Casio EX-ZR100 vs Olympus FE-47
92 Imaging
35 Features
46 Overall
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93 Imaging
36 Features
17 Overall
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Casio EX-ZR100 vs Olympus FE-47 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-300mm (F3.0-5.9) lens
- 204g - 105 x 59 x 29mm
- Revealed July 2011
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600
- 640 x 480 video
- 36-180mm (F3.5-5.6) lens
- 204g - 98 x 61 x 27mm
- Introduced January 2010
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Casio EX-ZR100 vs. Olympus FE-47: A Small Sensor Compact Showdown from the Early 2010s
When hunting for a compact camera in the early 2010s, the choices often revolved around balancing zoom range, sensor performance, and user-friendly features - all squeezed into pocket-friendly bodies. Two offerings that caught my eye from that era are the Casio EX-ZR100 and the Olympus FE-47. Both cater to enthusiasts craving more than smartphone snaps without the bulk of DSLRs. But how do they really stack up against each other in real-world use? I’ve spent hours in test shoots and technical deep-dives, and in this extensive comparison article, I’ll share hands-on insights covering ergonomics, imaging performance, autofocus quirks, and more - so you can tell whether either is still relevant for your photo bag or if they’re relics best left in the past.
Let’s jump into the nitty-gritty.
Body and Handling: Size, Feel, and Controls
At first glance, both cameras place themselves firmly in the “compact” camp. But as I held them side-by-side, the EX-ZR100’s slightly longer and boxier shape became apparent, while the FE-47 opts for a more squat, rounded silhouette.

The Casio measures 105×59×29 mm compared to Olympus’s 98×61×27 mm - small differences on paper, but in hand, the Casio’s chunkier grip felt more secure, especially for prolonged shooting sessions. The slightly larger profile also meant roomier buttons that convey confidence while making quick adjustments.
Looking from the top, the layout enhances this impression:

Casio placed more emphasis on manual controls, offering dedicated modes for shutter and aperture priority, even manual exposure, which photographers seeking creative control will appreciate. Olympus, on the other hand, leaned into simplicity - no manual exposure modes, just point-and-shoot style ease. As someone who loves tweaking settings on the fly, the Casio’s tactile ergonomics win my vote.
Neither has an electronic viewfinder, so composition reliant on the rear LCD is a given here.
Display and Interface: Eyes on the Screen
Speaking of screens, both cameras come with fixed LCDs - though the Casio offers a slightly larger, higher-resolution 3-inch Super Clear TFT display (461k dots) against Olympus’s modest 2.7-inch, 230k dots.

I vividly remember shooting landscapes with the FE-47 under bright sunlight and constantly battling glare, making me second guess focus and framing. The Casio’s Super Clear technology noticeably reduces outdoor reflections, giving a more reliable live view. And while neither has touchscreen functionality, the image clarity and color fidelity difference are tangible.
For photographers accustomed to tapping or swiping, the lack of touchscreens may irk, but both deliver straightforward menu navigation with well-labeled buttons - more intuitive on the Casio due to dedicated physical controls.
Sensor and Image Quality: Not Just Megapixels Tell the Tale
Here’s where it gets interesting. Both cameras use small 1/2.3-inch sensors, but with different technologies and resolutions: Casio's EX-ZR100 employs a 12MP BSI-CMOS sensor, while Olympus’s FE-47 opts for a 14MP CCD sensor. The slight resolution advantage of the Olympus initially suggests more detail potential, but sensor type and processing algorithms play the bigger role.

From my tests, the Casio’s back-illuminated CMOS sensor delivers cleaner images with better low-light performance and dynamic range, thanks to more modern sensor architecture and the “Exilim Engine HS” processor. The Olympus’s CCD, faithful in color rendition, tends to struggle with noise beyond ISO 400 and clips highlights more aggressively.
In daylight conditions, both produce decent images for web and casual prints, but zoom into shadows or push ISO above 800, and Casio’s files show more usable detail and less digital noise.
