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Casio EX-Z800 vs Fujifilm S3 Pro

Portability
96
Imaging
36
Features
25
Overall
31
Casio Exilim EX-Z800 front
 
Fujifilm FinePix S3 Pro front
Portability
54
Imaging
43
Features
43
Overall
43

Casio EX-Z800 vs Fujifilm S3 Pro Key Specs

Casio EX-Z800
(Full Review)
  • 14MP - 1/2.3" Sensor
  • 2.7" Fixed Screen
  • ISO 50 - 3200
  • Sensor-shift Image Stabilization
  • 640 x 480 video
  • 27-108mm (F3.2-5.9) lens
  • 124g - 91 x 52 x 20mm
  • Announced August 2010
Fujifilm S3 Pro
(Full Review)
  • 6MP - APS-C Sensor
  • 2" Fixed Screen
  • ISO 100 - 1600
  • No Video
  • Nikon F Mount
  • 930g - 148 x 135 x 80mm
  • Launched March 2005
  • Old Model is Fujifilm S2 Pro
  • New Model is Fujifilm S5 Pro
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Casio EX-Z800 vs Fujifilm FinePix S3 Pro: A Deep Dive into Ultracompact and Pro DSLR Worlds

In the diverse domain of digital photography, choosing the right camera necessitates balancing intended use, technical capability, and ergonomic comfort. Here, we dissect two uniquely positioned cameras from distinct eras and categories: the Casio EX-Z800, a compact point-and-shoot from 2010 designed for casual portability, and the Fujifilm FinePix S3 Pro, a professional DSLR from 2005 noted for its APS-C sensor and dedicated photographic controls. Both cameras appeal to different photographers but offer instructive contrasts in sensor technology, handling, image quality, and feature sets. Drawing from extensive hands-on testing experience, this article aims to guide enthusiasts and pros alike through a meticulous comparison, spotlighting practical merits and limits, culminating in nuanced recommendations tailored to varied photographic disciplines.

Size, Ergonomics, and Physical Design: Compact Convenience vs DSLR Command

Casio EX-Z800 vs Fujifilm S3 Pro size comparison

Handling comfort and portability are pivotal in camera selection. The Casio EX-Z800 epitomizes ultraportability: weighing a mere 124 grams and measuring just 91mm x 52mm x 20mm, it slips effortlessly into pockets and small bags, appealing primarily to travel and street photographers who prioritize discretion and ease over complex controls. Its slender profile and minimalistic design cater to spontaneous shooting but at the cost of ergonomic depth and tactile feedback.

In stark contrast, the Fujifilm S3 Pro, a large DSLR body at 930 grams with dimensions of 148mm x 135mm x 80mm, commands presence. Designed for professional durability and precise handling, it features extensive grip contours, solid buttons, and a robust chassis engineered for environmental sealing. While not ergonomic by modern compact standards, its heft provides stability especially useful in telephoto and longer-exposure scenarios, maintaining composure for portrait, wildlife, and studio applications.

Control Layout and User Interface: Simplicity Meets Professional Precision

Casio EX-Z800 vs Fujifilm S3 Pro top view buttons comparison

Examining the top decks of these cameras reveals their divergent user philosophies. The Casio EX-Z800 features a streamlined interface: a few dedicated buttons paired with a zoom rocker and a mode dial limited to basic settings. The lack of manual exposure modes, shutter priority, or aperture priority restricts creative control but ensures quick point-and-shoot flexibility without steep learning curves.

Conversely, the Fujifilm S3 Pro offers a comprehensive suite of exposure controls including manual, aperture priority, and shutter priority modes. Traditional DSLR dials and customizable buttons allow photographers to finely tune parameters on the fly, an asset when shooting in variable lighting or demanding environments. The lack of live view diminishes its real-time framing convenience by modern standards but remains consistent with DSLR ergonomics of its generation.

Sensor Technology and Image Quality: Tiny CCD vs Large APS-C CCD

Casio EX-Z800 vs Fujifilm S3 Pro sensor size comparison

Here lies the most fundamental technical distinction shaping photographic output. The Casio’s 1/2.3” CCD sensor measures 6.17mm x 4.55mm, yielding an surface area of approximately 28 mm², and a resolution of 14 megapixels. While commendable for compact cameras of its time, this sensor size inherently limits dynamic range and ISO performance due to smaller photodiodes, impacting noise control and shadow detail.

