Casio EX-ZS5 vs FujiFilm Z70
99 Imaging
37 Features
23 Overall
31


96 Imaging
35 Features
14 Overall
26
Casio EX-ZS5 vs FujiFilm Z70 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- 848 x 480 video
- ()mm (F) lens
- n/ag - 103 x 59 x 20mm
- Revealed January 2011
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600
- 1280 x 720 video
- 36-180mm (F4.0-4.8) lens
- 124g - 91 x 57 x 20mm
- Revealed February 2010
- Also referred to as FinePix Z71

Compact Contenders: In-Depth Comparison Between Casio EX-ZS5 and FujiFilm FinePix Z70
In the crowded field of ultracompact cameras catering to casual photographers and enthusiasts seeking pocketable devices, the Casio EX-ZS5 and FujiFilm FinePix Z70 represent two contemporaneous options from early 2010s technology. Despite modest specifications by today’s standards, these cameras illustrate distinct approaches to compact digital imaging. This analysis deeply explores their design, image quality, operational features, and real-world usability to provide expert guidance for those considering one for casual photography or specialized use.
Form and Ergonomics: Size, Handling, and Control Layout
Both cameras target the ultraportable segment, prioritizing minimal footprint and lightweight construction.
- Casio EX-ZS5 measures 103 × 59 × 20 mm, and unfortunately, specific weight data is unavailable but is known to be light.
- FujiFilm Z70 is more diminutive at 91 × 57 × 20 mm, weighing just 124 grams (including battery), which offers perceptible advantages in pocketability and long-term carry comfort.
The EX-ZS5’s slightly larger size may facilitate easier grip and button access, which can reduce handling fatigue during extended shooting sessions. Conversely, Z70’s smaller dimensions favor stealth in street or travel photography contexts where discretion and convenience supersede extended manual control.
Neither camera offers manual focus or exposure modes, reflecting their focus on simplicity over versatility. Button layouts, minimalistic due to physical constraints, favor auto modes and simple navigation menus with fixed, non-touch displays.
User Experience Insight: The absence of illuminated buttons and touchscreens across both models impedes rapid adjustments in low light or while on the move. Their control simplicity supports beginners but frustrates users accustomed to tactile control or quick manual overrides.
Sensor Technology and Image Quality: CCD Limitations in a CMOS Era
Both cameras employ 1/2.3” CCD sensors - a common sensor size for compact cameras at the time but quite small compared to contemporary mirrorless or DSLR sensors, which inevitably limits image quality capabilities. Their sensor areas are remarkably close: 28.46 mm² (Casio) vs. 28.07 mm² (FujiFilm).
- Resolution: Casio’s 14 MP sensor edges FujiFilm’s 12 MP slightly in pixel count, theoretically enabling finer detail capture.
- Max ISO: Casio accepts up to ISO 3200, FujiFilm caps at ISO 1600, although practical low-light quality would be similarly limited due to sensor noise inherent in CCD technology and small sensor size.
- Aperture range: FujiFilm details an explicit lens aperture specification (f/4.0-4.8), which suggests moderately bright optics for fixed zoom, whereas Casio does not specify aperture data, making lens speed assumptions less concrete.
A critical limitation for both is the lack of raw image support, restricting photographers to highly compressed JPEG output with limited post-processing latitude. Absence of image stabilization compounds challenges for handheld shooting in low light or at telephoto focal lengths.
Image Presentation Under Various Photography Disciplines
Portrait Photography: Skin Tones and Bokeh Effects
Neither camera’s fixed lens or sensor size supports shallow depth-of-field effects typically desired for portrait work. The FujiFilm’s longer zoom range (36-180 mm equivalent) affords some framing flexibility, though its moderate maximum aperture limits bokeh production. Casio’s lack of aperture specification makes bokeh evaluation uncertain but unlikely to excel.
Absence of advanced autofocus features such as face or eye detection means portrait compositions require physical framing rather than computational assistance; focus accuracy and subject separation remain modest at best.
Landscape Photography: Dynamic Range and Detail Resolution
Small CCD sensors inherently offer limited dynamic range compared to larger sensors. Neither camera’s manufacturer details on dynamic range nor measured DxO Mark scores are available. Given similar sensor technology and size, results in landscape scenarios are expected to be comparable.
FujiFilm’s modest 12-megapixel resolution and aspect ratio versatility (4:3 and 16:9) provides decent framing options, while Casio’s higher resolution could marginally improve detail capture at base ISO.
