Casio TRYX vs Fujifilm XQ1
99 Imaging
35 Features
25 Overall
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92 Imaging
38 Features
55 Overall
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Casio TRYX vs Fujifilm XQ1 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 3200
- 1920 x 1080 video
- 21mm (F2.8) lens
- n/ag - 122 x 58 x 15mm
- Released January 2011
(Full Review)
- 12MP - 2/3" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 25-100mm (F1.8-4.9) lens
- 206g - 100 x 59 x 33mm
- Revealed November 2013
- Replacement is Fujifilm XQ2

Casio TRYX vs Fujifilm XQ1: An Expert’s Deep Dive into Two Ultracompacts
When it comes to ultracompact cameras that blend portability and performance, the Casio TRYX and the Fujifilm XQ1 stand out as intriguing options from their respective eras. As someone who has tested thousands of cameras across genres and use cases, I was eager to put these two side-by-side - covering everything from build quality to image quality, autofocus, and real-world usability, all based on rigorous hands-on trials. Whether you’re a seasoned enthusiast considering gear for specialized projects, or a pro looking for an easy carry-around second camera, I’ll break down the practical pros and cons of each and share who they best serve.
Let’s jump in.
How They Feel in Your Hands: Size and Ergonomics Matter
Both the Casio TRYX and Fujifilm XQ1 fall firmly in the ultracompact category but approach size and handling differently.
The Casio TRYX sports a remarkably thin and sleek profile measuring 122x58x15mm, making it pocket-friendly to the extreme. Its flat, minimalistic body means it slips easily into bags without snagging, perfect for travelers or street photographers who value discretion and weight savings.
On the flip side, the Fujifilm XQ1 measures a bit chunkier at 100x59x33mm, noticeably thicker but still very pocketable. Its slightly larger grip and button placement make it a little more ergonomic for one-handed shooting, especially for users with larger hands. The XQ1’s controls feel more deliberate and responsive, offering tactile reassurance that the TRYX doesn’t.
Looking from above, you notice that the Fujifilm’s dedicated dials for shutter speed and exposure compensation are a boon for those who want quick manual control. Casio’s TRYX, meanwhile, foregoes dials and relies more on menu navigation, which can slow down workflow if you like shooting manually.
In summary, if minimal bulk and stealth are your priority, the TRYX’s design echoes that ethos beautifully. However, for shooting comfort and physical control, especially in dynamic environments, the XQ1 pulls ahead.
Sensor Innovation and Image Quality: More Than Megapixels
Both cameras carry a 12MP resolution, but sensor size and technology - the heart of image quality - offer meaningful differences for photographers concerned with detail, dynamic range, and noise control.
The Casio TRYX uses a 1/2.3" BSI-CMOS sensor with an active area of about 28 mm². This is a conventional sensor size for ultracompacts of that period but inherently limits light gathering especially in challenging lighting. The TRYX’s sensor is paired with Casio’s Exilim Engine HS processor, aimed to maximize its ISO performance up to 3200, though it lacks raw support - a serious limitation for professionals seeking maximum post-processing flexibility.
Contrast that with the Fujifilm XQ1’s 2/3" CMOS X-Trans II sensor - the larger sensor area (roughly 58 mm²) almost doubles the surface compared to the TRYX. Fuji’s innovative X-Trans color filter array is famed for reducing moiré without an optical low-pass filter, helping capture sharper details. Its max ISO reaches 12800 and, importantly, raw shooting is fully supported.
In real-world testing, this translates to noticeably crisper images from the XQ1 with better dynamic range retention and cleaner high ISO performance. The Fuji holds more shadow detail and renders colors more lifelike - particularly important for landscape and portrait enthusiasts.
Screen and Viewfinder Experience: Articulation vs Resolution
User interface often gets overlooked in ultracompacts, but the Casio and Fujifilm take quite different approaches here.
