects requiring quick adjustments.
Real-world Image Samples: Portraits, Landscapes, and More
A direct look at sample imagery provides the most tangible evidence of their capabilities:
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Portraits: The Casio excels in capturing natural skin tones with its brighter aperture and raw capture option. Bokeh, while limited by sensor size, is more pleasing at the 26mm wide aperture setting. The Panasonic struggles more here with flatter facial rendering and slower autofocus on faces - no face detection was found in either camera, but Panasonic’s faster AF helps somewhat.
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Landscapes: Panasonic’s higher resolution sensor reveals more intricate details in wide scenic shots. Images are sharp and finely textured, although dynamic range remains constrained by sensor size in both cameras, leading to shadow clipping in challenging light.
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Wildlife & Sports: The Casio’s faster burst rate and extended zoom lend it advantage for distant subjects, but Panasonic’s superior autofocus tracking may more reliably keep critters or players in focus. Neither camera challenges professional DSLRs but are respectable entry points.
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Macro: Casio’s closer focusing down to 1 cm beats Panasonic’s 3 cm minimum, enabling more intimate close-ups with better subject isolation. Stabilization on both cameras aids handheld macro shots, but Casio’s sensor-shift system is more effective at longer focal lengths.
Video Capabilities: From Basic to Full HD
Contrasting video features reveal generation gaps:
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Casio EX-FH25 limits video capture to a maximum of 640 x 480 pixels in Motion JPEG format, albeit with extremely high frame rate options (up to 1000 fps for super slow motion). This turns it into a niche tool for fun slo-mo experiments but not a practical everyday video camera.
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Panasonic ZS25 delivers full HD 1920 x 1080p at 60 fps in standard MPEG-4 and AVCHD codecs, which are well supported by editing software. Optical image stabilization assists handheld video steadiness, and slow-motion capture at 220 fps in lower resolutions adds creative options.
Neither camera offers external microphone or headphone ports, limiting audio quality control - if video is a priority, the Panasonic clearly has the upper hand.
Build Quality, Battery Life, & Connectivity
Both cameras lack weather sealing - a common omission in this product class - but are solidly constructed for everyday use. The Casio is powered by four AA batteries - exceptional for travel as replacements are widely available. The Panasonic employs proprietary lithium-ion batteries with about 260 shots per charge, less convenient but lighter.
Connectivity features are sparse in both; Casio stands out slightly with its Eye-Fi compatibility (wireless SD card enabled features), whereas Panasonic offers HDMI output for direct playback - useful for presentations.
Both cameras accept SD cards, with Panasonic accommodating newer SDXC formats, enhancing switching flexibility.
How Do They Stack Up Across Photography Genres?
- Portraiture: Casio’s raw support, wider aperture, and clean ISO handling beat Panasonic for expressive portraits.
- Landscape: Panasonic’s resolution and detail retention excel.
- Wildlife: Casio’s zoom and burst speed provide reach and capture speed, Panasonic wins on AF reliability.
- Sports: Casio leads in fps, Panasonic in focus tracking - your mileage may vary.
- Street: Panasonic’s compactness allows spontaneity and discretion.
- Macro: Casio’s minimum focus distance allows creative exploration.
- Astrophotography: Neither ideal, but Casio’s lower noise at modest ISO helps night sky efforts.
- Video: Panasonic is the clear choice.
- Travel: Panasonic’s size, lens quality, and battery life edge out Casio.
- Professionals: Limited applicability - neither replaces DSLR/mirrorless, but Casio appeals to budget-conscious hobbyists.
Final Recommendations: Which Camera Fits Your Needs?
