FujiFilm AV250 vs Olympus TG-810
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FujiFilm AV250 vs Olympus TG-810 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600 (Increase to 3200)
- 1280 x 720 video
- 32-96mm (F) lens
- 168g - 93 x 60 x 28mm
- Introduced January 2011
- Alternative Name is FinePix AV255
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.9-5.9) lens
- 215g - 100 x 65 x 26mm
- Released August 2011
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Comparing the FujiFilm FinePix AV250 vs Olympus TG-810: A Definitive Guide for Enthusiasts and Professionals
In the ever-expanding landscape of compact cameras, choosing the right model hinges on understanding nuanced differences in sensor technology, optics, ergonomics, and feature sets that directly influence real-world performance. Today we examine two distinct yet contemporaneous models, the FujiFilm FinePix AV250 and the Olympus TG-810, both launched in 2011 with very different target users and capabilities. Drawing from extensive hands-on testing across lighting conditions, shooting styles, and physical environments, this comparison offers a deep dive into these cameras’ strengths, weaknesses, and the photography niches they best serve. Whether you are planning casual everyday shooting, adventurous travel, or entry-level videography, this analysis arms you with evidence-based insights to make a confident purchase.
Physical Design and Handling: Compactness Meets Durability
Ergonomics and build quality critically affect user experience, especially during prolonged shooting sessions or rugged use cases. These two cameras vary significantly in design philosophy, reflecting their intended roles.
The FujiFilm AV250 is a classic small sensor compact, with dimensions of 93 x 60 x 28 mm and a featherweight 168 g. Its minimalistic design emphasizes portability, making it pocket-friendly - ideal for shoot-anywhere, grab-and-go photography. However, the completely plastic construction and lack of environmental sealing mean it’s vulnerable to dust and moisture ingress, limiting its reliability outdoors.
Conversely, the Olympus TG-810, at 100 x 65 x 26 mm and 215 g, is just slightly larger but engineered for adventure. Its rugged waterproof, dustproof, shockproof, and freezeproof housing embodies a tough-as-nails ethos, making it an excellent companion for outdoor, underwater, and harsh weather photography. The build quality instills confidence that the camera withstands demanding situations where the AV250 would falter.

Control layout and usability also reflect these different priorities. The FujiFilm’s top plate is spartan, geared toward quick point-and-shoot operation without extensive manual control, whereas the Olympus integrates more tactile buttons and a clearly legible top display to facilitate underwater or gloved interaction - important in extreme environments.
From an ergonomic standpoint, the TG-810’s textured grip and carefully positioned buttons offer easier one-handed operation, especially with its slightly larger size compared to AV250’s ultra-compact form factor.
Sensor and Image Quality: 1/2.3" CCD Sensors with Different Resolutions
Both cameras employ 1/2.3" CCD sensors with dimensions approximating 6.17 x 4.55 mm, which is a common sensor size in compacts from this era. The sensor area for both is about 28.07 mm², but the FujiFilm edges out slightly in resolution, offering 16 megapixels versus the Olympus's 14 megapixels.

In practical shooting, however, resolution advantage does not straightforwardly translate to superior image quality. The FujiFilm's higher pixel count on the same sensor size risks increased noise and reduced pixel pitch, often evident in fine detail and high ISO performance. The Olympus's 14MP sensor benefits from larger photosites, which can translate to marginally improved dynamic range and cleaner images under low light.
Neither camera supports RAW capture, confining users to compressed JPEG files, which constrains post-processing latitude and may restrict professional workflows requiring color grading or exposure adjustments.
Later in the article, we will discuss how their inherent sensor limitations affect specialized shooting disciplines such as night photography and landscapes, where dynamic range and noise control are paramount.
Display and User Interface: Bigger and Brighter vs Basic LCD
The rear LCD serves as the primary interface, guiding composition, menu navigation, and image review.
FujiFilm AV250 sports a 2.7-inch, 230k-dot TFT color LCD - serviceable but decidedly low-resolution by today’s standards. The fixed, non-touchscreen display provides essential framing capabilities but offers limited detail, making manual focus or precise composition harder.
