Casio EX-ZR300 vs FujiFilm AV250
92 Imaging
39 Features
50 Overall
43


94 Imaging
38 Features
20 Overall
30
Casio EX-ZR300 vs FujiFilm AV250 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-300mm (F3.0-5.9) lens
- 205g - 105 x 59 x 29mm
- Announced May 2012
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600 (Boost to 3200)
- 1280 x 720 video
- 32-96mm (F) lens
- 168g - 93 x 60 x 28mm
- Revealed January 2011
- Additionally Known as FinePix AV255

Casio EX-ZR300 vs. FujiFilm FinePix AV250: A Thorough Hands-On Comparison for the Discerning Photographer
In the landscape of compact digital cameras, choices abound, especially at the intersection where affordability meets versatility. Today, I’m diving deep into two enticing options from the era around 2011-2012: the Casio EX-ZR300 and the FujiFilm FinePix AV250 (also known as AV255). Though both cameras target the entry to mid-level compact buyer, their design philosophies, capabilities, and performance profiles diverge in meaningful ways. Having spent many hours putting these two through their paces - shooting everything from intimate portraits in natural light to fast-paced street scenes - let’s unravel their respective merits and limitations.
I’ll steer this comparison through multiple photography disciplines and real-world shooting scenarios. Technical analysis and user ergonomics will also get their due attention. By the end, you should have a crystal-clear picture on which of these cameras suits your photographic ambitions best.
Seeing Is Believing: Body Design and Handling
When it comes to handling, first impressions matter. The Casio EX-ZR300 weighs in at 205 grams and measures 105x59x29 mm, while the FujiFilm AV250 is somewhat lighter at 168 grams and slightly more compact size-wise (93x60x28 mm).
What immediately stands out is the Casio’s more substantial grip and thoughtful button layout, which lend it a more confident feel in hand. The EX-ZR300’s body type is a compact superzoom, inherently designed to provide greater reach (24-300 mm equivalent) without sacrificing stability. In contrast, the FujiFilm AV250’s more petite profile correlates with its modest 32-96 mm zoom range - fitting for casual snaps but not much beyond.
Ergonomically, I found the Casio’s controls a notch above, with well-placed dials and a Iso/exposure compensation wheel that allows quicker shooting adjustments. Meanwhile, the Fuji’s simpler control scheme makes it more approachable to absolute beginners, albeit at the expense of manual control finesse.
The Casio’s superior tactile responsiveness stood out during prolonged handheld sessions in both bright and dim environments, where I appreciated the sturdiness without being bulky. Fuji’s thinner chassis and lighter weight certainly favor pocket portability, but the minimal control finesse limits quick adaptability.
Sensor Technology & Image Quality: The Heart of the Matter
Both cameras share the same sensor size: a 1/2.3" sensor with 16-megapixel resolution, boasting a sensor area approximately 28.07 mm². But their sensor technologies differ markedly: the Casio uses a BSI CMOS sensor, while the FujiFilm relies on a CCD sensor.
Why does this matter? Backside-illuminated (BSI) CMOS sensors generally deliver better low-light performance and dynamic range compared to older CCD technology due to improved photon collection efficiency. In my tests, the EX-ZR300 consistently produced cleaner files at higher ISOs, with less noise and better retention of highlight and shadow details. The Fuji’s CCD sensor, while capable of delivering pleasing color rendition in good light, struggled past ISO 400 with noticeable noise and diminished dynamic range.
Resolution-wise, both render 4608x3456 pixel files - enough for large prints or significant crop flexibility. However, the Casio’s superior processor, the Exilim Engine HS, complements the sensor by applying noise reduction and detail enhancement more intelligently than Fuji’s comparatively dated processing pipeline.
Shooting Experience: Autofocus and Exposure Control
Autofocus capabilities are vital for capturing fleeting moments. The EX-ZR300 employs a contrast-detection AF system with additional face detection, offering multi-area AF that helps quickly lock focus across the frame. Although not class-leading by today’s standards, it still provides reliable focusing in various conditions, including moderate low light. Unfortunately, it lacks advanced features like phase detection AF or animal eye autofocus.
The FujiFilm AV250 also uses contrast-detection AF but is relegated to a more limited center-weighted AF area, restricting compositional flexibility. Tracking moving subjects is challenging due to slower autofocus response, making it less suited for anything beyond static scenes.
On the exposure front, Casio’s offering supports full manual exposure along with shutter and aperture priority modes, vital tools for creative control. FujiFilm, by contrast, omits manual and semi-manual exposure modes altogether, relying completely on auto and scene modes - restrictive for photographers looking to hone their craft.
Display and User Interface: Clarity and Feedback
The Casio EX-ZR300 comes with a 3-inch fixed “Super Clear TFT Color” LCD boasting 461k dots resolution, translating to crisp, bright, and color-accurate previews. This was particularly advantageous in brightly lit outdoor conditions, where screen reflectivity often ruins compositions on inferior panels.
