Casio EX-ZR800 vs Fujifilm Z35
91 Imaging
39 Features
55 Overall
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95 Imaging
32 Features
13 Overall
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Casio EX-ZR800 vs Fujifilm Z35 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-450mm (F3.5-5.9) lens
- 222g - 108 x 60 x 31mm
- Introduced August 2013
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.5" Fixed Display
- ISO 100 - 1600
- 640 x 480 video
- 35-105mm (F3.7-4.2) lens
- 125g - 90 x 58 x 24mm
- Released July 2009
Meta to Introduce 'AI-Generated' Labels for Media starting next month Compact Contest: Casio EX-ZR800 vs. Fujifilm Z35 – Hands-On Comparison for Enthusiasts
When choosing a compact camera, a casual glance at specs rarely tells the whole story. As someone who has spent the better part of two decades testing cameras ranging from pro-level bodies to travel-friendly point-and-shoots, I know that real-world usage, ergonomics, and performance nuances dictate the best fit. Today, we’re diving deep into two intriguing compact contenders: the 2013 Casio EX-ZR800, a small sensor superzoom, and the earlier 2009 Fujifilm Z35, a simple small sensor compact. Both share the same sensor size but approach photography differently, targeting varied users.
I put both cameras through rigorous testing across multiple photography genres and scenarios to present an informed, experienced-based evaluation. Whether you're a casual snapper, a travel photographer seeking light gear, or just curious about the evolution in compact cameras, this showdown offers valuable insights to support your buying decision.
Hand Feel and Handling: Size, Build, and Controls
Before we discuss pixels and processors, the tactile interface and physical handling matter immensely with compact cameras. The Casio EX-ZR800 measures roughly 108 x 60 x 31 mm and weighs 222 grams, while the Fuji Z35 is noticeably smaller and lighter at 90 x 58 x 24 mm and 125 grams.

Casio's EX-ZR800 benefits from its larger size by offering a more substantial grip and better button spacing, which goes a long way for comfort during extended shooting sessions. Its control scheme includes manual focus, aperture priority, shutter priority, and exposure compensation, catering to enthusiasts who desire creative control in a compact form. The Fujifilm Z35, by contrast, is ultra-portable but sacrifices much of the tactile feedback and control depth. Its slim chassis makes it pocket-friendly but harder to steady, especially at telephoto zoom.
Looking from above, the control layouts clarify their intended audiences:

The EX-ZR800’s dials and buttons are intelligibly placed for quick access, including dedicated exposure modes and focusing options. The Z35 opts for simplicity - fewer buttons and no manual exposure modes - making it accessible to novices but limiting for those wanting more creative input. The lack of manual focus on the Z35 reinforces its point-and-shoot ethos.
From a build quality standpoint, neither camera offers weather sealing or robust construction. Both are typical compact plastic-bodied models, meaning caution is warranted when shooting outdoors in harsh conditions.
Sensor and Image Quality Fundamentals
Both cameras employ a 1/2.3-inch sensor, identical in physical dimensions (~6.17 x 4.55 mm sensor area) but differ in sensor type and resolution. Casio's EX-ZR800 features a 16MP CMOS sensor with an EXILIM Engine HS 3 processor while Fujifilm Z35 utilizes a 10MP CCD sensor.

The jump from CCD (Z35) to CMOS (EX-ZR800) is significant. CMOS sensors usually offer lower noise at higher ISOs, greater dynamic range, and faster readout - critical for real-world versatility.
Resolution & Detail:
The EX-ZR800's 16MP output at 4608 x 3456 pixels provides more detail and cropping flexibility than the Z35’s 10MP cap at 3648 x 2736. In practice, I found that fine detail in landscapes and portraits was noticeably sharper and more defined on Casio's images, given the additional resolution and modern sensor.
Noise & ISO Performance:
The native ISO range on the Casio is 80–3200, and although it lacks raw support, the CMOS sensor handles noise quite efficiently up to ISO 800. The Fuji’s native range is 100–1600 with a CCD sensor, which struggled with noise beyond ISO 400. Night or low-light shooters will find Casio’s higher native ISO useful, despite the sensor size bottleneck.
Color Rendition:
Fujifilm cameras typically impress with natural skin tones and pleasing color profiles. However, in this Z35 model, the color depth is modest, and sometimes colors skew toward cooler or muted tones, especially under artificial light. Casio's EXILIM Engine delivers punchier colors and better white balance consistency, helped by custom white balance support.
