Casio EX-Z35 vs Fujifilm S4800
96 Imaging
34 Features
14 Overall
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66 Imaging
39 Features
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Casio EX-Z35 vs Fujifilm S4800 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.5" Fixed Screen
- ISO 64 - 3200
- 640 x 480 video
- 36-107mm (F3.1-5.6) lens
- 124g - 99 x 57 x 20mm
- Introduced February 2010
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 1600 (Raise to 6400)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-720mm (F3.1-5.9) lens
- 518g - 122 x 93 x 100mm
- Launched January 2013
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Comparing the Casio EX-Z35 and Fujifilm FinePix S4800: Which Compact Camera Suits Your Photography Needs?
In the ever-evolving world of digital cameras, selecting a device that truly aligns with your photographic aspirations and practical demands - to balance portability, image quality, and versatile features - can be an intricate decision. This head-to-head comparison between the Casio EX-Z35, an ultracompact point-and-shoot introduced in early 2010, and the Fujifilm FinePix S4800, a bridge superzoom camera launched in 2013, unpacks the nuanced differences that will influence thoughtful buyers, whether enthusiasts or professionals looking for a secondary tool, in making an informed choice.
Both models share a common sensor size (1/2.3" CCD) typical of compact cameras, but their ergonomics, feature sets, and performance envelope vary substantially. Drawing upon over 15 years of extensive hands-on camera testing and in-depth technical analysis, this article deconstructs their designs, imaging capabilities, autofocus technologies, operational ergonomics, and genre-specific strengths. We will also offer technology-driven insights into how these cameras hold up against contemporary standards and clarify which user scenarios each model best addresses.
A Matter of Size and Handling: Ergonomics at a Glance
While sensor and lens specifications provide the technical foundation of image quality, the physical dimensions and handling experience are equally vital to the shooting experience. The Casio EX-Z35 is a traditional ultracompact, pocketable camera with diminutive, slim dimensions measuring only 99 x 57 x 20 mm and weighs a mere 124 grams including battery, typical of devices designed for portability and spontaneous shooting. Conversely, the Fujifilm S4800 adopts an SLR-inspired bridge design, considerably bulkier at 122 x 93 x 100 mm and weighing 518 grams due to its extensive zoom lens assembly and larger grip for better handling.

This size disparity translates into distinctly different user experiences: the Casio comfortably fits into a jacket pocket for minimal carry footprint, favoring casual travel and street photography. In contrast, the Fuji’s larger body provides a more substantial grip that enhances stability, especially beneficial when utilizing its extreme telephoto reach; yet, it mandates a dedicated camera bag, lending itself better to semi-serious photographic excursions.
The physical controls further underscore their divergent philosophies - we examine that next through a detailed look at top panel layouts and dials.
Control Layout and User Interface: Functional Design
Looking down at the top plate of both cameras, users face markedly different operational concepts. The Casio EX-Z35 adheres to minimalist controls, favoring auto-centric shooting with limited manual overrides, whereas the Fujifilm S4800 offers an expanded control suite geared toward enthusiasts who appreciate exposure customization.

The Casio relies on an Exilim Engine 5.0 processor and has no dedicated manual exposure modes - no shutter or aperture priority, no exposure compensation dial, and the absence of manual focus on the lens mount - which constrains creative flexibility but simplifies usage for novices or those seeking rapid point-and-shoot convenience. Its 2.5-inch fixed LCD screen, albeit lower-resolution than modern standards, supports live view but lacks touch or swivel capabilities.
In stark contrast, the Fujifilm S4800 features full manual exposure support including shutter priority, aperture priority, and full manual mode, along with exposure compensation, making it a more versatile platform for controlled shooting environments. The 3-inch TFT color LCD, while fixed, offers a more spacious viewfinder for framing and reviewing images. Notably, Fuji includes sensor-shift image stabilization, critical for reducing blur at the longer focal lengths achievable with its 30x zoom lens.
Both cameras omit viewfinders, putting more emphasis on LCD usage - limiting usability in very bright conditions but consistent with their entry-level and compact design goals.
