Casio EX-Z450 vs FujiFilm F80EXR
96 Imaging
34 Features
24 Overall
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92 Imaging
35 Features
28 Overall
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Casio EX-Z450 vs FujiFilm F80EXR Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 1600
- 1280 x 720 video
- 28-112mm (F2.6-5.8) lens
- 128g - 81 x 56 x 21mm
- Revealed August 2009
(Full Review)
- 12MP - 1/2" Sensor
- 3" Fixed Display
- ISO 100 - 1600 (Boost to 12800)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 27-270mm (F3.3-5.6) lens
- 210g - 99 x 59 x 28mm
- Introduced June 2010
- Additionally Known as FinePix F85EXR

Casio EX-Z450 vs FujiFilm F80EXR: Compact Camera Showdown from My Experience
Having spent well over 15 years rigorously testing cameras - from rugged pro bodies to humble compacts - I’m thrilled to dive back into a comparison of two small-sensor compacts that still hold interest for budget-conscious enthusiasts or casual shooters: the Casio EX-Z450, announced in 2009, and the FujiFilm FinePix F80EXR, introduced a year later in 2010. Both occupy the same small-sensor category yet come from different eras, with distinct philosophies driving design, features, and performance.
In this detailed hands-on comparison, I will walk you through their strengths, weaknesses, and suitability for various photographic genres based on direct testing and real-world usage scenarios. I’ve personally shot landscapes, portraits, and street scenes with both cameras, examining their sensor qualities, autofocus systems, handling, and more to give you practical takeaways you won’t find in mere spec sheets.
First Impressions: Size, Handling, and Ergonomics
When you hold the EX-Z450 and the F80EXR side-by-side, the disparities in physical design are immediately apparent. While both classify as compact cameras, the Casio is notably lighter and sleeker, weighing just 128g in a compact 81x56x21mm frame, whereas the FujiFilm tips the scales at 210g with dimensions of 99x59x28mm.
Despite the EX-Z450’s slim profile, its plastic construction feels slightly less robust than the Fuji’s more solid, grippable chassis. The Fuji, though bulkier, provides a steadier handhold, especially for prolonged shooting sessions. If you’re a traveler keen on lightweight gear, the Casio might be easier to slip into minimal packing, but expect some compromise in grip security.
I appreciate the Fuji’s thoughtful control layout, with dedicated aperture priority and exposure compensation features that the Casio lacks entirely. Both cameras rely on fixed lenses and have non-touch 3.0-inch LCD screens at 230k resolution, but ergonomic nuances matter here. The Fuji’s buttons feel more responsive, and its menu system is notably more intuitive, enhancing the shooting experience.
If your shooting style demands quick access to exposure controls or manual functions, the FujiFilm clearly edges ahead. The Casio’s stripped-down interface suits casual snapshots but lacks the depth for more deliberate image crafting.
Diving Into the Sensors: Under the Hood
Both cameras utilize CCD sensors, common in compacts of their era, and deliver 12-megapixel resolution. However, sensor size and technologies differ slightly:
- Casio EX-Z450: 1/2.3" sensor, 6.17 x 4.55mm, 28.07 mm² area
- FujiFilm F80EXR: 1/2" sensor, 6.4 x 4.8mm, 30.72 mm² area
That extra sensor surface on the Fuji, combined with its EXR processor technology, promises better noise management and dynamic range, particularly in challenging lighting. In practice, I observed the Fuji’s images to retain more detail in shadows and highlights, invaluable for landscape and portrait shooters tackling sunny outdoors or dim interiors.
Both cameras feature anti-aliasing filters to suppress moiré, but the Fuji’s sensor and processor duo enable enhanced sensitivity modes, with ISO extending up to 12800 (boosted), whereas the Casio maxes at ISO 1600 natively.
Viewing Your Shot: LCD Screens and Interface
Both cameras offer a 3.0-inch fixed LCD with 230k dots, a modest resolution by today’s standards but serviceable for framing and reviewing shots.
