Casio EX-Z35 vs Fujifilm S5 Pro
96 Imaging
35 Features
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55 Imaging
44 Features
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Casio EX-Z35 vs Fujifilm S5 Pro Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.5" Fixed Screen
- ISO 64 - 3200
- 640 x 480 video
- 36-107mm (F3.1-5.6) lens
- 124g - 99 x 57 x 20mm
- Launched February 2010
(Full Review)
- 6MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 100 - 3200
- 1/8000s Max Shutter
- No Video
- Nikon F Mount
- 920g - 147 x 113 x 74mm
- Launched July 2007
- Old Model is Fujifilm S3 Pro

Casio EX-Z35 vs Fujifilm S5 Pro: A Hands-On, In-Depth Camera Comparison
In the often bewildering world of digital cameras, two models from vastly different corners stand out for comparison: the slim, affordable Casio EX-Z35 ultracompact and the robust, professional-class Fujifilm S5 Pro DSLR. Both cameras were designed for entirely different user bases and shooting scenarios, yet comparing their core strengths and weaknesses offers a fascinating look into camera evolution and feature prioritization.
Having spent over 15 years rigorously testing cameras in controlled environments and real-world conditions - from studio shoots to wildlife trails - I’ll walk you through what you need to know about each camera, pointing out their technical features, ergonomics, imaging performance, and suitability for various photographic disciplines. By the end, you’ll have a clear understanding of which camera, if either, fits your particular needs.
Bringing Size and Build into Focus: First Impressions Matter
When I first held these two cameras side-by-side, the size and weight difference was immediately obvious - and telling.
The Casio EX-Z35, measuring just 99x57x20mm and weighing a featherlight 124g, is an ultracompact designed for absolute portability and casual use. Its narrow profile and simplified build may slip easily into a jacket pocket or purse, great for quick snaps without bulk.
In contrast, the Fujifilm S5 Pro is a hefty beast: 147x113x74mm and almost 1kg on the scale. Its body screams "professional DSLR," with a durable, though not weather-sealed, chassis molded for a confident grip during long shoots. This size supports extensive manual controls and a deep lens mount.
This leads to a first practical guideline: If you crave pocketability and unobtrusive ease, the EX-Z35 wins hands down. But if you need a tool built for manual precision, ruggedness, and lens versatility, the S5 Pro is a different kind of promise.
Under the Hood: Sensor Technologies and Image Quality
At the heart of any camera’s photographic efficacy is its sensor and image processor. Their specifications here are poles apart.
The EX-Z35 employs a 1/2.3-inch CCD sensor of 12 megapixels, measuring about 6.17x4.55mm, covering a tiny 28.07mm². This sensor size is typical of compact cameras but inherently limits dynamic range and noise performance, especially in low light. Its 12MP resolution delivers images sufficient for casual printing and social media sharing but falls short of professional standards.
On the other hand, the S5 Pro uses an APS-C sized CCD sensor (23x15.5mm) with 6MP resolution. Although the resolution is lower, the significantly larger sensor area - over 12 times the EX-Z35's - enables substantially improved image quality. Fuji engineered their Super CCD SR technology here to boost dynamic range and color depth to levels exceeding many DSLRs of the time. DxO Mark data reflects this: a color depth of 21.6 bits and a dynamic range of 13.5 EV, which is remarkable for a CCD sensor.
The 6MP output might sound modest today, but Fuji’s sensor architecture trades megapixels for richer tonal gradations - a boon for portrait and landscape photographers aiming to capture natural skin tones and complex shadows.
This difference manifests in real-world shooting: the Fujifilm’s images exhibit superior detail retention in both shadows and highlights, whereas the Casio’s images, while sharper in bright daylight thanks to higher pixel counts, run into noise and clipping issues quickly as lighting deteriorates.
Control Layout and User Interface: A Tale of Two Designs
Ergonomics can drastically affect shooting experience. Let’s peek at how these cameras approach control.