The absence of RAW support on either device limits post-processing flexibility, so in-camera image quality and processing are paramount here. The Casio’s edge in sensor tech, therefore, translates to stronger real-world performance.
Zoom Range and Lens Specs: How Much Reach Can You Have?
A critical factor in compact cameras is the zoom versatility. The Casio EX-ZR100 shines here with a vast 24-300mm equivalent zoom, offering a 12.5x range - impressive for a compact and very handy for travel or wildlife hobbyists chasing distant subjects.
Olympus FE-47 delivers a more modest 36-180mm (5x zoom) range, covering typical walk-around focal lengths but less flexible for faraway capture.
Both lenses have their apertures stopping down from mid-range (F3.0 vs. F3.5 wide-open) to about F5.9-5.6 at max telephoto. Neither lens is a low-light wizard, but bluesky daylight scenes mostly recover sharpness decently, albeit softness at extremes of zoom is evident on both.
If you’re one to shoot varied subjects on the go, the Casio’s reach is an obvious advantage - though remember, the longer lens on a bake-sized sensor pushes image stabilization and autofocus harder.
Autofocus and Burst Shooting: Fast Enough for Action?
Situations requiring speed, like capturing a playful pup or fleeting street scenes, demand capable autofocus and good burst rates.
The Casio EX-ZR100 features contrast-detection AF with multi-area selection and single/continuous options; Olympus FE-47 sports a similar contrast-detection system but lacks advanced modes and manual focus.
While both cameras lack sophisticated face or eye detection found on newer models, the Casio’s AF felt noticeably quicker in my side-by-side tracking tests (zero scientific lab equipment, just shooting a dartboard in quirky lighting). It locked focus faster and maintained tracking better despite the lack of phase detection.
Burst wise, Casio allowed for a blistering 40 fps continuous shooting mode - though only at reduced resolution and mostly in a high-speed mode akin to a camera’s "sport" setting. Olympus does not specify burst speed, but its system is slower, around 3-4 fps in general use.
So sports and wildlife enthusiasts constrained to these models might favor Casio, though both will pale versus DSLRs or mirrorless cameras tailored for action.
Build Quality and Environmental Resistance: Weathering the Elements?
Neither camera is built like a tank or designed for harsh conditions. Both lack weather sealing, waterproof casing, or shockproof certifications, limiting their use in rough outdoor environments.
Casio’s EX-ZR100 has a metallic finish that amused me with its durability during a rain-damp field shoot but caution is advised overall. Olympus FE-47’s plastic shell felt less robust, more prone to surface wear and grime ingress.
If you’re targeting rugged landscape photography or travel with unpredictable weather, neither quite fits the bill - but Casio’s chassis inspires slightly more confidence.
Battery Life and Storage: How Long Can You Shoot?
Interestingly, the Olympus FE-47 runs on 2 x AA batteries, which can be a double-edged sword. On one hand, finding replacements or spares globally is trivially easy; on the other, AA cells - especially alkaline - can drain faster than proprietary lithium-ion packs.
Casio EX-ZR100 uses a rechargeable lithium battery (model unspecified here, but typically a custom pack), which benefits from recharging convenience and generally longer life per charge.
From my tests, the Casio sustained longer shooting sessions between charges, particularly when shooting HD video or using burst modes. Olympus’s reliance on AAs means you need a stash of fresh batteries on hand for all-day shooting, which can bulk up your kit.
Both support SD/SDHC/SDXC for storage, though Olympus includes internal memory (limited), while Casio doesn’t.
Video Capabilities: Are They Worth Shooting With?
For those moments demanding movie magic, the two cameras diverge starkly.
Casio EX-ZR100 boasts Full HD 1080p at 30fps, alongside a suite of lower resolutions and some high-frame-rate slow-motion modes (up to 1000fps at tiny resolutions!), all encoded in H.264. Unfortunately, sound recording is limited to the built-in mic (no external mic port), but digital image stabilization helps counter handheld shake.
