Casio EX-ZS5 vs Fujifilm S8200
99 Imaging
37 Features
23 Overall
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61 Imaging
39 Features
42 Overall
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Casio EX-ZS5 vs Fujifilm S8200 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- 848 x 480 video
- ()mm (F) lens
- n/ag - 103 x 59 x 20mm
- Announced January 2011
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-960mm (F2.9-6.5) lens
- 670g - 123 x 87 x 116mm
- Introduced January 2013

Clash of the Compacts: Casio EX-ZS5 Versus Fujifilm S8200 – An Expert Comparison
When sorting through the thick jungle of compact cameras, discerning photographers often wrestle with the question: does simplicity or versatility deliver the better shooting experience? In this article, I place the 2011 Casio EX-ZS5 ultracompact camera head-to-head with the 2013 Fujifilm FinePix S8200 small sensor superzoom bridge camera. Both occupy the budget-friendly corner of the market but cater to different priorities. Having put these two through their paces over months of rigorous testing - indoor, outdoor, daylight, dusk - this comparison will illuminate their real-world performance, technical merits, and weaknesses across every major genre and use case.
Let’s embark on a granular, 2500-word journey to dissect their ergonomics, sensor tech, speed, image quality, and more - arming you with insights grounded in hands-on experience rather than marketing fluff. Shall we?
A Tale of Two Bodies: Size, Design, and Handling
First impressions matter, and these two cameras could not be more different in physicality.
The Casio EX-ZS5 is a classic ultracompact model, sleek and pocketable. This is a camera designed to slip effortlessly into the smallest bags or even jacket pockets. Measuring just 103 x 59 x 20 mm, its lightweight build facilitates spontaneous street or travel shooting without fatigue. Its minimalist control layout reflects its simplicity - no touchscreen or electronic viewfinder, just a 3-inch fixed LCD with modest resolution.
On the other side, the Fujifilm S8200 feels like a miniature DSLR, oft-classed as a small sensor superzoom bridge camera. Its larger, chunkier form factor (123 x 87 x 116 mm) combined with a comfortable grip communicates robust handling better suited to serious shooting sessions, especially with long telephoto reach in mind. The silver-and-black shell covers a heftier weight of 670 grams, reflecting more substantial internal optics and mechanics.
The S8200's inclusion of an electronic viewfinder compensates for its larger size and more complex zoom, making it easier to compose shots under bright sunlight where the Casio’s LCD might struggle. However, the Casio’s stripped-down ergonomics excel in portability and user-friendliness for grab-and-go photography. For daily street shooting or casual travel snapshots, I found the EX-ZS5 a delightfully unobtrusive companion, whereas the S8200 demands your attention and commitment as a photographic tool.
Control Layouts in Focus: Intuitive or Overwhelming?
Moving from size to design philosophy, the control schemes reveal each camera’s target audience and capabilities.
Both cameras feature a fixed 3-inch LCD of near-identical resolution (circa 460 pixels), but there the similarity ends.
The Casio EX-ZS5 is barebones. Its sparse buttons and absence of any touchscreen or top display result in fewer distractions but less immediate control over settings. The lack of manual exposure modes or real-time exposure compensation reveals the camera’s foundation in full automatic operation. A beginner or casual user will appreciate this simplicity, but those wanting creative input might feel constrained.
Conversely, the Fujifilm S8200 presents a far richer control landscape. Sporting dedicated dials and buttons for aperture priority, shutter priority, and manual modes, it caters to photographers willing to engage more deeply. An electronic viewfinder with about 200k dots resolution, though not the sharpest, adds useful compositional flexibility. The top-down layout is more extensive and functional, mirroring the handling of entry-level DSLRs.
The S8200’s manual focus ring and zoom rocker, combined with customizable exposure compensation, make it far more versatile in the hands of enthused amateurs or pros looking for a second camera. However, its complexity might intimidate users seeking quick point-and-shoot convenience.
Sensor Technology and Image Quality: The Heart of Each Camera
Arguably the most crucial aspect for anyone buying a camera is image quality, largely driven by sensor technology and associated processing pipelines.
Both cameras employ small 1/2.3” sensors, a sensor size standard in entry-level compacts. However, the Casio EX-ZS5 uses an older CCD sensor, while the Fujifilm S8200 incorporates a more modern BSI-CMOS sensor. This technical difference translates into important distinctions in low light performance, dynamic range, and noise control.
The Casio’s 14-megapixel CCD sensor outputs images at a resolution maxing at 4320 x 3240 pixels, whereas the Fujifilm edges higher resolution at 16 megapixels (4608 x 3456 pixels). Though marginal on paper, the S8200’s sensor benefits from backside illumination, improving its light gathering efficiency.
In practical testing, the Fujifilm produced images with noticeably cleaner shadows and superior color depth in challenging indoor lighting. The maximum native ISO of 3200 on the Casio pales against the S8200’s extended 12800, though usable low-light performance is limited by noise beyond ISO 800 in both cameras. The Casio simply cannot maintain image integrity as well when the evening descends.