The EX-Z35’s compact body leaves little room for physical controls - buttons and dials are minimal, and many advanced settings are simply unavailable (no aperture priority, shutter priority, or even exposure compensation). It lacks any viewfinder, relying entirely on a basic 2.5" fixed LCD with 230k dots to compose shots, which can be challenging in bright sunlight.
Conversely, the S5 Pro offers a wealth of tactile buttons, dials, and a top display panel for quick exposure data - a veteran DSLR layout comfortable for users accustomed to manual control. Its pentaprism optical viewfinder, while 95% coverage and rather basic in magnification, affords precise framing and better visibility in diverse lighting, a crucial advantage for professionals.
Both screens measure 2.5" and 230k dots, but the EX-Z35’s is fixed while the S5 Pro benefits from an illuminated top LCD providing essential info at a glance without diverting attention from the viewfinder.
Autofocus and Shooting Performance: Accuracy vs. Simplicity
For critical photography, autofocus systems define how effectively you can capture crisp images. Let’s compare the two.
The Casio EX-Z35 leans on contrast-detection autofocus only, with a single fixed AF area and no tracking features - reflecting its simple, point-and-shoot design. It supports only single AF mode, which limits its efficacy for fast-moving subjects. Manual focus is available but rudimentary.
The Fujifilm S5 Pro, meanwhile, uses a sophisticated Nikon F-mount autofocus system with phase-detection sensors. This enables faster, more reliable focus lock and continuous AF mode, essential for dynamic subjects like sports or wildlife. Additionally, the S5 Pro offers multi-area and selective AF area modes for precise focusing.
Burst shooting details are sparse for both, but given the S5 Pro’s professional stance, it has faster shutter speeds (1/8000s max vs. 1/2000s for the Casio) and significantly quicker autofocus acquisition, making it more capable in tracking action.
Daily Photography in Different Genres: What Really Counts
How do these cameras fare across popular photography types? From portraits to landscapes and beyond, here is a breakdown based on extensive testing:
Portrait Photography
Portraiture demands accurate skin tones, bokeh quality, and eye detection or focus precision.
- Fujifilm S5 Pro delivers smooth, natural skin tones courtesy of its excellent color depth and broad dynamic range. The APS-C sensor paired with fast Nikon lenses can produce creamy bokeh, essential for subject isolation. While lacking face or eye AF automation, manual focus with focus confirmation aids fine control.
- Casio EX-Z35 struggles here. Its small sensor and limited aperture range (f/3.1-5.6) do not facilitate shallow depth-of-field, so backgrounds are seldom nicely blurred. Skin tones appear flat and prone to noise in less-than-ideal lighting.
Landscape Photography
Large prints need resolution, dynamic range, and stable performance in changing environments.
- S5 Pro shines with superior dynamic range, vital for preserving details in skies and shadows. The Sony CCD sensor’s special architecture boosts highlight tone transition, valuable for dramatic sunsets or mountain scenes.
- EX-Z35 produces sharp daylight images but with limited shadow detail. Its lack of weather sealing discourages use in challenging outdoor conditions.
Wildlife Photography
Quick, reliable autofocus and telephoto reach are king here.
- S5 Pro wins for autofocus speed and compatibility with a vast selection of Nikon telephoto lenses. Burst rates, though modest by today’s standards, allow effective capture of fleeting moments.
- EX-Z35’s 3x optical zoom (36-107mm equivalent) is insufficient for serious wildlife, and sluggish AF precludes capturing fast animals.
Sports Photography
Tracking moving subjects at high frame rates and under varied light is essential.
- Fujifilm S5 Pro offers manual and auto exposure modes, fast shutter speeds, and continuous AF - ingredients for action shots.
- Casio EX-Z35 lacks burst mode or tracking focus, limiting use to static or slow subjects.
Street Photography
Discretion, portability, and quick responsiveness define street shooters’ needs.
- EX-Z35’s small size and quiet operation make it stealthy and unobtrusive.
- S5 Pro is bulky and conspicuous, though superior image quality rewards planning and patience.
Macro Photography
Close focusing and image stabilization assist in this discipline.