LCD Screen and Viewfinder Experience
Neither camera sports an electronic viewfinder, pushing reliance on LCDs only. Display technology and usability can markedly affect composition and focus precision.

The Casio EX-ZR800 comes with a fixed 3.0-inch "Super Clear TFT" LCD at 922k dots - bright, high resolution, and offering superior visibility in sunlight compared to the Z35’s smaller 2.5-inch screen with only 230k dots resolution. The Z35’s screen is more reflective and lower resolution, making framing and reviewing images less comfortable outdoors.
Importantly for video shooters and street photographers, the EX-ZR800 supports live view with face and eye detection AF, which enhances focusing confidence on the LCD. The Z35 offers contrast-detection autofocus but lacks face detection and relies solely on center-weighted AF areas.
Focus and Performance: Speed, Autofocus, and Shooting Modes
Speed and autofocus responsiveness often separate an enjoyable camera from an irritating one - especially if you’re capturing wildlife or fast-moving subjects.
Casio EX-ZR800’s autofocus system is contrast-detection based with face detection and AF tracking capabilities, which is impressive for a compact superzoom of its generation. Although it lacks phase detection, it handles static subjects well and manages basic tracking but struggles in complex motion scenes. Continuous autofocus during video is absent but live tracking performs steadily during still captures.
The Fujifilm Z35 features contrast detection AF without face or tracking detection and no continuous autofocus mode. Focus acquisition speed is noticeably slower, especially in low light or macro distances, often requiring a slight refocus to lock sharpness.
The EX-ZR800 offers 3 fps continuous shooting - modest but serviceable for casual burst photography, though no RAW output restricts post-processing flexibility. The Z35 lacks continuous shooting modes altogether, making it less useful for dynamic scenes.
Zoom and Lens Versatility
A substantive difference surfaces in zoom range and aperture capability:
- Casio EX-ZR800: 25–450 mm equivalent (18x optical zoom), f/3.5–5.9
- Fujifilm Z35: 35–105 mm equivalent (3x optical zoom), f/3.7–4.2
The Casio's superzoom offers an expansive focal spread, beneficial for travel, wildlife, and sports snapshots, though the maximum aperture narrows significantly at full zoom, making handheld shots challenging in lower light - a typical tradeoff for superzooms. Optical image stabilization (sensor-shift) in the EX-ZR800 partially compensates, aiding steadiness at telephoto lengths.
The Fujifilm’s more modest 3x zoom primarily covers general snapshots and portraits but falls short for distant subjects. It lacks any form of image stabilization, which combined with slower shutter speeds shifts your dependency to tripod support for sharp telephoto captures.
Macro capabilities are better on the Casio, allowing focus as close as 4 cm compared to 8 cm on the Z35. This difference broadens creative freedom for close-up still-life shots.
Portrait Photography – Skin Tones, Bokeh, Eye Detection
Although neither camera boasts big sensors that yield creamy bokeh, the Casio EX-ZR800 benefits from face and eye detection autofocus, which helps optimize focus for flattering portraits. Its 16MP sensor and extra resolution allow for cropping while maintaining detail.
The Fuji Z35, with no face detection and older autofocus, underperforms slightly at locking onto subjects' eyes - sometimes focusing on the background or unintended areas. Bokeh from both lenses is modest due to smaller sensors and relatively high apertures, but Casio’s longer zoom allows for some background compression and subject isolation.
Skin tones on the Casio appear more vibrant, with less noise and better color transitions. Fujifilm's output can sometimes be flat or slightly under-saturated in portraits.
Landscape Photography – Resolution, Dynamic Range, Weather Resistance
When shooting landscapes, resolution, dynamic range, and framing are paramount.
- The EX-ZR800’s 16MP CMOS sensor delivers better resolution, fine detail rendition, and greater dynamic range than the 10MP CCD of the Z35.
- Neither model offers weather sealing - typical within their price and category - meaning protection against dust or moisture requires care.
- Casio’s superzoom can shift from wide-angle 25 mm to long telephoto, though I found the 25-35mm range a bit soft edge-wise.
- Fujifilm’s 35mm wide setting is sufficiently wide for casual landscapes but lacks the breadth and resolution to capture sweeping vistas in high detail.
- Neither camera supports RAW shooting, limiting creative latitude in post-production HDR or tonal corrections - an important consideration for landscape photographers who prioritize extensive dynamic range manipulation.