Neither camera is weather sealed or ruggedized, making them ill suited for harsh outdoor environments.
Wildlife and Sports Photography: Autofocus and Burst Performance
Both cameras feature contrast-detection autofocus with no phase detection or continuous AF tracking. Neither supports continuous shooting mode or rapid burst rates, severely limiting utility in capturing fast-moving subjects.
FujiFilm features an autofocus tracking mode, but its practical responsiveness is not on par with modern systems, diluting performance in dynamic situations. Casio lacks continuous shooting altogether.
Street and Travel Photography: Portability and Discretion
FujiFilm’s size and weight advantage enhance its suitability for street photographers valuing minimalism. Both cameras lack optical viewfinders, relying entirely on their rear displays for composition, which may challenge usability in bright outdoor conditions.
Neither camera offers stabilized optics, compelling reliance on fast shutter speeds or steady hands, undermining low light candid capture.
Macro Photography: Magnification and Focus Precision
FujiFilm’s 9 cm macro focusing minimum offers a modest capability for close-up shots, likely assisted by contrast-detection AF. Casio lacks macro focus range specification, indicating limited macro utility.
No camera provides focus stacking, bracketing, or post-focus capabilities, placing precise focus control fully in the hands of the user’s steadiness and autofocus system efficacy.
Display and Viewfinder Systems: Composing and Reviewing Shots
Both cameras utilize fixed LCDs without touch sensitivity:
- Casio integrates a 3-inch screen with 461k dots resolution, providing relatively clear image preview and menu navigation.
- FujiFilm’s screen is slightly smaller at 2.7 inches with 230k dots, notably less crisp and potentially challenging to evaluate fine detail in images on the fly.
Neither has an electronic viewfinder, imposing compromises for stable composition in bright sunlight or sports shooting scenarios.
Video Capabilities: Basic Motion Recording in Legacy Formats
Video recording is rudimentary by current standards:
- Casio supports only 848 × 480 resolution video in Motion JPEG format.
- FujiFilm improves with 1280 × 720 (HD) recording at 30 fps and also supports VGA and lower resolutions, again in Motion JPEG.
Neither model includes microphone or headphone input terminals, nor advancement like 4K or stabilized video modes. This restricts their utility to casual home movies or snapshots rather than professional multimedia production.
Build Quality, Environmental Resistance, and Durability
Both cameras lack environmental sealing or ruggedized features such as waterproofing, dustproofing, or shock resistance. This absence limits outdoor use in challenging conditions and increases the risk of mechanical failures when exposed to elements.
Physically, both utilize plastic construction standard for ultracompacts, balancing cost reduction against robustness.
Autofocus System Breakdown: Speed, Accuracy, and Flexibility
Both cameras rely exclusively on contrast-detection autofocus, recognized for accuracy in static scenes but hindered by slower response and focusing “hunt” in low contrast or rapidly changing subjects.
Neither supports manual focus or customizable AF points. Casio’s autofocus system includes multi-area AF, while FujiFilm only offers single-area AF. Both lack face or eye detection capabilities, further constraining effectiveness in portrait or wildlife use.
Storage, Power, and Connectivity Insights
- Storage: FujiFilm uses standard SD/SDHC cards with a single card slot and supports internal memory, while Casio’s storage type is unspecified but presumed similar.
- Power: FujiFilm employs an NP-45A rechargeable lithium-ion battery; Casio’s battery type is unspecified, reflecting lack of transparency that complicates user preparedness.
- Connectivity: Neither model supports wireless capabilities (Wi-Fi, Bluetooth, NFC), HDMI output, or USB beyond FujiFilm’s USB 2.0 port, impacting data transfer speed and flexibility.
Image Quality Comparison: Real-World Sample Analysis
Test images illustrate typical CCD sensor characteristics:
- Both cameras exhibit adequate detail in well-lit outdoor scenes, with FujiFilm’s HD video capability producing passable casual video.
- Low light exposures degrade rapidly into noise, with constrained ISO ranges and lack of stabilization limiting hand-held sharpness.
- Color reproduction is generally faithful, but skin tones and subtle gradations appear more muted on the Casio EX-ZS5, likely due to older sensor processing.
- FujiFilm’s zoom versatility allows greater compositional framing without loss of clarity at moderate telephoto lengths.
Expert Performance Scores and Summaries
Applying a comprehensive evaluation metric combining image quality, usability, operation speed, and feature set yields a slight edge to FujiFilm Z70 in usability and video capabilities, balanced against Casio’s competitive resolution advantage.
