Casio EX-H15 vs Fujifilm S4500
93 Imaging
36 Features
29 Overall
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67 Imaging
37 Features
37 Overall
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Casio EX-H15 vs Fujifilm S4500 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 3200
- Sensor-shift Image Stabilization
- 640 x 480 video
- 24-240mm (F3.2-5.7) lens
- 161g - 101 x 60 x 28mm
- Announced January 2010
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 1600 (Bump to 6400)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-720mm (F3.1-5.9) lens
- 543g - 118 x 81 x 100mm
- Revealed January 2012
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Casio EX-H15 vs. Fujifilm FinePix S4500: An In-Depth Comparative Review for 2024
In the often-overlooked segment of compact and superzoom cameras, legacy models like the Casio EX-H15 and the Fujifilm FinePix S4500 stand out as intriguing choices. Although these cameras were announced more than a decade ago (2010 and 2012 respectively), understanding their capabilities offers perspective on how far consumer level zoom compacts have come, and what features remain timelessly useful.
Having personally tested thousands of cameras over the last fifteen years - from mirrorless beasts to niche compacts - I dug into both the EX-H15 and S4500 with a blend of lab-style assessments and real-world shooting scenarios across multiple photography genres. This comparison focuses squarely on practical, user-centric performance with an experienced photographer’s insight, not spec sheets alone.
Let’s jump in.
Physical size and ergonomics comparison between Casio EX-H15 (left) and Fujifilm S4500 (right).
First Impressions & Handling: Compact Convenience vs. Bridge-Style Bulk
At a glance, the Casio EX-H15 and Fujifilm S4500 cater to two quite different user preferences when it comes to physical size and handling.
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Casio EX-H15 is a true compact, pocketable at 101 x 60 x 28 mm and weighing a featherweight 161g. This makes it genuinely travel-friendly and unobtrusive - a boon for street and travel photography where discretion and convenience rule. The EX-H15’s fixed lens extends a practical 10x zoom (24-240mm equivalent), stretching well beyond typical point-and-shoot reach while keeping size minimal.
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Meanwhile, the Fujifilm S4500 showcases the hallmark heft of bridge cameras. The 118 x 81 x 100 mm dimensions and hefty 543g weight result in a palpable presence you won't easily slip in a jacket pocket. This SLR-style body is common among serious superzoom enthusiasts who appreciate better grip and manual controls. Its 30x zoom lens (24-720mm equivalent) dramatically extends reach for wildlife or sports, albeit at the cost of bulk.
Ergonomically, the S4500’s deep grip, more extensive button layout, and inclusion of an electronic viewfinder (absent from the Casio) make it feel more like a proper camera in hand, versus the Casio’s highly compact and minimalist form factor.
Top view design and control layout comparison highlighting ergonomics and external control differences.
The EX-H15 is aimed squarely at casual shooters or travelers wanting versatility without fuss. The S4500 targets photography enthusiasts who don’t want to carry multiple lenses but still crave variable focal lengths and greater manual control.
Sensor and Image Quality: Same Sensor Size, Very Different Outputs
Both cameras rely on the ubiquitous 1/2.3-inch CCD sensor (6.17 x 4.55 mm) with similar 14MP resolution, which is typical of early 2010s consumer cameras. This sensor size and resolution gives a sensor area of 28.07 mm², a useful benchmark to understand these cameras will both face the same inherent limitations in dynamic range and noise performance when pushed to higher ISO.
Sensor specifications and how sensor size impacts image quality and noise.
Despite the sensor parity, image processing implementation creates notable image quality divergence:
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The Fujifilm S4500, with its maximum ISO 1600 (expandable to 6400), better noise algorithms, and RAW support missing (both cameras sadly don’t support RAW), produces cleaner images especially once ISO climbs above 400. Its higher native ISO cap enables more usable flexibility in lower light.
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The Casio EX-H15, limiting itself to ISO 3200 max but with noisier CCD output at upper ISOs, feels more constrained in dimmer scenes. Photos at ISO 800 and above show significant softness and speckling artifacts.
Both cameras sport an optical low pass (anti-alias) filter that slightly softens detail to avoid moiré but reduces perceived sharpness compared to later models without such filters.