The Fujifilm S3 Pro boasts an APS-C sized CCD sensor of 23mm x 15.5mm with a surface area over ten times larger (~356.5 mm²), albeit at a more modest 6 megapixels. This architectural choice prioritizes pixel quality over quantity, enabling superior color depth, dynamic range exceeding 13.5 EV stops (DxO mark), and reduced noise at native ISOs up to 1600. Fujifilm’s proprietary Super CCD SR technology further enhances highlight retention and color fidelity, critical for professional portrait and landscape work demanding tonal subtleties.

Rear LCD and Viewfinder: Framing, Reviewing, and Interface Feedback

Casio EX-Z800 vs Fujifilm S3 Pro Screen and Viewfinder comparison

The EX-Z800 features a fixed 2.7-inch LCD with 230k-dot resolution. While sufficiently bright and clear for casual composition and image review, it lacks touch sensitivity or articulation, limiting ease-of-use in varied angles or complex menus. Additionally, its absence of any viewfinder - optical or electronic - can challenge stability in bright outdoor shooting.

The S3 Pro offers a smaller 2-inch LCD with comparable pixel density, again without touchscreen or articulation, but compensates with a substantial optical pentaprism viewfinder covering 94% of the frame. This facilitates accurate manual focusing and composition in bright daylight and is essential in professional workflows emphasizing precise framing, particularly for action, wildlife, and studio applications.

Autofocus and Focusing Flexibility: Contrast Versus Phase Detection Raised

The Casio’s autofocus system relies on contrast detection only and supports single AF mode without face or eye detection, autofocus tracking, or multi-area selection - adequate for stationary or slow subjects but unsuitable for rapid or unpredictable motion.

In contrast, the Fujifilm S3 Pro uses Nikon’s F-mount phase detection autofocus system, offering selective and multi-area AF options, continuous AF support, and higher accuracy for moving subjects. Though dated compared to today’s mirrorless hybrids, it excels in scenarios needing sharp focus tracking, such as sports, wildlife, or candid street photography.

Lens Compatibility and Optical Versatility: Fixed Zoom vs Interchangeable Pro Optics

The EX-Z800 sports a fixed 27–108mm f/3.2-5.9 zoom lens (35mm equivalent), delivering 4x optical zoom for general use. This lens is compact but compromises low-light capability and depth of field control, limiting bokeh and subject isolation potential.

The Fujifilm S3 Pro’s Nikon F-mount opens doors to a vast ecosystem exceeding 309 compatible lenses ranging from wide-angle primes and macros to telephoto super-zooms and specialty optics. This compatibility empowers photographers to tailor their gear precisely to their intended discipline, whether macro, portrait, landscape, or sports.

Shooting Modes, Exposure Controls, and Flash: Basic Functionality Meets Pro Customization

The EX-Z800 lacks manual or priority exposure modes, confining users to automatic exposure. Exposure compensation is unavailable, restricting creative adjustments in complex lighting. Built-in flash operates with basic modes (auto, on/off, red-eye reduction) without external flash support, limiting flash photography artistry.

The S3 Pro incorporates full manual, shutter priority, and aperture priority exposure modes alongside exposure compensation capabilities, apportioned to professional workflows requiring meticulous control. Its built-in flash supports multiple firing modes, and importantly, it accepts external flashes via Nikon-compatible hot shoes to enable advanced lighting techniques critical for studio, event, and portrait photography.

Burst Shooting, Shutter Speed Range, and Image Stabilization: Capturing Motion and Stability

Burst shooting capabilities de facto differ - EX-Z800 lacks continuous shooting mode details, implying limited to no burst function, while the S3 Pro does not specify burst performance but supports continuous AF, indicating more advanced action capture potential albeit at modest frame rates compared to modern DSLRs.

Shutter speed on the Casio ranges from 1/4 second to 1/2000 second, which is adequate for general shutter speed coverage yet restrictive in fast action photography or long-exposure night shooting.

Conversely, the Fujifilm S3 Pro offers a broader shutter range (30 seconds to 1/4000 second), better serving long-exposure and rapid shutter needs. The Casio includes sensor-shift image stabilization aiding handheld shooting in low light, a feature absent in the S3 Pro where stabilization depends on lens capabilities.

Video Capabilities: Frugal Motion Capture vs No Video Support

The Casio offers weak video functionality with 1280x720 HD at 20 fps and 640x480 at 30 fps videos encoded in Motion JPEG - suitable only for casual clips but far from professional-quality video work or multimedia storytelling.

