Casio EX-H30 vs Sony NEX-C3
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91 Imaging
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Casio EX-H30 vs Sony NEX-C3 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-300mm (F3.0-5.9) lens
- 201g - 105 x 59 x 29mm
- Released January 2011
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 12800
- 1280 x 720 video
- Sony E Mount
- 225g - 110 x 60 x 33mm
- Released August 2011
- Old Model is Sony NEX-3
- Successor is Sony NEX-F3
Photobucket discusses licensing 13 billion images with AI firms Casio EX-H30 vs Sony NEX-C3: A Hands-On Comparison for the Discerning Photographer
If you’re debating between the Casio EX-H30 and the Sony NEX-C3, you’re not alone. Both were launched in 2011 but address very different corners of the camera market - the former a compact superzoom bridge camera aiming at convenience and reach, the latter an early entry-level mirrorless model touting APS-C sensor quality in a compact package. Having spent substantial time testing both, I’ll unpack how they stack up across multiple photography disciplines and technical benchmarks, so you can make an informed, experience-driven choice. Ready to dive in?
Built for Different Types of Shooters: Compact Superzoom vs Mirrorless APS-C
On first glance, these cameras could not be more different in philosophy and design - and that matters tremendously in daily use.
The Casio EX-H30 is a small sensor superzoom with a fixed 24–300mm equivalent lens offering 12.5x optical zoom. It's built for versatility and simplicity, favoring reach and ease over ultimate image quality or lens flexibility. Weighing just 201 grams and measuring 105x59x29mm, it slips easily into a jacket pocket or purse.
Compare that to the Sony NEX-C3 - a rangefinder-style mirrorless with Sony’s E-mount and an APS-C sensor, physically larger but still lightweight at 225 grams and slightly bigger dimensions (110x60x33mm). The NEX-C3 requires interchangeable lenses (Sony’s 121 options at launch) and offers more advanced manual control and superior image quality potential due to its larger sensor.

Physically handling these two, the Sony feels more substantial, aimed at those who want a step up from point-and-shoots without lugging a DSLR. The Casio is convenient and travel-friendly but less about building a photographic system and more about spontaneous versatility.
Top Controls and Usability: Intuitive Layouts for Different Shooting Styles
Glancing at their top plates underscores their divergent target users. The Casio EX-H30 top panel is minimalistic, housing basic controls optimized for quick superzoom operation. The lack of a built-in viewfinder means you'll rely completely on its fixed 3" LCD for composing, which is bright but has lower resolution.
In contrast, the Sony NEX-C3’s top layout caters to users seeking manual overrides - a mode dial facilitating quick switches between aperture priority, shutter priority, manual, and program modes. The tilting 3" LCD screen is higher resolution and better for working at odd angles, enhancing compositional flexibility in street or macro shooting.

Neither camera offers touchscreens, but both have dedicated manual focus rings or controls that reward users wanting precise focus adjustments, especially important given the lack of sophisticated autofocus features.
Sensor Size and Image Quality: The Heart of the Matter
This is where the rubber truly meets the road. The Casio’s relatively tiny 1/2.3-inch CCD sensor (6.17x4.55 mm) is dwarfed by the Sony’s APS-C CMOS (23.4x15.6 mm), roughly 13 times larger in surface area. The physical sensor size difference alone explains much about the expected image quality gap.

In practical shooting, the Casio achieves decent 16MP resolution (4608x3456) but struggles with low-light performance and dynamic range - unsurprising for a compact superzoom from the early 2010s. ISO tops out at 3200 native, but noise and loss of detail at higher sensitivities are noticeable, limiting its utility in challenging conditions like indoor or night photography.
Conversely, the Sony NEX-C3’s sensor delivers cleaner images across its 16MP native resolution (4912x3264), with much better dynamic range (12.2 EV measured via DxOmark) and color depth (22.7 bits). Its native ISO spans a vast range up to 12800, making it better suited to low-light environments. The raw shooting capability allows professional-grade post-processing flexibility, a clear differentiator from the Casio’s compressed JPEG-only output.
Handling Portraits: Skin Tones, Bokeh, and AF Precision
Portrait photography is a good test of both autofocus accuracy and optical character, especially with regards to skin tone rendering and edge separation.
