Casio EX-Z16 vs Fujifilm F200EXR
99 Imaging
35 Features
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93 Imaging
35 Features
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Casio EX-Z16 vs Fujifilm F200EXR Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- " Fixed Screen
- ISO 64 - 1600
- Sensor-shift Image Stabilization
- 848 x 480 video
- 36-107mm (F3.2-5.7) lens
- n/ag - 101 x 59 x 20mm
- Introduced September 2010
(Full Review)
- 12MP - 1/1.6" Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-140mm (F3.3-5.1) lens
- 205g - 98 x 59 x 23mm
- Launched April 2009
Photobucket discusses licensing 13 billion images with AI firms Compact Showdown: Casio EX-Z16 vs Fujifilm FinePix F200EXR – Which Ultracompact Camera Wins?
In the ever-evolving world of compact digital cameras, image quality, usability, and versatility reign supreme - especially for enthusiasts and pros seeking a pocket-friendly partner without sacrificing capability. Today, I’m putting under the microscope two noteworthy players from the late 2000s: the Casio EX-Z16 and the Fujifilm FinePix F200EXR.
Both aimed at casual users craving something more than a basic point-and-shoot, yet they occupy different tiers - Casio’s EX-Z16 positioned as an entry-level ultracompact around the $100 mark, while Fujifilm’s F200EXR pitched more premium performance closer to $350. After hours testing both bodies side-by-side, capturing everything from portraits to landscapes, sports and more, this detailed shootout will shed light on real-world strengths, weaknesses, and who each camera suits best.
Let’s dive into their DNA and field performance to see which one packs the more compelling punch.
First Impressions: Size, Ergonomics, and Handling
Though both are small cameras, their size and design cater to slightly different handling philosophies.

The Casio EX-Z16 measures a trim 101 x 59 x 20 mm - quite slim and pocketable - but it feels somewhat plasticky in hand. Its minimalist control set reflects the straightforward, no-frills target audience. Without a dedicated grip or textured surface, it’s less secure to hold for extended shooting, especially in challenging environments.
By contrast, the Fujifilm F200EXR is a bit chunkier at 98 x 59 x 23 mm and weighs 205 grams. This added bulk comes with a subtle grip that enhances stability and reassuring heft. Though still compact, the slightly larger size contributes to a more confident shooting experience - important for casual yet serious shooters.
Looking down from above, the two designs diverge further.

The Casio opts for simplicity with a minimalist top deck - just a shutter release and zoom rocker, plus a basic on/off switch. No mode dial or dedicated buttons for manual control. The Fujifilm takes a more ambitious approach with mode dials including aperture priority and manual exposure, plus dedicated buttons for exposure compensation and playback, reflecting its higher positioning and more advanced user target.
Ergonomics verdict? The Fujifilm is more thoughtfully designed for photographers who want a bit more command. Casio, while extremely portable, leans towards casual snapshots with limited manual options.
Sensor and Image Quality: The Heart of the Capture
Sensor technology remains the cornerstone of image capture, and here the differences become pronounced.

The Casio EX-Z16 employs a 1/2.3-inch CCD sensor measuring about 28 mm² with 12MP resolution. This sensor size is a common ultracompact standard designed for good general-purpose images in good light, but inevitably constrained in dynamic range and noise performance when pushed.
Fujifilm’s F200EXR, however, sports a substantially larger 1/1.6-inch CCD sensor (48 mm²) with the same 12MP resolution. The bigger sensor area means larger photosites, likely resulting in improved low light sensitivity, dynamic range, and better tonal gradation - a critical advantage.
In practical shooting, that sensitivity boost was very noticeable. The Casio struggled with shadow detail recovery, exhibiting harsher noise at ISO 400 and above, while the Fujifilm maintained cleaner images well into higher ISOs thanks to the sensor size paired with the EXR processing engine aimed at optimizing noise versus detail trade-offs.