The Fujifilm S3 Pro lacks video recording entirely, consistent with many DSLRs before the video revolution circa 2008. It remains purely a stills-centric camera.

Battery, Storage, and Connectivity: Endurance and Workflow Integration

The Casio uses the NP-120 battery (capacity details unspecified) and supports SD/SDHC memory cards, standard yet unremarkable for its class. No wireless or USB 3.0 connectivity exists, confining rapid image transfer and remote control options.

The Fujifilm S3 Pro does not specify battery model but, typical of DSLRs of its class and era, supports extended shooting durations with removable rechargeable packs. Storage relies on both xD Picture Card and CompactFlash Type I or II media, granting flexibility with professional storage preferences but at the expense of ubiquity and contemporary speed standards. Connectivity remains USB 2.0 only, without wireless transfer or tethering.

Real-World Performance Across Photography Genres

To contextualize these technical observations, it is instructive to appraise these cameras’ performances within specific photography disciplines.

Portrait Photography
The EX-Z800’s small sensor and basic lens limit its capacity for creamy bokeh and nuanced skin tone reproduction. Its lack of face or eye AF complicates sharp portraiture. The S3 Pro excels via rich tonality, deeper color depth, and superior subject isolation when paired with fast Nikon primes, making it suited for studio or outdoor portraiture requiring subtle skin rendering.

Landscape Photography
Dynamic range advantages and larger sensor area make the S3 Pro better at capturing expansive tonal gradations in shadows and highlights, vital for landscape work. The EX-Z800’s limited sensor restricts tonal latitude and resolution, though its portability allows easy travel landscapes. However, absence of weather sealing on the Casio limits rugged outdoor utility compared to the sealed body of the S3 Pro.

Wildlife and Sports Photography
Superior autofocus systems and lens interchangeability allow the S3 Pro to track wildlife and sports effectively, though its age limits burst rates and autofocus speeds compared to modern bodies. The Casio, with rudimentary AF and no burst mode, is unsuitable for capturing rapid action or distant subjects.

Street Photography
Portability and discretion favor the EX-Z800, which in casual, everyday street shooting can slip unnoticed, though limited low-light performance and no viewfinder impair quick, precise composition. The S3 Pro is bulky but offers precise control and superior image quality if discretion is secondary.

Macro Photography
Fujifilm’s compatibility with specialized macro lenses produces excellent magnification and focusing precision, far beyond the fixed lens macro capabilities absent or unspecified on the Casio.

Night and Astro Photography
The S3 Pro’s longer shutter speeds and wider dynamic range excel at night and astro imaging, though the camera’s limitations in high ISO sensitivity (max 1600 native) constrain some low-light usability. The EX-Z800’s smaller sensor performs poorly in high ISO and long exposures, restricting astrophotography.

Video Usage
With frail video specs on the EX-Z800 (low frame rates and resolution) and lack of video entirely on the S3 Pro, neither camera serves video professionals well.

Travel Photography
The EX-Z800 is preferred for travel due to extreme portability and simplicity; however, limited battery life and no weatherproofing diminish stamina in challenging conditions. The S3 Pro demands significant carrying investment but rewards with versatility and image quality.

Professional Workflows
The Fujifilm S3 Pro’s RAW support, full manual controls, and lens ecosystem fit within professional workflows needing precise editing and flexibility. The Casio’s JPEG-only output and limited controls curtail post-processing scope and professional use cases.

Technical Scores and Industry Benchmarks


Industry benchmarks align with these findings: The Fujifilm S3 Pro scores substantially higher in overall image quality and professional features, notably excelling in color depth, dynamic range, and exposure control. The Casio’s strengths lie in ultra-compact form and ease-of-use at a budget price.

Final Recommendations: Who Should Choose Which?

Choose the Casio EX-Z800 if:

  • You seek an inexpensive, pocketable, point-and-shoot camera primarily for casual snapshots, street photography, or travel where minimal gear bulk is critical.
  • You value simplicity and instant use without complex menus or controls.
  • Your budget is tight, and video snippets or social sharing are secondary priorities.

Choose the Fujifilm FinePix S3 Pro if:

  • You are a serious enthusiast or professional requiring superior image quality, manual exposure control, and lenses suited to varied genres including portraits, landscapes, and studio work.
  • You demand RAW image capture and compatibility with robust Nikon F-mount optics.
  • You prioritize longevity, precision, and integration into advanced editing workflows despite greater size and weight.
  • Video is not a requirement, and you prefer quality stills over multimedia versatility.