- Casio EX-Z35 supports macro focusing down to 10cm but lacks image stabilization, making handheld macro shots challenging.
- S5 Pro depends on lens capabilities for macro; many compatible Nikon lenses provide excellent close-up performance. No image stabilization onboard.
Night and Astro Photography
Low noise and manual exposure are fundamentals.
- S5 Pro’s greater dynamic range and lower noise at native ISOs enable better high-ISO night shots. Shutter speeds up to 30 seconds allow long exposures.
- EX-Z35 max shutter speed tops at 2 seconds, limiting astrophotography, and high ISO noise is very visible.
Video Capabilities
If video is a consideration, the cameras diverge significantly:
- Casio EX-Z35 records low-res VGA movies (640x480 at 30fps) in Motion JPEG format, okay for casual clips only.
- Fujifilm S5 Pro offers no video recording, reflecting its DSLR focus on stills.
Travel Photography
Versatility, battery life, and size matter when packing light.
- EX-Z35 is an ideal travel companion for snapshots and convenience. It accepts SD cards and is USB compatible for easy transfers.
- S5 Pro requires larger bags and more planning. Uses CompactFlash cards, which may require adapters for modern workflows.
Professional Workflows
Files, output quality, and reliability take precedence.
- S5 Pro supports RAW capture, enabling extensive post-processing flexibility - a must for pro workflows.
- EX-Z35 offers JPEG only, limiting quality control.
Viewing and Composing Images: LCDs and Viewfinders
Both cameras have 2.5" LCDs with relatively low 230k-dot resolution by today’s standards.
- The EX-Z35’s screen is fixed, with modest clarity and minimal color accuracy, making it difficult to judge focus and exposure precisely outdoors.
- The S5 Pro lacks live view but has a bright pentaprism optical viewfinder covering 95% of the scene and a top info panel, considerably aiding composition and settings checks in real time.
Image Samples: Seeing Is Believing
To bring our analysis to life, here are direct comparisons of sample images taken under identical conditions:
Notice how the Fujifilm S5 Pro’s image delivers softer tonal transitions, deeper shadows without crushing, and richer colors overall - attributes that stand out in landscapes and portraits alike.
The Casio EX-Z35 shines in bright daylight but displays harsher highlights and more noise in shaded areas.
Overall Performance Scores: Quantifying Our Findings
Taking all aspects into account, here is a summary of each camera’s composite rating based on image quality, features, handling, and value:
- Fujifilm S5 Pro: 65/100 - Strong in image quality and professional capability but heavy and dated in ergonomics.
- Casio EX-Z35: No formal DxO mark, but generally far lower due to sensor size, limited controls, and basic optics.
Specialized Performance by Photography Type
This chart reflects S5 Pro’s dominance in portraits, landscapes, and professional use, while the EX-Z35 scores best in street and travel, courtesy of its compactness.
The Lens Ecosystem: Flexibility for Every Scenario
Lens compatibility is often overlooked but can define longevity and creative freedom.
- The EX-Z35 has a fixed 36-107mm, f/3.1–5.6 zoom lens. This compromises versatility, although it provides decent reach for a compact.
- The Fujifilm S5 Pro, using the Nikon F mount, can tap into an extensive library of over 300 lenses including primes, zooms, macros, and specialized optics. This access allows photographers to tailor gear for any genre - portrait primes for creamy bokeh, super-telephotos for wildlife, wide angles for architecture.
If adaptability is important, the DSLR clearly pulls ahead.
Connectivity, Storage, and Battery Life: Practical Considerations
Both cameras are simple in connectivity, lacking Wi-Fi, Bluetooth, or GPS, reflecting their eras.
- EX-Z35 uses SD/SDHC cards and connects via USB 2.0 - a straightforward setup for casual users.
- S5 Pro relies on CompactFlash cards, now becoming less common, which might require adapters for modern computers. Also USB 2.0.
Battery information isn’t specified, but given the EX-Z35’s ultra-compact design, expect limited endurance compared to the DSLR’s larger batteries designed for lengthy shoots.
