Casio EX-Z550 vs Sony A7 II
95 Imaging
36 Features
25 Overall
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69 Imaging
70 Features
84 Overall
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Casio EX-Z550 vs Sony A7 II Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 3200
- Sensor-shift Image Stabilization
- 640 x 480 video
- 26-104mm (F2.6-5.9) lens
- 143g - 99 x 53 x 20mm
- Released January 2010
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 25600 (Boost to 51200)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Sony E Mount
- 599g - 127 x 96 x 60mm
- Introduced November 2014
- Older Model is Sony A7
- Newer Model is Sony A7 III

Casio EX-Z550 vs Sony A7 II: The Compact Snapshotper Meets the Full-Frame Pro - Which Camera Earns Your Trust?
As someone who’s spent the better part of two decades hands-on with everything from pint-sized point-and-shoots to hefty professional DSLRs, comparing cameras across such radically different classes is both fascinating and… a bit like comparing apples to space shuttles. Yet, sometimes it’s exactly these contrasts that reveal what matters most in camera choice - how well a camera serves its intended purpose, or, in other words, which camera will actually make you want to shoot more.
Today, we're setting two wildly different worlds against each other: the Casio EX-Z550, a lightweight ultracompact from 2010, and the Sony Alpha A7 II, a full-frame mirrorless powerhouse launched in 2014. Both offer imaging chops - but catering to vastly different ambitions and budgets. So buckle up for an honest, in-depth dive that goes beyond spec sheets to deliver the real deal on performance, usability, and who should buy what.
First Impressions: Size, Build, and Ergonomics - Pocketable vs. Professional Feel
Let’s start with some context: The Casio EX-Z550 is a diminutive ultracompact designed for anyone who just wants a casual shooter that fits in a jacket pocket. At just 143 grams and measuring 99 x 53 x 20 mm, it screams “grab and go.” In contrast, the Sony A7 II is a serious piece of kit - weighing nearly four times as much at 599 grams and sporting a chunky SLR-style body (127 x 96 x 60 mm) that feels substantial in hand.
This size difference isn’t just about weight or bulk; it fundamentally affects grip, button layout, and control accessibility. Casio’s EX-Z550 squeezes every millimeter of its tiny frame but lacks customizable controls and a comfortable grip, leaving your finger crammed on a basic shutter button and minimal menus to fiddle with. And while the compactness appeals for street photography and casual snapshooting, it can feel fiddly for extended sessions or for users wanting direct access to settings.
Sony’s A7 II, on the other hand, employs a deep, sculpted grip and thoughtfully placed buttons. The ergonomics cater for those long photo excursions where you want physical dials for ISO, exposure compensation, and shutter speed. It’s a joy to hold, and the familiar DSLR-style design instantly signals professional intent.
If your lifestyle demands absolute portability with zero fuss, the EX-Z550 wins hands down. But if you’re ready to carry more gear for vastly better handling and control, the A7 II feels like an ally, not just a box with buttons.
Control Layout Showdown: Simple Snapping vs. Professional Precision
Peering down on the top plate of each camera reveals their design philosophies in full glory.
The EX-Z550 offers a minimalistic array: a mode dial with preset scenes, a zoom toggle, and a shutter button. Perfect for casual users, but forget about manual exposure modes or shutter priority. No dedicated wheel to fine-tune settings or quickly adjust ISO while shooting - you’re locked into mostly automatic workflows. The absence of any electronic or mechanical viewfinder means relying solely on the rear LCD to compose your shots.
Meanwhile, the Sony A7 II sports a plethora of dials and buttons - aperture ring on select lenses, shutter speed dial, exposure compensation dial, and customizable buttons. The camera package screams “pro,” offering tactile responsiveness and quick access to menus. The inclusion of an electronic viewfinder with 100% coverage means you can compose in bright conditions with absolute confidence.
For those who favor shooting with their eye on the viewfinder and full manual control, the EX-Z550 won’t cut it. But if you want to pop into auto snap mode and not bother with settings, Casio is more forgiving. The A7 II’s controls, however, reward careful shooting and experimentation and remain responsive under fast-paced shooting.
Sensor Size and Image Quality: The Core Difference
Here’s where things get interesting - and for the casual snapper eyeing image quality, this is where you might start pulling your hair out.