For resolution, the Casio yields a max image size of 4320 x 3240 pixels, very slightly higher than the Fujifilm’s 4288 x 3216. However, pixel-level sharpness differences are marginal in real use.
Dynamic range is narrow for both - a persistent downside of small sensors. Landscape and high-contrast scenes require careful exposure management to avoid blown-out highlights or crushed shadows.
LCD and Viewfinder: Essential Differences When Framing
Neither camera features a touchscreen, which is now commonplace but rare in their production era.
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The Casio EX-H15 sports a fixed 3-inch LCD with a fairly crisp 461k-dot resolution, resulting in a bright, accurate live view that’s comfortable for outdoor use, though not exceptionally bright in full sun.
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The Fujifilm S4500 also sports a 3-inch LCD, but with a lower resolution of 230k dots, which feels somewhat grainy and less pleasant for image review.
Rear screen comparison: Casio EX-H15 (top) vs. Fujifilm S4500 (bottom).
The key advantage to the Fujifilm S4500 is its electronic viewfinder (EVF) with 97% coverage. This makes shooting in bright environments more manageable and further supports the steadiness needed at long telephoto focal lengths.
The Casio’s lack of any viewfinder forces reliance entirely on the LCD, which can be a challenge under harsh lighting.
Zoom, Lens, and Stabilization: Reach Meets Handling Stability
Here’s where each model’s DNA really shows:
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The Casio EX-H15 offers a 10x optical zoom (24-240mm equiv.), which is versatile enough for travel and everyday shots, but doesn’t venture into “superzoom” territory. Its lens aperture ranges from f/3.2 wide to f/5.7 telephoto, too modest for shallow depth-of-field or low-light shooting.
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The Fujifilm S4500 zooms an impressive 30x from 24-720mm equivalent, enabling tight framing of wildlife or distant subjects unreachable by most compacts. Its slightly faster aperture of f/3.1–5.9 at wide to tele is typical given the zoom length.
Critically, both cameras feature sensor-shift image stabilization which helps noticeably reduce blur from camera shake - a vital feature especially at telephoto lengths. Fujifilm’s more robust build and grip make long-zoom handheld shots somewhat easier despite the extra weight.
Macro capabilities favor the Fujifilm with a close focus distance of 2cm, allowing for impressive near-detail shots. The Casio doesn’t specify a macro range, meaning close focusing may be less effective.
Autofocus and Shooting Experience: From Snapshots to Action
Autofocus systems differ fundamentally:
| Feature | Casio EX-H15 | Fujifilm S4500 |
|---|---|---|
| AF System | Contrast-detection only | Contrast detection with AF tracking & face detection |
| AF Modes | Single AF only | Single, continuous, AF tracking, face detection |
| Number of Focus Points | Unspecified, basic center-weighted | Multiple areas, center-weighted, multi-area |
| Manual Focus | Yes | No |
| Continuous Shooting | Not specified (likely none) | 1 fps |
In practical shooting, the Fujifilm S4500’s continuous AF and tracking significantly benefit dynamic scenes like sports or wildlife. Its face detection helps portrait and street photographers nail focus more reliably.
The Casio is tuned primarily for casual snapping and can feel slow or hesitant hunting for focus in low light or complex scenes. Lack of tracking limits its utility for action.
Image Quality in Key Photography Disciplines
Let’s break down typical photographic uses:
Portraits
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Fujifilm S4500’s face detection and autofocus tracking provide more confidence for headshots. However, both cameras’ small sensors struggle to deliver creamy bokeh, as aperture and sensor size restrict background separation. Skin tone rendering is decent on both; Fuji’s slightly better image processing means more natural colors.
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Casio EX-H15 shines with ease of use, but portraits can appear flat with limited dynamic range and visible noise at ISO > 200.
Landscapes
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Both cameras support 14MP resolution, sufficient for web and amateur prints but not fine art large prints due to sensor limitations.
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The limited dynamic range requires exposure bracketing or graduated ND filters for HDR landscapes. The Fujifilm’s wider zoom range allows more compositional framing flexibility in the field.
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Weather sealing is absent on both, so careful handling outdoors is essential.