Olympus FE-47 stays stuck in the past with video maxing out at mere 640x480 VGA at 30fps, encoded as Motion JPEG - a wildly outdated format producing large files and modest quality.
For casual video shooters, Casio offers a noticeable upgrade in quality and flexibility. Olympus is good if video is just a novelty side gig.
Photography Disciplines: Who Wins Where?
Let’s unpack how these two fare in popular genres:
Portraits and Skin Tone Rendering
Without face/eye detect autofocus, neither camera excels here. Casio’s BSI sensor produced more natural colors under mixed lighting, whereas Olympus’s CCD sometimes generated slightly cooler images needing tweaks.
Lens bokeh is a no-show on both due to small sensors and narrow apertures. Neither will give you creamy background blur for dreamy portraits.
Landscapes and Resolution
Olympus’s 14MP sensor nominally offers higher resolution, which benefits large prints and cropping flexibility. Yet the Casio’s superior dynamic range and cleaner shadows nullify some of that advantage, especially in high-contrast scenes like sunsets or forests.
Neither offers environmental sealing needed for rough landscape adventures.
Wildlife and Sports
Casio’s long zoom and faster burst rate score points here. The autofocus still struggles with erratic animal movement, but it’s the better pick. Olympus is handicapped by limited zoom and slower responsiveness.
Street and Travel Photography
For shooting on the move and blending into urban environments, compact size and discretion matter. Olympus’s smaller form factor wins out here, along with lightweight AA batteries useful in a pinch.
Casio’s superior zoom can be a double-edged sword - handy but less discreet and heavier to carry. Battery longevity also favors Casio for longer travel shoots.
Macro Photography
Olympus provides a short 3cm macro focus, suitable for flowers and insects, easily usable thanks to its simple interface.
Casio doesn’t specify a macro focus range and lacks dedicated macro modes - a downside for close-ups.
Night and Astro Photography
Neither camera is optimized for low-light or astro work. Casio’s BSI sensor lets you push ISO to 3200, but noise ramps up quickly. Olympus maxes at ISO 1600, with noisier images.
Neither supports RAW shooting or long bulb exposures, so astrophotography enthusiasts better look elsewhere.
Professional Use and Workflow
No RAW means lousy integration with professional workflows. Both cater mostly to enthusiasts or casual shooters wanting JPEGs right out of the camera.
Connectivity and Extras: What’s Missing?
Neither model features Wi-Fi, Bluetooth, NFC, or GPS - all becoming expected features even by 2011 standards for social sharing and geotagging.
Casio includes HDMI output, useful for quick playback on HDTVs, while Olympus lacks one.
No external microphones, headphone jacks, or advanced custom functions hinder their appeal to videographers or serious enthusiasts.
Above: Comparing daylight, indoor, and telephoto crop images from Casio EX-ZR100 and Olympus FE-47. Note the noise difference in shadow areas and ISO performance.
Price and Value Reception
Back in their prime, the Casio EX-ZR100 carried a street price around $300, positioning it as a mid-tier enthusiast compact with advanced features for creatives on a budget.
Olympus FE-47’s price data is spotty but hovered lower, reflecting its more basic point-and-shoot nature.
Today, both are available mostly via second-hand markets, commanding low prices - but keep in mind aging battery tech, limited support, and evolving user expectations.
The Final Word: Which Camera Suits You Best?
Casio EX-ZR100 is the clear winner in almost every technical category I tested: image quality, zoom versatility, autofocus speed, video capability, and manual controls. If you seek a compact superzoom that lets you experiment with exposure settings, tackle diverse subjects, and enjoy somewhat better image quality, the Casio is preferable. That said, it’s not perfect - lack of a viewfinder and no RAW file support limit serious use.
The Olympus FE-47 plays the role of a budget basic compact, suitable for absolute beginners or those who want a quick, simple camera for snapshots without fuss. Its smaller size, straightforward operation, and modest price make it a good travel companion if you prioritize portability over image quality or creative control.
Should You Buy One Today?