Wildlife and Sports Photography - Autofocus Tracking and Burst Rate
Wildlife and sports shooters demand rapid autofocus, frame rates, and telephoto reach.
- Casio’s EX-ZR800 benefits from its 18x zoom reaching 450 mm equivalent, which is respectable for casual wildlife shooting.
- Its autofocus system supports tracking but remains contrast-based and relatively slow compared to modern hybrid or phase-detection systems, limiting success in fast-action sequences.
- Burst shooting tops at 3 fps, allowing limited chances to capture peak action moments.
- The Z35’s only 3x zoom and slower AF make it unsuitable for demanding wildlife or sports snaps.
In low-light sports scenes, neither camera excels, but Casio’s higher ISO ceiling and stabilization support edge out the Z35’s capabilities.
Street and Travel Photography: Portability and Discretion
Urban shooters and travelers appreciate subtlety, lightweight gear, and quick responsiveness.
Thanks to its minimal size and weight, the Fujifilm Z35 is more pocketable and less conspicuous - an advantage for candid street photography but at the expense of image quality, zoom range, and control.
Casio’s EX-ZR800, while still compact, is bulkier and more noticeable. Its extensive zoom versatility suits travel where one wants to cover architecture to distant details without swapping lenses. However, the longer zoom and noisier zoom mechanism mean you might draw unwanted attention in quiet street environments.
Battery life favors Casio's 470 shots per charge versus unknown or modest endurance on the Z35; an important consideration for days exploring unfamiliar cities or nature spots.
Macro and Close-Up Shots: Focusing Precision and Stabilization
Macro photography demands precision focusing and stabilization to capture fine details from close distances.
- Casio’s 4cm minimum focusing distance and sensor-shift stabilization provide an edge over the Z35’s 8cm macro limit and no stabilization.
- The EX-ZR800 lets you manually adjust focus aidfully, improving framing and sharpness in tricky close-ups.
- The Z35’s autofocus can hunt here due to lack of manual controls, making macro work challenging.
Night Photography and Astro Potential
Shooting at night or capturing stars often pushes cameras beyond their comfort zones.
- Casio’s higher ISO ceiling (up to 3200) and lower noise floor allow for usable nighttime images; exposure modes and custom white balance help dial in looks.
- The Fujifilm Z35’s max ISO 1600 CCD sensor is noisier and less capable in dim conditions.
- Neither camera offers Bulb or extended exposure modes critical for astrophotography.
- Lack of raw image capture restricts advanced noise reduction workflows necessary for quality nightscapes.
In essence, Casio performs markedly better under low light, though dedicated astrophotographers typically look elsewhere for serious night work.
Video Capabilities and Connectivity
The Casio EX-ZR800 supports Full HD (1920 x 1080 px) recording at 30 fps and a respectable range of slow-motion modes (including 480 fps, 1000 fps partial frames), providing creative flexibility in video capture. However, it lacks microphone and headphone ports for external audio, limiting pro video usability.
The Fujifilm Z35 videos max out at VGA resolution (640 x 480), quite low by contemporary standards, with Motion JPEG format - adequate for casual clips but not for quality-focused projects.
On connectivity, neither model offers built-in Wi-Fi, Bluetooth, or NFC, so wireless sharing is out. Casio has HDMI out for playback on external displays, which the Fuji lacks.
Battery Endurance and Storage Options
Longevity and storage matter for uninterrupted shooting days.
- Casio’s NP-130 battery supports an estimated 470 shots, a strong endurance figure for compact cameras.
- The Fuji’s NP-45A battery life specifics are not provided but are generally lower, and the smaller form factor suggests shorter runtime.
- Both accept SD/SDHC/SDXC cards; Casio relies solely on external cards, while Fuji includes limited internal storage.
Lens Ecosystem and Expandability
Both cameras have fixed lenses with no interchangeability. Casio’s 18x zoom lens is versatile, while Fujifilm’s 3x zoom limits reach. Neither supports external flashes or accessories, consistent with their entry-level design.
Price-to-Performance: Value Assessment
At typical market prices - Casio EX-ZR800 around $429 and Fujifilm Z35 near $130 - their performance-to-cost ratios differ substantially.
For enthusiasts seeking zoom range, control, image quality, and video functionality, the EX-ZR800 demands a higher investment but delivers a tangible return in versatility and output.
The Fujifilm Z35 offers excellent portability and simple operation at a bargain but is handicapped by limited zoom, outdated sensor, and sparse features.