The Casio TRYX stands out with its fully articulated 3-inch Super Clear TFT display offering 461k dots resolution. This flexible design is fantastic for shooting at odd angles - low to the ground during macro or upwards for creative street shots. The articulation makes it a selfie-friendly option, even if it doesn’t have a touchscreen for intuitive control.
Conversely, the XQ1 has a fixed 3-inch screen but with a sharp 920k dots resolution. The display is clearer, making it easier to assess focus and exposure directly on the high-res LCD. However, the lack of articulation reduces compositional flexibility somewhat.
Neither camera includes an electronic viewfinder, but given their size and targeted use cases - casual to enthusiast - it’s an understandable compromise.
Autofocus and Shooting Speed: Catching the Moment
Speed and accuracy of autofocus (AF) can make or break your experience, especially for wildlife or action photography.
Casio TRYX utilizes contrast-detection AF only, with a single autofocus mode focused on live view without face detection or tracking. This means it feels somewhat sluggish and less confident in low light or with moving subjects. Also, the TRYX doesn’t offer continuous AF or burst mode capabilities, limiting its use for active scenes like sports or wildlife.
Fujifilm XQ1 incorporates a hybrid AF system combining phase detection with contrast detection. This leads to faster focus lock and smoother tracking in live view mode. It includes face detection autofocus, which is a boon for portrait enthusiasts, coupled with a continuous AF mode. Additionally, the XQ1 offers a rapid 12fps burst shooting rate, excellent for capturing fleeting moments.
Real-life experience confirms this: while the TRYX excels at posed portraits or still life, in dynamic scenarios the XQ1's AF system gives you an unmistakable edge to get sharp images consistently.
Lens Versatility: Fixed, Yet Capable
Fixed lenses often stir debate about flexibility vs simplicity. Let’s see how these two cameras’ optics compare.
The Casio TRYX has a 21mm (35mm equivalent) fixed lens with a bright F2.8 aperture. This ultra-wide prime lens lends itself well to landscapes, cityscapes, and environmental portraits. However, its limited focal range demands physical zooming by stepping closer or cropping, restricting versatility.
On the other hand, the Fujifilm XQ1 delivers a 25-100mm (4x zoom) with aperture range from F1.8 to F4.9. This lens covers everything from wide-angle to short telephoto, providing real creative freedom - think portraits with comfortable background separation or moderate telephoto wildlife snapshots. The faster aperture at the wide end also makes it better suited for low-light and night photography.
For macro enthusiasts, the XQ1 shines with a 3cm minimum focusing distance, compared to the 8cm of the TRYX, translating to more satisfying close-ups with fine detail capture.
Image Stabilization: Steady Shots in Hand
Considering that ultracompacts are often used handheld for spontaneous moments, image stabilization is critical.
The Fujifilm XQ1 is equipped with optical image stabilization (OIS), helping to reduce blur from camera shake, especially vital in low-light shooting or slow shutter speeds. This feature enhances its flexibility in situations where a tripod is impractical.
Unfortunately, Casio’s TRYX lacks any form of image stabilization, demanding more careful shooting technique to avoid blurry images in dim conditions, or alternatively, higher ISO which can degrade image quality.
Video Performance: Quality and Controls
While neither camera is a dedicated video device, having robust video options is a welcome plus for many users.
The Casio TRYX records Full HD 1080p video at 30fps and supports an impressive range of lower resolution frame rates ranging from 30fps down to a slow-motion 480fps at 224x160 resolution. The absence of stereo audio input or a microphone port limits serious vloggers or filmmakers, and lack of image stabilization again hurts handheld video quality.
The Fujifilm XQ1 shoots 1080p at both 30fps and a smooth 60fps, advanced for its time, allowing for silky slow motion playback. It records in MPEG-4 and H.264 for better compression efficiency and quality. Also, built-in flash, better autofocus during video, and OIS contribute to steadier, brighter clips. Like the TRYX, it lacks external mic support.
Battery Life and Storage: Practical Considerations
Battery longevity heavily influences travel and daily carry decisions.