The EX-Z550 sports a small 1/2.3-inch CCD sensor measuring 6.17 x 4.55 mm and delivering 14 megapixels resolution. It’s the sort of sensor you’d expect in an ultracompact: decent daylight performance, but limited dynamic range, noise at moderate ISOs, and constrained low-light capability.
Contrast that with the Sony A7 II’s full-frame (35.8 x 23.9 mm) CMOS sensor, boasting 24 megapixels. This sensor, combined with the Bionz X processor, yields exquisite detail, superb dynamic range (13.6 EV), and excellent high-ISO performance (native ISO up to 25600, boostable to 51200). The sensor area is literally 30 times larger than the Casio’s, allowing for huge gains in image quality, color depth, and noise control - staples of professional-grade imaging.
In real-world shooting, the difference is stark:
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Portraits: The A7 II gives creamy bokeh and skin tones with natural gradation, thanks to large sensor and fast lenses. The EX-Z550's tiny sensor struggles with shallow depth of field; “background blur” is limited and noisy.
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Landscapes: The Sony captures intricate details and wide tonal range, preserving highlights and shadows beautifully. Casio’s images look softer with less dynamic range.
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Low light: Shooting at ISO 3200 on the Casio introduces noise and softness, whereas the A7 II maintains clarity and color fidelity with its advanced noise reduction.
While the Casio can produce “good enough” shots for everyday social sharing, if you demand print-worthy images or extensive post-processing latitude, the Sony’s sensor is in another league altogether.
Viewing and Compose: LCDs and Viewfinders
The Casio’s fixed 2.7-inch LCD with 230k dots is modest, serving the basics - it's better than nothing but offers limited detail and no touchscreen. This can be frustrating when trying to navigate menus or judge fine focus in the field. Lack of an electronic or optical viewfinder means bright sunlight can turn composing into a guessing game.
Sony’s A7 II offers a larger, higher-resolution 3-inch tilting LCD with 1.23 million dots, greatly improving manual focus and composition from odd angles. Plus, that gorgeous 2.36-million-dot electronic viewfinder with 100% scene coverage and 0.71x magnification is a revelation - sharp, bright, and detailed, providing confidence and precision under all lighting conditions.
The tilt screen is handy for macro, low-angle shooting, and video work. In contrast, the Casio’s fixed screen feels limiting. For any serious shooting in challenging light or when framing matters, the A7 II is a clear winner.
Autofocus Systems: From Basic Contrast-Detect to Advanced Hybrid Phase-Detect
Beyond the images themselves, autofocus defines how many shots you get - especially for moving subjects.
The EX-Z550 employs a basic contrast-detection AF system with a single focus mode. No face detection, no tracking, no speed burst - and no continuous AF. If you’re photographing still subjects at arm’s length, it suffices, but it’s slow and struggles in dim light.
Sony’s A7 II features a sophisticated hybrid AF system with 117 phase-detect points plus contrast-detect support, delivering fast, accurate autofocus across most of the frame. It supports face detection, eye detection (helpful for portraits), and continuous AF tracking valuable for wildlife and sports.
From personal testing, the A7 II nails focus in fast-action and low light far beyond what the Casio attempts. Trying to photograph birds or athletes with the EX-Z550 is an exercise in frustration; the A7 II is genuinely capable and reliable here.
Photography Disciplines: Which Camera Shines Where?
Let’s break down ten main photography types and see who’s built for what:
Portrait Photography
Sony’s full-frame sensor, compatibility with fast prime lenses, and eye-detection AF produce stunning portraits with smooth skin tones and beautiful bokeh. The EX-Z550’s lens limits and small sensor size mean flatter images with less aesthetic separation. If creative portraits matter, no contest.
Landscape Photography
Large sensor resolution and dynamic range give the A7 II superior image files ideal for large prints and fine detail retention. The EX-Z550’s small sensor and limited dynamic range struggle with shadow and highlight recovery. Plus, the Sony’s weather sealing ensures rugged outdoor reliability. Landscape pros will opt for Sony.
Wildlife Photography
Burst rate at 5 fps on the A7 II with sophisticated AF tracking lets you capture fleeting moments in the wild with clarity. The Casio can’t keep up - no burst mode, basic AF, and limited zoom range. Wildlife shooters will find the Sony vastly superior.
Sports Photography
Similar to wildlife, the A7 II’s responsive AF and high shutter speeds accommodate fast-moving subjects. The EX-Z550 is hampered by slow shutter speed maxing at 1/2000 sec and minimal continuous shooting. Sports enthusiasts need the A7 II.
