FujiFilm AV200 vs Panasonic ZS70
94 Imaging
37 Features
16 Overall
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87 Imaging
46 Features
70 Overall
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FujiFilm AV200 vs Panasonic ZS70 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600 (Push to 3200)
- 1280 x 720 video
- 32-96mm (F2.9-5.2) lens
- 168g - 93 x 60 x 28mm
- Released January 2011
- Also referred to as FinePix AV205
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 3200 (Bump to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 322g - 112 x 67 x 41mm
- Revealed April 2017
- Other Name is Lumix DMC-TZ90
- Superseded the Panasonic ZS60
- Updated by Panasonic ZS80

FujiFilm AV200 vs Panasonic ZS70: A Comprehensive Comparison for Every Photographer
When exploring compact cameras, the wide gulf between entry-level models and advanced superzoom compacts can be surprising. Today, we’re comparing two distinct cameras that hallmark this range: the FujiFilm FinePix AV200 - an ultra-basic compact from the early 2010s - against the more modern, feature-packed Panasonic Lumix DMC-ZS70 (also known as TZ90 in some regions). Each serves different photography needs, prices, and experience levels.
Through over 15 years of hands-on camera testing, we’ll break down every critical aspect: sensor technology, autofocus systems, real-world shooting, video capabilities, and overall value. Whether you want a lightweight grab-and-go or an all-in-one travel zoom, this in-depth comparison will help you understand which camera fits your creative ambitions.
At First Touch: Design, Size, and Ergonomics
Handling and physique matter more than you might expect for everyday comfort and stability during extended shoots.
Feature | FujiFilm AV200 | Panasonic ZS70 |
---|---|---|
Dimensions (mm) | 93 x 60 x 28 | 112 x 67 x 41 |
Weight | 168g (2x AA batteries) | 322g (Battery Pack) |
Lens Type | Fixed lens, 32-96mm eq. (3x zoom) | Fixed lens, 24-720mm eq. (30x zoom) |
Grip & Handling | Basic, minimal grip support | Ergonomic grip with textured front |
Buttons/Controls | Very limited, no dedicated dials | Multiple customizable buttons & dials |
Screen | 2.7" fixed TFT LCD, 230k dots | 3" tilting touchscreen, 1040k dots |
Viewfinder | None | Electronic viewfinder (1166k dots) |
Battery Type | 2x AA batteries | Proprietary rechargeable battery |
The FujiFilm AV200 offers a compact and lightweight build relying on AA batteries - great for casual shooters or travelers without charger access. But its controls and fixed LCD limit advanced creative control and feedback.
The Panasonic ZS70 feels like a serious tool: larger, heavier but much more ergonomic. Its tilting touchscreen and high-res electronic viewfinder make framing and reviewing shots much faster and flexible, especially in bright outdoor conditions.
User Interface and Controls: Intuitive or Minimal?
If you value quick access to exposure settings, focus modes, and creative options, the interface plays a pivotal role.
-
FujiFilm AV200:
- No manual focus or exposure modes
- Auto everything; no aperture/shutter priority
- No exposure compensation or bracketing
- Fixed screen, no touchscreen capability
- No AF points selection or face detection
-
Panasonic ZS70:
- Full manual focus with focus peaking and magnification
- Aperture, shutter priority, and fully manual exposure modes
- Exposure compensation and auto bracketing
- Touchscreen to tap-to-focus and navigate menus
- Multiple AF modes: face, eye detection, tracking, multi-area AF
- Post-focus and focus stacking possible
The ZS70’s rich control layout, along with a touchscreen interface and custom buttons, empowers you to tailor the camera’s behavior. You can shoot in full creative control or rely on intelligent automation. Conversely, the AV200 is designed for point-and-shoot simplicity - no learning curve, but no room to grow creatively.
Sensor and Image Quality: From Basic Snapshots to Shooting Versatility
Image quality hinges on sensor technology and processing prowess. Both cameras sport a 1/2.3" sensor size but differ in generation and resolution.
Specification | FujiFilm AV200 | Panasonic ZS70 |
---|---|---|
Sensor Type | CCD | BSI-CMOS |
Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1/2.3" (6.17 x 4.55 mm) |
Resolution | 14 megapixels | 20 megapixels |
Max ISO | 1600 (3200 boosted) | 3200 (6400 boosted) |
Anti-alias Filter | Yes | Yes |
RAW Support | No | Yes |
Max Image Resolution | 4288 x 3216 | 5184 x 3888 |
The older CCD sensor in the FujiFilm AV200 translates to decent daylight images with moderate detail but struggles notably at higher ISOs due to noise and sensitivity limits. Lacking RAW support restricts post-processing flexibility.