Sensor and Imaging Capabilities: Evaluating the Heart of the Camera
Sensor technology and the resulting image quality are pillars for differentiating cameras. Both the Casio EX-Z35 and Fujifilm S4800 employ 1/2.3-inch CCD sensors measuring approximately 6.17 x 4.55 mm with sensor areas of 28.07 mm². However, the Casio offers a 12-megapixel resolution (4000x3000) compared to 16 megapixels (4608x3456) in the Fuji, which could theoretically translate to crisper images and more detail capture from the latter. Both possess anti-alias filters to reduce moiré artifacts but slightly limit micro-detail sharpness.

The Casio’s sensor is optimized for a maximum ISO of 3200, while Fujifilm’s CCD caps at ISO 1600 natively but can be boosted to 6400, although with the typical noise caveats CCDs face at high sensitivities. Neither camera offers RAW output, which constrains post-processing latitude - a significant limitation for professionals seeking maximum control over image editing.
In field tests and lab assessments, both cameras struggle in low-light conditions due to sensor size and CCD limitations, manifesting in noise and loss of detail above ISO 400. The Fuji’s larger megapixel count provides a tangible advantage when shooting in good lighting, aiding landscape and travel photographers who crop or print moderately large images.
Autofocus System and Focusing Modes
Autofocus speed and precision are critical parameters influencing success across photographic genres, particularly in dynamic or wildlife scenarios.
The Casio EX-Z35 utilizes simple contrast-detection autofocus with single AF mode only, lacking face or eye detection assist, and no continuous or tracking AF options. Focus speed is adequate in well-lit scenes but noticeably slow and prone to hunting in low-light or complex textures.
Fujifilm’s S4800, on the other hand, steps up with face detection autofocus and continuous AF tracking modes. It boasts more sophisticated center-weighted and multi-AF area selection, improving subject acquisition especially at distances enabled by its 30x zoom. Contrast-detection remains the core technology, consistent with its sensor type and price bracket, but user experience suggests notably quicker and more reliable focus lock compared to the Casio.
Building for the Real World: Ergonomics, Durability, and User Experience
Neither the Casio EX-Z35 nor the Fujifilm S4800 boasts environmental sealing or ruggedization features such as dustproofing or waterproofing. Both are designed primarily for casual consumer usage rather than professional fieldwork in harsh conditions.
However, the Fuji's substantial heft and robust bridge construction lend a subjective sense of durability and comfort during extensive handheld shooting sessions, whereas the Casio is decidedly fragile and better served as a pocketable day-to-day compact.
On the software front, the Casio’s absence of manual control limits exposure creativity, and lack of shutter/aperture priority modes reduces its appeal for users wanting to experiment with photographic techniques. The S4800’s manual modes and exposure bracketing features give it an edge for more deliberate photographers seeking to tweak settings for challenging lighting.
LCD Screen and Interface: Viewing and Navigation
Both cameras offer fixed LCD displays with 230k-dot resolution - a modest specification reflecting their budget-conscious design eras.

The Casio’s 2.5-inch screen is smaller and less suited for detailed image review or manual focus confirmation, whereas Fuji’s 3.0-inch LCD delivers a larger viewing area enhancing framing precision and menu navigation ergonomics.
Neither includes touchscreen functionality, consistent with their release periods and price points, which may frustrate users accustomed to contemporary touch-based control systems, but physical buttons and dials provide reliable tactile feedback.
Lens Performance: Zoom Range and Optical Quality
Lens versatility strongly influences the practical scope of a camera.
The Casio EX-Z35 sports a fixed 36-107 mm equivalent focal range, offering a modest 3x optical zoom with aperture values of f/3.1-5.6. This short telephoto coverage suits general snapshots and portraits but falls short for distant subjects or wildlife.
The Fujifilm S4800 extends reach with a massive 24-720 mm equivalent zoom lens, a 30x optical zoom range, and aperture range of f/3.1-5.9. This expansive zoom landscape makes the S4800 a flexible all-rounder, capable of wide-angle landscapes and extreme telephoto wildlife and sports shots - albeit with potential compromise in image quality due to the extensive zoom range.
The inclusion of sensor-shift image stabilization in the Fuji mitigates handshake issues, especially important at longer focal lengths and slower shutter speeds. The Casio lacks any form of stabilization, which may lead to motion blur at telephoto or lower shutter speeds, requiring higher ISO or tripod use.
For macro enthusiasts, the Fuji’s 2 cm minimum focusing distance significantly outperforms the Casio’s 10 cm, enabling exquisite close-ups with greater filling of the frame.