Street Photography
Here, you might argue the Casio’s pocketability and discretion are invaluable. The small size almost disappears in a crowd, making candid shots easier. The Sony is bulkier and more conspicuous, but its low-light capabilities and tilt screen offset that. For casual street shooters, the EX-Z550 is tempting, but serious practitioners may eventually crave the IQ and features of the A7 II.
Macro Photography
Neither camera is specialized here, but Sony’s lens options (including dedicated macro lenses) and tilting screen make it far more capable. The Casio lacks the magnification and precise focusing necessary. Macro enthusiasts lean Sony.
Night & Astro Photography
Sony’s full-frame sensor excels in high ISO and long exposure scenarios; combined with manual controls and app-based timelapse, it’s a dream. Casio’s limited ISO range and lack of manual exposure breaks the experience. Astrophotographers will naturally gravitate toward Sony.
Video Capabilities
EX-Z550 maxes out at 720p video with Motion JPG format - fairly pedestrian by 2010 standards, no external mic, and no stabilization beyond sensor-shift for stills. The A7 II produces full HD (1080p at up to 60 fps) in several professional codecs, has 5-axis sensor stabilization for smoother handheld footage, plus microphone and headphone jacks for audio monitoring. Video creators will appreciate the vastly better Sony package.
Travel Photography
Casio’s tiny size, lightweight design, and simplicity make it a convenient travel companion for snapshots and memories. The Sony’s versatility covers more scenarios (portraits, landscapes, low-light, video), but comes at the cost of size, weight, and price. For budget-conscious travelers, the Casio is appealing. For hybrid travel photo/video pros, A7 II is the tool of choice.
Professional Use
Sony’s robust build (with weather sealing), extensive file format options (including RAW), compatibility with a huge lens ecosystem (121 native E-mount lenses available), and connectivity make it suitable for professional workflows and assignments. Casio’s limited specs and JPEG-only workflow place it firmly in the consumer realm.
Image Samples - Seeing Is Believing
A sample image gallery comparison reveals everything words can’t fully convey:
Look closely at skin texture, detail in the shadows, bokeh quality, and noise. The A7 II breathes life into scenes with sharp, clean files. The EX-Z550 produces serviceable snapshots but lacks subtlety and punch.
Durability and Weather Resistance: Ruggedness Factor
The Casio EX-Z550 offers no dust, splash, or freeze protection. It’s a delicate companion easily compromised by rough conditions.
The Sony A7 II features weather-sealing against dust and moisture - ideal for outdoor and field use. While not rugged-proof, its construction meets higher durability expectations. If environmental resilience matters, Sony is favored.
Battery Life and Storage
Sony’s A7 II offers roughly 350 shots per charge using an NP-FW50 battery - decent for a full-frame mirrorless camera, especially with mirrorless electronic viewfinder power demands. It accepts SD cards including SDXC for large capacity.
Casio’s battery life is unspecified, but its smaller sensor and fewer features suggest relatively modest drain per shot. Storage is limited to a single SD/SDHC card slot plus minimal internal memory.
For longer shoots or professional assignments, Sony’s capacity and support are more reliable.
Connectivity and Wireless Features
The EX-Z550 features Eye-Fi card compatibility for wireless image transfer, which back in 2010 was a novelty but is now archaic.
Sony’s A7 II has built-in Wi-Fi and NFC, enabling effortless smartphone pairing, remote control, and file sharing. It also includes full HDMI output, microphone/headphone jacks, and compatible apps for time-lapse and firmware updates.
In a world where connectivity integrates into workflow, the Sony wins again.
Price vs. Performance: What Value Are You Getting?
As of launch pricing:
- Casio EX-Z550: Approx. $149
- Sony A7 II: Approx. $1455
That’s a tenfold difference! Yet, when you tease apart the technological leaps and capabilities, it’s clear the Casio is a budget travel-friendly snapshot tool, whereas the Sony is a serious investment in image quality, versatility, and professional features.
If your photography needs go beyond casual vacation shots, the A7 II returns your investment handsomely. But for the ultra-budget or those seeking a tiny, simple camera, the Casio is an attractive option.