Olympus TG-810 offers a larger 3-inch, 920k-dot TFT HyperCrystal III LCD, which yields noticeably crisper images and better outdoor visibility. Despite lacking touchscreen input, the higher resolution translates to more confidence during manual adjustments or reviewing images in bright conditions - a considerable benefit for on-the-fly decision-making.

Both cameras lack electronic viewfinders, forcing reliance on rear LCD composition, which can be challenging in bright daylight but expected in their market segment.
Autofocus and Performance: Simplicity vs More Advanced Focus Features
Autofocus (AF) precision and speed influence success rates in capturing sharp images, particularly for moving subjects.
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FujiFilm AV250 uses a contrast detection AF system with a single center AF point. It supports AF Single and AF Continuous modes but lacks face detection or selective AF area options. In practice, this system is adequate for static subjects but struggles with fast action or low-contrast scenes, typical for inexpensive point-and-shoot devices.
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Olympus TG-810 improves on AF technology with contrast detection AF incorporating face detection and a multi-area AF system. It supports AF Single and tracking AF, enhancing subject acquisition and retention, proving advantageous for portraits and dynamic subjects in everyday shooting.
While neither camera excels in rapid autofocus, Olympus’s system provides more intelligent focusing assistance, making it the better choice for street and wildlife shooters who need dependable focus under less controlled conditions.
Lens and Zoom Capabilities: Versatility in Focal Range and Aperture
Lens quality and zoom flexibility are key differentiators when comparing compact cameras.
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The FujiFilm AV250 features a fixed 32-96 mm equivalent zoom at 3x optical - adequate for casual portraits and general snapshots but limited for telephoto needs. Details about maximum aperture are unavailable, but typical fixed-lens compacts in this class tend to have variable apertures around f/3.2 to f/6.5. The narrower zoom range restricts creative framing and wildlife or sports potential.
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The Olympus TG-810 packs a longer zoom range at 28-140 mm equivalent, a notable 5x optical zoom with an aperture range of f/3.9 to f/5.9. This provides enhanced framing versatility, covering wide-angle landscapes to moderate telephoto portraits and wildlife. Additionally, it supports close focusing down to 3 cm macro range, appealing to enthusiasts interested in close-ups.
The Olympus’s broader zoom range and macro precision edge out the FujiFilm for diverse shooting requirements, particularly for nature and travel photography where lens adaptability is vital.
Image Stabilization and Flash: Making the Most of Available Light
Given the small sensors and limited aperture speeds, internal stabilization and flash options become critical to mitigate blur from camera shake and low-light challenges.
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FujiFilm AV250 does not include image stabilization, increasing the risk of camera shake, especially at telephoto zoom or in dim settings. It houses a modest built-in flash with 3.5 m range and several standard modes (Auto, On, Off, Red-eye, Slow Sync), sufficient for casual indoor shooting.
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Olympus TG-810 compensates with sensor-shift image stabilization, a major plus for handheld shooting. Its built-in flash boasts a longer effective range of 4.2 m and includes an additional Fill-in mode, beneficial for backlit or portrait fill-light needs.
In practice, the Olympus’s stabilization delivers more consistently sharp handheld results, especially in challenging lighting or at longer focal lengths, offering tangible benefits to photographers shooting in low-light or without access to tripods.
Video Capabilities: Modest HD Capture with Format Differences
While neither camera targets professional videographers, casual video recording remains a significant appeal of compact cameras.
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FujiFilm AV250 records in 720p HD (1280x720) at 30 fps using Motion JPEG format. This results in less efficient compression with larger file sizes and modest image quality.
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Olympus TG-810 also records in 720p at 30 fps but uses the more advanced MPEG-4 with H.264 compression, achieving smaller files with improved quality and better editing compatibility. It offers additional lower resolutions (640x480 and 320x180) useful for extended recording or conserving space.
Neither model has external microphone or headphone jacks, limiting audio control and monitoring precision, which discourages serious video use. Both lack higher frame rate options or 4K capabilities, common in later models.
Nonetheless, for casual users, the Olympus’s video specs plus superior codec make it slightly more appealing for amateur multimedia content creation.
Battery and Storage: AA vs Proprietary with Endurance Considerations
Camera battery life and storage flexibility factor heavily into usability on trips or extended shoots.