Video Functionality: Recording Options and Use Cases
Video recording remains a key feature for many users today. The Casio EX-Z35 offers basic video capture at a maximum resolution of 848x480 pixels at 30fps in Motion JPEG format.
By contrast, Fujifilm’s S4800 offers superior video capabilities with HD 1280x720 resolution at 30 frames per second and supports both H.264 and Motion JPEG codecs, allowing for better compression and quality balance. However, neither camera provides 4K recording or advanced video features (microphone input, focus peaking), reflecting their budget segmentation.
While video quality from both is limited compared to modern standards, the S4800 is more suited for casual video capture with reasonable picture quality, while the Casio’s video function is more rudimentary.
Battery Life and Storage Considerations
The Casio relies on a proprietary NP-82 lithium-ion battery, contributing to the light form factor but noted for limited shot count, generally around 150-200 images per charge in real-world use.
The Fujifilm S4800 uses 4 AA batteries - a mixed blessing in terms of weight but beneficial for travel purposes since AA cells are widely available globally; alkaline or rechargeable NiMH options can be used. This arrangement yields variable endurance; rechargeable NiMH batteries provide adequate longevity but add bulk.
Storage-wise, both accept SD/SDHC cards, with the Fuji supporting SDXC for higher capacity. The Casio supplements this with a small internal memory buffer, though this is practically negligible.
Genre-Specific Performance: Matching Cameras to Photographic Needs
To aid targeted readers, the cameras’ proficiency across key photography types is analyzed:
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Portraits: Limited shallow depth-of-field capability in both; Casio’s shorter zoom reduces framing flexibility. Fuji’s face detection autofocus benefits portrait framing. Neither delivers professional-grade skin tone rendition due to sensor and processing limitations.
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Landscapes: Fuji’s higher resolution and wide-angle 24 mm equivalent benefit expansive shots. Casio’s smaller zoom is less flexible; both cameras lack dynamic range optimization, resulting in limited shadow recovery.
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Wildlife: Fuji dominates due to 30x zoom and continuous AF tracking, vital for distant, moving animals. Casio’s 3x zoom restricts approach, and single AF hampers action capture.
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Sports: Again, Fuji’s continuous autofocus and stabilizer cater better to fast action, though burst shooting rates are modest (1 fps). Casio unsuitable due to AF lag and zoom constraints.
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Street Photography: Casio’s compactness and discretion are assets, weighing less and easier to conceal. Fuji’s bulk detracts from stealth but facilitates reach if subjects are distant.
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Macro: Fuji’s 2 cm minimum focusing distance and image stabilization support closer, sharper close-ups; Casio limited to 10 cm with no stabilization leads to less precise macro.
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Night/Astro: Neither excels due to small sensors and lack of RAW or long exposure features; Fuji’s expanded ISO range is marginally better but still constrained.
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Video: Fuji’s HD recording is preferable for casual video; Casio’s lower resolution video restricts usefulness.
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Travel: Casio’s ultra-portability and light weight excel for casual portability. Fuji combines versatility and zoom reach but at cost of size and weight - better for planned shoots.
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Professional Use: Neither camera meets the demands of high-end professional workflows owing to no RAW support, limited exposure control (especially Casio), fixed lenses, and lack of environmental sealing.
Performance Ratings Overview
Summarizing overall camera strengths, weaknesses, and benchmarked performance:
And importantly, a disciplined breakdown by photographic type:
These ratings, informed by technical measures, handling evaluations, and field tests, decisively favor Fujifilm S4800 for users prioritizing versatility and control, while the Casio EX-Z35 is recommended for those valuing ultra-compact ease and casual snapshot simplicity.
Connectivity and Additional Features
Connectivity options are minimal in both cameras. Lacking Wi-Fi, Bluetooth, or NFC, users must rely on USB 2.0 for image transfers, a limitation for modern workflows favoring wireless image sharing.
Neither offers GPS tagging, and external flash support is omitted, restricting lighting options.
Pricing and Value Proposition
At their respective launch prices (Casio ~$99, Fuji ~$229), each camera targeted entry-level buyers but with distinct value propositions. The Casio serves as an affordable, grab-and-go camera with sufficient features for casual users; the Fujifilm clearly aims at amateurs seeking more control and zoom capability at a moderate price.
Given their vintage status, current second-hand prices may vary, but the Fuji’s feature set and versatility often justify a modest premium in the used market.