On FujiFilm, the AV250 features a smaller 2.7-inch TFT screen with a more modest 230k dot resolution. This display feels softer and can be difficult to view in direct sunlight, complicating critical focus checks in the field.
User interface-wise, the Casio’s menu system is more layered but better organized, with access to histogram displays and highlight warnings. The Fuji’s UI is simpler and more linear, appealing to beginners but lacking flexibility.
Lens Performance and Creative Flexibility
Let’s talk glass - a crucial consideration for any photographer. Casio’s EX-ZR300 sports a versatile 24-300 mm equivalent zoom with a maximum aperture ranging from f/3.0 at the wide end to f/5.9 at full telephoto. This 12.5x zoom range gives a great shooting reach for everything from landscapes to wildlife on a budget.
In contrast, the FujiFilm AV250’s 32-96 mm equivalent zoom is far more modest, only 3x magnification. It shines in casual, walk-around shooting but leaves much to be desired for telephoto or macro work.
Speaking of macro, Casio impresses with its ability to focus as close as 1 cm, an asset for detail-oriented photography like flower or product shots. FujiFilm does not specify macro focus distances, and testing showed its closest focus to be relatively disappointing for fine-close-up work.
Stability and Shutter Control: Keeping Shots Crisp
Image stabilization plays a pivotal role, especially when shooting at telephoto lengths or in low light. Casio incorporates sensor-shift stabilization, which demonstrably helps reduce blur in hand-held shots - the difference is notable when zooming beyond 200 mm. FujiFilm, disappointingly, does not offer any form of image stabilization, placing a greater burden on the photographer or requiring higher shutter speeds and thus potentially higher ISO noise.
Casio’s shutter speed range from 15 to 1/2000 sec accommodates a wider variety of shooting scenarios, including slow shutter effects and action freezes. FujiFilm’s shutter top out at 1/1400 sec, which is adequate for most casual uses but could be limiting for fast sports or wildlife.
Performance in Photography Genres
Let me walk you through how each camera fares across popular photography types:
Portrait Photography
Portraits hinge on smooth skin tone reproduction and pleasing bokeh. The EX-ZR300's wider aperture at 24 mm (f/3.0) and extended zoom make it capable of selective background blur - though small sensor physics limit shallow depth of field compared to larger-sensor cameras. Still, Casio’s well-managed color processing renders skin tones pleasantly natural.
The AV250, with its narrower aperture and smaller zoom reach, falls short here. Skin tones are decent but visibly flatter, and its inability to focus closely reduces portrait creativity.
Landscape Photography
Here, dynamic range and resolution intensity shine. Casio’s BSI-CMOS sensor and superior image processor harvest better details from shadows and highlights. Weather sealing is nowhere to be found on either model, so outdoor durability is comparable but limited. The Casio’s longer zoom appeals to landscape photographers interested in composition variety, while the Fuji’s limited zoom constrains creative framing.
Wildlife Photography
Speed is king for critters darting through the brush. The EX-ZR300’s faster autofocus and continuous AF tracking helped capture birds in flight better, albeit with the caveat of contrast AF limitations in low contrast scenes. Fuji’s AF lag and minimal zoom make it impractical for wildlife beyond backyard birds or pets.
Sports Photography
Fast autofocus, high continuous frame rates, and low-light capacity are essential. Neither camera is designed for professional sports action, but Casio's continuous shooting (though unspecified exact fps) paired with a faster shutter speed works moderately well for casual sports. Fuji’s single-frame per shot rate and sluggish AF are handicaps for anything more than slow-moving subjects.
Street Photography
Discretion and responsiveness are prized here. Fuji’s smaller size and lighter build excel for unobtrusive street shooting in crowded urban environments. However, Casio’s faster AF and broader zoom offer versatility if willingness to carry a slightly bigger camera exists.
Macro Photography
Casio’s impressive 1 cm macro focus distance and stabilization beats Fuji’s lack of macro specialization by a mile. Precision focusing options on Casio further improve this.
Night and Astro Photography
Low-light performance benefits from sensor design and exposure control. The EX-ZR300’s higher ISO ceiling (3200 native) and manual exposure directly favor night landscape and casual astro shooters. Unfortunately, Fuji maxes out at ISO 1600 with no manual mode, limiting creative night photography.
Video Capabilities
Neither is a pro video rig, but Casio offers 1080p at 30 fps with H.264 compression, superior picture quality, and smooth motion. Fuji tops out at 720p HD using Motion JPEG, which quickly leads to file bloat and visible compression artefacts. Neither camera has microphone input support.
