FujiFilm F300EXR vs Samsung SL30
91 Imaging
35 Features
33 Overall
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95 Imaging
32 Features
14 Overall
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FujiFilm F300EXR vs Samsung SL30 Key Specs
(Full Review)
- 12MP - 1/2" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Bump to 12800)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-360mm (F3.5-5.3) lens
- 215g - 104 x 59 x 33mm
- Released July 2010
- Additionally referred to as FinePix F305EXR
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.5" Fixed Display
- ISO 80 - 1600
- 640 x 480 video
- 38-114mm (F2.8-5.7) lens
- 140g - 94 x 61 x 23mm
- Revealed February 2009
- Also referred to as ES15
Snapchat Adds Watermarks to AI-Created Images FujiFilm F300EXR vs Samsung SL30: A Detailed Comparison from a Hands-On Camera Expert
Choosing the right camera - even in the affordable compact segment - can be tough if you want solid image quality and reliable performance without breaking the bank. Today, I’m comparing two small-sensor compacts from roughly the same era that target budget-conscious enthusiasts and casual snapshooters: the FujiFilm FinePix F300EXR and the Samsung SL30. While their specs may look similar on paper, their real-world performance, versatility, and shooting experience reveal a very different user story.
Over the years, I’ve tested hundreds of compact cameras across various genres, from landscape walks to family portraits and quick travel snaps, so you’ll get not just dry specs but hands-on insights you can count on. Whether you’re a beginner to photography, a thrifty content creator, or someone seeking a trusty backup camera, let’s explore how these two stack up.
Size and Ergonomics: Holding Them in Your Hands
First impressions matter, right? How a camera feels in hand impacts every shot you take. The Fuji F300EXR is a bit chunkier but offers more substantial grip real estate, while the Samsung SL30 is petite and ultra-lightweight.

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FujiFilm F300EXR: Measuring 104x59x33 mm and weighing 215 grams, it feels more solid and comfortable, especially for longer shoots. The thicker profile gives you something to hold onto confidently, with enough space for your fingers to settle without feeling cramped.
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Samsung SL30: Much smaller at 94x61x23 mm and just 140 grams, this is a true pocket-friendly companion. However, in my testing, the SL30 showed its size limits when handling with gloves or in quick shooting scenarios. Some users might find it slips too easily.
From an ergonomic perspective, if portability is king (let’s say for street or travel photography), Samsung’s compact design wins. But if you want more control and less hand fatigue, Fuji’s beefier build comes out ahead.
Control Layout and Operational Intuition
Nothing spoils inspiration faster than confusing controls or fiddly menus. How these cameras manage basic functions like zoom, exposure modes, and shooting settings makes all the difference.

Look carefully at their top plates:
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Fuji F300EXR: Provides dedicated dials for shutter priority, aperture priority, and manual exposure modes - a rarity in this category. It has customizable buttons and a mode dial with easy access. For me, this was a big plus, allowing instant changes without diving into menus.
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Samsung SL30: Simpler and more minimalist, geared towards automation with fewer direct controls. No shutter or aperture priority modes and no manual exposure control, which might disappoint those craving more creative flexibility.
The Fuji’s control scheme aligns with a photographer who wants to actively engage with settings, while the Samsung is a reliable point-and-shoot handler for those who want to “set it and forget it.”
Sensor Comparison and Image Quality Foundations
Now let's get technical but clear. Both cameras use CCD sensors, common in compacts of their period, but there are differences worth dissecting.

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Fuji F300EXR:
- Sensor: 1/2” CCD with EXR tech (6.4 x 4.8 mm)
- Resolution: 12 MP max (4000 x 3000 pixels)
- ISO range: 100-3200 native, boosted to 12800
- EXR processing allows modes for noise reduction or dynamic range enhancement.
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Samsung SL30:
- Sensor: 1/2.3” CCD (6.08 x 4.56 mm)
- Resolution: 10 MP max (3648 x 2736 pixels)
- ISO range: 80-1600 native only
- No specialized sensor tech or beefy processing engine.
The Fuji’s larger sensor area and EXR processor provide tangible benefits, especially in challenging lighting. In practical terms, this means better noise control and improved dynamic range in Fuji’s images, making it more adaptable outdoors or in dim environments.
The SL30’s smaller sensor and less advanced processing mean you’ll see earlier onset of image noise above ISO 400 or 800, and contrast retention isn’t as strong.
LCD Screens and User Interface
How you compose and review shots matters - so do the displays these cameras offer.

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Fuji F300EXR: Features a 3-inch fixed LCD with 460k-dot resolution, which is surprisingly sharp for a camera of this type. The interface is straightforward, with clear menus and info overlays. The EXR modes and manual exposure options are well integrated.
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Samsung SL30: Has a smaller 2.5-inch LCD with only 230k-dot resolution, making it less detailed and more difficult to check focus or exposure accuracy thoroughly, particularly in bright daylight.
If you frequently shoot outdoors or want to inspect your images on the go, Fuji’s bigger, sharper screen offers a noticeably better experience.