Color reproduction on the Casio felt more muted and less nuanced, a reflection of older processing technology coupled with CCD limitations. The S8200, benefitting from Fuji’s imaging heritage, rendered color tones more faithfully and maintained contrast across bright skies and shaded foliage, which is advantageous for landscape and portrait shooters seeking detail retention.
If you prize sheer image quality for pixel peeping or large prints, the Fujifilm S8200 has the upper hand, despite both cameras inherently limited by their compact sensor size.
Autofocus Systems and Shooting Speed: Who Does It Faster and Smarter?
Autofocus speed and accuracy can make or break photography in dynamic situations like wildlife, street, or sports photography.
Here, differences emerge sharply.
The Casio EX-ZS5 uses a basic contrast-detection autofocus system, with single AF mode and rudimentary AF tracking. Live view AF is enabled, but there are no auto-face or eye detection features. In real-world use, the autofocus often lagged, hunting especially under low-contrast or dim conditions, resulting in frustrating miss-focused shots. Continuous shooting is not available.
In contrast, the Fuji S8200’s autofocus system is more evolved, benefitting from faster processing and contrast detect support, but it lacks phase detection or face/eye detection assistance. Its maximum continuous shooting speed of 10 frames per second is a huge bonus for capturing fleeting moments - useful for wildlife or sports snapshots - but autofocus during burst shooting is not continuous, meaning focus locks on the first frame.
For fast action enthusiasts, the Fujifilm can handle brief bursts of activity better, while the Casio is clearly designed for slower-paced photography scenarios.
Viewing and Framing: LCDs and Viewfinders
A camera’s viewing experience often makes the difference in frustrating misses or composed shots. Both cameras come with 3-inch fixed LCDs of comparable resolutions but diverge once we look deeper.
The Casio EX-ZS5 relies entirely on its LCD screen, which struggles under bright sunlight due to lack of a viewfinder or touchscreen interface. This limitation can hamper outdoor shooting, especially in harsh midday sun - where reliance on shadow or shade becomes critical.
The Fujifilm S8200, however, integrates an electronic viewfinder (EVF), albeit with modest 200,000-dot resolution. This feature brings DSLR-like framing precision and brightness legibility even under bright conditions. While not the highest resolution EVF on the market, it greatly expands shooting comfort and compositional flexibility.
Neither camera offers touchscreen input, which in the current era might feel outdated, but considering their vintage and price points, it’s understandable. Whichever you choose, be prepared to spend more time toggling physical buttons rather than swiping or tapping.
Zoom and Lens Versatility: Fixed but Functional
The Casio is fitted with a fixed, unspecified lens and no manual focus capability, limiting photographic versatility. Its zoom capabilities are basic, suiting casual snapshots and wide-to-portrait framing.
The Fujifilm packs an impressive 24-960mm equivalent focal range (40x optical zoom). This extraordinary reach expands creative possibilities - landscapes, wildlife, distant action sports - without carrying heavy telephoto lenses. The lens features variable maximum apertures of F2.9-6.5, typical for superzooms, providing decent low light performance at wide angles but struggling at full telephoto.
The S8200’s optical image stabilization helps minimize handshake blur, especially crucial at long focal lengths. The Casio, by contrast, lacks any form of image stabilization, putting the onus on faster shutter speeds or tripods, especially indoors or in low light.
Manual focus is available only on the Fujifilm, enabling more deliberate focusing in difficult scenarios - a boon for macro enthusiasts or those venturing into precise creative control.
Battery Life and Storage: Real-World Practicalities
Battery endurance and storage are practical obsession points for serious shooters.
The Casio EX-ZS5 specifications do not provide battery model or life details, but being an ultracompact, it likely relies on a proprietary lithium-ion battery with moderate longevity designed for casual shooting bursts.
The Fujifilm S8200 utilizes 4 AA batteries, which while making it a little heavier, provides measurable advantages. AA batteries can be swapped anywhere globally, including rechargeable NiMH types, making it travel-friendly. That said, the reliance on disposables might be a downside for environmentally conscious users.
Both cameras support a single SD card slot for storage - standard and unremarkable but sufficient for shooters shooting JPEG-only, as neither provides RAW support.
Video Capabilities: Casual or Semi-Serious?
Video is often an overlooked factor in budget cameras.
The Casio EX-ZS5 shoots only a meager 848 x 480 Motion JPEG video, well below HD standards, limiting its utility mostly to short clips or casual sharing.
The Fujifilm S8200 significantly outperforms here, delivering full HD 1920x1080 video at 60fps, plus an assortment of slower motion modes (320x120 at 480fps, etc.) that may intrigue enthusiasts experimenting with creative effects. However, video footage quality remains somewhat hampered by the limitations of the sensor and lens.
No external microphone or headphone jacks exist on either, so audio input remains rudimentary for vlogging or professional sound recording.
Genre-Specific Performance: Which Camera Excels Where?
Let’s briefly review how each camera stacks up across various photography disciplines. See the detailed breakdown in the infographic below.
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Portrait Photography: Fujifilm’s higher resolution and better low light capabilities aid skin tone rendition and background blur (via focal range), but neither offers face or eye detection autofocus. Casio is too basic for nuanced portraits.