In daylight, both struggled somewhat for visibility, but the Fuji’s LCD had a subtle edge in contrast, making it easier to assess exposure and focus accuracy outdoors. Neither offered touch interaction or electronic viewfinders - a notable limitation for precise composition in bright environments.
The Casio EX-Z450 is more basic - its menus and status information displayed are minimalistic and less customizable. The FujiFIlm provides greater feedback and let me tweak color profiles and white balance presets directly on the camera - important for photographers desiring more control.
Exploring Image Quality Across Genres
Portrait Photography - Skin Tones and Bokeh
When shooting portraits, skin tone reproduction and background separation are vital. The FujiFilm’s broader zoom range (27-270mm) coupled with sensor stabilization allowed me to shoot tighter headshots with less motion blur despite lacking an aperture wider than f/3.3.
The Casio’s max aperture of f/2.6 at wide end helps with subject isolation but declines quickly to f/5.8 telephoto, limiting bokeh production. Neither camera supports face or eye detection autofocus, and both rely on contrast-detection AF that can be sluggish.
In terms of color, the Fuji’s images rendered skin tones more natural, with pleasant warmth. The Casio tended to lean cooler, making some portraits feel flat or less inviting without post-processing.
Landscape Photography - Dynamic Range and Weather Sealing
With landscapes, sensor prowess and ruggedness count. Neither model offers weather sealing, so cautious use outdoors is advised.
The Fuji’s marginally larger sensor and EXR processing yielded cleaner RAWs (though these cameras do not support RAW output), richer colors, and better dynamic range. Its longer zoom allowed framing distant scenes with more precision and versatility.
The Casio’s fixed lens covers 28-112mm equivalent - a respectable range for general landscapes, but the narrower aperture and lack of stabilization made low-light landscapes tricky without a tripod.
Wildlife Photography - Autofocus and Burst Rates
For wildlife, autofocus speed and burst shooting are critical. The Casio impresses here with a 10 fps burst mode, albeit at modest resolution and with the caveat of limited continuous AF - its focus locks per shot, making tracking moving animals challenging.
The Fuji’s burst is limited to 4 fps but benefits from sensor-shift image stabilization, which helped capture sharper telephoto shots handheld. However, contrast-detection AF on both cameras was too slow and inconsistent for serious wildlife tracking.
Sports Photography - Tracking and Frame Rates
Sports demand fast and continuous autofocus, rapid shooting, and robust metering. Both fall short here:
- Casio: 10 fps burst but only single AF, requiring manual refocus between shots.
- Fuji: More limited burst at 4 fps, with the benefit of image stabilization.
Neither supports advanced tracking AF or exposure priority modes, so acquiring sharp, well-exposed action shots can be a struggle.
Street Photography - Discreteness and Portability
The Casio wins hands-down in portability, slipping effortlessly into pockets and allowing candid shooting without drawing attention. Its quieter shutter is a bonus in discreet environments.
The Fuji, while compact, is bulkier and more noticeable. Both have no electronic viewfinder, which means framing at eye level (preferred for street candidness) is compromised.
Still, Fuji’s lens versatility (10x zoom range) offers compositional flexibility unmatched by Casio’s modest zoom.
Macro Photography - Magnification and Focusing Accuracy
Both cameras allow close focusing: Casio down to 10cm, Fuji to 5cm.
Fuji’s closer macro focusing and sensor stabilization tip the scales in its favor, enabling sharper handheld close-ups. Autofocus precision here is basic on both models, requiring patience, but Fuji’s finer control modes ease this.
Night and Astrophotography - ISO Performance and Exposure Control
Low-light shooting is always demanding for small sensors.
Fuji’s EXR sensor and boosted ISO modes up to 12800 give some creative latitude in night scenes or astrophotography attempts, though noise is still present at high ISOs.
Casio maxes at ISO 1600, limiting night usefulness without long exposures. Neither has bulb mode, but casual night shots are feasible with Fuji thanks to better exposure controls and stabilization.
Video Capabilities - Resolution and Stabilization
Both cameras shoot HD video capped at 1280x720 resolution with variable frame rates (Casio at 24 fps, Fuji at 30 fps), encoded in Motion JPEG - a dated codec resulting in large file sizes and modest code efficiency.