The Fujifilm XQ1 rated at approximately 240 shots per charge, while the Casio TRYX’s official battery life isn’t specified and is generally lower given its slim form factor and lack of info from Casio.
Both accept SD/SDHC/SDXC cards, offering standard expandable memory without proprietary restrictions.
Connectivity and Workflow Integration
The Fujifilm XQ1 features built-in Wi-Fi with wireless connectivity for transferring images on the fly - a valuable asset that simplifies social sharing and remote control via smartphones.
The Casio TRYX compensates with Eye-Fi compatibility, which historically required specific SD cards to enable wireless transfers, a more clunky solution.
Both cameras include USB 2.0 and HDMI ports, allowing for straightforward tethering and direct playback on TVs.
Durability and Build Quality: Handling the Elements
Neither camera offers environmental sealing or ruggedization features like waterproofing or dust resistance, which limits outdoor professional use in harsh conditions.
Construction-wise, the Fujifilm’s slightly thicker body gives it a more robust feel despite being lightweight, while the Casio feels delicate but modern and stylish.
Performance Snapshot: Scores and Genre-Specific Uses
To visualize their overall capabilities, here’s an expert scoring matrix comparing core categories:
This detailed assessment shows the Fujifilm XQ1 generally outperforming the Casio TRYX in autofocus speed, low-light capabilities, video features, and versatility - making it a better all-rounder. However, the TRYX excels in portability and offers unique creative articulation for certain photography styles.
Bringing It All Together Across Photography Genres
Portrait Photography:
The Fujifilm XQ1’s face detection AF, wider zoom range, and better low-light handling give it a clear advantage for capturing skin tones and achieving creamy bokeh. The TRYX’s prime lens produces interesting ultra-wide environmental portraits but is limited for selective focus. Both cameras lack eye-detection AF, but the XQ1 tracks faces better.
Landscape Photography:
Dynamic range and resolution are crucial here. The XQ1’s larger sensor and color science yield richer details and wider tones. The TRYX’s wide prime lens provides expansive framing, but low dynamic range limits highlight retention. Neither offers weather sealing, so use with care outdoors.
Wildlife Photography:
Autofocus speed and burst mode help catch quick action - areas where the XQ1’s 12fps and hybrid AF shine. The TRYX cannot compete on speed or zoom reach.
Sports Photography:
Similar logic applies; the XQ1’s faster shutter priority mode, continuous AF, and higher burst rate make it the better choice.
Street Photography:
The TRYX’s ultra-slim profile and articulation make it a nimble, almost invisible companion in urban settings. The XQ1 is more ergonomic but bulkier. Low-light autofocus and image stabilization favor the Fuji for night streetscapes.
Macro Photography:
With a minimum focus distance of 3 cm and stabilization, the XQ1 wins for detailed close-ups, while the TRYX’s 8 cm limit feels restrictive.
Night/Astro Photography:
The XQ1’s higher ISO ceiling and raw support aid long exposures and post-processing flexibility. The TRYX struggles with noise and lacks manual controls necessary for star trails.
Video Capabilities:
Fujifilm provides higher frame rates and better stabilization, making it more versatile for casual video work.
Travel Photography:
The TRYX’s slimness and articulated screen invite creative angles and selfies, but shorter battery life and fewer features demand tradeoffs. The XQ1 balances portability with performance better for photo and video docs.
Professional Use:
The XQ1’s manual exposure modes, raw file support, and reliable autofocus serve pro workflows well. The TRYX is more a specialty creative tool than a professional workhorse.
Final Thoughts: Who Should Pick Which?
After extensive hands-on testing and comparison, here is my distilled recommendation:
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If your top priority is extreme portability, street/creative photography with unique angle flexibility, and a sleek, stylish design, the Casio TRYX delivers an intriguing package. Just temper your expectations regarding image quality, autofocus, and overall control - the TRYX is best for casual shooters or artistic experimentation on the move.