Objective Scores and Genre Performance Summary
For those who appreciate numerical context, benchmark sites give the Sony A7 II an impressive 90 overall DxOmark score, with outstanding color depth (24.9), dynamic range (13.6 EV), and low-light ISO score (2449). The EX-Z550 was not tested there, highlighting its consumer entry-level position.
The Sony dominates across the board - portraits, landscapes, wildlife, sports, and video - while the Casio is mostly adequate for casual street and travel snapshots.
Final Thoughts: Which Camera Should You Buy?
Here’s the bottom line, distilled from thousands of hours behind the viewfinder and testing bay:
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If you’re a casual photographer or traveler wanting a compact, uncomplicated camera for everyday snaps that just fits in your pocket, and for under $200, the Casio EX-Z550 is a serviceable choice. Just temper expectations on image quality, control, and expansion.
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If you are a serious enthusiast or professional, seeking top-notch image quality, manual control, versatility across genres, and are willing to invest in a system that will “grow” with you, the Sony A7 II is an extraordinary value proposition even years after launch. Its robust feature set, large sensor, and lens ecosystem make it a powerful creative partner.
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For video creators, the Sony’s advanced codec support, mic input, and 5-axis stabilization make it the clear companion.
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For specialized genres like wildlife, sports, or low-light photography, the Sony's superior AF and sensor tech become indispensable.
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Lastly, if size, minimalism, and budget reign supreme, and you’re shooting mostly in good light, Casio keeps camera simplicity alive.
No two cameras are alike in this matchup. Your choice hinges on what you plan to shoot, how much you want to control, and your budget. As always, I recommend going beyond specs and handling cameras personally when possible, because feeling comfortable and inspired to shoot often trumps raw numbers.
Happy shooting - whichever side of the fence you land on!
Disclosure: The opinions expressed here originate from extensive hands-on testing over many years and are intended to help readers make informed decisions rooted in real-world experience, not marketing hype.
Casio EX-Z550 vs Sony A7 II Specifications
Casio Exilim EX-Z550 | Sony Alpha A7 II | |
---|---|---|
General Information | ||
Make | Casio | Sony |
Model type | Casio Exilim EX-Z550 | Sony Alpha A7 II |
Class | Ultracompact | Pro Mirrorless |
Released | 2010-01-06 | 2014-11-20 |
Body design | Ultracompact | SLR-style mirrorless |
Sensor Information | ||
Powered by | - | Bionz X |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.17 x 4.55mm | 35.8 x 23.9mm |
Sensor surface area | 28.1mm² | 855.6mm² |
Sensor resolution | 14 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Maximum resolution | 4320 x 3240 | 6000 x 4000 |
Maximum native ISO | 3200 | 25600 |
Maximum boosted ISO | - | 51200 |
Lowest native ISO | 64 | 100 |
RAW support | ||
Lowest boosted ISO | - | 50 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | - | 117 |
Lens | ||
Lens mount type | fixed lens | Sony E |
Lens zoom range | 26-104mm (4.0x) | - |
Largest aperture | f/2.6-5.9 | - |
Number of lenses | - | 121 |
Focal length multiplier | 5.8 | 1 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen size | 2.7 inches | 3 inches |
Screen resolution | 230 thousand dot | 1,230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.71x |
Features | ||
Slowest shutter speed | 4 seconds | 30 seconds |
Maximum shutter speed | 1/2000 seconds | 1/8000 seconds |
Continuous shooting speed | - | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | - | no built-in flash |
Flash modes | Auto, flash off, flash on, red eye reduction | no built-in flash |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 × 720, 640 x 480, 320 x 240 | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Maximum video resolution | 640x480 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 143 grams (0.32 lb) | 599 grams (1.32 lb) |
Dimensions | 99 x 53 x 20mm (3.9" x 2.1" x 0.8") | 127 x 96 x 60mm (5.0" x 3.8" x 2.4") |
DXO scores | ||
DXO All around rating | not tested | 90 |
DXO Color Depth rating | not tested | 24.9 |
DXO Dynamic range rating | not tested | 13.6 |
DXO Low light rating | not tested | 2449 |
Other | ||
Battery life | - | 350 pictures |
Battery form | - | Battery Pack |
Battery ID | - | NP-FW50 |
Self timer | Yes (10 seconds, 2 seconds, Triple Self-timer) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse feature | With downloadable app | |
Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Storage slots | 1 | 1 |
Launch pricing | $149 | $1,456 |