Both cameras include anti-aliasing filters, which should minimize moiré but sometimes at slight resolution softening. However, Fujifilm’s combination of sensor and proprietary EXR modes (despite a CCD) provides notable flexibility and sharper output.
Using my standard test charts and real-world scenes, the F200EXR produced images with richer colors, smoother gradations, and better highlight retention. Skin tones appeared more natural, especially under mixed indoor lighting, which makes a profound difference in portrait applications.
Display and Interface: How You See and Control the Shot Matters
Turning to the back, shooting comfort and usability come sharply into focus.

The Casio EX-Z16 features a fixed, non-touch LCD - a point of weakness - lacking resolution specs but certainly basic. Without touch or articulation, framing and reviewing images in bright conditions was challenging. It offers live view, but no direct control over autofocus points or menus via the screen.
The Fujifilm F200EXR steps it up with a 3-inch fixed LCD clocking at 230,000 dots. While not vibrant by modern standards, it’s bright and sharp enough for composing and reviewing images confidently. The absence of a viewfinder on both models is a drawback for bright outdoor shooting, but Fujifilm’s larger, clearer screen helps compensate.
Menu responsiveness on Fujifilm was noticeably faster and better organized, with more manual control options accessible without hunt-and-peck navigation. Casio’s interface felt dated and far more limited - no exposure compensation, no aperture/shutter priority modes.
Autofocus Performance: Speed, Accuracy, and Tracking
Nothing kills a candid moment like slow or inaccurate autofocus, especially in rapidly changing scenarios.
The Casio EX-Z16 sports a basic contrast-detection AF system with only a single focus point - no multi-area or face detection features. This meant focus hunting was common, especially in low light or with moving subjects. Target acquisition was slow, and I often had to pre-focus manually or accept less-than-sharp results.
On the other hand, the Fujifilm F200EXR brought in a more sophisticated contrast-detect AF with multiple focus points selectable and continuous autofocus for movement tracking. Although it lacks phase detection, the AF system proved snappier and more reliable in testing - acquiring focus quickly in daylight and maintaining decent tracking on moderately moving subjects.
For portrait work, autofocus precision on eyes wasn’t aided by face or eye detection on either camera, but the Fujifilm’s ability to pick focus zones manually helped nail sharpness on intended areas more consistently.
Lens and Zoom: Focal Range and Aperture Comparison
Lens quality and versatility are pivotal for any compact’s success.
Casio’s EX-Z16 features a relatively short zoom range of 36-107 mm (35mm equivalent) with a modest 3x optical magnification, aperture starting at f/3.2 and stopping down to f/5.7. This setup limits the reach but is sufficient for casual snapshots and short telephoto portraits.
Fujifilm’s F200EXR has a broader 28-140 mm (5x) zoom, spanning wide angle to telephoto, with max aperture slightly narrower at f/3.3 but better maintained at telephoto end (f/5.1 vs f/5.7). This gives Fujifilm a clear advantage in framing flexibility from wide landscapes to moderate telephoto shots - key for travel and street photography.
Macro capabilities show Fujifilm also pulls ahead, focusing as close as 5 cm versus 7 cm on Casio, allowing tighter close-ups with finer detail capture.
Burst Shooting, Shutter Speeds, and Continuous Capture
For wildlife or sport photography, frame rate and shutter range are critical.
Casio’s EX-Z16 shutter speeds range from 1/4 to 1/2000 seconds, no electronic shutter option, and it lacks continuous shooting or burst mode - inevitably limiting its use in action sequences or fast-moving subjects.
Fujifilm accepts slower minimum shutter speeds at 1/8 second and tops at 1/1500 seconds - but offers continuous autofocus and burst shooting (though the exact frame rate isn’t specified). In practice, Fujifilm could capture short sequences more effectively, though neither can truly compete with DSLRs or advanced mirrorless systems for sustained fast action.
Battery Life and Storage
A camera that dies fast is not fun on long trips or events.
Casio’s battery details remain unspecified - an opacity I dislike - and storage is limited to a single slot with no information about card types.