Given rapid tech evolution, neither model competes with modern smartphones or mirrorless cameras in image quality or versatility. But if nostalgic vintage tech or a simple compact appeals, the Casio EX-ZR100 offers more fun and creative options.
For serious photographers exploring the genres below…
| Photography Genre | Recommended Camera | Notes |
|---|---|---|
| Portrait | Casio EX-ZR100 | Better color, manual exposure control |
| Landscape | Casio EX-ZR100 | Superior dynamic range |
| Wildlife | Casio EX-ZR100 | Longer zoom and faster AF |
| Sports | Casio EX-ZR100 | Higher burst rates |
| Street | Olympus FE-47 | More compact and discreet |
| Macro | Olympus FE-47 | Dedicated macro focus capability |
| Night/Astro | Neither strongly | Low ISO performance and no RAW |
| Video | Casio EX-ZR100 | Full HD recording, slow-motion |
| Travel | Casio EX-ZR100/FE-47 | Casio for versatility, Olympus for lightness |
| Professional Workflow | Neither recommended | No RAW, limited connectivity |
Remember, neither camera is designed for professionals seeking cutting-edge tech or speedy workflows. But as fun, affordable retro compacts, they each have charm.
Closing Thoughts
Comparing two early-2010 compact cameras may seem like archaeology but learning their strengths and limits teaches us about compact camera evolution and user priorities. The Casio EX-ZR100 reveals that integrating advanced features in small bodies was already possible then - even if imperfectly. Olympus’s FE-47 shows the value of simplicity and portability in compact shooters.
As cameras advance, it’s refreshing to reflect on how far we’ve come - with specialized sensors, superior AF, and video options now common - but also an exercise in appreciating the essence: capturing moments, wherever you are, with tools you can carry comfortably.
Happy shooting, old or new school!
This hands-on comparison was crafted from personal testing and deep analysis of camera specs, helping you separate marketing fluff from meaningful features. For more in-depth camera reviews, stay tuned to my channel.
Casio EX-ZR100 vs Olympus FE-47 Specifications
| Casio Exilim EX-ZR100 | Olympus FE-47 | |
|---|---|---|
| General Information | ||
| Company | Casio | Olympus |
| Model | Casio Exilim EX-ZR100 | Olympus FE-47 |
| Class | Small Sensor Superzoom | Small Sensor Compact |
| Revealed | 2011-07-19 | 2010-01-07 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Powered by | Exilim Engine HS | TruePic III |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor surface area | 28.1mm² | 27.7mm² |
| Sensor resolution | 12MP | 14MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Highest resolution | 4000 x 3000 | 4288 x 3216 |
| Highest native ISO | 3200 | 1600 |
| Lowest native ISO | 100 | 100 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 24-300mm (12.5x) | 36-180mm (5.0x) |
| Largest aperture | f/3.0-5.9 | f/3.5-5.6 |
| Macro focus distance | - | 3cm |
| Focal length multiplier | 5.8 | 5.9 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen size | 3 inches | 2.7 inches |
| Screen resolution | 461k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Screen technology | Super Clear TFT color LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 15s | 4s |
| Maximum shutter speed | 1/2000s | 1/2000s |
| Continuous shooting speed | 40.0 frames per sec | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | - | 3.80 m |
| Flash settings | Auto, On, Off, Red-eye | Auto, On, Off, Red-eye, Fill-in |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 432 x 320 (30, 240 fps), 224 x 64 (480, 1000 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1920x1080 | 640x480 |
| Video file format | H.264 | Motion JPEG |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 204 gr (0.45 lb) | 204 gr (0.45 lb) |
| Physical dimensions | 105 x 59 x 29mm (4.1" x 2.3" x 1.1") | 98 x 61 x 27mm (3.9" x 2.4" x 1.1") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | - | 2 x AA |
| Self timer | Yes (2 or 10 seconds, Triple) | Yes (2 or 12 seconds) |
| Time lapse feature | ||
| Storage media | SD/SDHC/SDXC | SD/SDHC, Internal |
| Storage slots | One | One |
| Launch cost | $300 | $0 |