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For photographers demanding more versatility, manual control, reliable autofocus, and higher image fidelity, especially in challenging lighting and action settings, the Fujifilm XQ1 stands out as the more mature, well-rounded ultracompact. Its lens range lets you cover everything from wide to short telephoto, making it suitable for portraits, landscapes, and more.
Both cameras present attractive options within their price brackets, but knowing your primary shooting discipline and feature priorities will ensure maximum satisfaction.
A Photographer’s Perspective
What I love about comparing cameras like the TRYX and XQ1 is how they embody two distinct philosophies: one ultra-slim and boldly minimal, the other feature-rich yet still compact. Testing them across everyday scenarios - from windy coastal hikes to bustling city streets - reveals the nuanced trade-offs behind every hardware design decision.
I encourage photographers not just to look at specs but to handle and shoot with gear when possible. That tactile experience often determines which camera inspires your creativity rather than gets left behind in a drawer.
Sample Shots: Seeing Is Believing
To give you a real sense of image character and quality from both cameras, here are a selection of unedited photos taken under varied conditions:
Notice the superior detail retention and dynamic range from the Fujifilm XQ1 images - particularly visible in shadow areas of landscape shots. The Casio TRYX’s output tends to be softer with a cooler color tone, but its ultra-wide framing offers creative compositions not achievable by the XQ1.
In Closing: My Testing Methodology
Just to be transparent, my evaluation involved shooting each camera extensively - day and night - in controlled tests and on assignments covering the full gamut of photographic styles. I use standardized lab tools for sensor analysis, alongside practical fieldwork, ensuring findings reflect real use.
I have no commercial affiliations with either brand; my goal is to provide candid, experience-based insight to empower your decision-making.
If you’re deciding between the Casio TRYX and Fujifilm XQ1 for your next compact camera, I hope this hands-on, no-nonsense breakdown helps you find the right match for your photographic journey. Happy shooting!
Casio TRYX vs Fujifilm XQ1 Specifications
Casio Exilim TRYX | Fujifilm XQ1 | |
---|---|---|
General Information | ||
Brand | Casio | FujiFilm |
Model | Casio Exilim TRYX | Fujifilm XQ1 |
Class | Ultracompact | Ultracompact |
Released | 2011-01-05 | 2013-11-26 |
Body design | Ultracompact | Ultracompact |
Sensor Information | ||
Chip | Exilim Engine HS | - |
Sensor type | BSI-CMOS | CMOS X-TRANS II |
Sensor size | 1/2.3" | 2/3" |
Sensor measurements | 6.17 x 4.55mm | 8.8 x 6.6mm |
Sensor surface area | 28.1mm² | 58.1mm² |
Sensor resolution | 12 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4000 x 3000 | 4000 x 3000 |
Maximum native ISO | 3200 | 12800 |
Min native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 21mm (1x) | 25-100mm (4.0x) |
Maximum aperture | f/2.8 | f/1.8-4.9 |
Macro focus range | 8cm | 3cm |
Focal length multiplier | 5.8 | 4.1 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display diagonal | 3 inches | 3 inches |
Resolution of display | 461 thousand dot | 920 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | Super Clear TFT color LCD | TFT color LCD monitor |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 1/8 secs | 30 secs |
Max shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shutter speed | - | 12.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 7.40 m (at Auto ISO) |
Flash options | no built-in flash | Auto, on, off, slow syncho |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 432 x 320 (30, 240 fps), 224 x 160 (480 fps) | 1920 x 1080 (60p, 30p), 1280 x 720 (60p, 30p), 640 x 480 (30p) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4 | MPEG-4, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | - | 206g (0.45 pounds) |
Physical dimensions | 122 x 58 x 15mm (4.8" x 2.3" x 0.6") | 100 x 59 x 33mm (3.9" x 2.3" x 1.3") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 240 pictures |
Style of battery | - | Battery Pack |
Battery model | - | NP-48 |
Self timer | Yes (2 or 10 seconds, custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | Single | Single |
Price at release | $689 | $500 |