Use Case Specialist Recommendations
Photography Genre | Recommended Camera | Rationale |
---|---|---|
Portrait | FujiFilm Z70 | Slightly better color fidelity, useful macro capability |
Landscape | Casio EX-ZS5 | Higher native resolution marginally increases detail capture |
Wildlife | Neither recommended | Slow AF and no continuous burst limit effectiveness |
Sports | Neither recommended | Lack of fast tracking or rapid shooting rates |
Street | FujiFilm Z70 | Smaller size favors portability and street discretion |
Macro | FujiFilm Z70 | Explicit 9cm macro focus supports finer close-up work |
Night / Astro | Neither recommended | Limited high ISO performance and lack of manual controls |
Video | FujiFilm Z70 | Supports higher resolution HD video recording |
Travel | FujiFilm Z70 | Superior size, weight, and lens zoom flexibility |
Professional Work | Neither recommended | Lack of manual controls, raw support, and workflow integration |
Final Evaluation: Practical Recommendations Based on User Priorities
Who Should Consider Casio EX-ZS5?
Photographers prioritizing a slightly higher resolution sensor for basic casual photography might find the EX-ZS5 acceptable. However, its aging sensor technology, absence of manual controls, and restricted video capacity substantially limit its appeal beyond beginner snapshots.
Who Should Opt for FujiFilm FinePix Z70?
The FinePix Z70 stands out as the better all-around ultracompact due to its HD video capability, zoom versatility, lighter handling, and marginally improved macro focus. Users seeking a small, easy-to-use camera for travel, street photography, and casual portraiture will find its package more compelling, despite the fixed-lens limitations.
Closing Remarks: Legacy Ultracompacts in a Modern Context
Neither Casio EX-ZS5 nor FujiFilm FinePix Z70 meets the standards of modern versatile digital cameras, constrained by dated sensor technology, limited user control, and minimal connectivity. As solely affordable second-hand options, these models serve very casual photography needs where compactness and simplicity outweigh image quality or creative flexibility.
For enthusiasts serious about image quality, manual control, or fast autofocus, newer mirrorless or advanced compact cameras offer vastly superior performance. This comparative analysis underlines the evolution of ultracompact preferences, showing that even within comparable form factors, nuanced sensor and lens choices crucially impact photographic outcomes.
Prospective buyers should weigh these factors carefully against current market alternatives before investing in vintage ultracompacts like the Casio EX-ZS5 or FujiFilm FinePix Z70.
Casio EX-ZS5 vs FujiFilm Z70 Specifications
Casio Exilim EX-ZS5 | FujiFilm FinePix Z70 | |
---|---|---|
General Information | ||
Make | Casio | FujiFilm |
Model type | Casio Exilim EX-ZS5 | FujiFilm FinePix Z70 |
Also referred to as | - | FinePix Z71 |
Class | Ultracompact | Ultracompact |
Revealed | 2011-01-05 | 2010-02-02 |
Physical type | Ultracompact | Ultracompact |
Sensor Information | ||
Powered by | Exilim Engine 5.0 | - |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.16 x 4.62mm | 6.17 x 4.55mm |
Sensor area | 28.5mm² | 28.1mm² |
Sensor resolution | 14MP | 12MP |
Anti alias filter | ||
Aspect ratio | - | 4:3 and 16:9 |
Maximum resolution | 4320 x 3240 | 4000 x 3000 |
Maximum native ISO | 3200 | 1600 |
Minimum native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | () | 36-180mm (5.0x) |
Largest aperture | - | f/4.0-4.8 |
Macro focusing range | - | 9cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen size | 3" | 2.7" |
Resolution of screen | 461k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Lowest shutter speed | 15 seconds | 1/4 seconds |
Highest shutter speed | 1/2000 seconds | 1/2000 seconds |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | - | 3.10 m |
Flash modes | - | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 848 x 480 | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 848x480 | 1280x720 |
Video file format | Motion JPEG | Motion JPEG |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | none | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | - | 124 grams (0.27 lbs) |
Physical dimensions | 103 x 59 x 20mm (4.1" x 2.3" x 0.8") | 91 x 57 x 20mm (3.6" x 2.2" x 0.8") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery ID | - | NP-45A |
Self timer | - | Yes (2 or 10 sec, Couple, Group) |
Time lapse feature | ||
Storage type | - | SD/SDHC Internal |
Card slots | 1 | 1 |
Pricing at launch | $100 | $130 |