The Fuji offers sensor-shift image stabilization during video, producing smoother footage particularly when walking. Casio lacks stabilization entirely.
Neither supports external microphones or headphone monitoring, limiting audio quality flexibility.
Travel Photography - Versatility and Battery Life
Considering travel, you want a camera that balances size, versatility, and battery endurance.
Casio’s featherweight body and 4x zoom make it easy to carry everywhere. Fuji sacrifices some portability for a more versatile 10x zoom lens and image stabilization, enhancing framing options and low-light usability on the go.
Battery life for both is modest and comparable. Fuji uses the NP-50 battery, Casio the NP-40, with neither providing official CIPA ratings. I found sufficient charge for a day’s casual shooting but recommend carrying spares.
Professional Work - Reliability and Workflow Integration
Neither camera is designed for professional work demanding RAW capture, comprehensive manual controls, or tethering. Both shoot only JPEGs, significantly limiting post-processing latitude. The Fuji’s aperture priority and manual exposure modes offer some control but remain basic.
For serious workflows, professionals should look elsewhere, but for secondary or casual documentation, these cameras suffice.
Autofocus Deep Dive: Contrast-Detection Performance
Both models employ contrast-detection autofocus, typical for compacts but slower than phase-detection in DSLRs or mirrorless cameras.
- Casio has single AF only - focus confirms before exposure. Its AF struggled in low light and for moving subjects.
- Fuji’s AF is similar, with no continuous or tracking support, but image stabilization helps soften focus imperfections.
Neither model includes face or eye detection, increasingly standard even in budget cameras today. This limits their utility for casual portraiture requiring quick, accurate focus.
Build Quality and Weather Resistance Considerations
Neither camera boasts weather sealing or ruggedized construction features. Both demand care against moisture and dust exposure.
Casio’s lighter plastic body feels less durable, especially in rough handling. Fuji’s more substantial frame offers slightly better durability but remains a delicate compact.
If you regularly shoot outdoors in variable conditions, investing in weather-sealed models is preferable.
Lens Ecosystem and Compatibility
Both have fixed zoom lenses, which means you’re committed to the focal lengths provided:
- Casio EX-Z450: 28-112mm equivalent, 4x zoom
- FujiFilm F80EXR: 27-270mm equivalent, 10x zoom
The Fuji’s lens versatility stands out; its broad zoom covers wide-angle landscapes through super-telephoto reach for wildlife or details, ideal for travelers wanting to pack light.
Neither supports interchangeable lenses, so users must adapt to their fixed glass. If lens flexibility is critical, look to mirrorless or DSLR systems instead.
Power, Connectivity, and Storage
Battery data is sparse for both, but in use:
- Casio uses NP-40 lithium-ion, giggling lighter weight but average capacity.
- Fuji packs an NP-50 battery that lasts roughly as long despite a larger front.
Neither supports USB battery charging; rely on dedicated chargers.
Connectivity-wise:
- Casio supports Eye-Fi wireless SD cards for photo transfer, a pioneering but niche feature.
- Fuji offers HDMI output for direct photo/video display on TVs.
Neither camera provides Wi-Fi, Bluetooth, or GPS - features common in modern devices.
Storage uses standard SD/SDHC cards, straightforward but not expandable beyond one slot.
Price-to-Performance Value
The Casio’s original MSRP around $229 (now only found used) positions it as an entry-level, affordable compact. The Fuji’s $400 launch price reflects its more advanced feature set.
In practical terms, Fuji’s wider zoom, stabilization, improved sensor sensitivity, and manual controls justify the premium for enthusiasts seeking a versatile travel or casual camera.
Casio appeals best as a lightweight, simple snapshot tool or backup camera, affordable and pocketable.
Summarizing Scores and Genre Suitability
Here’s a breakdown of how these cameras fare across popular photography types based on my hands-on experience, summarized visually:
Overall performance rankings reflecting handling, image quality, and feature sets:
Real-World Shootouts: Sample Images
Here are side-by-side photo comparisons in varied conditions:
- Notice Fuji’s crisper detail in shaded areas and less noise in higher ISO images.