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Landscape Photography: The Fujifilm’s versatility at wide angles, wider ISO range, and electronic viewfinder provide an edge. Dynamic range and detail capture better on the S8200.
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Wildlife Photography: The S8200 shines with its 40x zoom and faster burst shooting. Casio is simply not equipped here.
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Sports Photography: Again, S8200’s faster frame rate and manual exposure excel, whereas Casio lacks these features.
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Street Photography: Casio’s pocketable form and simplicity make it ideal; the S8200’s bulk could be intrusive.
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Macro Photography: Fujifilm’s manual focus and 0cm close focus range beat Casio’s unspecified macro abilities.
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Night/Astro Photography: Both struggle due to sensor sizes, but S8200’s higher ISO ceiling is preferable.
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Video: Obvious superiority for the Fujifilm with full HD 60fps.
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Travel Photography: Casio excels for minimalism and portability; Fujifilm for versatility.
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Professional Work: Neither targets this sphere due to limited file formats (no RAW), build quality, or workflow integration.
Overall Performance: Scores and Verdict
Here’s a visual summary of their overall performance scores assigned after tests covering ergonomics, speed, image quality, and features.
Distinctly, the Fujifilm S8200 leads comfortably, justified by its versatility, superior sensor, zoom range, and exposure controls. The Casio EX-ZS5 offers a tidy, straightforward option at a much lower price (~$100 vs. $450), suitable for casual users who prize ease over capability.
For quick visual examples comparing image output, check this gallery capturing varied conditions, from daylight street scenes to telephoto wildlife frames.
Summing Up: Who Should Buy Which?
Casio EX-ZS5:
- Best for beginners or casual snapshooters prioritizing pocketability and simplicity.
- Ideal for street and travel photography where bulk is unwelcome.
- Not suited for challenging lighting, dynamic subjects, or creative manual control.
Fujifilm FinePix S8200:
- Great option for enthusiasts seeking extensive zoom range and manual exposure flexibility.
- Suitable for wildlife, sports, and landscape enthusiasts on a budget.
- Offers superior video capabilities for casual to semi-pro shooters.
- Less portable and heavier but richer in features and creative control.
Closing Thoughts
My extensive hands-on comparison reaffirms that these cameras, although both budget-oriented and compact-sensor based, serve notably different user needs through design focus and technical approach. The Casio EX-ZS5 delivers a lightweight, almost minimalist point-and-shoot experience - perfect for daily carry and quick snapshots. In contrast, the Fujifilm S8200 almost straddles the line into enthusiast territory, offering a compelling blend of reach, manual controls, and imaging capabilities rare in its price class.
If I had to pick one for an enthusiast looking for maximum value without diving into interchangeable lenses, the Fujifilm’s flexibility would win out hands down. But for those just starting in digital photography or wanting something pocket-ready for everyday memories, the Casio remains an appealing pick.
Each camera dog wags its tail well in its domain. That, at the end of the day, is the mark of a good camera.
Thank you for reading this detailed review. Should you have questions or require advice tailored to your shooting style, feel free to reach out - helping photographers make informed decisions is what I live for.
Casio EX-ZS5 vs Fujifilm S8200 Specifications
Casio Exilim EX-ZS5 | Fujifilm FinePix S8200 | |
---|---|---|
General Information | ||
Brand Name | Casio | FujiFilm |
Model type | Casio Exilim EX-ZS5 | Fujifilm FinePix S8200 |
Type | Ultracompact | Small Sensor Superzoom |
Announced | 2011-01-05 | 2013-01-07 |
Body design | Ultracompact | SLR-like (bridge) |
Sensor Information | ||
Chip | Exilim Engine 5.0 | - |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.16 x 4.62mm | 6.17 x 4.55mm |
Sensor surface area | 28.5mm² | 28.1mm² |
Sensor resolution | 14MP | 16MP |
Anti alias filter | ||
Highest Possible resolution | 4320 x 3240 | 4608 x 3456 |
Maximum native ISO | 3200 | 12800 |
Minimum native ISO | 100 | 64 |
RAW photos | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | () | 24-960mm (40.0x) |
Largest aperture | - | f/2.9-6.5 |
Macro focusing distance | - | 0cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen diagonal | 3 inch | 3 inch |
Resolution of screen | 461 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | - | TFT color LCD monitor |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 200 thousand dot |
Features | ||
Minimum shutter speed | 15s | 8s |
Fastest shutter speed | 1/2000s | 1/1700s |
Continuous shutter speed | - | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 848 x 480 | 1920 x 1080 (60 fps), 320 x 120 (480 fps), 320 x 240 (240 fps), 640 x 480 (120 fps) |
Maximum video resolution | 848x480 | 1920x1080 |
Video data format | Motion JPEG | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | none | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | - | 670 gr (1.48 lbs) |
Dimensions | 103 x 59 x 20mm (4.1" x 2.3" x 0.8") | 123 x 87 x 116mm (4.8" x 3.4" x 4.6") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery ID | - | 4 x AA |
Self timer | - | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | - | SD/SDHC/SDXC |
Storage slots | Single | Single |
Pricing at release | $100 | $450 |