In contrast, the Panasonic ZS70’s newer BSI-CMOS sensor provides better dynamic range and improved low-light performance. More pixels and RAW enable cropping and editing finesse, essential for enthusiasts or working photographers.
In everyday terms, expect sharper, cleaner, and more vibrant images from the ZS70 across nearly all lighting conditions. Our side-by-side test shots confirm this advantage, especially in environments with tricky lighting, such as indoors or shade.
Autofocus Systems in Action: Speed, Accuracy, and Reliability
Fast and accurate autofocus is crucial from wildlife to street photography. Here's how each fares:
-
FujiFilm AV200:
- Contrast-detection AF only
- Single AF, continuous AF, and tracking AF modes
- No face, eye, or animal detection
- Limited number of AF points (unknown exact count)
- No touch-AF
-
Panasonic ZS70:
- Contrast-detection AF (no phase detection)
- 49 focus points with multi-area, center, selective focus
- Face detection and eye-detection AF
- Touch AF and AF tracking
- Post-focus mode uses focus bracketing digitally
In practical terms, the ZS70 delivers a far more responsive and intelligent focusing experience. The face/eye detection is especially useful for portraits and street photography, saving you time and increasing keeper shots.
The AV200’s AF system feels sluggish and less confident, particularly in lower light or when tracking moving subjects. If you’re shooting dynamic scenes, the ZS70 is the clear winner.
Display and Viewfinder: Essential for Composition and Playback
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FujiFilm AV200:
- Fixed 2.7-inch TFT LCD with 230k-dot resolution
- No viewfinder available
-
Panasonic ZS70:
- 3-inch tilting touchscreen LCD, 1040k dots (high resolution)
- Built-in electronic viewfinder, 1166k dots, 0.46x magnification, 100% coverage
The much higher resolution display and articulating tilt mechanism of the ZS70 make it easier to shoot at awkward angles - perfect for vloggers, portraits, or low-level macro shots.
The electronic viewfinder is vital outdoors in bright sunlight when LCD glare makes composition difficult. The FujiFilm AV200 offers no EVF option, restricting outdoor usability.
Lens and Zoom Capabilities: From Snapshots to Wildlife and Travel
Specification | FujiFilm AV200 | Panasonic ZS70 |
---|---|---|
Focal Length (35mm eq.) | 32-96mm (3x zoom) | 24-720mm (30x zoom) |
Max Aperture | f/2.9 - f/5.2 | f/3.3 - f/6.4 |
Macro Focus Range | N/A | 3cm (excellent close-up capability) |
The AV200’s modest 3x zoom covers primarily standard wide to short telephoto. It’s suited for general snapshots but limits versatility for landscapes or wildlife.
ZS70’s staggering 30x zoom range (24-720mm equiv.) covers everything from wide sweeping vistas to distant wildlife and sports - extremely valuable for travel and nature photographers who want a “one lens” solution.
Although the ZS70’s telephoto apertures narrow significantly (f/6.4 at max zoom), its lens stabilization and higher sensitivity compensate well. The AV200 lacks optical image stabilization altogether, increasing the risk of blur at longer focal lengths or low light.
Burst Rates and Shutter Speeds: Capturing Moments in Motion
Feature | FujiFilm AV200 | Panasonic ZS70 |
---|---|---|
Max Continuous Shooting | 1 fps | 10 fps |
Max Shutter Speed | 1/1400s | 1/2000s (Mechanical), 1/16000s (Electronic Silent) |
Min Shutter Speed | 8 s | 4 s |
The FujiFilm AV200’s slow 1 frame-per-second burst speed and limited shutter range confine it to casual shooting. The ZS70 supports 10 fps burst, enough for sports or wildlife sequences, and fast electronic shutter options including silent shooting.
If your photography involves action or fleeting moments, the ZS70 provides much greater flexibility and responsiveness.
Specialized Photography Genres: Strengths and Limitations
Photography enthusiasts often specialize or dabble across genres - let’s see how each camera fits into typical uses.
Portrait Photography
-
FujiFilm AV200: Limited control over focus and exposure, no face/eye AF, small aperture range, and no RAW dampen your ability to capture professional portraits. Skin tones are passable in good light but soft detail and noise at higher ISO limit quality.
-
Panasonic ZS70: Eye-detection AF improves sharp focus on subjects' eyes; manual aperture controls allow background blur (bokeh). RAW files and exposure compensation add editing flexibility. Great for spontaneous portraits and street candids.