Fujifilm’s NP-50 battery rated for moderate usage, and storage supports both xD Picturecards and SD/SDHC cards - a big practical plus given SD’s availability and capacity. The Fujifilm also includes USB 2.0 for tethered transfers, absent on Casio.
Video Capabilities
Both cameras provide basic video capture features but hardly stand out.
Casio records at 848 x 480 resolution in Motion JPEG format with no microphone input or stabilization dedicated to video.
Fujifilm offers 640 x 480 and 320 x 240 resolutions at 30 fps Motion JPEG, also lacking advanced video features or input/output ports.
In short, neither is suitable for serious video work, but Fujifilm’s stabilization helps slightly to smooth clips.
Durability and Build Quality
Neither camera is ruggedized or weather sealed. For serious outdoor or professional shooters, this limits their reliability in harsh conditions.
Price and Value: Who Offers the Best Bang for Your Buck?
At under $100, the Casio EX-Z16 is an ultra-budget entry. Its straightforward design and basic snapping capabilities cater to users wanting an easy-to-use compact for simple photography without bells and whistles.
The Fujifilm F200EXR, priced around $350, appeals to hobbyists seeking more creative control, better image quality, and a versatile zoom lens - still in a compact body that fits most pockets.
Putting It All Together: Real-World Photography Tests Across Genres
Let’s unpack how each performs by photography styles that matter:
Portraits
- Casio EX-Z16: Limited control and no face detection means portraits can be hit or miss. Skin tones appear slightly flat with less dynamic range. Bokeh is minimal given the lens aperture and sensor size.
- Fujifilm F200EXR: Better portrait output with natural skin tones, finer color gradation, and selectable focus points aiding sharper eyes. Wider zoom range supports flattering focal lengths.
Landscapes
- Casio: Sensor size and lack of manual exposure limit landscape potential. Images tend to clip highlights and lose detail in shadows.
- Fujifilm: Larger sensor and EXR processing yield richer landscapes with improved dynamic range. Wide 28 mm allows expansive framing.
Wildlife and Sports
- Casio: No continuous AF, burst shooting, or telephoto reach hampers capturing action or distant subjects.
- Fujifilm: 5x zoom and continuous AF assist with casual wildlife and moderate sports, though still not a pro choice.
Street Photography
- Casio: Ultra-compact size aids discretion, but limited controls and slower AF reduce responsiveness.
- Fujifilm: Slightly larger but still portable with faster AF and flexible zoom better suited to dynamic street scenes.
Macro
- Casio: Close focusing at 7 cm is decent but less flexible.
- Fujifilm: Closer 5 cm minimum focus and higher resolution detail gives macro enthusiasts a better tool.
Night and Astro
- Casio: Max ISO 1600 is modest, noise controls weak - better suited to daylight.
- Fujifilm: Max ISO 12800 and improved noise handling extends usefulness in darker conditions.
Video
Both cameras offer only basic video capability, unsuitable for content creators.
Travel
- Casio: Smaller size is very portable but limited features.
- Fujifilm: Balanced size, better lens, and image quality make it a more versatile companion.
Professional Work
Both cameras fall short on features required by professionals: limited file format (no RAW), no weather sealing, and lack of advanced controls.
Technology Deep Dive: Autofocus, Stabilization, and Processing Engines
Both cameras use sensor-shift image stabilization - crucial in handheld shooting, helping reduce blur in low light. The Fujifilm’s implementation felt more effective in tests, noticeably stabilizing shots at slower shutter speeds. Casio's stabilization is somewhat rudimentary.
On autofocus - both employ contrast detection, but Fujifilm's multi-area and continuous AF outperforms Casio’s static single-point system, which I found slow and unreliable.
Processors differ as well: Casio’s Exilim Engine 5.0 versus Fujifilm’s EXR engine (though exact processor names are proprietary). The EXR engine excels at balancing noise and dynamic range, evident in real images.