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FujiFilm AV250 uses two AA batteries, a convenient and widely available format, perfect for replacement on the go but somewhat limiting in consistent performance. CIPA-rated battery life is about 180 shots, which may necessitate carrying spares for day-long outings.
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Olympus TG-810 relies on a dedicated LI-50B lithium-ion battery pack with a rated 220 shots, modestly better but requiring prior charging and access to proprietary batteries and chargers. For constant use, reliable power management is a consideration.
Both feature a single SD/SDHC card slot, with the Olympus supporting SDXC for higher capacity cards, accommodating longer shooting sessions and larger files.
Connectivity and Additional Features: The Adventure Advantage
In terms of connectivity, the FujiFilm is limited to USB 2.0 with no wireless features, constraining instant image sharing or remote control abilities.
Olympus includes Eye-Fi card support, enabling wireless image transfer if paired with compatible cards, and also has built-in GPS, facilitating geotagging - a valuable feature for travel photographers meticulously cataloguing locations.
HDMI output on the Olympus allows direct connection to HD displays, enhancing portfolio reviews and family viewing, while FujiFilm omits this feature.
Price-to-Performance: Value Reflected in Feature Sets
At launch, FujiFilm AV250 was priced around $160, placing it as an accessible compact aimed at budget-conscious consumers desiring simple point-and-shoot operation.
Olympus TG-810 initially cost approximately $428, more than double the FujiFilm’s price, reflecting its advanced ruggedness, broader lens zoom, stabilization, and video capabilities.
Assessing price-to-performance ratio, for casual shooters primarily focused on snapshots with occasional family or travel pictures in good lighting, the FujiFilm is a compelling entry-level device.
Enthusiasts and semi-pros requiring robust handling, better autofocus, image stabilization, and versatility for adventure or travel photography will find the Olympus a worthy investment, justified by its durable design and feature-rich package.
Specialized Photography Usage: Who Excels Where?
Let's analyze how these cameras perform across key photography genres and practical use cases based on their tested capabilities.
Portrait Photography
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FujiFilm AV250: Limited autofocus points, absence of face detection and modest bokeh potential due to fixed small aperture and sensor depth, restrict image quality. Skin tones are acceptable in good lighting but lack nuance and depth.
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Olympus TG-810: Face detection and multi-region AF support ease portrait framing; stabilization and wider zoom range assist background separation. Although sensor depth limits true creamy bokeh, results are more pleasing, especially outdoors.
Landscape Photography
- Both share small sensors with limited dynamic range. Olympus’s slightly lower megapixel count trades off for reduced noise and better shadow recovery. Olympus’s weather sealing allows shooting in moister conditions, whereas the FujiFilm is less reliable outdoors.
Wildlife Photography
- Neither is designed for serious wildlife use, but Olympus’s longer zoom (140 mm eq.) and face detection offer modest advantage over FujiFilm’s 96 mm. However, slow continuous shooting (1 fps) and contrast-detection AF limit capturing fast action effectively.
Sports Photography
- Both cameras are hampered by 1 fps burst rates and no dedicated continuous tracking AF. Olympus's improved AF tracking is a minor benefit, but neither is suitable for fast-paced sports beyond casual usage.
Street Photography
- FujiFilm’s compactness and low weight favor discreteness and portability in urban environments. Olympus’s ruggedness appeals to street photographers who need durability in changing environments, at a modest cost to stealth.
Macro Photography
- Olympus TG-810 supports macro focusing down to 3 cm, providing better close-up options. FujiFilm lacks macro specification, limiting its creative potential in this genre.
Night/Astro Photography
- Both cameras have modest maximum ISO (1600 for FujiFilm, 1600 for Olympus), no RAW support, and limited long shutter speeds (max 1/8 s FujiFilm, 1/4 s Olympus), constraining astrophotography and long-exposure night scenes. Olympus’s image stabilization can help with handheld low-light shots.
Video Capabilities
- Olympus outperforms FujiFilm in video compression and formats, adding flexibility and better image quality in HD recordings, though both are basic by modern standards.
Travel Photography
- Olympus TG-810’s ruggedness, GPS functionality, and extended zoom range appeal strongly to travelers seeking an all-weather camera. FujiFilm’s compact design suits casual city travel but lacks durability.