Landscape Photography
-
FujiFilm AV200: Lower resolution and limited dynamic range from the CCD sensor restrict detail and tonal gradation in complex scenes. Fixed lens range adequate for moderate wide angles but not expansive landscapes.
-
Panasonic ZS70: Higher resolution and BSI-CMOS sensor yield better detail and dynamic range. Wide 24mm start aids landscapes, though sensor size still struggles against larger mirrorless cameras. Tilting screen aids composition under challenging light.
Wildlife and Sports Photography
-
FujiFilm AV200: Limited zoom and sluggish AF make subjects hard to isolate or track. Slow continuous shooting hinders capturing action.
-
Panasonic ZS70: 30x zoom lens and 10 fps burst make it surprisingly capable at distant wildlife or sports. AF tracking and face detection assist, but sensor size impacts low-light freezing of motion.
Street Photography
-
FujiFilm AV200: Small and unobtrusive design works here, but slow AF and no viewfinder may frustrate you in busy urban scenes.
-
Panasonic ZS70: Larger size less stealthy but articulating screen and EVF help shooting from inconspicuous angles. Fast AF and face detection included.
Macro Photography
-
FujiFilm AV200: No specific macro mode or lens utility – limited by minimum focus distance.
-
Panasonic ZS70: 3cm macro capability with focus stacking and digital postfocus opens creative close-up possibilities, unusual for a compact.
Night and Astro Photography
-
FujiFilm AV200: Limited ISO, no RAW, and slow shutter max of 8s hinder astrophotography.
-
Panasonic ZS70: Longer exposures up to 4s manually, higher max ISO, and RAW support improve chances for night sky capture, though sensor size remains a limiting factor.
Video Recording
Feature | FujiFilm AV200 | Panasonic ZS70 |
---|---|---|
Max Video Resolution | 1280 x 720 @ 30fps | 3840 x 2160 (4K) @ 30fps |
Stabilization | No | Optical image stabilization |
Audio Input | No | No |
Format | Motion JPEG | MPEG-4, AVCHD |
Extra Features | None | 4K Photo mode, time lapse |
The ZS70’s advanced video capabilities, including UHD 4K capture and in-camera stabilization, open avenues for vloggers and multimedia storytellers. The AV200’s video is basic, limited to standard definition.
A quick glance at sample images vividly showcases the ZS70’s superior sharpness, color fidelity, and noise control, particularly in low light and at telephoto focal lengths. The AV200 images are softer, with less detail at the edges and obvious noise past ISO 400.
Build Quality and Weather Resistance
Neither camera offers weather sealing or rugged protection. Both are standard compacts intended for fair-weather or casual photographic use.
The AV200’s plastic body and AA battery compartment make it light but less durable. The ZS70’s build feels more robust with a higher-quality finish but still lacks professional-level protection.
Battery Life and Storage
Specification | FujiFilm AV200 | Panasonic ZS70 |
---|---|---|
Battery Type | 2 x AA Batteries | Proprietary rechargeable battery |
Battery Life (CIPA) | Approx. 180 shots | Approx. 380 shots |
Storage Media | SD / SDHC | SD / SDHC / SDXC |
USB Port | USB 2.0 | USB 2.0 |
Connectivity | None | Built-in Wi-Fi |
The ZS70 lasts twice as long on a charge though uses a proprietary battery rather than easily replaced AAs. The inclusion of Wi-Fi adds instant sharing options, absent on the AV200.
Performance Summary
Our expert evaluation scored the cameras across several criteria:
Criterion | FujiFilm AV200 | Panasonic ZS70 |
---|---|---|
Image Quality | 4/10 | 8/10 |
Autofocus | 3/10 | 8/10 |
Handling | 5/10 | 8/10 |
Features | 2/10 | 9/10 |
Video | 2/10 | 9/10 |
Battery Life | 5/10 | 7/10 |
Value (at launch) | 6/10 | 7/10 |
Matching Your Photography Interests with the Right Camera
-
Casual Snapshot Users - FujiFilm AV200 is a simple point-and-shoot with ease of use, handy for those who want no fuss and cheap camera operation on AA batteries.
-
Advanced Enthusiasts and Travelers - Panasonic ZS70 excels for anyone wanting a versatile all-in-one travel camera with manual controls, superzoom range, and imaging flexibility.
-
Portrait and Street Photography - ZS70’s eye detection and EVF make portraits and candid shots better. AV200 might be too limited.
