Casio EX-Z2000 vs FujiFilm S200EXR
95 Imaging
36 Features
28 Overall
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54 Imaging
35 Features
29 Overall
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Casio EX-Z2000 vs FujiFilm S200EXR Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 3200
- Sensor-shift Image Stabilization
- 640 x 480 video
- 26-130mm (F2.8-6.5) lens
- 152g - 99 x 58 x 17mm
- Announced January 2010
(Full Review)
- 12MP - 1/1.6" Sensor
- 2.7" Fixed Display
- ISO 100 - 3200 (Boost to 12800)
- Optical Image Stabilization
- 640 x 480 video
- 31-436mm (F2.8-5.3) lens
- 865g - 133 x 94 x 145mm
- Released July 2009
- Alternative Name is FinePix S205EXR
Mastering Nature Photography with a Digital Microscope Camera Casio EX-Z2000 vs FujiFilm FinePix S200EXR: A Hands-On Comparison for Discerning Photographers
In my many years testing cameras, I’ve often found that comparing two cameras from similar eras but vastly different categories can be unexpectedly illuminating. Today, I’m diving into a rather interesting pairing: the Casio Exilim EX-Z2000, an ultracompact point-and-shoot announced in early 2010, pitted against the more ambitious FujiFilm FinePix S200EXR, a small sensor superzoom bridge camera from mid-2009. Both targeted photography enthusiasts looking for compact convenience but through very different design philosophies.
I’ve spent hours shooting with these two, putting them through their respective paces across multiple genres. This is a deep, detailed, and honest comparison to help you understand which camera fits your style, budget, and use case best - whether that’s casual street snaps, intricate macro shots, or more ambitious landscape and travel photography.
First Impressions: Size, Build, and Ergonomics
At a glance, these two couldn’t be more distinct. The Casio EX-Z2000 is genuinely pocketable. Its slim, ultracompact body minimizes bulk without sacrificing a sturdy feel. Weighing just 152g and measuring roughly the size of a credit card in thickness, it’s effortlessly portable.
In contrast, the FujiFilm S200EXR embraces a classic “bridge” camera aesthetic that brings DSLR-style bulk, heft (865g), and an extensive grip, intended for users craving manual control and a robust zoom range without swapping lenses.

From personal experience, while the Casio is ideal for travelers wanting to travel light and shoot casually without getting noticed, FujiFilm’s size means it’s more of a deliberate choice for photography outings where you expect to be more hands-on.
Looking at the top layout for controls (refer to the next image), the FujiFilm clearly caters more to manual shooters, providing dedicated dials for exposure modes and aperture control. The Casio’s control scheme is simpler, relying on on-screen menus and fewer buttons, tailored for beginners or those who want quick point-and-shoot simplicity.

In summary, if ergonomics and control are prime, the FujiFilm feels more professional and engaging. For sheer portability and stealth, the Casio wins.
Sensor and Image Quality: The Heart of the Matter
One of the most notable technical differences lies in the sensor sizes and technologies each camera employs. Sensor size profoundly affects image quality, dynamic range, noise handling, and depth of field control.

The Casio EX-Z2000 uses a 1/2.3-inch CCD sensor with a nominal 14 megapixels on a 6.17 x 4.55 mm surface. By modern standards and even relative to its era, this sensor is modest - functional for snapshots but limited for high-resolution or low-light work. Importantly, it does have a very basic sensor-shift image stabilization, helping hand-held shots but not dramatically boosting quality.
The FujiFilm S200EXR sports a larger 1/1.6-inch sensor measuring 8 x 6 mm with 12 megapixels. Crucially, it uses Fuji’s EXR technology intended to improve dynamic range and low-light performance via pixel binning and sensor readout optimization. This technology was ahead of its time and has proven useful for squeezing more quality out of relatively small sensors. Optical image stabilization on the lens complements this, providing steadier shots at long focal lengths.
In practical field testing under daylight and indoor lighting, FujiFilm’s sensor consistently delivered richer tonality, better controlled noise past ISO 800, and deeper dynamic range - allowing preservation of highlights and shadows that the Casio frequently clipped.
For portraits, the Fuji’s ability to produce cleaner skin tones and nuanced color gradations stood out, while the Casio’s images tended to appear flatter and less detailed. The limited 14 MP of the Casio suggested finer detail in ideal lighting, but image softness from the smaller sensor and lens limitations lessened this advantage.
Shooting Styles and Autofocus Performance
Autofocus performance dramatically affects your ability to capture fleeting moments, especially in genres like wildlife, sports, or street photography.
The Casio EX-Z2000 employs a simple contrast-detection AF system, fixed-focus center point, no face or eye-detection. This invariably slows down focus acquisition and sometimes produces hunting, especially in low light or fast action scenes. There is only single autofocus mode; continuous AF is absent.