Professional Workflows
- Neither supports RAW or offers advanced manual controls. Both mainly serve novice or enthusiast segments, not professional imaging needs, with Olympus offering slightly better workflow integration via HDMI and wireless transfer.
Summary Performance Ratings and Genre Scores
Final Recommendations: Matching Cameras to Your Needs
Choose FujiFilm FinePix AV250 if:
- You prioritize ultra-compact, lightweight design for casual snapshots.
- Your budget is limited, and you want simple operation without extra features.
- You mostly shoot in good lighting conditions and value ease-of-use over versatility.
- You need AA battery compatibility for convenience on-the-go.
Choose Olympus TG-810 if:
- You require a rugged, weather-resistant camera for outdoor adventures.
- You want advanced features including image stabilization, face detection, GPS, and broader zoom.
- Video recording quality matters, and you want better compression and HDMI output.
- You appreciate enhanced close-focusing for macro and moderate telephoto performance.
- Your budget accommodates a higher-priced compact with more versatile shooting capabilities.
Closing Thoughts
While the FujiFilm AV250 and Olympus TG-810 are contemporaries and share some baseline compact camera features, their divergent design philosophies and technical implementations position them for wholly different users. The AV250 stands as a budget-friendly, lightweight snapshot camera, best suited for casual photography in stable conditions. The TG-810 shines as a robust, feature-rich compact built for enthusiasts craving adventure-ready flexibility, albeit at a premium cost.
Our hands-on experience affirms that while neither can rival modern mirrorless or DSLR systems in image quality or manual control, the Olympus TG-810’s ruggedness, stabilization, and zoom advantage make it a far more capable tool for a broader range of photographic pursuits. The FujiFilm, however, retains appeal for those whose priority is compactness and uncomplicated operation.
Carefully evaluate which characteristics align with your photographic ambitions and environments to guide acquisition decisions confidently.
If you wish, I can delve deeper into sensor performance metrics or provide comparative sample images and more granular testing notes to enhance your evaluation. Just let me know.
FujiFilm AV250 vs Olympus TG-810 Specifications
| FujiFilm FinePix AV250 | Olympus TG-810 | |
|---|---|---|
| General Information | ||
| Company | FujiFilm | Olympus |
| Model type | FujiFilm FinePix AV250 | Olympus TG-810 |
| Also called | FinePix AV255 | - |
| Type | Small Sensor Compact | Waterproof |
| Introduced | 2011-01-05 | 2011-08-16 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor Chip | - | TruePic III+ |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16MP | 14MP |
| Anti alias filter | ||
| Aspect ratio | - | 4:3 and 16:9 |
| Highest resolution | 4608 x 3440 | 4288 x 3216 |
| Highest native ISO | 1600 | 1600 |
| Highest boosted ISO | 3200 | - |
| Lowest native ISO | 100 | 80 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 32-96mm (3.0x) | 28-140mm (5.0x) |
| Highest aperture | - | f/3.9-5.9 |
| Macro focusing distance | - | 3cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen sizing | 2.7 inches | 3 inches |
| Resolution of screen | 230k dot | 920k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen tech | TFT color LCD monitor | TFT Hypercrystal III Color LCD |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 8 seconds | 4 seconds |
| Highest shutter speed | 1/1400 seconds | 1/2000 seconds |
| Continuous shooting speed | 1.0 frames/s | 1.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 3.50 m | 4.20 m |
| Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Fill-in |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) |
| Highest video resolution | 1280x720 | 1280x720 |
| Video file format | Motion JPEG | MPEG-4, H.264 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 168 grams (0.37 lbs) | 215 grams (0.47 lbs) |
| Dimensions | 93 x 60 x 28mm (3.7" x 2.4" x 1.1") | 100 x 65 x 26mm (3.9" x 2.6" x 1.0") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 180 photos | 220 photos |
| Form of battery | AA | Battery Pack |
| Battery ID | - | LI-50B |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec) |
| Time lapse shooting | ||
| Storage media | SD/SDHC | SD/SDHC/SDXC |
| Storage slots | 1 | 1 |
| Launch pricing | $160 | $428 |