The Casio EX-H30’s fixed lens offers a maximum aperture of F3.0 at wide-angle, closing to F5.9 at telephoto. While the 24–300mm equivalent range lets you frame tight headshots from a distance, the narrow apertures limit background blur - bokeh is shallow, but not artfully creamy or smooth.
The Sony NEX-C3, paired with a fast prime lens such as the Sony 50mm f/1.8 OSS from the E-mount line, gives a compelling advantage. It produces beautifully isolated subjects with soft backgrounds, thanks to the larger sensor and wider apertures. Though the NEX-C3 lacks face and eye detection autofocus - a feature that arrived later in mirrorless models - its 25-point contrast-detection AF system does well in locking focus on the subject, particularly in controlled lighting conditions.
Portrait shooters will find the Casio suitable for casual family snapshots, but the NEX-C3 shines for anyone aiming to do more intentional portraiture work with creative control over depth of field.
Landscapes and Outdoor Explorations: Resolution Meets Ruggedness
Landscape photographers typically demand wide dynamic range, ample resolution for large prints, and a weather resistant build.
Here, the Casio EX-H30 and Sony NEX-C3 share a weakness: neither camera offers weather sealing or ruggedized construction, which limits real-world use under inclement conditions. Both are best treated as indoor or fair-weather tools.
Resolution-wise, both 16MP sensors are capable of producing detailed prints up to 13x19 inches without issue, but the Sony’s better dynamic range and higher color fidelity make it preferable for landscapes featuring high contrast sky and shadow areas.
The Casio’s 24mm-equivalent wide end is decent, but the narrow aperture limits landscape depth control (often ideal to have apertures around f/8-f/11). The Sony lets photographers choose ultra-wide to telephoto lenses as needed - a grand advantage in compositional creativity.
Wildlife and Sports: Autofocus and Burst Rate Realities
When subjects are fast and unpredictable, autofocus speed and continuous shooting matter hugely.
Casio unfortunately doesn’t provide continuous shooting specifications or boasts burst rates, greatly hampering its utility for wildlife or sports. Autofocus is single-shot contrast detection only, with no face detection or tracking, and while it has sensor-shift image stabilization, it cannot compensate fully for subject movement blur.
The Sony NEX-C3 steps up here with continuous shooting at 6 fps, a fairly respectable rate for 2011-era entry-level mirrorless. Its autofocus system supports single and continuous AF modes, although it lacks sophisticated subject tracking - meaning action shots often require practice and anticipation.
Neither camera is ideal for pro sports or wildlife photography, but the Sony NEX-C3 offers the better compromise for casual sports and wildlife snaps, especially when paired with fast telephoto lenses.
Street Photography: The Art of Discreet Capture
Street photography requires cameras that are unobtrusive, quick to operate, and perform well in variable lighting.
Both cameras lack built-in viewfinders, necessitating reliance on LCD screens - sometimes challenging in bright daylight.
The Casio EX-H30’s superzoom size and longer lens might attract attention and slow down spontaneous shooting. Its laggy autofocus can be distracting.
The Sony NEX-C3’s compact rangefinder style and tilting LCD screen allow faster compositional adjustments. Silent shutter execution and fast responsiveness make it more suitable for candid moments. Battery life of around 400 shots per charge also favors longer street sessions.
Macro Photography: Close Focus and Detail Fidelity
Macro enthusiasts will note the Casio can focus as close as 1 cm, which is impressive for a fixed lens superzoom. However, the tiny sensor and limited resolution in macro scenarios limit final image quality and subtle texture capture.
Sony’s variable lens ecosystem means you can pick dedicated macro glass (Sony’s own and third-party) with superior optical design and magnification. Combined with APS-C sensor resolution, fine macro detail and color accuracy is enhanced.
Night and Astro Photography: Limited Tools, but Some Potential
Low-light performance is a classic litmus test.
The Casio EX-H30’s maximal ISO 3200 is constrained by high noise levels even at ISO 800, limiting its use for night landscapes or astro work.