Closing Thoughts

The comparison between the Casio EX-Z800 and Fujifilm FinePix S3 Pro starkly illustrates how camera engineering philosophies can diverge: one embraces convenience and pocketability at the expense of technical depth and quality, while the other champions professional imaging capability albeit with greater complexity and bulk. Each holds relevance for distinct user profiles, reminding buyers that understanding sensor technology, controls, and user intentions remain critical to informed camera selection.

Those gravitating toward casual, everyday photography will appreciate the EX-Z800’s lightweight agility, while those aspiring to higher photographic craftsmanship and demanding environments will find the S3 Pro’s DSLR capabilities invaluable. Balancing these trade-offs with budget realities and genre needs will ensure a camera choice that truly enhances photographic expression.

For further inquiries, testing methodologies, or detailed lens recommendations across these platforms, please reach out - we are committed to enriching your photographic journey with expert, honest evaluations.

Thank you for reading this comprehensive comparison. Feel free to explore accompanying sample galleries and detailed ratings for deeper insights.

Casio EX-Z800 vs Fujifilm S3 Pro Specifications

Detailed spec comparison table for Casio EX-Z800 and Fujifilm S3 Pro
 Casio Exilim EX-Z800Fujifilm FinePix S3 Pro
General Information
Brand Casio FujiFilm
Model Casio Exilim EX-Z800 Fujifilm FinePix S3 Pro
Category Ultracompact Pro DSLR
Announced 2010-08-03 2005-03-16
Physical type Ultracompact Large SLR
Sensor Information
Powered by Exilim Engine 5.0 -
Sensor type CCD CCD
Sensor size 1/2.3" APS-C
Sensor dimensions 6.17 x 4.55mm 23 x 15.5mm
Sensor area 28.1mm² 356.5mm²
Sensor resolution 14MP 6MP
Anti aliasing filter
Aspect ratio 4:3, 3:2 and 16:9 3:2
Maximum resolution 4320 x 3240 4256 x 2848
Maximum native ISO 3200 1600
Minimum native ISO 50 100
RAW photos
Autofocusing
Manual focus
Touch to focus
Continuous autofocus
Single autofocus
Autofocus tracking
Selective autofocus
Center weighted autofocus
Autofocus multi area
Autofocus live view
Face detection autofocus
Contract detection autofocus
Phase detection autofocus
Cross focus points - -
Lens
Lens mounting type fixed lens Nikon F
Lens focal range 27-108mm (4.0x) -
Highest aperture f/3.2-5.9 -
Number of lenses - 309
Crop factor 5.8 1.6
Screen
Screen type Fixed Type Fixed Type
Screen sizing 2.7 inch 2 inch
Resolution of screen 230k dots 235k dots
Selfie friendly
Liveview
Touch functionality
Viewfinder Information
Viewfinder type None Optical (pentaprism)
Viewfinder coverage - 94 percent
Features
Slowest shutter speed 4s 30s
Maximum shutter speed 1/2000s 1/4000s
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation - Yes
Set white balance
Image stabilization
Inbuilt flash
Flash range - 15.00 m
Flash modes Auto, flash off, flash on, red eye reduction Auto, On, Off, Red-eye reduction, Slow Sync
External flash
AEB
WB bracketing
Maximum flash synchronize - 1/180s
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Supported video resolutions 1280 × 720 (20 fps), 640 x 480 (30 f ps) -
Maximum video resolution 640x480 None
Video data format Motion JPEG -
Mic support
Headphone support
Connectivity
Wireless None None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environment sealing
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 124g (0.27 lb) 930g (2.05 lb)
Dimensions 91 x 52 x 20mm (3.6" x 2.0" x 0.8") 148 x 135 x 80mm (5.8" x 5.3" x 3.1")
DXO scores
DXO All around score not tested 60
DXO Color Depth score not tested 20.9
DXO Dynamic range score not tested 13.5
DXO Low light score not tested 346
Other
Battery model NP-120 -
Self timer Yes (10 seconds, 2 seconds, Triple Self-timer) Yes (2, 5, 2 or 100 sec)
Time lapse shooting
Storage type SD/SDHC, Internal xD Picture Card, Compact Flash Type I or II
Card slots One One
Launch pricing $150 $0