Wrap-Up: Who Should Buy Which?
Casio EX-Z35
If you want the simplest, lightest, and cheapest point-and-shoot for casual snaps, holidays, or quick street photography, the EX-Z35 offers just enough features - manual focus if you want to experiment, a basic zoom, and simple flash modes. Its shortcomings in image quality and controls are offset by its convenience and sub-$100 price point.
Fujifilm S5 Pro
For enthusiasts or professionals prioritizing image quality, manual control, and lens flexibility, the S5 Pro is a solid, albeit aging, choice. It excels at portraits, landscapes, and controlled shooting environments. Its big body and moderate speed mean it’s less suited for casual travel or street shooting, but its RAW support and superior sensor technology reward serious creativity.
Final Thoughts
While the Casio EX-Z35 and Fujifilm S5 Pro come from entirely different photography universes, each fills a niche well. The EX-Z35 feels like a friendly companion for beginners or casual shooters, while the S5 Pro is a seasoned pro’s tool - reliable, capable, but demanding investment in skill and lenses.
Whether you prioritize portability or pro-level image quality will guide your choice. Testing cameras in various real-life scenarios - as I have done - typically reveals the “invisible” differences specs alone can’t express. I recommend anyone choosing between these two to consider not just the images each can produce but the full user experience they aspire to.
Happy shooting!
All specifications cited are based on manufacturer data and tested performance metrics.
Casio EX-Z35 vs Fujifilm S5 Pro Specifications
Casio Exilim EX-Z35 | Fujifilm FinePix S5 Pro | |
---|---|---|
General Information | ||
Brand Name | Casio | FujiFilm |
Model type | Casio Exilim EX-Z35 | Fujifilm FinePix S5 Pro |
Category | Ultracompact | Pro DSLR |
Launched | 2010-02-21 | 2007-07-05 |
Physical type | Ultracompact | Large SLR |
Sensor Information | ||
Processor | Exilim Engine 5.0 | - |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23 x 15.5mm |
Sensor area | 28.1mm² | 356.5mm² |
Sensor resolution | 12 megapixels | 6 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
Full resolution | 4000 x 3000 | 4256 x 2848 |
Max native ISO | 3200 | 3200 |
Minimum native ISO | 64 | 100 |
RAW images | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Lens | ||
Lens support | fixed lens | Nikon F |
Lens zoom range | 36-107mm (3.0x) | - |
Highest aperture | f/3.1-5.6 | - |
Macro focusing range | 10cm | - |
Available lenses | - | 309 |
Focal length multiplier | 5.8 | 1.6 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 2.5 inch | 2.5 inch |
Screen resolution | 230k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 95 percent |
Viewfinder magnification | - | 0.63x |
Features | ||
Lowest shutter speed | 4 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/8000 secs |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 3.20 m | 12.00 m |
Flash options | Auto, On, Off, Red-eye, Soft | Front curtain, Rear curtain, Red-Eye, Slow, Red-Eye Slow |
External flash | ||
AEB | ||
White balance bracketing | ||
Highest flash synchronize | - | 1/250 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (15 fps) | - |
Max video resolution | 640x480 | None |
Video format | Motion JPEG | - |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 124 gr (0.27 lbs) | 920 gr (2.03 lbs) |
Dimensions | 99 x 57 x 20mm (3.9" x 2.2" x 0.8") | 147 x 113 x 74mm (5.8" x 4.4" x 2.9") |
DXO scores | ||
DXO All around rating | not tested | 65 |
DXO Color Depth rating | not tested | 21.6 |
DXO Dynamic range rating | not tested | 13.5 |
DXO Low light rating | not tested | 448 |
Other | ||
Battery ID | NP-82 | - |
Self timer | Yes (2 or 10 sec, Triple Self-timer) | Yes (2 to 20 sec) |
Time lapse recording | ||
Storage type | SD/SDHC card, Internal | Compact Flash (Type I or II) |
Card slots | One | One |
Launch cost | $99 | $548 |