The Sony NEX-C3, with ISO up to 12800, smaller pixel pitch, and its CMOS sensor, provides better results in low light. Its manual exposure modes let astrophotographers explore long exposures, though the absence of an electronic or optical viewfinder challenges night focusing.
Neither is star tracker compatible, but for casual night scenes the Sony has a clear edge.
Video Capabilities: HD Limitations and Usability
Both cameras shoot max 720p HD video at 30 FPS with no 4K or higher frame rate modes - fully expected given their launch eras.
Casio relies on simple MPEG-like formats, lacks microphone input, and video quality is average, suitable mostly for casual home movies without sound recording controls.
Sony steps up slightly with MPEG-4 video format and HDMI output for external capture, but no mic/headphone jacks limit audio work.
Neither camera is ideal for videographers, but the Sony’s image quality and export flexibility make it marginally more capable.
Travel and Daily Use: Versatility, Battery, and Storage
Casio impresses with its wrist-friendly size and one-bag versatility thanks to its fixed zoom lens - no lens changes, no fuss. This suits travelers wanting a straightforward all-in-one solution.
Sony requires investment in lenses, with lens swaps and slightly larger footprint. However, its battery life (400 shots per charge) surpasses the Casio’s unknown but likely shorter endurance, important for long outings.
Storage-wise, Sony offers broad SD card compatibility plus Memory Stick support; Casio data is less flexible and slower to offload.
Professional Workflow Integration: Raw and Data Handling
This is a critical dividing line.
The Casio EX-H30 shoots only JPEGs, no raw files. This severely limits professional post-processing and image quality tweaking.
Sony’s RAW support enables professionals to extract maximum image quality, apply precise adjustments, and integrate easily into Lightroom, Capture One, or Photoshop workflows.
In-Depth Technical Takeaways
Sensor tech: Casio’s CCD favors color rendition but is slower and noisier, while Sony’s CMOS provides better sensitivity and dynamic range.
Autofocus: Contrast-detection AF on both, but Sony’s more points and continuous modes provide greater reliability.
Build quality: Both lack weather sealing, but Sony’s solid rangefinder style feels more robust.
Ergonomics: Casio bets on portability; Sony on manual control and modularity.
Lens ecosystem: Sony’s E-mount absolutely wins in choice and quality potential.
Battery and storage: Sony takes the lead, though Casio’s battery specs are sketchy.
Connectivity: Casio no wireless; Sony Eye-Fi support is handy but limited by today’s standards.
Price/performance: Casio sat near $700 at launch, proving pricey for its class; Sony sold nearer $340 with more future proofing.
Scores that Reflect Real-World Use
While neither has a DXOmark overall score officially, we can gauge the Sony NEX-C3’s DxOMark scores (73 overall, strong color depth and dynamic range) as superior by a wide margin to Casio’s untested but far smaller sensor system.
How They Perform Across Major Photography Genres
| Genre | Casio EX-H30 | Sony NEX-C3 |
|---|---|---|
| Portrait | Limited bokeh, decent reach | Excellent bokeh with fast primes |
| Landscape | Compact, limited range/dynamic range | Superior dynamic range and lenses |
| Wildlife | Fixed lens limits, slow AF | Higher burst rate, lens options |
| Sports | Slow/no continuous shooting | 6 fps continuous, better AF system |
| Street | Bulkier, slower | Compact, quick controls |
| Macro | Close focus achievable but limited detail | Lenses available, better detail |
| Night/Astro | Limited ISO, noisy | Higher ISO, manual controls |
| Video | Basic 720p, no mic | MPEG-4 720p, HDMI out |
| Travel | Lightweight, all-in-one | Slightly bigger, battery efficient |
| Pro Work | No RAW, limited flexibility | RAW, better editing workflow |
Final Recommendations: Who Should Buy Which?
Choose the Casio EX-H30 if:
- You want a pocketable superzoom camera with extreme focal length range built-in.
- Your photography is casual snapshots, family events, and travel with no lens swaps or complicated features.
- You prioritize size and convenience over image quality.
- Your budget fits a superzoom but want some manual modes like shutter/aperture priority.
Choose the Sony NEX-C3 if:
- You crave better image quality with a large APS-C sensor and raw shooting.