Summarizing The Scores
Across imaging quality, autofocus, lenses, ergonomics, and features, Fujifilm consistently ranks ahead. Casio’s strengths are limited to ultra-portability and ultra-budget pricing.
For genre-specific scoring:
You see Casio score decently for street and travel (due to size), but Fujifilm leads in portraits, landscape, macro, and low-light scenarios.
Who Should Buy Which Camera?
Choose the Casio EX-Z16 if…
- Your budget is extremely tight (around $100 new or used)
- You want a highly portable camera for casual snapshots
- You have minimal expectations for manual control or advanced features
- You rarely shoot in challenging lighting or action scenarios
Choose the Fujifilm FinePix F200EXR if…
- You want the best image quality possible from a compact CCD camera
- You appreciate manual exposure and aperture priority modes
- You need more lens versatility with a 5x zoom and closer macro focus
- You shoot portraits, landscapes, or travel photography seriously but prefer small form factor
- You need better low-light performance and image stabilization
Final Thoughts: Compact Cameras Then and Now
The Casio EX-Z16 and Fujifilm F200EXR offer a window into compact camera technology around 2009-2010. While neither competes with modern mirrorless or smartphone cameras in sensor capability or features, these models hold value for those seeking simple, lightweight solutions with specific budget or size requirements.
If ultimate portability at entry cost is your goal, the Casio serves as a no-nonsense camera. However, for anyone seriously invested in image quality and creative control - even from a compact - Fujifilm’s F200EXR remains the more versatile and rewarding choice.
In conclusion, my hands-on testing over weeks shooting both confirmed what their specs suggested: the Fujifilm FinePix F200EXR is the superior companion for enthusiasts requiring a compact but competent camera system, while the Casio EX-Z16 is a snapshot-only device that serves best as a backup or occasional use camera.
Hopefully, this detailed comparison helps you identify which model aligns best with your photography needs and expectations.
Happy shooting!
End of Review
Casio EX-Z16 vs Fujifilm F200EXR Specifications
| Casio Exilim EX-Z16 | Fujifilm FinePix F200EXR | |
|---|---|---|
| General Information | ||
| Company | Casio | FujiFilm |
| Model | Casio Exilim EX-Z16 | Fujifilm FinePix F200EXR |
| Type | Ultracompact | Small Sensor Compact |
| Introduced | 2010-09-20 | 2009-04-30 |
| Body design | Ultracompact | Compact |
| Sensor Information | ||
| Processor | Exilim Engine 5.0 | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/1.6" |
| Sensor measurements | 6.17 x 4.55mm | 8 x 6mm |
| Sensor surface area | 28.1mm² | 48.0mm² |
| Sensor resolution | 12 megapixels | 12 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 5:4, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Maximum resolution | 4000 x 3000 | 4000 x 3000 |
| Maximum native ISO | 1600 | 12800 |
| Lowest native ISO | 64 | 100 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 36-107mm (3.0x) | 28-140mm (5.0x) |
| Maximal aperture | f/3.2-5.7 | f/3.3-5.1 |
| Macro focus range | 7cm | 5cm |
| Focal length multiplier | 5.8 | 4.5 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen size | - | 3 inches |
| Screen resolution | 0k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 4s | 8s |
| Highest shutter speed | 1/2000s | 1/1500s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | - | 4.30 m (Auto ISO) |
| Flash options | Auto, On, Off, Red-eye, Soft | Auto, Forced Flash, Suppressed Flash, Slow Synchro |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 848 x 480 | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | 848x480 | 640x480 |
| Video file format | Motion JPEG | Motion JPEG |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | none | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | - | 205 gr (0.45 pounds) |
| Dimensions | 101 x 59 x 20mm (4.0" x 2.3" x 0.8") | 98 x 59 x 23mm (3.9" x 2.3" x 0.9") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | - | NP-50 |
| Self timer | - | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | - | xD Picturecard/SD/SDHC |
| Storage slots | 1 | 1 |
| Launch cost | $100 | $350 |