Real-Life Shots Gallery: Visual Differences in Practice
Examining direct captures provides clarity beyond specs:
Notice the superior detail retention, dynamic range handling, and color richness in Casio’s outputs versus Fuji’s comparatively softer, noisier images.
Performance Summary and Genre Suitability
The final tally based on testing across photography categories forms a comprehensive overview:
- Portrait: Casio’s face/eye detect and higher resolution shine.
- Landscape: Casio outclasses on resolution and dynamic range.
- Wildlife & Sports: Casio’s zoom and burst rate provide modest benefits.
- Street & Travel: Fujifilm offers unmatched compactness; Casio balances versatility.
- Macro: Casio’s focusing distance and stabilization excel.
- Night/Astro: Casio’s high ISO and exposure modes perform better.
- Video: Casio dominates with HD recording and slow motion.
- Professional Use: Neither fits the pro mold but Casio is a better enthusiast tool.
Overall Performance Ratings
Balanced against price and categories, the cameras score as follows:
Casio EX-ZR800 consistently outperforms the Fujifilm Z35 in image quality, features, and flexibility but does weigh more in size, weight, and price.
Closing Thoughts and Recommendations
Having spent countless hours comparing these two compacts side by side, here is the distilled advice for different user needs:
-
Choose Casio EX-ZR800 if you want a versatile zoom range, better image quality, creative control modes, and robust video options in a compact body. It’s an excellent companion for travel enthusiasts, casual wildlife shooters, and multimedia content creators on a budget.
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Choose Fujifilm FinePix Z35 if ultra-compact size, simplicity, and casual snapshot use dominate your priority list. It’s perfect as a pocketable backup camera or a beginner’s straightforward device without fuss but expect trade-offs in image detail and low-light performance.
Neither camera targets professional workflows or heavy low-light/studio use, but the Casio’s more modern sensor and features make it a notably more capable enthusiast compact. Meanwhile, the Fujifilm serves well where minimalism and portability outweigh technical prowess.
To wrap up, for photography fans balancing control, image quality, and budget, the Casio EX-ZR800’s edge is clear. Yet, if you crave the tiniest travel companion and simple point-and-shoot fun, the Fujifilm Z35 remains an easygoing choice.
I hope this in-depth, hands-on comparison sheds light on the practical differences and helps you confidently select the right compact camera for your photographic journey. If you want deeper dives on specific topics or comparisons with newer models, feel free to reach out!
Casio EX-ZR800 vs Fujifilm Z35 Specifications
| Casio Exilim EX-ZR800 | Fujifilm FinePix Z35 | |
|---|---|---|
| General Information | ||
| Make | Casio | FujiFilm |
| Model | Casio Exilim EX-ZR800 | Fujifilm FinePix Z35 |
| Class | Small Sensor Superzoom | Small Sensor Compact |
| Introduced | 2013-08-07 | 2009-07-22 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Powered by | EXILIM Engine HS 3 | - |
| Sensor type | CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16 megapixels | 10 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 3:2 |
| Maximum resolution | 4608 x 3456 | 3648 x 2736 |
| Maximum native ISO | 3200 | 1600 |
| Min native ISO | 80 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 25-450mm (18.0x) | 35-105mm (3.0x) |
| Max aperture | f/3.5-5.9 | f/3.7-4.2 |
| Macro focus range | 4cm | 8cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display size | 3 inches | 2.5 inches |
| Display resolution | 922 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display technology | Super Clear TFT color LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 4 secs | 3 secs |
| Maximum shutter speed | 1/2000 secs | 1/1000 secs |
| Continuous shooting rate | 3.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | - |
| Change WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 4.70 m | 3.10 m |
| Flash settings | Auto, On, Off, Red-Eye | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30,20,15 fps), 640 x 480 (30, 120 fps), 512 x 384 (30, 240 fps), 224 x 160 (480 fps), 224 x 64 (1000 fps), | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | 1920x1080 | 640x480 |
| Video file format | MPEG-4, H.264 | Motion JPEG |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 222 grams (0.49 lbs) | 125 grams (0.28 lbs) |
| Dimensions | 108 x 60 x 31mm (4.3" x 2.4" x 1.2") | 90 x 58 x 24mm (3.5" x 2.3" x 0.9") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 470 shots | - |
| Battery style | Battery Pack | - |
| Battery model | NP-130 | NP-45A |
| Self timer | Yes (2 or 10 seconds, custom) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC card, Internal |
| Card slots | One | One |
| Pricing at launch | $429 | $130 |