Choose Casio EX-FH25 if you:
- Prioritize tactile controls and manual exposure options
- Value raw image capture and superior low-light stills
- Shoot fast burst sequences in sports or wildlife settings
- Want a bridge-style body for better handling and reach
- Need closer macro focusing capabilities
- Can tolerate heavy, less pocketable gear
- Are on a modest budget for an enthusiast superzoom
Choose Panasonic ZS25 if you:
- Need a truly pocketable, lightweight travel companion
- Desire higher resolution images for landscapes or daily snaps
- Require full HD video with smooth stabilization
- Appreciate autofocus speed and tracking for casual action photography
- Prefer extended battery life on a single charge
- Value HDMI connectivity for easy external viewing
- Are willing to forsake manual controls and raw for a streamlined user experience
Wrapping It Up: Context Matters - Choosing Your Superzoom Wisely
After hours of side-by-side testing in the field and studio environments, I’m impressed by both cameras for what they set out to achieve - but it’s clear they will suit very different users. The Casio EX-FH25 reigns in its control offering, manual exposure, and high-speed capture arena but is humble in video and portability. The Panasonic ZS25 offers a more mainstream travel-oriented package with commendable image detail and modern video features, but with limitations in creative control and low-light nuance.
Neither is perfect, but both provide fascinating glimpses into superzoom evolution just a few years ago, reminding us how far technology has come since. For photographers leaning toward serious image quality and manual versatility on a superzoom budget, Casio is the go-to. For those valuing convenience, video, and compactness, Panasonic remains compelling.
I hope this deep dive helps you make a confident, informed choice tailored confidently to your photography goals. Remember, the best camera is always the one you’re most inspired to use.
Author’s note: These insights derive from extensive hands-on testing of thousands of cameras over a 15+ year career, combining bench analytics with practical experience under real shooting conditions. My methodology integrates objective data with subjective usability evaluations, enabling photographers like you to find the right gear, not just the flashiest specs.
Happy shooting!
Casio EX-FH25 vs Panasonic ZS25 Specifications
| Casio Exilim EX-FH25 | Panasonic Lumix DMC-ZS25 | |
|---|---|---|
| General Information | ||
| Make | Casio | Panasonic |
| Model | Casio Exilim EX-FH25 | Panasonic Lumix DMC-ZS25 |
| Also called as | - | Lumix DMC-TZ35 |
| Type | Small Sensor Superzoom | Small Sensor Superzoom |
| Announced | 2010-07-06 | 2013-01-07 |
| Physical type | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor surface area | 28.1mm² | 27.7mm² |
| Sensor resolution | 10MP | 16MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest resolution | 3648 x 2736 | 4896 x 3672 |
| Highest native ISO | 3200 | 6400 |
| Min native ISO | 100 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | - | 23 |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 26-520mm (20.0x) | 24-480mm (20.0x) |
| Largest aperture | f/2.8-4.5 | f/3.3-6.4 |
| Macro focus range | 1cm | 3cm |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display sizing | 3 inches | 3 inches |
| Resolution of display | 230k dots | 460k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Features | ||
| Slowest shutter speed | 30 secs | 15 secs |
| Maximum shutter speed | 1/2000 secs | 1/1200 secs |
| Continuous shooting rate | 40.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 3.30 m | 6.40 m |
| Flash settings | Auto, On, Off, Red-Eye | Auto, On, Off, Red-eye, Slow Syncro |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 640 x 480 (120, 30fps), 448 x 336 (30, 120, 240 fps), 224 x 168 (420 fps), 224 x 64 (1000 fps) | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) |
| Highest video resolution | 640x480 | 1920x1080 |
| Video data format | Motion JPEG | MPEG-4, AVCHD |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 524 grams (1.16 lb) | 193 grams (0.43 lb) |
| Physical dimensions | 122 x 81 x 83mm (4.8" x 3.2" x 3.3") | 105 x 59 x 28mm (4.1" x 2.3" x 1.1") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 260 photographs |
| Battery style | - | Battery Pack |
| Battery model | 4 x AA | - |
| Self timer | Yes (2 or 10 sec, Triple) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage type | SD/SDHC card, Internal | SD/SDHC/SDXC, Internal |
| Card slots | Single | Single |
| Cost at launch | $450 | $300 |