- Casio’s colors are sometimes cooler, and images appear less contrasty overall.
- The Fuji’s longer zoom makes composition more flexible, especially for distant subjects.
Final Thoughts: Which Compact Camera Fits Your Needs?
-
Choose Casio EX-Z450 if:
- You want a super lightweight, pocket-friendly camera for casual travel or street use.
- Your shooting is generally well-lit, requiring quick snapshots.
- Budget is tight, and you desire a simple, straightforward point-and-shoot.
-
Opt for FujiFilm F80EXR if:
- You want more creative control with aperture priority and manual exposure modes.
- A versatile zoom range and image stabilization are important.
- You shoot varied subjects: from landscapes to wildlife and occasionally at night.
- You prioritize better image quality and low-light performance despite larger size.
Closing Recommendations from My Experience
While neither the Casio EX-Z450 nor the FujiFilm F80EXR can compete with modern mirrorless or advanced compact cameras, they remain interesting choices in their category, especially secondhand.
The FujiFilm is unquestionably the more sophisticated camera here, offering crucial tools for enthusiasts seeking more than simple snapshots without moving into interchangeable-lens territories. Its sensor stabilization and broader zoom do provide tangible advantages in diverse scenarios.
The Casio shines in minimalism and portability, ideal for photographers valuing featherweight walk-around capability over boosting features.
If your budget allows and you desire future-proofing, I would steer toward cameras with RAW support, better autofocus, and modern connectivity. But for the right user - occasional traveler, street shooter, or budget-conscious novice - either of these compacts can serve well with the expectations set accordingly.
I hope sharing my direct experiences and thorough testing insights demystifies these cameras for you. Feel free to reach out with questions or share your shooting stories - I’ve always found camera reviews most rewarding when shared among passionate photographers.
Happy shooting!
Casio EX-Z450 vs FujiFilm F80EXR Specifications
Casio Exilim EX-Z450 | FujiFilm FinePix F80EXR | |
---|---|---|
General Information | ||
Manufacturer | Casio | FujiFilm |
Model | Casio Exilim EX-Z450 | FujiFilm FinePix F80EXR |
Also referred to as | - | FinePix F85EXR |
Class | Small Sensor Compact | Small Sensor Compact |
Revealed | 2009-08-18 | 2010-06-16 |
Body design | Compact | Compact |
Sensor Information | ||
Powered by | - | EXR |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2" |
Sensor measurements | 6.17 x 4.55mm | 6.4 x 4.8mm |
Sensor surface area | 28.1mm² | 30.7mm² |
Sensor resolution | 12MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Maximum resolution | 4000 x 3000 | 4000 x 3000 |
Maximum native ISO | 1600 | 1600 |
Maximum boosted ISO | - | 12800 |
Min native ISO | 64 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 28-112mm (4.0x) | 27-270mm (10.0x) |
Highest aperture | f/2.6-5.8 | f/3.3-5.6 |
Macro focus distance | 10cm | 5cm |
Focal length multiplier | 5.8 | 5.6 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3" | 3" |
Display resolution | 230k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Lowest shutter speed | 1/2 seconds | 8 seconds |
Highest shutter speed | 1/1000 seconds | 1/2000 seconds |
Continuous shooting speed | 10.0 frames/s | 4.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 3.00 m | 4.20 m |
Flash settings | Auto, On, Off, Red-eye, Soft | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (15 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 1280x720 | 1280x720 |
Video file format | Motion JPEG | Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 128 gr (0.28 lb) | 210 gr (0.46 lb) |
Dimensions | 81 x 56 x 21mm (3.2" x 2.2" x 0.8") | 99 x 59 x 28mm (3.9" x 2.3" x 1.1") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | NP-40 | NP-50 |
Self timer | Yes (2 or 10 sec, Triple) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | SD/SDHC card, Internal | SD/SDHC Internal |
Storage slots | 1 | 1 |
Retail cost | $229 | $400 |