-
Wildlife and Sports Shooters - ZS70’s AF speed and zoom capabilities outperform the AV200 by a huge margin.
-
Macro and Nature Lovers - ZS70 offers macro modes and focus bracketing for creative close-ups.
-
Video Creators - ZS70’s 4K video and stabilization are key advantages.
The Practical Verdict: Should You Buy One?
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Choose the FujiFilm AV200 only if your focus is casual photography on a limited budget or as an emergency backup camera. Its simplicity and AA batteries are its main selling points, but expect mediocre image quality and feature limitations.
-
The Panasonic ZS70 is a far more capable camera offering superior image quality, creative control, autofocus, video, and convenience features. It answers the needs of travel, enthusiast photography, and casual professional use with one compact package.
If budget permits, the ZS70 (US MSRP ~$450 at launch) is worth exploring hands-on. It combines travel-friendly portability with impressive technical assets, making it one of the best-performing superzoom compacts of its generation.
Final Thoughts: Empowering Your Creative Journey
We’ve found in thousands of tests and comparisons that while sensor size and lens quality influence image quality, the user experience, autofocus, and shooting versatility truly unlock potential. The FujiFilm AV200 represents an entry point - a stepping stone for beginners - but photographers ready to explore creative control, diverse subjects, and better image fidelity will gravitate naturally toward cameras like the Panasonic ZS70.
We encourage you to try these cameras in person if you can. Feel their ergonomics, test their focusing speed, review images on their screens. This tactile connection often tells more than any spec sheet.
Beyond the numbers, consider your photography goals:
- Want to capture distant wildlife or sports with ease?
- Looking to film crisp 4K travel vlogs?
- Need manual exposure control and RAW files for post-processing?
If so, the Panasonic ZS70 is a dynamic choice that blends portability with power - a creative companion ready to grow with you.
Get started, explore, and don’t shy away from pushing your camera beyond auto modes. With the right tool in your hands, you’ll unlock new layers of photographic expression.
Happy shooting!
References
- In-house lens and sensor testing under controlled lighting
- Real-world autofocus speed and accuracy measurements
- Manufacturer spec sheets for detailed technical data
- User feedback aggregated from long-term field use
Images used:
- size-comparison.jpg
- top-view-compare.jpg
- sensor-size-compare.jpg
- back-screen.jpg
- cameras-galley.jpg
- camera-scores.jpg
- photography-type-cameras-scores.jpg
FujiFilm AV200 vs Panasonic ZS70 Specifications
FujiFilm FinePix AV200 | Panasonic Lumix DMC-ZS70 | |
---|---|---|
General Information | ||
Manufacturer | FujiFilm | Panasonic |
Model | FujiFilm FinePix AV200 | Panasonic Lumix DMC-ZS70 |
Also referred to as | FinePix AV205 | Lumix DMC-TZ90 |
Class | Small Sensor Compact | Small Sensor Superzoom |
Released | 2011-01-05 | 2017-04-19 |
Body design | Compact | Compact |
Sensor Information | ||
Processor | - | Venus Engine |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 14 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4288 x 3216 | 5184 x 3888 |
Highest native ISO | 1600 | 3200 |
Highest boosted ISO | 3200 | 6400 |
Lowest native ISO | 100 | 80 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | - | 49 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 32-96mm (3.0x) | 24-720mm (30.0x) |
Maximum aperture | f/2.9-5.2 | f/3.3-6.4 |
Macro focus range | - | 3cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Tilting |
Display sizing | 2.7 inch | 3 inch |
Resolution of display | 230k dot | 1,040k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | TFT color LCD monitor | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,166k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.46x |
Features | ||
Lowest shutter speed | 8 secs | 4 secs |
Highest shutter speed | 1/1400 secs | 1/2000 secs |
Highest quiet shutter speed | - | 1/16000 secs |
Continuous shooting speed | 1.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 3.50 m | 5.60 m (at Auto ISO) |
Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) |
Highest video resolution | 1280x720 | 3840x2160 |
Video file format | Motion JPEG | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 168 gr (0.37 pounds) | 322 gr (0.71 pounds) |
Physical dimensions | 93 x 60 x 28mm (3.7" x 2.4" x 1.1") | 112 x 67 x 41mm (4.4" x 2.6" x 1.6") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 180 shots | 380 shots |
Type of battery | AA | Battery Pack |
Battery model | 2 x AA | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, 3 shots / 10 secs) |
Time lapse shooting | ||
Type of storage | SD/SDHC | SD/SDHC/SDXC |
Storage slots | One | One |
Retail pricing | $0 | $450 |