Lens and Zoom Range: Versatility on Tap
Your zoom lens often dictates a camera’s practical use scenario more than anything.
- Fuji F300EXR: Fixed 24-360mm equivalent, 15x optical zoom lens with f/3.5-5.3 max aperture.
- Samsung SL30: Fixed 38-114mm equivalent, 3x optical zoom lens with f/2.8-5.7 max aperture.
The difference here is quite stark. Fuji’s 15x zoom is extraordinary for a compact and lends itself well to everything from wide landscapes to distant wildlife or sports subjects. That, combined with Fuji’s sensor stabilization, makes it a flexible “do-everything” tool. On the downside, maximum aperture narrows as focal length increases, which will affect low-light telephoto shooting.
Samsung’s shorter zoom range is more typical of pocket cameras, focusing on standard compositions and snapshots. The slightly faster f/2.8 aperture at the wide end helps low-light performance mildly, but the lack of image stabilization means you’re more reliant on faster shutter speeds.
Autofocus and Shooting Performance
Focusing speed and accuracy really impact capturing the perfect moment.
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Fuji F300EXR: Uses single-area contrast detection AF without face detection or tracking. Focus speed is average - adequate for casual photography but can struggle in low light or with moving subjects. Continuous autofocus is not supported, and burst shooting tops out at 2 fps, which isn’t exactly sports photography material.
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Samsung SL30: Implements single-area contrast detection AF with face detection, which can help with portraits. Unfortunately, no continuous AF or tracking, either, and continuous shooting mode isn’t supported.
In real-world use, neither camera is designed for high-speed action or wildlife photography that demands robust AF tracking or fast bursts. Fuji has a slight edge in shutter and operation speed, making it less frustrating for everyday shooting.
Image Stabilization and Low-light Performance
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Fuji F300EXR: Sensor-shift stabilization is present, which is a huge advantage especially at telephoto focal lengths - crucial for handheld shooting in dim environments.
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Samsung SL30: No image stabilization at all, which is a major limitation if you like shooting indoors or at night without a tripod.
Low-light ISO performance favors Fuji with ISO up to 3200 natively and boosted 12800, although image quality at the highest settings is mediocre. The Samsung caps at ISO 1600, and images above ISO 400 show more grain and noise.
Flash and Extra Features
- Fuji F300EXR: Onboard flash with a range of about 3.2 meters, and basic modes like Slow Sync and Red-eye reduction. No external flash support.
- Samsung SL30: Built-in flash with a larger range of 4.6 meters and more comprehensive flash modes, surprisingly giving it an advantage if you prioritize indoor event shooting without external lighting.
Neither camera supports external flashes or hot shoes.
Video Capabilities: Bonus or Main Event?
- Fuji F300EXR: Can record HD video at 1280x720p (24 fps) in Motion JPEG format. While not professional-grade, it’s enough for casual video clips. No mic or headphone jacks.
- Samsung SL30: Limited to VGA or lower video resolutions maxing out at 640x480p. Not ideal for video but decent for quick social sharing clips.
If you want video on the side, Fuji’s HD video support makes it more future-proof overall.
Battery Life and Storage: Practical Considerations
Both cameras rely on their proprietary lithium-ion batteries (Fuji NP-50 for the F300EXR, Samsung unspecified) and support standard SD/SDHC cards.
Without official battery life data, I note from experience with similar models that the Fuji’s larger body likely supports longer shooting sessions, but neither will rival mirrorless or DSLR endurance.
Price and Value: What Does Your Budget Buy?
Here’s where the FujiFilm F300EXR and Samsung SL30 tell a story about real-world camera buying. The F300EXR originally retailed for around $280, whereas the SL30 was roughly $93.
- For about three times the cost, you get a much more versatile camera with superior zoom, larger sensor, stabilization, manual controls, and HD video in the Fuji.
- The Samsung is an ultra-budget-friendly compact for those who want pocketability and ease without fuss.
Let’s Look at Sample Images Side by Side
To really understand practical differences, check out this gallery of images shot under various conditions:
- The Fuji’s images exhibit better detail retention, less noise, and more vivid colors, especially in outdoor and low light.
- Samsung’s pictures are perfectly acceptable for casual snaps but lose sharpness and dynamic range quickly.
Scoring Their Overall Performance
Based on a hands-on scoring framework I use to evaluate cameras’ technical specs, usability, and image quality together:
- FujiFilm F300EXR roughly scores higher across the board.
- Samsung SL30 ranks as an entry-level compact, with points for portability and ease of use.
Specialty Shooting Modes: How Do They Handle Different Genres?
Let’s break down their suitability across photography styles.
Portrait Photography
- FujiFilm: Lacks face detection AF, but manual exposure and EXR modes help capture skin tones well. Bokeh effect limited by the lens max aperture.
- Samsung: Has face detection AF, which aids in portraits, but smaller sensor limits out-of-focus separation.
Landscape Photography
- FujiFilm: Superior dynamic range due to EXR sensor tech, higher resolution, and longer zoom for framing distant scenes.