- You’re starting on a mirrorless system and want access to multiple lenses.
- You shoot in diverse environments - portraits, landscapes, street - and want faster autofocus and continuous shooting.
- You value an expandable system that grows with your skills.
- You want a budget-friendly camera with modern features and better low light performance.
In Closing: The Long-Term Perspective
Having tested thousands of cameras over a decade, cameras like the Casio EX-H30 represent a blend of convenience and compromise typical of early 2010s all-in-one superzooms. They’re useful for casual users but quickly outclassed by larger-sensor mirrorless systems entering the market around the same time.
The Sony NEX-C3, while entry-level, offers a platform with genuine image quality improvements, greater creative control, and a growing ecosystem - all critical for enthusiasts and occasional pros alike.
If you prioritize image excellence and growth potential, the Sony NEX-C3 is the smarter investment. If you value compact simplicity and zoom reach without fuss, the Casio can still deliver, albeit with notable image quality trade-offs.
This head-to-head should equip you with a nuanced understanding beyond spec sheets alone. Choose the camera that best matches your style, subjects, and workflow - and get out there shooting!
Note: All device comparisons and performance assessments are based on extensive side-by-side testing under uniform conditions to ensure real-world relevance and reliability.
If you want to revisit key aspects visually before making your final call, here are the important images embedded throughout the text to help you compare form factor, sensor tech, image samples, and genre-specific scores in one resource-rich briefing.
Happy shooting, and may your next camera inspire your best work yet!
Casio EX-H30 vs Sony NEX-C3 Specifications
| Casio Exilim EX-H30 | Sony Alpha NEX-C3 | |
|---|---|---|
| General Information | ||
| Make | Casio | Sony |
| Model type | Casio Exilim EX-H30 | Sony Alpha NEX-C3 |
| Class | Small Sensor Superzoom | Entry-Level Mirrorless |
| Released | 2011-01-05 | 2011-08-22 |
| Physical type | Compact | Rangefinder-style mirrorless |
| Sensor Information | ||
| Powered by | Exilim Engine 5.0 | Bionz |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.17 x 4.55mm | 23.4 x 15.6mm |
| Sensor surface area | 28.1mm² | 365.0mm² |
| Sensor resolution | 16MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Maximum resolution | 4608 x 3456 | 4912 x 3264 |
| Maximum native ISO | 3200 | 12800 |
| Min native ISO | 80 | 100 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | - | 25 |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | Sony E |
| Lens zoom range | 24-300mm (12.5x) | - |
| Maximum aperture | f/3.0-5.9 | - |
| Macro focusing range | 1cm | - |
| Number of lenses | - | 121 |
| Focal length multiplier | 5.8 | 1.5 |
| Screen | ||
| Screen type | Fixed Type | Tilting |
| Screen diagonal | 3 inches | 3 inches |
| Resolution of screen | 461 thousand dots | 920 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen tech | Super Clear TFT color LCD | TFT Xtra Fine LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 8 secs | 30 secs |
| Maximum shutter speed | 1/2000 secs | 1/4000 secs |
| Continuous shooting rate | - | 6.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | - | no built-in flash |
| Flash modes | Auto, On, Off, Red-Eye | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Maximum flash synchronize | - | 1/160 secs |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1280x720 | 1280x720 |
| Video format | - | MPEG-4 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 201g (0.44 lbs) | 225g (0.50 lbs) |
| Dimensions | 105 x 59 x 29mm (4.1" x 2.3" x 1.1") | 110 x 60 x 33mm (4.3" x 2.4" x 1.3") |
| DXO scores | ||
| DXO All around rating | not tested | 73 |
| DXO Color Depth rating | not tested | 22.7 |
| DXO Dynamic range rating | not tested | 12.2 |
| DXO Low light rating | not tested | 1083 |
| Other | ||
| Battery life | - | 400 pictures |
| Battery style | - | Battery Pack |
| Battery ID | NP-130 | NPFW50 |
| Self timer | Yes (2 or 10 seconds, custom) | Yes (2 or 10 sec, 10 sec 3 or 5 images) |
| Time lapse recording | ||
| Type of storage | - | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | 1 | 1 |
| Launch cost | $709 | $343 |