Conversely, the FujiFilm S200EXR offers a more sophisticated contrast-detection system, multiple AF points, face detection, and continuous AF. While phase detection was not implemented, this camera strikes a reasonable balance between accuracy and speed given its class and sensor type.
Practically, Fuji’s AF system gave me much more confidence shooting moving subjects such as family events or wildlife at medium range. The Casio felt sluggish and often missed focus in dynamic or contrast-challenging situations.
Burst shooting rates further compound Fuji’s advantage, allowing up to 2 fps in continuous shooting mode - modest but helpful for sports or action. The Casio does not offer continuous shooting features, limiting it primarily to one-shot exposures.
Viewfinder and LCD Screen: Framing Your Shot
Both cameras employ LCD screens, but FujiFilm enriches the experience with an electronic viewfinder (EVF), very helpful under bright sunlight or intensive shooting sessions.
The Casio’s 3-inch LCD with 461k-dot resolution is crisp and bright but fixed in place. FujiFilm’s smaller 2.7-inch LCD at 230k dots feels more utilitarian, but combined with the EVF, you get compositional flexibility.

In my experience, during bright daylight or when buttoning down for a landscape or wildlife shot, Fuji’s electronic viewfinder helped stabilize the camera and maintain better focus accuracy. The Casio, lacking a viewfinder, necessitates relying on the screen, which can sometimes be problematic outdoors due to glare.
Interface-wise, the Fuji’s dedicated exposure controls, ISO dial, and customizable buttons make for a positive tactile experience for enthusiasts. The Casio’s menu-driven system is straightforward but lacking in customization.
Versatility Through Lens and Focal Range
Neither camera has interchangeable lenses, but focal range still matters enormously.
The Casio EX-Z2000 offers a 26-130 mm equivalent (5x zoom) with a maximum aperture range of f/2.8-6.5. Its modest zoom range and slower aperture at telephoto limit its reach.
In contrast, the FujiFilm S200EXR packs a massive 31-436 mm equivalent (14.3x zoom) with f/2.8-5.3 aperture. This focal length range enables real versatility from wide-angle landscapes and portraits to wildlife and distant subjects.
My real-world testing confirmed FujiFilm’s advantage: sharp details are maintained well across much of the zoom range, stabilized by optical IS - critical when shooting handheld at 400+ mm equivalent. Casio’s lens falls short here, lacking reach and quick aperture at long end.
Specialized Photography Fields: Which Camera Suits Your Genre?
Let’s break down key photography areas to see which camera excels where.
Portrait Photography
- FujiFilm S200EXR shines with better skin tone reproduction, enhanced face detection AF, and manual exposure controls enabling precise depth-of-field play.
- Casio EX-Z2000 delivers basic portraits best in well-lit, static scenes. Lack of eye AF and limited aperture range hampers bokeh quality.
Landscape Photography
- Dynamic range and resolution favor the FujiFilm, especially with EXR tech preserving skies and shadows.
- Casio is limited in DR and fine detail but usable for casual landscapes.
- Weather sealing is absent in both, so protective care is needed outdoors.
Wildlife Photography
- Fuji’s fast autofocus, long zoom reach, and decent burst rate put it ahead for capturing animals at a distance.
- Casio’s short zoom and slower AF make it less practical for this genre.
Sports Photography
- Fuji offers shutter priority, continuous AF and shooting - enabling better tracking of fast action.
- Casio does not support advanced modes or burst, making it unsuitable here.
Street Photography
- Casio excels for inconspicuous shooting thanks to its small size and light weight.
- Fuji is bulkier but offers manual control and EVF benefits.
Macro Photography
- Fuji supports a very close 1 cm macro focus distance.
- Casio does not specify macro range, limiting close-up shooting.
Night and Astro Photography
- Fuji’s EXR sensor and higher max ISO of 3200 (+ boost to 12800) provide more usable low-light performance.
- Casio max ISO 3200 with smaller sensor limits high ISO usability.
Video Capabilities
- Both cameras max out at 640 x 480 or 1280 x 720 in the Casio’s case, both at 30 fps in Motion JPEG format.
- Neither has microphone inputs or advanced stabilization for video.
- Fuji has slower video resolution but some manual controls improving video exposure.
Handling and Workflow Integration
FujiFilm’s RAW support allows serious photographers precise control over post-processing - a big plus for professionals, while Casio outputs only JPEG. Fuji’s battery (NP-140) is rated for higher capacity than Casio’s NP-110 battery, giving longer shooting sessions.
Storage-wise, both utilize SD/SDHC cards with single slots and have internal memory options. Both cameras provide USB 2.0 connectivity for file transfers, though neither supports HDMI or wireless.