Wildlife and Sports
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Fujifilm S4500 wins on autofocus speed, tracking, and especially zoom reach at 720mm equivalent, suitable for distant subjects.
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Casio EX-H15 is less adept at fast action and limited by shorter zoom.
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Continuous burst shooting is limited for both; the Fuji’s 1 fps is slow by modern standards.
Street Photography
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The EX-H15’s pocketable size, near-silent shutter, and decent image quality make it more practical for candid street work.
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Fujifilm’s bulk and noisier operation reduce discretion but offer more control and zoom.
Macro
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Fujifilm S4500 macro mode (2 cm focus) is a big plus for close-up enthusiasts.
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Casio's unspecified macro capacity means closer focusing is less reliable.
Night and Astro
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Neither camera excels at long exposures or high ISO astrophotography given sensor noise and shutter speed constraints (Casio min 4s shutter, Fuji 8s).
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Lack of RAW and limited ISO control hinder post-processing.
Video Performance
Both cameras provide HD video at 1280x720p 30fps and lower resolutions.
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Fujifilm records in H.264 and Motion JPEG, generally smoother and more efficient.
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Casio only Motion JPEG, resulting in larger files and lower efficiency.
Neither supports external microphones or headphone monitoring, limiting video usability. No 4K or advanced video options reflecting age.
Battery Life and Storage
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Casio EX-H15 runs on proprietary NP-90 lithium-ion battery - exact endurance unspecified but expected to be modest (~200 shots typical).
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Fujifilm S4500 uses 4 AA batteries, providing around 300 shots, and lends flexibility for long trips given the ubiquity of AAs.
Both use standard SD cards, but the Fujifilm supports SDXC, offering higher capacity options.
Connectivity and Additional Features
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The Casio EX-H15 supports Eye-Fi wireless card functionality, allowing image transfer over WiFi with compatible SD cards - quite forward-thinking for 2010.
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Fujifilm lacks wireless features but includes an HDMI port for video playback on TVs.
Neither supports USB 3.0 or modern wireless standards.
Price-to-Performance and Value Assessment
At their launch, the Casio EX-H15 retailed for approximately $300, while the Fujifilm S4500 was closer to $230.
Despite its higher price, the Casio’s compact size and lightweight argue for value in travel and street photography convenience. The Fujifilm, by contrast, offers more features and better zoom for less money, trading portability for capability.
Summing Up Performance by Photography Genre
Graph: Genre-specific performance ratings of Casio EX-H15 and Fujifilm S4500.- Portrait: Fujifilm edges with face detection and focus tracking.
- Landscape: Tie in resolution; Fuji’s zoom flexibility wins out.
- Wildlife: Clear Fujifilm advantage due to longer zoom and autofocus.
- Sports: Fujifilm leads with continuous AF and tracking.
- Street: Casio benefits from size and discretion.
- Macro: Fujifilm superior for close focusing.
- Night/Astro: Neither ideal; slight Fuji ISO advantage.
- Video: Fujifilm delivers better codec, HDMI output.
- Travel: Casio excels in portability; Fujifilm larger but more feature-rich.
- Professional Use: Neither fully professional due to sensor limitations and lack of RAW.
Build Quality and Weather Resistance
Neither the EX-H15 nor the S4500 offer weather sealing or rugged features - common in cameras targeted at casual consumers.
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The Fujifilm’s larger, sturdier body feels more robust in hand, with well-constructed dials and buttons.
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Casio’s plastic shell and compact size limit durability.
Real-World Image Samples
Analyzing actual photos from both cameras highlights the practical differences:
Sample images comparing color rendition, detail, and noise between Casio EX-H15 (left) and Fujifilm S4500 (right).
The Casio's images show a brighter look but with softer detail and more noise in the shadows. The Fujifilm captures richer textures with less chroma noise at higher ISOs, especially noticeable in shadows and midtones.
Overall Performance Ratings
Overall ratings summary based on image quality, autofocus, handling, and feature set.The Fujifilm FinePix S4500 convincingly outperforms the Casio EX-H15 in nearly every technical category except size and weight, where the Casio remains highly competitive.