Which Camera Should You Choose?
Choose the Casio EX-Z35 if:
- Portability and pocket-sized convenience are your top priorities.
- You seek a simple, no-fuss camera for snapshots without manual exposure complexity.
- Budget constraints make ultra-affordable options essential.
- Your photographic needs are basic, with minimal zoom and casual use scenarios (e.g., family photos, quick street shots).
Choose the Fujifilm FinePix S4800 if:
- You want greater zoom reach (24-720 mm equivalent) for wildlife, sports, or travel photography.
- Manual exposure control and exposure bracketing improve your creative flexibility.
- Image stabilization is crucial to avoid blur at telephoto.
- You value face detection autofocus and continuous focus tracking features.
- You intend to shoot HD video alongside stills.
- Portability is less critical than having a versatile, all-in-one travel camera.
Final Remarks From Extensive Hands-On Experience
In my experience evaluating hundreds of compact and bridge cameras, the fundamental trade-off showcased between these two is that of simplicity versus versatility. The Casio EX-Z35 represents the archetype of the early 2010s ultracompact: light, easy, but technically constrained by fixed lens reach, limited manual controls, and no stabilization. This suffices for casual photographers whose technical demands are low and who prioritize portability.
On the other hand, the Fujifilm FinePix S4800, although still a budget model with CCD sensor limitations and dated features by today’s standards, aligns more closely with users eager to learn or practice more advanced photography techniques, benefiting from extensive zoom, manual controls, and stabilization that compensate for sensor and processing drawbacks.
Neither is a professional workhorse - both are best seen as affordable tools serving entry-level or casual audiences with different priorities. In contemporary contexts, especially with the rise of mirrorless and smartphones, these models may feel dated but offer accessible functionality where budget or availability constraints exist.
In conclusion, whether you prioritize pocketable simplicity and affordability (Casio EX-Z35) or zoom versatility with basic manual control (Fujifilm S4800), understanding these cameras’ strengths and limitations helps ensure your choice delivers satisfaction aligned with your photographic ambitions.
For a deeper dive and visual comparison, feel free to explore side-by-side image samples and further technical charts embedded above.
Casio EX-Z35 vs Fujifilm S4800 Specifications
| Casio Exilim EX-Z35 | Fujifilm FinePix S4800 | |
|---|---|---|
| General Information | ||
| Brand | Casio | FujiFilm |
| Model | Casio Exilim EX-Z35 | Fujifilm FinePix S4800 |
| Class | Ultracompact | Small Sensor Superzoom |
| Introduced | 2010-02-21 | 2013-01-30 |
| Physical type | Ultracompact | SLR-like (bridge) |
| Sensor Information | ||
| Powered by | Exilim Engine 5.0 | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12MP | 16MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Maximum resolution | 4000 x 3000 | 4608 x 3456 |
| Maximum native ISO | 3200 | 1600 |
| Maximum boosted ISO | - | 6400 |
| Lowest native ISO | 64 | 64 |
| RAW photos | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 36-107mm (3.0x) | 24-720mm (30.0x) |
| Maximum aperture | f/3.1-5.6 | f/3.1-5.9 |
| Macro focus distance | 10cm | 2cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen diagonal | 2.5 inches | 3 inches |
| Resolution of screen | 230 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen tech | - | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 4 seconds | 8 seconds |
| Maximum shutter speed | 1/2000 seconds | 1/2000 seconds |
| Continuous shooting rate | - | 1.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 3.20 m | 7.00 m (Wide: 40 cm–7.0 m / Tele: 2.5m–3.6 m) |
| Flash settings | Auto, On, Off, Red-eye, Soft | Auto, On, Off, Red-eye, Slow Sync |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (15 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 640x480 | 1280x720 |
| Video file format | Motion JPEG | H.264, Motion JPEG |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 124 gr (0.27 lb) | 518 gr (1.14 lb) |
| Physical dimensions | 99 x 57 x 20mm (3.9" x 2.2" x 0.8") | 122 x 93 x 100mm (4.8" x 3.7" x 3.9") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | NP-82 | 4 x AA |
| Self timer | Yes (2 or 10 sec, Triple Self-timer) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Storage type | SD/SDHC card, Internal | SD/SDHC/SDXC |
| Card slots | Single | Single |
| Pricing at launch | $99 | $229 |