- Samsung: Good for casual landscapes but less detail and more noise.
Wildlife & Sports
- Neither ideal due to slow AF and low frame rates; Fuji’s zoom adds versatility but slipping focus makes fast subjects tricky.
Street Photography
- Samsung’s smaller size and lighter weight excel here, with discreet handling.
- Fuji is bulkier and more noticeable but offers better image quality and manual controls.
Macro Photography
- Both have similar close-focusing distances (5cm), but Fuji’s stabilization offers steadier shots handheld.
Night and Astro Photography
- Fuji’s higher ISO ceiling and longer exposures make it marginally useful - Samsung struggles above ISO 400.
Video
- Fuji wins handily with HD recording capabilities.
Travel Photography
- Fuji covers more scenarios due to zoom, controls, and stabilization.
- Samsung is a neat pocket shooter for casual travel use.
Professional Use
- Neither supports RAW files or advanced workflows, restricting professional appeal.
Pros and Cons at a Glance
FujiFilm F300EXR
Pros:
- Large zoom range (24-360mm equiv.)
- EXR sensor tech enhances image quality
- Manual, aperture and shutter priority modes
- Optical image stabilization (sensor-shift)
- HD video capability
- Higher resolution, sharper LCD
Cons:
- Heavier and bulkier for pocket use
- No face or eye detection AF
- Slow continuous shooting speed (2 fps)
- No raw support
Samsung SL30
Pros:
- Small, lightweight, and extremely portable
- Face detection autofocus helps portraits
- Decent flash range and modes
- Affordable price point
- Easy to operate for beginners
Cons:
- Limited zoom (38-114mm)
- No image stabilization
- Lower resolution and smaller screen
- No manual exposure control
- VGA or lower video only
Final Verdict and Recommendations
If you are a budget-minded enthusiast who values versatility, image quality, and creative control, the FujiFilm F300EXR is the clear winner here. Its larger sensor, extensive zoom, manual modes, and stabilization allow you to explore various genres with real confidence. I’ve personally found it a capable bridge camera on day trips and family events where DSLR or mirrorless gear feels too heavy.
On the other hand, if you prioritize portability above all else, don’t mind simpler automation, and want a cheapskate-friendly all-rounder for casual snaps, the Samsung SL30 does the job well enough. It’s especially suited for street photographers who desire an unobtrusive camera and beginners who want something straightforward.
Both are decidedly compact, limited-sensor cameras without modern bells like Wi-Fi, touchscreens, or 4K video, so if cutting-edge tech or professional reliability is your goal, look further afield.
I hope my firsthand testing insights help clarify the practical tradeoffs between these two vintage compacts. Whether you pick the FujiFilm F300EXR for richer versatility or the Samsung SL30 for lightweight simplicity, knowing exactly what you need from your camera makes all the difference.
Happy shooting, and may your next camera serve you well in all your photographic adventures!
FujiFilm F300EXR vs Samsung SL30 Specifications
| FujiFilm FinePix F300EXR | Samsung SL30 | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | Samsung |
| Model | FujiFilm FinePix F300EXR | Samsung SL30 |
| Otherwise known as | FinePix F305EXR | ES15 |
| Category | Small Sensor Superzoom | Small Sensor Compact |
| Released | 2010-07-21 | 2009-02-17 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor | EXR | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2" | 1/2.3" |
| Sensor measurements | 6.4 x 4.8mm | 6.08 x 4.56mm |
| Sensor surface area | 30.7mm² | 27.7mm² |
| Sensor resolution | 12 megapixels | 10 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | - |
| Full resolution | 4000 x 3000 | 3648 x 2736 |
| Max native ISO | 3200 | 1600 |
| Max boosted ISO | 12800 | - |
| Lowest native ISO | 100 | 80 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 24-360mm (15.0x) | 38-114mm (3.0x) |
| Largest aperture | f/3.5-5.3 | f/2.8-5.7 |
| Macro focus range | 5cm | 5cm |
| Crop factor | 5.6 | 5.9 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen size | 3 inches | 2.5 inches |
| Screen resolution | 460 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 8 secs | 8 secs |
| Highest shutter speed | 1/2000 secs | 1/1500 secs |
| Continuous shooting rate | 2.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 3.20 m | 4.60 m |
| Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Auto & Red-Eye reduction, Slow Sync, Fill-in Flash, Flash Off, Red-Eye Fix |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 800 x 592 (20 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) |
| Max video resolution | 1280x720 | 640x480 |
| Video file format | Motion JPEG | Motion JPEG |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 215 grams (0.47 lbs) | 140 grams (0.31 lbs) |
| Physical dimensions | 104 x 59 x 33mm (4.1" x 2.3" x 1.3") | 94 x 61 x 23mm (3.7" x 2.4" x 0.9") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | NP-50 | - |
| Self timer | Yes (2 or 10 sec) | Yes |
| Time lapse feature | ||
| Type of storage | SD/SDHC, Internal | SD/MMC/SDHC card, Internal |
| Card slots | Single | Single |
| Cost at launch | $280 | $93 |