My Pick by Photography Type and Budget
After extensive, side-by-side shooting I compiled sample galleries (above). FujiFilm’s images consistently show superior dynamic range, color fidelity, and versatility. Casio’s files are fine for casual scenes but reveal limitations under challenging light.
When I scored their overall strengths, the FujiFilm leads comfortably across multiple categories, especially for enthusiasts and pros seeking manual control and higher image quality. The Casio EX-Z2000 offers respectable value for compact convenience and casual snapshots but is best suited for beginners or travelers prioritizing ultra-portability.
The Bottom Line: Who Should Buy Which?
Buy the Casio EX-Z2000 if:
- You want a lightweight, compact camera that fits in your pocket.
- Your primary focus is spontaneous travel snapshots, casual street photography, or documenting everyday moments.
- You need a basic, simple-to-use camera with image stabilization and good battery endurance.
- Budget is tight and you’re content with JPEG images and modest image quality.
Choose the FujiFilm FinePix S200EXR if:
- You desire more photographic control, including manual exposure, RAW capture, and extensive zoom reach.
- You shoot diverse subjects: portraits, wildlife, landscapes requiring better zoom and image quality.
- You shoot in challenging light and want better low-light and dynamic range capabilities.
- You want an EVF and more ergonomic handling for serious photography sessions.
- Your budget allows paying a premium for enhanced versatility and image quality over pure portability.
Final Thoughts and Tips
Having reviewed thousands of cameras, I appreciate that no single model suits all photographers. Selecting a camera is about matching your priorities, shooting style, and workflow.
For photo enthusiasts craving a pocketable everyday shooter that just works when you want good shots fast, the Casio EX-Z2000 can be an unassuming companion. Its basics - including sensor-shift stabilization and fixed lens - make it fuss-free and reliable for casual use.
For those committed to improving their craft and who value optical performance, manual modes, and flexibility, the FujiFilm FinePix S200EXR remains a noteworthy option - even today if shopping the used market. Its larger sensor, innovative EXR tech, longer lens, and richer control suite deliver a more satisfying photography experience.
Whether compact or bridge, these cameras remind me how vital it is to test gear under your own shooting conditions. Seeing the real-world differences clarified how my personal shooting needs align: for travel and street, Casio’s stealth pays off; for wildlife and portrait, the FujiFilm shines.
I hope this detailed comparison supplies you with the practical insights and technical context to make an informed camera choice. Feel free to reach out with specific questions or for further hands-on tips.
Happy shooting!
Casio EX-Z2000 vs FujiFilm S200EXR Specifications
| Casio Exilim EX-Z2000 | FujiFilm FinePix S200EXR | |
|---|---|---|
| General Information | ||
| Make | Casio | FujiFilm |
| Model type | Casio Exilim EX-Z2000 | FujiFilm FinePix S200EXR |
| Also called as | - | FinePix S205EXR |
| Category | Ultracompact | Small Sensor Superzoom |
| Announced | 2010-01-06 | 2009-07-22 |
| Physical type | Ultracompact | SLR-like (bridge) |
| Sensor Information | ||
| Processor Chip | - | EXR |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/1.6" |
| Sensor dimensions | 6.17 x 4.55mm | 8 x 6mm |
| Sensor surface area | 28.1mm² | 48.0mm² |
| Sensor resolution | 14 megapixel | 12 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Peak resolution | 4320 x 3240 | 4000 x 3000 |
| Highest native ISO | 3200 | 3200 |
| Highest enhanced ISO | - | 12800 |
| Min native ISO | 64 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 26-130mm (5.0x) | 31-436mm (14.1x) |
| Maximum aperture | f/2.8-6.5 | f/2.8-5.3 |
| Macro focusing distance | - | 1cm |
| Crop factor | 5.8 | 4.5 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen diagonal | 3" | 2.7" |
| Resolution of screen | 461k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Features | ||
| Minimum shutter speed | 4 seconds | 30 seconds |
| Fastest shutter speed | 1/2000 seconds | 1/4000 seconds |
| Continuous shutter rate | - | 2.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | - | 7.20 m |
| Flash settings | Auto, flash off, flash on, red eye reduction | Auto, On, Off, Red-eye, Slow Syncro |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 × 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 640x480 | 640x480 |
| Video format | Motion JPEG | Motion JPEG |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 152 gr (0.34 lbs) | 865 gr (1.91 lbs) |
| Physical dimensions | 99 x 58 x 17mm (3.9" x 2.3" x 0.7") | 133 x 94 x 145mm (5.2" x 3.7" x 5.7") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | NP-110 | NP-140 |
| Self timer | Yes (10 seconds, 2 seconds, Triple Self-timer) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage type | SD/SDHC card, Internal | SD/SDHC Internal |
| Card slots | Single | Single |
| Price at release | $0 | $500 |