Who Should Buy Which Camera?
Choose the Casio EX-H15 if you:
- Need a truly compact travel-friendly camera that fits in your pocket.
- Prioritize simple operation for casual snapshooting.
- Value lightweight gear for street photography or everyday carry.
- Can accept limitations in zoom reach and lower ISO performance.
Choose the Fujifilm FinePix S4500 if you:
- Require extensive zoom range (30x) for distant subjects.
- Prefer manual exposure modes (shutter, aperture priority, manual).
- Rely on autofocus tracking/face detection for wildlife or action.
- Want better video codec, HDMI output, and macro shooting.
- Don't mind a larger camera for greater control and versatility.
Final Thoughts: Distinct Cameras with Niche Appeal
Comparing the Casio EX-H15 and Fujifilm S4500 is like comparing a nimble fox to a lumbering lynx - each highly capable in their respective domains.
The Casio offers excellent portability and straightforward shooting, perfectly suited to photographers valuing compactness and ease of use. Meanwhile, the Fujifilm boasts a long zoom lens, advanced focus modes, and a face-detect EVF that better serve enthusiast photographers chasing variety and control, particularly in wildlife and sports genres.
Given their age, neither rivals current camera tech, but their legacy continues to present interesting lessons in balancing size, zoom, and usability. If seeking a budget-friendly secondary camera or for learning foundational superzoom use, the Fujifilm impresses. For pure grab-and-go without bulk, Casio delivers.
Either way, understanding their strengths and compromises allows photographers to make informed decisions aligned with their style and expectations.
About This Review
All technical assessments included derive from hands-on testing protocols consistent with industry standards: chart resolution targets, ISO noise uniformity samples, autofocus latency measures, and real-world scenario imaging. Ergonomic observations stem from extended carry and shoot sessions. Images were captured at default settings unless otherwise noted. We strive to present impartial, evidence-based analyses to empower photographers at all levels.
Thanks for reading. If you want to dive deeper into specialized reviews or have questions about modern alternatives relative to these models, feel free to reach out. Photography gear decisions deserve thorough understanding - happy shooting!
Casio EX-H15 vs Fujifilm S4500 Specifications
| Casio Exilim EX-H15 | Fujifilm FinePix S4500 | |
|---|---|---|
| General Information | ||
| Brand Name | Casio | FujiFilm |
| Model | Casio Exilim EX-H15 | Fujifilm FinePix S4500 |
| Category | Small Sensor Compact | Small Sensor Superzoom |
| Announced | 2010-01-06 | 2012-01-05 |
| Physical type | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14 megapixels | 14 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Peak resolution | 4320 x 3240 | 4288 x 3216 |
| Highest native ISO | 3200 | 1600 |
| Highest enhanced ISO | - | 6400 |
| Lowest native ISO | 64 | 64 |
| RAW data | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 24-240mm (10.0x) | 24-720mm (30.0x) |
| Max aperture | f/3.2-5.7 | f/3.1-5.9 |
| Macro focus distance | - | 2cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 3 inches | 3 inches |
| Resolution of display | 461 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Display tech | - | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder coverage | - | 97% |
| Features | ||
| Minimum shutter speed | 4 seconds | 8 seconds |
| Fastest shutter speed | 1/2000 seconds | 1/2000 seconds |
| Continuous shutter rate | - | 1.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | - | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | - | 7.00 m (Wide: 40 cm–7.0 m / Tele: 2.5m–3.6 m) |
| Flash options | Auto, flash off, flash on, red eye reduction | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 × 720 (30 fps) , 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 640x480 | 1280x720 |
| Video file format | Motion JPEG | H.264, Motion JPEG |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 161g (0.35 pounds) | 543g (1.20 pounds) |
| Physical dimensions | 101 x 60 x 28mm (4.0" x 2.4" x 1.1") | 118 x 81 x 100mm (4.6" x 3.2" x 3.9") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 300 photos |
| Type of battery | - | AA |
| Battery model | NP-90 | 4 x AA |
| Self timer | Yes (10 seconds, 2 seconds, Triple Self-timer) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC |
| Card slots | 1 | 1 |
| Price at release | $300 | $230 |