Travel Photography
Battery life and size weigh heavily here. Casio’s NP-130 battery supports approximately 500 shots per charge, double Fuji’s 180 shots using AA batteries, which, while easier to replace on the road, require spares and weigh more collectively. The Casio's versatile zoom and superior image quality justify its marginal size increase.
Professional Work
Neither camera targets professional reliability or workflows - no RAW support, no advanced connectivity such as Bluetooth or Wi-Fi, and limited file format options. If your professional work requires robust file fidelity or color grading, look elsewhere.
Connectivity, Storage and Power Management
The Casio offers Eye-Fi wireless card compatibility and HDMI output, enhancing sharing and viewing options. Fuji offers none of these, relying solely on USB 2.0 for data transfer. Both use SD/SDHC/SDXC cards with one slot.
Battery configurations differ markedly: Casio uses a dedicated rechargeable lithium-ion battery (NP-130), delivering considerably longer runtimes and better weight management. Fuji employs AA batteries, offering easier replacement but poorer battery life and increased carry weight.
Putting It All Together: Performance Scoring and Value Analysis
After extensive testing, I compiled and scored each camera’s performance on core criteria. This balanced overview highlights where they stand in context.
And when we drill genre-specific strengths and weaknesses:
These visual summaries corroborate my field observations.
Sample Images: Seeing the Difference
To ground this technical talk in practical results, here are sample galleries illustrating real-world output differences between the Casio EX-ZR300 and FujiFilm AV250.
Casio’s images generally exhibit cleaner shadows, more vibrant colors, and sharper details, while FujiFilm’s output appears softer, with visible noise creeping in low light.
Final Thoughts: Which Camera Should You Choose?
If you’re an enthusiast looking for solid image quality, decent manual controls, and versatile zoom reach - whether for portraits, landscapes, or casual telephoto wildlife - the Casio EX-ZR300 is the clear winner. It combines the benefits of a superzoom compact camera with respectable image stabilization and sensible ergonomics. Its 500-shot battery life and 1080p video record complement its package nicely.
Conversely, if your priorities center on ultra-affordable, lightweight, and straightforward point-and-shoot photography - primarily daylight static scenes and casual outdoor snaps - the FujiFilm FinePix AV250 still serves its niche fairly well given its limited scope and age.
I caution those seeking advanced features, RAW support, or professional-level image fidelity to expand their search beyond both of these. But for those on a budget wanting a competent all-round compact from this generation, Casio’s EX-ZR300 delivers more bang for your buck.
I hope this thorough comparison helps you navigate the subtle yet impactful differences between these two compact cameras. Both cameras evoke a snapshot of an era when affordable compact cameras wrestled with the encroaching smartphone tide. Still, each brings value in specific contexts, and understanding these nuances is key to making an informed choice.
Happy shooting!
Casio EX-ZR300 vs FujiFilm AV250 Specifications
Casio Exilim EX-ZR300 | FujiFilm FinePix AV250 | |
---|---|---|
General Information | ||
Brand Name | Casio | FujiFilm |
Model | Casio Exilim EX-ZR300 | FujiFilm FinePix AV250 |
Also called | - | FinePix AV255 |
Class | Small Sensor Superzoom | Small Sensor Compact |
Announced | 2012-05-22 | 2011-01-05 |
Body design | Compact | Compact |
Sensor Information | ||
Processor Chip | Exilim Engine HS | - |
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | - |
Peak resolution | 4608 x 3456 | 4608 x 3440 |
Highest native ISO | 3200 | 1600 |
Highest enhanced ISO | - | 3200 |
Minimum native ISO | 80 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 24-300mm (12.5x) | 32-96mm (3.0x) |
Largest aperture | f/3.0-5.9 | - |
Macro focus distance | 1cm | - |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display size | 3 inch | 2.7 inch |
Display resolution | 461 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display technology | Super Clear TFT color LCD | TFT color LCD monitor |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Minimum shutter speed | 15s | 8s |
Fastest shutter speed | 1/2000s | 1/1400s |
Continuous shutter speed | - | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.70 m | 3.50 m |
Flash options | Auto, On, Off, Red-Eye | Auto, On, Off, Red-eye, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (15, 30 fps), 640 x 480 (30, 120 fps), 512 x 384 (30, 240 fps), 224 x 160 (480 fps) 224 x 64 (1000 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1920x1080 | 1280x720 |
Video file format | H.264 | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 205g (0.45 pounds) | 168g (0.37 pounds) |
Dimensions | 105 x 59 x 29mm (4.1" x 2.3" x 1.1") | 93 x 60 x 28mm (3.7" x 2.4" x 1.1") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 500 shots | 180 shots |
Battery form | Battery Pack | AA |
Battery model | NP-130 | - |
Self timer | Yes (2 or 10 seconds, Triple) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC | SD/SDHC |
Storage slots | One | One |
Price at release | $329 | $160 |